Freedom Day with Karen Brown

Come hear the soulful sounds of Karen Brown and her band at The Green Room as we celebrate Black Music Month. Karen Brown will usher in the soul and victorious celebration of African American historical holiday, Freedom Day!

Tickets: $15 advance | $20 door
Doors at 7 pm | performance at 7:30 pm

African Americans have a uniquely painful history with American Independence Day (July 4th). In the United States, the ideas of liberty and freedom ring in the hearts of African Americans but often feel conflicting with the historical and ongoing oppression of Black Americans since the country’s inception. Although many African Americans began celebrating “Emancipation Day” during the American Revolution, Juneteenth is special holiday for African Americans since it marks the first time that Black Americans were actually, legally “free.”

About Juneteenth:
On January 1, 1863, President Abraham Lincoln signed the Emancipation Proclamation which was meant to legally free slaves. However, due to slow communication processes and the realities of such an emotive war, it took two years for the war to actually end, following Lincoln’s proclamation. Even once the war was officially concluded, many Texas slave owners refused to acknowledge the end of the war and slavery, seeking to continue their plantations (and free labor force) for as long as possible.

However, on June 19th, 1865, Union Soldiers, led by Major General Gordon Granger, entered Galveston, TX and officially announced that ALL slaves were freed — thus, Juneteenth was born.

Juneteenth is a celebration of the actual emancipation of Black Americans from slavery. It is often celebrated with fish fries, dancing, and fellowship with other members of the diaspora. Unfortunately, despite its apparent historical significance, the holiday is still not nationally recognized. As a result, few Americans recognize the important holiday and many African Americans are not able to celebrate. However, other Black Americans take the day off to celebrate this historic day with family and friends.

Chantae Cann at The Green Room

Join us for a performance by the Atlanta-based R&B singer-songwriter Chantae Cann in The Green Room at Crosstown Arts.

Tickets: $15 advance | $20 door
Doors at 7 pm | show at 7:30 pm

 

About the artist:
“Known primarily for her session work, Chantae Cann is a singer and songwriter who specializes in mature R&B filled with joy and positivity. The Atlanta-based, Chicago-raised Cann made appearances on Maysa’s Smooth Sailing (2004) and India.Arie’s Testimony, Vol. 2: Love & Politics (2008), but her résumé stretched out to a remarkable length during the early 2010s. Her sweet, gentle voice was featured on the Foreign Exchange’s “Laughing at Your Plans,” Zo!’s “All Is Well with Love,” and Khari Cabral’s “Get Back,” all highlights of their respective parent albums. In 2015, after she had made contributions to recordings by the likes of Snarky Puppy, Avery Sunshine, and Lil’ John Roberts, Cann teamed up with Incognito’s Tony Momrelle on a cover of Roberta Flack and Donny Hathaway’s “Back Together Again.” Early the following year, Cann released her debut solo album, Journey to Golden, on the Ropeadope label.” — Andy Kellman

Mario Monterosso with George Sluppick and Steve Clark

Join us for a performance by Italian guitarist/singer-songwriter Mario Monterosso, drummer George Sluppick, and bassist Steve Clark in The Green Room at Crosstown Arts.

Tickets: $10
Doors at 7 pm | show at 7:30 pm


About the artist:
Mario Monterosso, an Italian guitarist, singer, songwriter, and producer, relocated in Memphis three years ago. As Tav Falco’s producer and guitarist of The Panther Burns, Monterosso has collaborated with Dale Watson on Watson’s Ameripolitan Awards Production and also with the Memphis guitarist and songwriter John Paul Keith. Monterosso is the producer of the Italian Rock’n’Roll project “The Million Euro Quartet” that tributes Memphis Rock ’n’ Roll music. Monterosso will head up a rock ’n’ roll-rockabilly trio with George Sluppick on drums and Steve Clark on the upright bass. Original songs and covers for a burning rocking night.

Spotlight Concert Series ft. flutist Elise Blatchford and pianist Adrienne Park

Join flutist Elise Blatchford and pianist Adrienne Park for a special performance titled TINY GIANTS for bass/alto flute, piccolo, piano, and toy piano. The program features works by John Cage, Sergei Prokofiev, Joan Tower, Stephen Montague, Jonathan Bailey Holland, and William Grant Still.

Tickets: $10 | $5 with student ID at the door
Doors at 7 pm | performance at 7:30 pm

The Spotlight Concert Series showcases members of the Memphis Symphony Orchestra in the intimate Green Room at Crosstown Arts. The series provides the Memphis community the opportunity to get to know and learn more about the talented musicians that make up the Memphis Symphony Orchestra. Each month will feature a different musician or small chamber group as soloist or featured ensemble.


About the artists:
Praised by the Cleveland Plain Dealer for her “superb command of color and nuance,” Elise Blatchford is the Assistant Professor of Flute at the University of Memphis Scheidt School of Music and interim Principal Flute of the Memphis Symphony Orchestra.

A chamber musician, soloist, orchestral musician, and teacher, Ms. Blatchford is a flutist who embraces the independent, the experimental, and the DIY. She was selected by the International Contemporary Ensemble (ICE) to be a 2017 fellow of their Ensemble Evolution program at the Banff Center for Arts and Creativity.

As a founding member of the woodwind quintet The City of Tomorrow, Ms. Blatchford won the gold medal of the Fischoff International Chamber Music Competition in 2011, and received a Chamber Music America Classical Commissioning grant in 2014. The quintet has commissioned new works from composers Hannah Lash, Nat Evans, and John Aylward, among others.

As a recitalist, Ms. Blatchford frequently programs music of the 20th and 21st centuries, and has been an invited guest at venues across the U.S., including Indiana University, University of Oregon, and Yale University.

Also at home in the traditional orchestra world, Ms. Blatchford will serve as interim Principal Flute for the Memphis Symphony Orchestra’s 2018-19 season. She has performed with the Oregon Symphony, the Civic Orchestra of Chicago, and the YOA Orchestra of the Americas. With YOA, she toured extensively throughout South America, the Caribbean, and mainland China; made an appearance at Carnegie Hall with Valery Gergiev; and recorded with Philip Glass.

A devoted and energetic pedagogue, Ms. Blatchford works to instill versatile musicianship in her students, so that they can create sustainable and varied careers. She has given master classes at New England Conservatory, Williams College, Longy School of Music, and Skidmore College, among many others. She holds degrees in flute performance from the Oberlin Conservatory of Music and the San Francisco Conservatory.

A Powell Artist, Ms. Blatchford performs on a 14K gold handmade Powell flute.

Adrienne Park is the Principal Pianist of the Memphis Symphony Orchestra and has performed with IRIS Orchestra, the Memphis Chamber Music Society and with PRIZM Ensemble. As a collaborative pianist, she has performed recitals with violinist Joshua Bell, cellists Shauna Rolston and Tsuyoshi Tsutsumi, bassist Edgar Meyer, flutists Paul Edmond-Davies and Timothy Hutchins, the percussion group NEXUS and composer Steve Reich. In the fall of 2011, Adrienne was invited to appear as a soloist with the Memphis Symphony Orchestra performing Poulenc’s Concerto for two pianos in d minor under the direction of Mei-Ann Chen with Steinway Artist Victor Santiago Asuncion. She has been on faculty at the University of Mississippi as a collaborative pianist for the instrumental department since 2011 and has been a faculty member of the Piano Discoveries Camp since its inception in 2007.

She enjoys playing a wide range of chamber music and contemporary music for the piano, celeste, harpsichord, synthesizer, toy piano and percussion. With percussionist David Carlisle, Adrienne co-founded DivaDi, a duo who performs eclectic and exciting repertoire that often draws from multiple styles of music. DivaDi was a guest artist at the Percussive Arts Society International Convention in Indianapolis in 2009, performing Carlisle’s percussion duet “Mad Cow.”

She recently created a new chamber series at the University of Mississippi entitled Sonic Explorations. The inaugural concert in 2013 presented instrumental and vocal works by British composers Gerald Finzi and Rebecca Clarke and an arrangement of “Eleanor Rigby” by David Carlisle. The second installment featured instrumental chamber works by Robert Schumann, Clara Schumann and Johannes Brahms. This season Sonic Explorations will be opening with two world premieres for piano and percussion intertwined with arrangements of suites by Bach for vibraphone, marimba and piano.

At the Banff Centre for the Arts in Canada, Adrienne was the faculty pianist for the fall and winter residencies from 1994 to 2000 and for various summer instrumental master classes. In 2007 at Banff, she gave the world première of a horn trio by Wolfgang Plagge with hornist Frøydis Ree Wekre and violinist Mark Fewer.

While living in Vancouver, British Columbia, she worked with Kokoro Dance Company and composer Robert Rosen for the productions of Sunyata, Truths of the Blood, Sade, Part II, Encounters with the Goddess and Dance of the Dead. She also worked with Joe Ink Dance as a member of a contemporary quintet and with John Korsrud’s Hard Rubber Orchestra, a contemporary big band.

Adrienne studied with Abbey Simon and Ruth Tomfohrde at the University of Houston, where she received a Bachelor of Music and graduated summa cum laude. She also studied with Robert Silverman at the University of British Columbia, where she received a Master of Music and graduated with first class standing. In addition, she was a frequent Resident Artist at the Banff Centre’s Music and Sound Program, directed by Isobel and Tom Rolston.

Sweet Soul Restorative: Yoga & Live Music

Treat yourself to the gift of restorative yoga with live music. This workshop focuses on the breath, supported yoga poses, and gentle somatic movements. Live music, vibrational sound, and healing touch will sustain and deepen your experience.

Pay what you can (suggested donation $10)

Yoga postures (asana) are supported with blankets, blocks, and bolsters to achieve total relaxation of the body/mind. These supported yoga poses are coupled with gentle somatic movements that will alternately stimulate the brain and relax the body to move toward balance. Somatic movements focus on the developmental movement patterns we experienced as growing infants. They will be primarily performed on the floor and on all fours.

Physiologically these movements reconnect the neural pathways in the brain, allowing us to gain more body/mind awareness. Long deep breathing and other rejuvenating breath work will be integral to the practice. The healing vibrational sounds of live music will support the practice. A wide range of ancient instruments from around the world combined with modern looping technology are used to weave an atmospheric soundscape. The music works twofold: first, it gives the mind a place to focus as the body begins to relax and open; second, the vibratory nature of this music is very balancing.

About the instructor/musician:
Sean Murphy and Anne J. Froning formed Being:Art in 2004. Since then, they’ve traveled throughout the United States designing and teaching dance, yoga, and live music workshops. Anne is a multidisciplinary artist: dancer, visual artist, teaching artist, and registered yoga teacher with over 35 years of teaching and performing experience. Sean is a professional musician, composer, instrument maker, teaching artist, and dance musician with over 20 years performing experience.

Choro das 3

Choro das 3 — the “First Family of Choro” — returns to Memphis on their 7th U.S. tour for an unforgettable evening of joy, excitement, and megachops in The Green Room at Crosstown Arts.

Tickets: $20
Doors at 7 pm | Performance at 7:30 pm

Brazilian choro music is a living gem — the “roots music” of that country and the mother of the samba and bossa nova we love. In choro, the flavors of immigrant mazurkas, polkas, and waltzes are seasoned with smoky tango and simmered in an irresistible Afro-Brazilian groove. From Heitor Villa-Lobos to Darius Milhaud to Stan Getz to Walt Disney, choro has inspired artists of all stripes and is a window into an entire musical world. Catchy and melodic – easy to appreciate – yet bursting with kaleidoscopic virtuosity that fascinates the listener, choro has been well-described as “classical music played with bare feet and callused hands.”


About Choro das 3:
A Brazilian instrumental group of three sisters and their father, Choro das 3 began to play as a band in 2002. Flutist Corina doubles on piccolo, trading lead and counterpoint roles with Elisa on bandolim (Brazilian mandolin), tenor banjo, clarinet, and accordion; Elisa also writes and performs at the piano. Lia anchors the harmony and provides the bass lines so essential to choro with the violão de sete cordas (7-string guitar). Their father, Eduardo, supplies the rhythmic heartbeat with the pandeiro (Brazilian frame drum).

Choro das 3 shares a tradition that’s over 100 years old, one that continues to attract new composers, musicians, and audiences. The group has received accolades all over Brazil and abroad for virtuosity and creative energy, and has played a significant role in the preservation, renovation, and modernization of Choro.


About West Tennessee Choro:
This concert is a collaboration between Crosstown Arts and West Tennessee Choro, a non-profit corporation based in the Memphis area created to share the popular instrumental musical styles of Brazil with music lovers of all ages through education, participation, and presentation.