Jazz Times magazine states that “Patrice Williamson isn’t a singer, she’s a one-woman jazz sampler. — She is a woman of many voices, each distinctly intriguing, all distinctly her own.”
With a core in the music experience of the Black Church, The Knights salute the contributions of traditional jazz artists and composers. The eclectic and seasoned audience members that enjoy impassioned blues and hearty R&B are embraced. The soundscape produced stirs the soul and rouses the hands and feet.
The Crosstown Strictly Jazz Series, presented by Crosstown Arts in collaboration with Strictly Jazz Entertainment, is designed to salute classic jazz music as contemporary musicians perform the work of the legends.
The upcoming concert at The Green Room will showcase Edmaiston on saxophones along with master rhythmatist Ra Kalam on drums/percussion/gongs in various instrumental configurations with an eclectic mix of talented guests.
After living in the United Kingdom for more than two decades, Emily Barker – the prolific, award-winning contemporary singer-songwriter best known for composing and performing the theme for Wallander, the BBC’s hugely successful crime drama starring Kenneth Branagh – returned home to Western Australia to begin a new musical chapter with her latest single, “Wild To Be Sharing This Moment”, out today through Everyone Sang/Kartel Music Group and embarking on a national tour with UK artist, Frank Turner.
“I’m an advocate for keeping conversation alive across divides,” Emily stresses, “for trying to approach each encounter as an opportunity for connection. We must find our common humanity in order to make the world a safer, better place for us all to live in.”
Crosstown Arts Spring 2024 resident artists will present artist talks.
Joyce’s career spans from live orchestrations for Nashville’s WSM radio and television stations, to live performances in Europe. She landed a record deal with a subsidiary of Stax Records just before the label folded, but continued her recording career with the West Coast-based Cream Records. Under the direction of Wayne Crook of Shoe Productions, she wrote, sang, and performed the single “Dig the Gold” that earned her a No. 42 spot in Billboard Magazine.
The Cooper-Young jazz group was an institution in Midtown Memphis for the better part of the 2000s, playing at the Young Avenue Deli every Sunday from approximately 1999-2006. At a time when jazz wasn’t exactly thriving in Memphis, this group helped to bridge the gap that would carry the torch from Memphis’ storied past of jazz innovation to the burgeoning scene it is today.
Matt Otto currently performs his original compositions and jazz standards with his Kansas City-based quartet as well as traveling several times per year to New York and L.A. for performances and recordings.
Matt has recorded and performed with the Grammy-nominated Anthony Wilson Nonet (The Power of Nine, Groove Note 1035, 2006), The Rashid Bakr Quintet, has performed in Los Angeles with the Grammy Nominated Alan Ferber Big Band as well as having recorded on over 50 CDs as both a leader and a side man.
Join Indie Memphis & Crosstown Arts for our March Shoot & Splice all about music in film! Crosstown Sync’sMckenzii Webster and Charles Seaton will discuss their process for musicians to have their music licensed for film & TV, plus how filmmakers can best utilize their services. Immediately following will be a discussion with Memphis film composers Paul Vinsonhaler and Jeff Cohran about their process in creating the music for filmmakers across the city and beyond.