Sharde Thomas Rising Stars Fife and Drum Band at The Green Room

Join us for a performance by the Sharde Thomas Rising Stars Fife and Drum Band, featuring the granddaughter of famed fife player Otha Turner, in The Green Room at Crosstown Arts. DJ Andrew McCalla will be spinning records throughout night around the Rising Stars’ performance.

Tickets: $10
Doors at 7:30pm | Show at 8pm


About the artists:
National Endowment for the Arts Heritage Fellow recipient and famed fife player Otha Turner— who founded the Rising Star Fife and Drum Band— loved telling the story of how his granddaughter Shardé Thomas simply strode up to him one day, grabbed a cane, and began blowing into it. Within a few years, Thomas was filling in at recording sessions and performing with Rising Star at picnics.

Thomas is now an American singer and fife player in her own right within the vanishing American fife and drum blues tradition. She still makes her fifes by hand out of cane, hollowing it out with a heated metal rod—just as Turner did. Within a region overflowing with musical talent, they stand apart as authentic practitioners of one of the most unique forms of American music. She calls the band “Rising Stars” because, she says, that’s what they are.

 

Memphis Mix feat. Susan Marshall at The Green Room

Enjoy an evening of familiar hits from the Stax and Hi Records catalogues performed by a select group of the finest musicians in the city and fronted by one of Memphis’ premiere vocalists, Susan Marshall. This show is a bon voyage of sorts for this all-star group of Memphis musicians before they head overseas to perform at the Memphis in Poland festival.

Joining Susan on stage will be Marcin Arendt, Peewee Jackson, Heather Trussell, Sam Shoup, Rebecca Arendt, Harold Smith, and special guests. This performance will be recorded for broadcast on Memphis own internationally syndicated radio program, Beale Street Caravan.

Tickets: $10
Doors at 7:30 pm | Show at 8 pm


About Susan Marshall:
Memphis artist Susan Marshall began her career Off-Broadway as a leading soprano in the Rep-Company Light Opera of Manhattan. Shortly after moving back to Memphis in 1990, she began fronting rock-soul band The Mother Station and was signed to a record deal with EastWest / Atlantic Records.

“Better Off Alone” (a song she co-wrote with Austin Carroll) was recorded by American Idol’s Katherine McPhee for her 2007 self-titled debut which reached #2 on Billboard’s Top 200 Albums Chart. Her songs have also been recorded by international blues divas Ana Popovic and Reba Russell to name a few.

Susan has toured all over the world as part of the Afghan Whigs as well as with Cat Power & The Memphis Rhythm Band. She is also known for her studio and/or stage work with a wide range of superstars; Lucinda Williams, Keith Richards, Norah Jones, Lenny Kravitz, Lynyrd Skynyrd, Ann Peebles, North Mississippi Allstars, Alvin Youngblood Hart, Solomon Burke, Jim Lauderdale, Steve Earle, and Kirk Whalum to name a few.

Songwriters in the Round feat. Don Bryant, Susan Marshall, and Reba Russell

Join us for Songwriters in the Round at The Green Room at Crosstown Arts, featuring Don Bryant, Susan Marshall, and Reba Russell.

Tickets: $10
Doors at 7 pm | performance at 7:30 pm

About the artists:
Don Bryant began singing when he was 5. He joined his father’s family vocal group, then formed a gospel quartet for a high school radio gig. The group went secular, singing pop at WLOK on Dick “Cane” Cole’s popular show. After parting with the DJ, they took a very real step toward careers when, as the Four Kings, they began fronting Willie Mitchell’s band.

But the group broke up and Willie anointed Don Bryant as his leading man. Don could also write songs. He was still in his teens when, in 1960, Willie was producing the 5 Royales and Don handed him “I Got To Know.” The 5 Royales put it on wax. Don was hot in the spotlight and in the writer’s room.

As Willie Mitchell carved out his place at Hi Records, Don was close by. He wrote material for other Hi artists, including Janet & the Jays and Norman West. Around 1970, Willie put Don with the Hi label’s newest act, Ann Peebles, who burst on the scene with “Part Time Love.” Don looked at this slight young lady and penned “99 Lbs” for her. The relationship warmed, they co-wrote the hit “I Can’t Stand the Rain” in 1973 and were married the following year.


Memphis artist Susan Marshall began her career Off-Broadway as a leading soprano in the Rep-Company Light Opera of Manhattan. Shortly after moving back to Memphis in 1990, she began fronting rock-soul band The Mother Station and was signed to a record deal with EastWest / Atlantic Records.

“Better Off Alone” (a song she co-wrote with Austin Carroll) was recorded by American Idol’s Katherine McPhee for her 2007 self-titled debut which reached #2 on Billboard’s Top 200 Albums Chart. Her songs have also been recorded by international blues divas Ana Popovic and Reba Russell to name a few.

Susan has toured all over the world as part of the Afghan Whigs, as well as with Cat Power & The Memphis Rhythm Band. She is also known for her studio and/or stage work with a wide range of superstars; Lucinda Williams, Keith Richards, Norah Jones, Lenny Kravitz, Lynyrd Skynyrd, Ann Peebles, North Mississippi Allstars, Alvin Youngblood Hart, Solomon Burke, Jim Lauderdale, Steve Earle, and Kirk Whalum to name a few.


Reba Russell is a name synonymous with the Memphis Music scene. She is a published songwriter, vocalist, guitarist, backing vocalist, bandleader, and producer, as well as a touring and recording artist.

Reba Russell and her band tour throughout the United States and Europe and have released eight independent albums that showcase songwriting and delivery. She is also a highly respected Memphis studio/session vocalist.

The list of credits for recording artists that Reba has performed backing vocals in session for is vast. A few notable credits are; U2 (When Love Comes to Town, BB King/ Bono). Class of 55 Homecoming featuring: Johnny Cash, Roy Orbison, Jerry Lee Lewis, Carl Perkins. Huey Lewis and the News, album; Soulsville. Numerous local/blues/regional acts including Tracy Nelson, Jim Dickinson, Sid Selvidge, and Lucero.

Memphis ’69 After-Party at The Green Room

Join us after the screening of Memphis ’69 for an after-party with the full lineup of Sons of Mudboy at The Green Room. Memphis ’69, a concert documentary shot in Memphis over three days in June 1969, will screen at 7:30 pm in Crosstown Theater (presented by Fat Possum Records & No Sudden Movements). After the film, head to The Green Room for a concert by Memphis underground band, Sons of Mudboy.

Memphis ’69 trailer: https://vimeo.com/nsmcreative/review/334975563/25a06b906d

The after-party is free with movie ticket or $10 without. Movie tickets are $7 and available here or at the door.

About the artists:<
Mudboy and the Neutrons, the legendary underground band formed by Lee Baker, Jimmy Crosthwait, Jim Dickinson, and Sid Selvidge left an indelible mark on Memphis music and the world beyond. As Sons of Mudboy (and actual progeny of the band members), Ben Baker, Cody and Luther Dickinson (of the North Mississippi All Stars) and Steve Selvidge (of Hold Steady) carry on the tradition of song and musical craziness that was that band. The lone surviving Mudboy, Jimmy Crosthwait is with them, playing his 100 year old washboard to keep them on that path. Mudboy and the Neutrons were recently immortalized in Robert Gordon’s latest book Memphis Rent Party.

Garrison Starr & LOLO at The Green Room

The secret is out! Join us in The Green Room at Crosstown Arts for an intimate, acoustic performance from Garrison Starr and LOLO.

Tickets: $15
Doors at 6:30 pm | Performance at 7 pm


About Garrison Starr:
Memphian Garrison Starr is a full-time songwriter now living in Los Angeles. Her songs have been featured on numerous films, TV shows, and commercials. In 2016, Starr collaborated with long time friend, Margaret Cho, and produced “American Myth.” The album was nominated for a Grammy in the Comedy category.

Garrison’s love for truth-telling, good whiskey, and human connection has made her a darling of the singer-songwriter world.

About LOLO:
From Jackson, TN, LOLO is a show-stopping singer who has “so much music flowing through [her] that it fills two people” (Associated Press). She has proven herself a venerable songwriter, from penning hits for Panic! At The Disco’s recent #1 blockbuster album to writing a New York Times raved about off-Broadway musical, “Songbird”.

Her album, In Loving Memory of When I Gave a Shit, is a come-to-Jesus moment for the songstress who moved back to Tennessee after exploring her path on the stages of New York and time in London – a literal reflection of LOLO’s journey on the road back home. With a daring and emotionally charged voice, her music evokes a hot southern night – rough around the edges but with a velvety quality that soothes the soul.

Malcolm Holcombe feat. Nancy Apple at The Green Room

Join folk singer-songwriter Malcolm Holcombe and Nancy Apple for a special evening of music at the Green Room at Crosstown Arts.

Tickets: $10
Doors open at 7 pm | Performance starts at 7:30 pm


About Malcolm Holcombe:

“Malcolm Holcombe grew up in western North Carolina, home to some of the planet’s oldest mountains and some of America’s deepest musical traditions. Radio and TV fueled Malcolm’s musical passions as a kid, and music became even more important after he lost both his parents relatively young.

He toured with bands and landed in Nashville, where he took up an inconspicuous station at the back of the house – the very back – at Douglas Corner, one of the city’s best singer/songwriter venues. Stories began to circulate about the mysterious dishwasher with the subterranean voice and oracle-like talent. Sadly so did stories of wildly inconsistent behavior – profound sweetness crossed by bouts of stunning abrasiveness.

He flirted with an official music career. But his stunning debut album made for Geffen Records was abruptly shelved, producing melodrama that only exacerbated Malcolm’s drinking and depression. A business that once had a place for complicated genius turned its back on him, and he teetered near the edge.

Moving back to the North Carolina hills proved a powerful tonic. Holcombe let in help where before he’d pushed it away. With deep faith in God and a commitment to his art, Holcombe repaired himself and his career.

And that’s a pretty good nod to the effect of hearing Holcombe sing. If you’ve not seen him in a live setting, this is what you have to do. His presence is spooky and timeless, as one imagines it was like to see Son House or Leadbelly. No emotional stone is left unturned.

While you plan for this important experience, collect Malcolm Holcombe albums… He is cryptic, demanding, polarizing, bold, passionate and free, a combination badly needed in our time of infinite trivia. He’s even more interesting for having made a remarkable journey of recovery and discovery.” — Craig Havighurst, Nashville