To celebrate the release of his new record Nowhere in Between, John Bass brings an amazing lineup of talented Memphis musicians and friends who the guitarist has worked with over the past 20 years. 

From the outside, Jeff Hulett might seem like a late-blooming guitarist and songwriter. But if you ask any of his fellow musicians they’ll tell you he was writing songs and playing music long before he put pen to paper or strummed a chord.

From his work with Me & Leah to Snowglobe, from solo shows and soundtrack work to the Hand Me Down’s, Jeff Hulett is a Memphis music mainstay, with a talent for warm and honest songwriting.

Hailing from Azerbaijan, the New York-based Amina Figarova is an internationally influenced—and recognized—composer, pianist, and bandleader. Those three roles come to the forefront in Figarova’s sextets, bands with a remarkable chemistry that brings her detailed arrangements to life. Every member of the group stands out as a first-rate individual, but their dedication to Figarova’s eclectic and powerful compositions gives this group its depth of feeling and elite status. The Amina Figarova Sextet has been a hit at major festivals like the Newport Jazz Festival and New Orleans Jazz and Heritage Festival.

Since moving to Los Angeles from her native Guatemala, singer-songwriter-producer Gaby Moreno has released eight albums and earned 4 GRAMMY nominations for her albums “Illusion” (Best Latin Pop Album, 2017) , “Alegoría” (Best Latin Rock/Alternative Album, 2022), “X Mí (Vol. 1)” (Best Latin Pop Album – 2023) and for producing legendary cuban singer Omara Portuondo’s album “Vida” (Best Latin Tropical Album – 2023). She is also a 5-time nominee and winner of a Latin GRAMMY for “Best New Artist” (2013).

Memphis-based saxophonist Alex Upton will bring their original modern, straightahead jazz compositions to The Green Room at Crosstown Arts. The second half of the performance will be the premiere of a brand-new, five-movement suite for jazz combo entitled “In Retrospect”.

Memphis music legends Lucero’s Ben Nichols and Rick Steff are teaming up to play a very special performance in The Green Room at Crosstown Arts.

Described in a recent 5-star review in DownBeat magazine as having “incredible prowess and tender musicality,” New York saxophonist and composer Jim Snidero encapsulates what is both unique and compelling about jazz, reflected in over 10 million plays on Spotify. Hailed as having a sound “at the highest level among his fellow alto saxophonists of the 21st century” (All About Jazz), and improvisation that is “mind-boggling and, at the same time, hugely enjoyable” (The Guardian), Snidero is a veteran recording artist placing in both DownBeat critic and reader polls (EMI, Milestone, Savant …) and sideman (Mingus big band, Jack McDuff, Eddie Palmieri, Frank Sinatra …) who can truly say “been there, done that.”

Join Indie Memphis & Crosstown Arts for a discussion of best practices when applying for filmmaking grants and labs. Joseph Carr will lead a presentation for filmmakers applying for Indie Memphis’ IndieGrant program*. He will break down the application process step-by-step and provide tips on what the jurors look for when reviewing submissions. Additionally, Indie Memphis’ Kayla Myers and Amanzi Arnett will discuss other local and national opportunities for grant funding, as well as provide guidance on how to best present yourself and your project when applying for funding.

Raised in a coastal Massachusetts town north of Boston, Hayley Reardon spent three years based in Nashville and much of the past six years carrying her songs and stories all over the globe — including a six-month artist-in-residency stay in Dachau, Germany — gathering experiences, inspiration and soulful connections. Her ever-deepening music carries a lyrical and melodic weight beyond her years, being described as “brilliantly moving folk/pop with a lyrical depth and soul” (Performer Magazine) and “a melancholy little masterpiece” (American Songwriter Magazine). No Depression writes “Reardon is truly a treasure.”

Three time Grammy Award-Winning Drummer Ulysses Owens Jr. is known for being a drummer who The New York Times has said “take[s] a back seat to no one,” and “a musician who balances excitement gracefully and shines with innovation.”

Marisa Anderson channels the history of the guitar and stretches the boundaries of tradition. Her deeply original work applies elements of minimalism, electronic music, drone and 20th century classical music to compositions based on blues, jazz, gospel and country music, re-imagining the landscape of American music. The New Yorker calls Anderson ‘one of the most distinctive guitar players of her generation’, while NPR refers to her as among ‘this era’s most powerful players’.

Fareed Haque is a modern guitar virtuoso. Steeped in classical and jazz traditions, his unique command of the guitar and different musical styles inspire his musical ventures with tradition and fearless innovation.

The Kentucky-raised, New Orleans-schooled, New York-based Cowherd is best known for his long- running partnership with drummer/bandleader Brian Blade, with whom he co-founded the Grammy nominated Brian Blade and the Fellowship Band, whose acclaimed, influential albums showcase Cowherd’s stellar keyboard work and singular compositional skills. When not recording and touring with the Fellowship, Cowherd has worked extensively with a broad array of players and singers from the jazz, pop and rock worlds including Joni Mitchell, Norah Jones, Brandi Carlile, KD Lang, Rosanne Cash, Iggy Pop, Glen Hansard, Cassandra Wilson, John Scofield and Lizz Wright.

John Hébert, bassist, was born in New Orleans, Louisiana, where he first began to study double bass with Bill Huntington. He has worked alongside world-famous artists such as Andrew Hill, Lee Konitz, Paul Bley, John Abercrombie, Kenny Wheeler, Paul Motian, Joe Maneri, Mary Havorson, Tomasz Stanko, David Liebman, Uri Caine, Greg Osby, Bill Stewart, Marc Copland, Fred Hersch, Toots Thielemans, Maria Schneider, and many others.

A hectic touring schedule; twenty-one recordings as a leader, countless sideman recordings including Ray Brown, Bobby Hutcherson, Roger Kellaway; soundtrack performances on three of Clint Eastwood’s distinguished films—most notably Academy Award-winning Million Dollar Baby; raconteur, arranger, acclaimed educator, in residence at USC’s Studio/Jazz Guitar Dept., when does Bruce Forman rest?