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R.L. Boyce with Ryan Lee Crosby & Shaun Marsh at Crosstown Arts

10/09/21
7:30 pm – 9:30 pm


Crosstown Arts, The Green Room
1350 Concourse Ave., Suite 280
Memphis, TN 38104 United States

Crosstown Arts presents blues musician R.L. Boyce with Ryan Lee Crosby and Shaun Marsh in The Green Room.

Doors at 7 pm | Show at 7:30 pm

Tickets: $15

R.L. Boyce is a Grammy-nominated American blues singer, songwriter, and guitarist born and raised in Como, Mississippi, United States. He is a protege of Hill country blues musicians, including R L Burnside, and Mississippi Fred McDowell.

Boyce began his career in the early 1960s playing drums for his uncle, the fife and drum performer Othar Turner. Later, he was the drummer for Jessie Mae Hemphill and is featured on her 1990 album Feelin’ Good.

His debut full-length album, entitled Ain’t the Man’s Alright, was released when he was 52 years old and featured musicians including Cedric Burnside, Luther Dickinson, and Calvin Jackson.

His second album release, Roll and Tumble, was released on September 8, 2017 on Waxploitation Records. The album included the father and son double drumming team of Cedric Burnside (R.L. Burnside’s drummer and grandson) and Calvin Jackson. The album was produced by Luther Dickinson (of The Black Crowes and North Mississippi Allstars fame) and David Katznelson.

Ryan Lee Crosby is a Boston-based singer/songwriter, guitarist, and music teacher. His sound pays tribute to the Bentonia and North Mississippi blues traditions, centered in 12 string guitar, lap style dobro, dynamic vocals, and a driving foot stomp.

For six years, Crosby toured Europe annually, developing his sound before making the pilgrimage to Mississippi to meet Jimmy “Duck” Holmes in 2019. Since that first meeting, Crosby has returned to Bentonia four times to learn about the style directly from Holmes at the Blue Front Cafe and to perform at the Bentonia Blues Festival. Crosby recently recorded a new album, Winter Hill Blues, with renowned producer Bruce Watson (Fat Possum/Big Legal Mess Records) at his Memphis studio, Delta-Sonic Sound.

Through music, Crosby hopes to inspire peace, openness, and respect for tradition, for culture, for each other, and for one’s self.
From an early age growing up in the south of England, Shaun Marsh learned the power and potential of music through his mother, a performing artist and soul singer in the sixties and seventies. Being introduced to early pop, rock & roll, R&B, and soul had a profound inspiration on him. It wasn’t until he reached his forties that Shaun began to look back at the origins and true roots of the music that he’d been listening to most of his life.
Late one night while tuning in to John Peel on the radio, he heard Hell Hound On My Trail by Robert Johnson. The raw emotion of that recording compelled him to immerse himself in the early pre-war blues. He began to develop the techniques for playing finger picking-style country and Delta blues from the recordings of the early pioneering musicians who paved the way. It was these rich and lonesome strands of storytelling that brought him to Memphis, where he continues to study in the shadow of this powerful music that defines this city. His repertoire on solo acoustic guitar ranges from Robert Johnson and Charley Patton to Skip James and Big Bill Broonzy. Following the threads of the blues from Memphis, he also gets inspiration from such greats as Johnny Cash, Magic Sam, and Otis Redding.

Crosstown Arts

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