LIVE from THE GREEN ROOM with Tia Henderson

Join us for LIVE from THE GREEN ROOM with Memphis-based singer-songwriter Tia Henderson.

The LIVE from THE GREEN ROOM music series offers an intimate experience featuring some the best up and coming artists in the region. Every month will feature performances in the premier listening environment “The GreenRoom“, the brand new venue for live music at Crosstown Arts. Enjoy an inviting lounge setting highlighting an array of up-and-coming artists, some you’ll know and others you’ll discover.

Tickets: Advance $10 | Door $15
Doors at 7 pm | Show at 7:30 pm

About Tia Henderson:
Tia Henderson is a singer-songwriter based in Memphis, TN. This Stax Academy Alum’s voice and melodic style are warm and soulful with gospel and blues influences. She’s performed all over the world and is currently on tour with Tank and the Bangas. For fans of Aretha Franklin, Jazmine Sullivan, Lalah Hathaway, Tia is sure to bring something both fresh and familiar.

Chuck Mead “Closer to Home” Tour

Join us for a performance by Grammy-nominated country singer Chuck Mead. Mead’s latest solo album, Closer to Home, was produced by Matt Ross-Spang at Sam Phillips Recording Studio in Memphis.

Tickets: $15

Doors at 7:30 pm | Show at 8 pm


About Chuck Mead:

CHUCK MEAD is a Country singer with a rock n roll heart. He’s also a renowned songwriter, producer, music director, musicologist and architect behind the rebirth of Lower Broadway and the Global Neo Traditional Country music movement.

This Kansas native, has been at the forefront of what has come to be known as Americana Music for the better part of 25 years. Perhaps best known for co-founding the famed ‘90s Alternative Country quintet, BR5-49, whose 7 albums garnered a CMA Award for Best International Touring Act and three Grammy nominations, helped build an indelible bridge between authentic American Roots music and millions of fans worldwide.

Since then he’s toured the globe, entertained thousands on the high seas, released 3 solo albums, made 137 appearances on the Grand Ole Opry, co-produced critically acclaimed tribute albums to Johnny Cash & Waylon Jennings, acted as Musical Director/Supervisor/Producer of the Broadway hit musical Million Dollar Quartet AND the companion CMT television show Sun Records.

With a deep connection to Memphis and a burning desire to keep building musical bridges, Chuck packed up the band and took time out of his crazy schedule last summer to record his fourth solo album with Matt Ross-Spang (Margo Price/John Prine/Jason Isbell/Al Green) at legendary Sam Phillips Recording Studios, the result of which, ‘Close To Home’ was released on June 21, 2019 on Plowboy Records.

CALL TO MUSICIANS — A Change of Tone: In/Out of Sync

An exhibition of live music
Proposal Submission Period: July 9  – September 10, 2019
Event dates: April 18th –  21st, 2020

Crosstown Arts is challenging musical artists to create a body of new work for A Change of Tone, an exhibition of live music, applicable to musicians of all genres, scheduled for April 18th – 21st, 2020.

This four-part, four-day event will feature a selection of four musical acts, one act per night, who will “exhibit” their music for a listening audience over loudspeakers in one venue as they simultaneously perform it in another, creating a non-traditional listening experience.

During this event, there will be two live feed interconnections between The Green Room music venue at Crosstown Arts, and Crosstown Theater: the first feed will be an audio feed for the audience in The Green Room to listen to, as the musicians, out of sight, perform their original work live in the empty Crosstown Theater auditorium. The second feed will video-capture The Green Room audience for the performing musicians in the Theater to see on a screen, so that they may virtually watch and technically perform, for their audience. The audience in The Green Room will be informed in advance that they will be watched by the performing musicians in the theater, creating an immersive environment for the listening audience in which the performers’ new music might achieve a vivid and seemingly living omnipresence.

Similar to the experience of being inside of a haunted house or abandoned building, this spectral approach to auditory perception will be, among other things, a sonic experiment in vulnerability. It will be an attempt to enhance and heighten the audio-sensory experience for the listener, and perhaps will intensify the presence and impact that music can have when our fight-or-flight response is instinctively activated, giving the sounds we hear the power to demand our full attention.


Submission Process:

The theme of this music exhibition is “In/Out of Sync.What does it mean to be “in or out of sync”–with something, with nothing, with anything…with everything? In what ways do you feel or observe things as being in or out of sync with one another, and what approach would you envision yourself taking, musically, to express these feelings and interpretations as they present themselves within your reality? The goal of A Change of Tone is to invite artists to sonically and musically explore the varied interrelations between technical musical themes and humanity: what we experience, observe, believe, and imagine within the realms of our intellectual capabilities. 

Musicians who wish to apply to this musical showcase must submit an original proposal (one or more pages preferred) that explains their vision for the new music they intend to create as it pertains to the “In/Out of Sync” theme. Artists may take any approach to this, from topics based in society and everyday life, to the larger natural world and universe, and may do so through both the lens of these guiding ideas or beyond them. 

Submissions are due on Tuesday, September 10 at noon.

Apply here


Instructions if Selected:

This music exhibition is limited to 4 participants. The submissions will be randomly selected by a unique, curated lottery process, by which every proposal will be considered; the primary contact(s) for the four selected proposals will be notified of their acceptance and given a performance time slot on Tuesday, September 24, at 12pm. 

Musicians will then use the nearly 7-month period before the A Change of Tone: In/Out of Sync event to create a set of new music, no less than 45 minutes and no longer than 2 hours in length, with the intention of performing it live during one of the 4 performance timeframes (randomly assigned). The time slots are as follows*:

Saturday, April 18, 2020 –  7:30pm
Sunday April 19, 2020 –  7:30pm
Monday, April 20, 2020 –  7:30pm
Tuesday, April 21, 2020 –  7:30pm

Selected participants are encouraged to start creating their sonic and musical works as soon as possible to allow for adequate time for creation and rehearsal. If you are selected, please do not perform or submit proposals for work that was created prior to this open call (do not submit work created before July 9, 2019).

Musicians may also conduct an artist talk or meet-and-greet in the Crosstown Theater auditorium after their performance. This component is optional, but highly encouraged.

Each performance will be recorded by a sound engineer and will be given to the artist free of charge, to use for any purpose. The artists will receive both a stereo room recording and an unmixed, multitrack version of their performance so that they may create their own personal mix of their performance. All artists selected to perform at the event will also receive: a $125 stipend for each musician within a group of 2 or more individuals; or a $200 stipend for solo musicians. 

Music stands will be provided at the venue for artists who would prefer to reference their work during their performance (this is highly encouraged as we are not expecting artists to perfectly memorize such newly created work within the 7-month timeframe).

Copyright infringement and cover versions are not allowed at this event.

*If you are selected, we will try to accommodate as much as possible for any scheduling conflicts, though unfortunately, due to the numerous events being hosted by Crosstown Arts in our various venues throughout the year, this could mean that you may have to forfeit your participation, and we will have to make another lottery selection in your place. If this happens, we hope that you will still feel inspired to create new work based on the themes you chose to explore in your proposal. Only one written proposal is allowed per submission, per artist; proposals can be made on behalf of a solo musician, or any group of two or more musicians.

Thank you for your proposal submissions. Please contact Lauren Cain at  lauren@crosstownarts.org if you have any questions.

For Now Jazz Quintet & Gary Topper Group at The Green Room

Join us for a performance by For Now, a quintet led by vocalist and composer Isabel Crespo, in The Green Room. The Gary Topper Group will open the show.

Tickets: $10
Doors 7 pm | Performance at 7:30 pm

Wandering carefully between genres, For Now performs compositions influenced by modern jazz, contemporary classical music, visual art, and poetry. Fueled by an unending curiosity, they explore the personal and the political, turning complex situations into musical vignettes.

Their debut album, Elsewhere, was released with national acclaim in 2018. Their sophomore album, The Turning, will be released in July 2019, and will feature introspective exploration of themes including the (de)construction of self, the importance of recognizing intersectionality, and the pursuit of inspiration

Each member of For Now is a skilled musician and composer in their own right, and brings openness and versatility to the project. Their performances are dynamic, carefully weaving improvisations and composed material, and striving for new ways of unfolding the personal experience.

Sparkle City Disco at The Green Room

Join us for an evening of classic disco hits spun by the DJs of Sparkle City Disco. The Rolling Wheels of Memphis skate group will be there, turning the party into a roller disco as they skate to classic disco tunes.

All vinyl. All disco. Lust and dust. Sparkle City Disco’s monthly residency at The Basement in Nashville has set the city back decades. They rocked Bonnaroo Music & Arts Festival in Manchester, Tennessee, earlier this month, and now they’ve set their sights on Memphis.

Tickets: $5
Doors 7:30 pm | Show at 8 pm

Joe Restivo at The Green Room

Join us in The Green Room for an album release concert with Memphis’ own Joe Restivo, a member of the Bo-Keys.

“One of the city’s truly special Memphis music experiences.” – Bob Mehr, Memphis Commercial Appeal

Tickets: $10
Doors 7:30 pm | show at 8 pm


About Joe Restivo:
Memphis’ Joe Restivo – member of beloved soul band the Bo-Keys – will release ‘Where’s Joe?,’ his debut album, July 12 on Blue Barrel Records (the non-profit label arm of Archer Records). The album crystalizes his interest in Memphis jazz music made at the intersection of jump blues, rhythm & blues, and jazz. This is swinging, fun music, jazz for hipster cocktail parties, which Restivo has been refining with his weekly residency at Lafeyette’s over four years.

Restivo began playing clubs in the transitional period of the 1990s, when the blues, jazz, and rhythm & blues masters could still be found on Beale Street and elsewhere in Memphis. Restivo would play regularly with organ master Charlie Wood and piano great Mose Vinson and would see Newborn play every week. “He had that bebop element but it was also kind of dangerous and had a rock and roll thing, too. It wasn’t purely serious. But he was also playing sophisticated music,” remembers Restivo, recalling that he also used to see old-school, jazz-based Beale Street players like saxophonists Fats Sonny and Fred Ford, organist Honeymoon Gardner, and trumpet player Noki Taylor, play live frequently. “You don’t hear anyone make the guitar growl a little bit in jazz. These sounds from that era are brackish water. Is Tiny Grimes a rock and roll artist or is he a jazz artist or is he jump blues?,” he asks, rhetorically. Taking these influences and making them his own, Restivo’s masterful guitar work also recalls national greats such as Oscar Moore (Nat King Cole), Loman Pauling (The 5 Royales), Tal Farlow, and Hank Garland.

Yet the album is no revival, mostly fueled by original compositions. Take, for example, the film noir-inspired “Last Starlight Motel” or the ballad “Thelma.” He recalls, “’Thelma’ I named after my grandmother because it reminded me of being in her kitchen, with her smoking cigarettes.” Even the covers are done in a new style. Restivo adds, “We played Bill Jennings and Tiny Grimes but we found our own way with them.” The standard “House of the Rising Sun” shows up in 3:4 time. Then there’s the raunchy Memphis instrumental bonus track, which recalls music from Sun Studio.

Restivo calls upon bassist Tim Goodwin and drummer Tom Lonardo, a Memphis rhythm section that’s worked together and apart for over forty years, playing behind every major touring jazz artist. Lonardo is recipient of a Lifetime Achievement Award from the Memphis Musical Heritage Foundation and has worked with who’s who, such as Mose Allison, the Duke Ellington Orchestra, Bo Diddley, The Charlie Wood Trio, Jim Dickinson, and Calvin Newborn. Art Edmaiston, a veteran of Gregg Allman and Bobby “Blue” Bland’s bands, adds his saxophone.

With the Bo-Keys, Restivo has performed in venues and festivals all over the world including Lincoln Center, London’s O2 Stadium, Hardly Strictly Bluegrass Festival, as well as shared stages with luminaries in soul, jazz and blues including Syl Johnson, Newborn, Bobby Rush, and Carla Thomas. A graduate of the Jazz and Contemporary Music Program at New School University in NYC, Restivo has also played with rising soul singer Robert Finley. He spins Memphis jazz as a DJ on his weekly radio show on WEVL.

Restivo plays a late 1940s Epiphone Zephyr Deluxe. “I don’t have any proof but this guitar was supposedly played by a guy who played with Bob Wills,” says Restivo with a smile, though he later found some evidence online to support the claim.

‘Where’s Joe?’ was recorded at Archer Record’s Music+Arts Studio in Memphis, TN to analog tape with no overdubs.