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Crosstown Arts presents guitarist Marc Ribot in The Green Room.

Doors at 7 pm | Show at 7:30 pm

Tickets: $20

Enigmatic guitarist Marc Ribot has released six very diverse solo guitar albums, including John Zorn’s Book of Heads, Plays the Works of Frantz Casseus, Saints, Don’t Blame Me, Exercises in Futility, and 2010’s Silent Movies (Pi Recordings). Silent Movies has been described as a “down-in-mouth-near master piece” by the Village Voice and has landed on several “Best of 2010” lists, including in the LA Times. His live solo performances are unpredictable events which may draw upon a sonic matrix of memory, free improvisation, zeitgeist, extra-terrestrial radio signals, and much more — always leaving the listener on the edge of their seats.

“In the hear-a-pin-drop setting of Cafe Oto, Ribot’s intense, heartfelt commitment invited not only the closest of listening but also allowed scrutiny of his technical approach, offering a minor spectacle, as well as a rare, transportative musical experience.” – London Jazz News, review of his 2015 OTO residency

“… he can sit down with just his guitar and simultaneously confound you with technique, beauty, and surprise.” – John Garratt and Will Layman, PopMatters Picks: The Best Music of 2010 for the album “Silent Movies.”

“In discussing the guitarist Marc Ribot, it’s more efficient to wonder what he hasn’t done than to list what he has actually accomplished. Across four decades, Ribot’s career has spanned smooth soul and gnarled blues, blaring no wave and elegant film scores, solo composer roles, and Tom Waits supporting work; that’s only a sliver of his prolificacy. … Though his solo range is only slightly less boundless than his overall discography, he favors quiet, intricate improvisations around standards that you will recognize in flashes but will rarely sound repetitive of their sources. Ribot is a master of timing, tone, and taste, with a bank of experiences so vast and varied he can navigate his way through any song or situation with panache. Consider this visit a master lesson.” —Grayson Haver Currin, indyweek.com