Related Events
The Green Room at Crosstown Arts
Thursday, March 2, 2023
Talks begin at 6 pm
Tickets: Free
Crosstown Arts resident artists will give presentations about their work in the Green Room at Crosstown Arts. The event is free and open to the public.
Su-Yee Lin writes stories and poetry that grapple with issues of identity, memory, environment, and mythology. Her work often lies on the border between the real and the strange, and she is interested in the intersections between the surreal and the natural world. She was a Fulbright Fellow to China and has had work published in the Pushcart Prize anthology, Tor.com, Electric Literature, Bennington Review, Day One, Nashville Review, The Offing, and other literary journals, and short stories translated into Italian and Chinese.
Keith S. Wilson is an Affrilachian Poet and a Cave Canem fellow. He is a recipient of an NEA Fellowship, an Elizabeth George Foundation Grant, and an Illinois Arts Council Agency Award, and has received both a Kenyon Review Fellowship and a Stegner Fellowship. His book, Fieldnotes on Ordinary Love (Copper Canyon), was recognized by the New York Times as a best new book of poetry.
Edo Rosenblith (B. 1988 Tel Aviv, Israel) received a BFA in painting in 2011 at the Rhode Island School of Design and an MFA in Visual Art at Washington University-St. Louis in 2017. Edo is a compulsive draftsman who works in a variety of mediums: murals, painting, drawing, printmaking, and book arts.
Kelsey Harrison’s sculptural work has been shown in institutions nationally including The Jewish Museum, Abrons Art Center, and The Knockdown Center in New York, SOMArts in San Francisco, The Sullivan Galleries in Chicago, The College of William and Mary in Virginia, and the Utah Museum of Contemporary Art and the Utah Museum of Fine Art in Salt Lake City. Harrison received her BFA in Sculpture from Purchase College, State University of New York and her MFA in Sculpture at the School of the Art Institute of Chicago. She is Assistant Professor of Sculpture at the University of Memphis.
Brittney Boyd Bullock, an artist working in fiber, mixed-media, and abstraction, explores the tension between searching and finding, obsession and order, and lightness and darkness through two- and three-dimensional forms. Contemplative and personal, the process-driven works interrogate anxiety and wonder using materials in a new way, forcing her to make meaning in the arbitrary jumble.
Jennifer Sargent makes intricate drawings and handwoven tapestries. As an artist weaver she considers herself both a contemporary practitioner and a part of a longer continuum that is thousands of years old. This idea is both a comfort and a challenge. One of two elements is always present in Sargent’s work, either story telling or the natural world (whether wild or domesticated). Sargent creates an abstracted sense of these ideas or experiences through the layering of pattern and color.
