Giuseppe Tornatore, director of the beloved Cinema Paradiso, turns his camera on his longtime collaborator Ennio Morricone (1928-2020) in a moving and comprehensive profile of an indefatigable composer. Tornatore’s documentary portrait explores the breadth of the maestro’s career, from his early Italian pop songs to the fistful of unforgettable film scores that he wrote, including The Good, the Bad, and the Ugly, The Thing, Days of Heaven, and hundreds of others. The examination thoughtfully captures insightful commentary from Morricone’s closest collaborators and contemporaries, featuring testimonies from artists and directors such as Bernardo Bertolucci, Marco Bellocchio, Giuliano Montaldo, Dario Argento, Clint Eastwood, Joan Baez, Quentin Tarantino, and more. Ennio affords the master one last chance to recount his career and deconstruct the artistic process that led him to win two Academy Awards and author over 500 unforgettable soundtracks.
One of the most critically acclaimed films of all time, Days of Heaven is a moving story about two men who love the same woman. Richard Gere, a fugitive from the slums of Chicago, finds himself pitted against a shy, rich Texan (Sam Shepard) for the love of Abby (Brooke Adams). Writer/director Malick’s first film since Badlands is an extraordinary cinematic achievement of sight and sound.
In Paris, isolated Eastern European émigré Trelkovsky (Roman Polanski) rents an apartment in a spooky old building whose inhabitants regard him with suspicion and even outright hostility. When he learns that the apartment’s previous tenant, a beautiful woman, tried to commit suicide by jumping out the window, Trelkovsky begins to identify with her in increasingly disturbing ways. Then, to make matters even worse, he reaches the conclusion that his new neighbors are plotting to kill him.
Jerry (Cary Grant) and Lucy (Irene Dunne) are a married couple who doubt each other’s fidelity: Jerry suspects Lucy and her music teacher (Alexander D’Arcy) of spending an evening together, and Lucy is convinced Jerry lied about a business trip. When the jealous pair file for divorce, both rush into new relationships, but quickly realize their love never died. The soon-to-be-divorced husband and wife then both scramble to spoil each other’s chances for newfound romance.
Marcello Mastroianni plays Guido Anselmi, a director whose new project is collapsing around him, along with his life. One of the greatest films about film ever made, Federico Fellini’s 8½ (Otto e mezzo) turns one man’s artistic crisis into a grand epic of the cinema. An early working title for 8½ was The Beautiful Confusion, and Fellini’s masterpiece is exactly that: a shimmering dream, a circus, and a magic act.
A film director (François Truffaut) tries to get his movie made while observing the real-life dramas in his actors’ lives. Fading icon Severine (Valentina Cortese) forgets her lines when she drinks, while her co-star, Alexandre (Jean-Pierre Aumont), is fixated on his lover’s imminent arrival. Meanwhile, insecure young star Alphonse (Jean-Pierre Léaud) has emotional outbursts, yet seems well-balanced compared to Julie (Jacqueline Bisset), a British actress recuperating from a nervous breakdown.
