Crosstown Theater

Kirk Whalum’s Epic Cool is an electrifying collection of original grooves. Teaming up with producer Greg Manning (two-time GRAMMYr nominee, composer/collaborator on 10 No. 1 Billboard hits), Whalum focuses on his songwriting to craft an album that's passionate and spirited on a monumental scale, but with his trademark soul. Celebrate its release with this very special performance at Crosstown Theater!

Celebrating over a quarter century of music making, the twice GRAMMY® Award-nominated Imani Winds has led both a revolution and evolution of the wind quintet through their dynamic playing, adventurous programming, imaginative collaborations, and outreach endeavors that have inspired audiences of all ages and backgrounds.

Welcome to your new favorite pop-art explosion. Stewardess Yoriko is kidnapped by a team of deadly female assassins who use vinyl records as weapons. Now, it’s up to photographer Hondo to uncover the conspiracy while dealing with go-go dancing ninjas and bullets made of chewing gum. The bubblegum reference isn’t a coincidence — Black Tight Killersis an ultra-stylish, candy-coated amusement park ride in the form of a movie. This overlooked crime-noir delight shares the visual inventiveness of Mario Bava’s Danger: Diabolik and the pulp thrills of Seijun Suzuki’s Tokyo Drifter. An essential big screen experience.

In 1972, Harvey Milk (Sean Penn) and his then-lover Scott Smith leave New York for San Francisco, with Milk determined to accomplish something meaningful in his life. Settling in the Castro District, he opens a camera shop and helps transform the area into a mecca for gays and lesbians. In 1977 he becomes the nation's first openly gay man elected to a notable public office when he wins a seat on the Board of Supervisors. The following year, Dan White (Josh Brolin) kills Milk in cold blood. 

A young punk, recruited by a car repo agency, finds himself in pursuit of a Chevrolet Malibu with a huge, $20,000 bounty — and something otherworldly stashed in its trunk.

Among the most praised titles in all contemporary film, this singular masterpiece of Taiwanese cinema, directed by Edward Yang, is set in the early sixties in Taiwan. A Brighter Summer Day is based on the true story of a crime that rocked the nation. A film of both sprawling scope and tender intimacy, this novelistic, patiently observed epic centers on the gradual, inexorable fall of a young teenager (Chen Chang, in his first role) from innocence to juvenile delinquency, and is set against a simmering backdrop of restless youth, rock and roll, and political turmoil.

An exquisitely understated ode to the thrill of romantic possibility, the inaugural installment of The Before Trilogy opens with a chance encounter between two solitary young strangers. After they hit it off on a train bound for Vienna, the Paris university student Celine and the scrappy American tourist Jesse impulsively decide to spend a day together before he returns to the U.S. the next morning. As the pair roam the streets of the stately city, Richard Linklater’s tenderly observant gaze captures the uncertainty and intoxication of young love.

John Lennon, Yoko Ono, Little Richard, The Doors, Alice Cooper, and other legendary musicians performed at the 1969 Toronto Rock and Roll Revival music festival. This behind-the-scenes look at “the second most important event in rock and roll history” culminates in John Lennon’s first public performance with The Plastic Ono Band, triggering his decision to leave The Beatles.

Jacques Tati’s gloriously choreographed, nearly wordless comedies about confusion in an age of high technology reached their apotheosis with PlayTime. For this monumental achievement, a nearly three-year-long, bank-breaking production, Tati again thrust the lovably old-fashioned Monsieur Hulot, along with a host of other lost souls, into a baffling modern world, this time Paris. With every inch of its superwide frame crammed with hilarity and inventiveness, PlayTime is a lasting record of a modern era tiptoeing on the edge of oblivion.

One of the most notorious films of the 1980s, this controversial crime noir thriller directed by William Friedkin (The Exorcist, The French Connection) stars Al Pacino as Steve Burns, an NYPD officer who goes undercover in Manhattan’s Leather-bar underground in order to track down a serial killer targeting gay men. But as Stevebecomes immersed in club hopping, he begins to identify with the subculture more than he expected. Meanwhile, the police force’s homophobia becomes apparent and the killer remains at large.