Hailing from Azerbaijan, the New York-based Amina Figarova is an internationally influenced—and recognized—composer, pianist, and bandleader. Those three roles come to the forefront in Figarova’s sextets, bands with a remarkable chemistry that brings her detailed arrangements to life. Every member of the group stands out as a first-rate individual, but their dedication to Figarova’s eclectic and powerful compositions gives this group its depth of feeling and elite status. The Amina Figarova Sextet has been a hit at major festivals like the Newport Jazz Festival and New Orleans Jazz and Heritage Festival.
Since moving to Los Angeles from her native Guatemala, singer-songwriter-producer Gaby Moreno has released eight albums and earned 4 GRAMMY nominations for her albums “Illusion” (Best Latin Pop Album, 2017) , “Alegoría” (Best Latin Rock/Alternative Album, 2022), “X Mí (Vol. 1)” (Best Latin Pop Album – 2023) and for producing legendary cuban singer Omara Portuondo’s album “Vida” (Best Latin Tropical Album – 2023). She is also a 5-time nominee and winner of a Latin GRAMMY for “Best New Artist” (2013).
Memphis-based saxophonist Alex Upton will bring their original modern, straightahead jazz compositions to The Green Room at Crosstown Arts. The second half of the performance will be the premiere of a brand-new, five-movement suite for jazz combo entitled “In Retrospect”.
Memphis music legends Lucero’s Ben Nichols and Rick Steff are teaming up to play a very special performance in The Green Room at Crosstown Arts.
Described in a recent 5-star review in DownBeat magazine as having “incredible prowess and tender musicality,” New York saxophonist and composer Jim Snidero encapsulates what is both unique and compelling about jazz, reflected in over 10 million plays on Spotify. Hailed as having a sound “at the highest level among his fellow alto saxophonists of the 21st century” (All About Jazz), and improvisation that is “mind-boggling and, at the same time, hugely enjoyable” (The Guardian), Snidero is a veteran recording artist placing in both DownBeat critic and reader polls (EMI, Milestone, Savant …) and sideman (Mingus big band, Jack McDuff, Eddie Palmieri, Frank Sinatra …) who can truly say “been there, done that.”
Bounty hunter Mack “Truck” Turner (Isaac Hayes) almost always finds his target, but his latest prize — a pimp called Gator (Paul Harris) — is killed while Turner is chasing him. Gator’s girl, Dorinda (Nichelle Nichols), vows to avenge his death and offers ownership of her successful call girl operation to anyone who can knock off Turner. Upscale pimp Harvard Blue (Yaphet Kotto) steps in, upping the ante with professional assassins. Turner, however, isn’t going down easily.
Join Indie Memphis & Crosstown Arts for a discussion of best practices when applying for filmmaking grants and labs. Joseph Carr will lead a presentation for filmmakers applying for Indie Memphis’ IndieGrant program*. He will break down the application process step-by-step and provide tips on what the jurors look for when reviewing submissions. Additionally, Indie Memphis’ Kayla Myers and Amanzi Arnett will discuss other local and national opportunities for grant funding, as well as provide guidance on how to best present yourself and your project when applying for funding.
Continuing the autobiographical story he began in The Dance of Reality, Endless Poetry is an ode to the quest for beauty and inner truth, as a universal force capable of changing one’s life forever, written by a man who has dedicated his existence to creating spiritual and artistic awareness, told through Jodorowsky’s unique surreal and psychedelic visual language.
Want to apply to the Crosstown Arts Resident Artist program, but you’re not sure where to start? Attend the Residency Application Info Session and learn the ins and outs of creating and submitting your application, plus get answers to any questions you might have about the Residency program. Be sure to RSVP!
Raised in a coastal Massachusetts town north of Boston, Hayley Reardon spent three years based in Nashville and much of the past six years carrying her songs and stories all over the globe — including a six-month artist-in-residency stay in Dachau, Germany — gathering experiences, inspiration and soulful connections. Her ever-deepening music carries a lyrical and melodic weight beyond her years, being described as “brilliantly moving folk/pop with a lyrical depth and soul” (Performer Magazine) and “a melancholy little masterpiece” (American Songwriter Magazine). No Depression writes “Reardon is truly a treasure.”