Crosstown Theater

Kelly (Lucinda Dickey) is a classically trained jazz dancer who’s tired of warding off her amorous teacher and hungry for a new outlet. When she befriends street dancers Ozone (Adolfo “Shabba-Doo” Quinones) and Turbo (Michael “Boogaloo Shrimp” Chambers), She’s blown away by their unique and original moves. She soon volunteers to help them defeat a rival group of street dances, learning break-dancing skills along the way and sharing some moves of her own.

The four films Man Ray directed between 1923 and 1929, Le Retour à la raison, Emak-Bakia, L'Étoile de mer and Les Mystères du Château du Dé represent a high watermark of early European avant-garde cinema, a seminal nexus of experimental technique, surrealist narrative, and playful abstraction as suffused with dark eroticism.

Martin Scorsese first encountered the films of Powell and Pressburger when he was a child, sitting in front of the family TV. When their famous logo came up on screen, Scorsese says, “You knew you were in for fantasy, wonder, magic - real film magic.” Now, in this documentary, he tells the story of his lifelong love-affair with their movies, including The Life and Death Of Colonel Blimp, Black Narcissus, The Red Shoes and The Tales of Hoffmann.

This Powell And Pressburger classic is widely considered to be one of the greatest films ever made and winner of two Oscars. It focuses on Vicky, a young ballerina starring in a ballet The Red Shoes. Like her character in the ballet, she is irresistibly drawn to dancing. Her life becomes split between her simple human passion and artistic devotion to her profession. The film contains ballet sequences of stylistic mastery, and is visually one of the most innovative and beautiful works of cinema ever created.

Join Grammy-winning saxophonist Kirk Whalum for Kafé Kirk, an ongoing jazz series in Crosstown Theater featuring musical and spiritual collaborations with special guest artists. This very special performance will feature saxophonist Mindi Abair.

In South Memphis, married artists Bertram Williams and Talibah Safiya transform their creative practices into vehicles for a higher purpose. Enter Mama’s Sundry, a collaborative movement fostering wellness and sustainability through education, service initiatives and a neighborhood garden that produces fresh fruit and vegetables within a community that’s long been designated a food desert. Followed by a panel discussion.

In one of his most finely tuned performances, Peter Sellers plays the pure-hearted, childlike Chance, a gardener who is forced into the wilds of Washington, D.C., when his wealthy guardian dies. Shocked to discover that the real world doesn’t respond to the click of a remote, Chance stumbles into celebrity after being taken under the wing of a tycoon (Melvyn Douglas, in an Oscar-winning performance), who mistakes his protégé’s horticultural mumblings for sagacious pronouncements on life and politics, and whose wife (Shirley MacLaine) targets Chance as the object of her desire. Adapted from a novel by Jerzy Kosinski, this satire, both deeply melancholy and hilarious, is the culmination of Hal Ashby’s remarkable string of films in the 1970s, and a carefully modulated examination of the ideals, anxieties, and media-fueled delusions that shaped American culture during that decade.

A 3-D documentary film about the life and work of artist and marine H.C. (“Cliff”) Westermann, voice-acted by four-time Academy-Award nominee Ed Harris, conceived and directed by Leslie Buchbinder, and featuring interviews with Ed Ruscha, Frank Gehry, and many others. As a veteran of World War II and the Korean War who struggled with the ramifications of modern warfare, Westermann’s dramatic personal history can be traced through his beguiling, surreal artworks. The film is executive produced by the international art icon KAWS, and award-winning documentary producer Caryn Capotosto, whose prior projects include “Little Richard: I Am Everything” and “The Thief Collector.” Westermann features music by legendary artists Laurie Anderson, the Kronos Quartet, and Terry Allen, with an original score by MacArthur "Genius Grant" winner Tomeka Reid.