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Sound Observations: Nicole Mitchell

12/08/18
6:30 pm – 9:30 pm


Crosstown Arts, The Green Room
1350 Concourse Ave., Suite 280
Memphis, TN 38104 United States

A musical performance and lecture series presented by Sonosphere in collaboration with Crosstown Arts.

Panel discussion
The Green Room, 6:30 pm
Free and open to the public

Nicole Mitchell performance
The Green Room, d
oors at 7:30 pm | show at 8 pm
$10 tickets (purchase on Eventbrite)

Join us on Saturday, December 8th for a panel discussion and performance by Nicole Mitchell, a creative flutist, composer, and educator whose music celebrates African American culture while reaching across genres and integrating new ideas with moments in the legacy of jazz, gospel, experimentalism, pop and African percussion.

Before the concert, a panel of Memphis artists will discuss the topic of “Afrofuturism: Building Communities.” The panel includes James Dukes, Danian Jerry, Troy L. Wiggins, and Sheree Renée Thomas.



About Nicole Mitchell:
Nicole M. Mitchell is an award-winning creative flutist, composer, bandleader, and educator. She is perhaps best known for her work as a flutist, having developed a unique improvisational language and having been repeatedly awarded “Top Flutist of the Year” by Downbeat Magazine Critics Poll and the Jazz Journalists Association (2010-2017). Mitchell initially emerged from Chicago’s innovative music scene in the late 90s, and her music celebrates contemporary African American culture.

She is the founder of Black Earth Ensemble, Black Earth Strings, Sonic Projections, and Ice Crystal, and she composes for contemporary ensembles of varied instrumentation and size, while incorporating improvisation and a wide aesthetic expression. The former first woman president of Chicago’s Association for the Advancement of Creative Musicians, Mitchell celebrates endless possibility by “creating visionary worlds through music that bridge the familiar with the unknown.” Some of her newest work with Black Earth Ensemble explores intercultural collaborations; Bamako*Chicago, featuring Malian kora master, Ballake Sissoko, made its American debut at Chicago’s Hyde Park Jazz Festival in September 2017, and Mandorla Awakening with Kojiro Umezaki (shakuhachi) and Tatsu Aoki (taiko, bass, shamisen), was just recently released on FPE records (Chicago) last spring.

As a composer, Mitchell has been commissioned by the French Ministry of Culture, the Chicago Museum of Contemporary Art, Art Institute of Chicago, the Stone, the French American Jazz Exchange, Chamber Music America (New Works), the Chicago Jazz Festival, ICE, and the Chicago Sinfonietta. Mitchell has performed with creative music luminaries including Craig Taborn, Roscoe Mitchell, Joelle Leandre, Anthony Braxton, Geri Allen, George Lewis, Mark Dresser, Steve Coleman, Anthony Davis, Myra Melford, Bill Dixon, Muhal Richard Abrams, Ed Wilkerson, Rob Mazurek, and Billy Childs, and Hamid Drake. She is a recipient of the Herb Alpert Award (2011), the Chicago 3Arts Award (2011) and the Doris Duke Artist Award (2012).  

Mitchell is a Professor of Music at University of California, Irvine, teaching composition and improvisation in the graduate program of Integrated Composition, Improvisation and Technology.  

Learn more at https://www.nicolemitchell.com/


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