Caroline Keys in The Green Room

Join us in The Green Room at Crosstown Arts as Caroline Keys presents songs from Woman of the Woods.

Caroline Keys, who comes to Memphis from Montana, will present songs from Woman of the Woods, her response to Justin Timberlake’s Montana-themed Man Of The Woods album.

Tickets: $10
Doors at 7 pm | Performance at 7:30 pm

Keys takes the titles from JT’s songs and performs her own Montana-themed songs inspired by his titles. Expect fun, introspection, and themes of gender, class, wilderness vs. civilization, romance, and camping supplies.

Keys was voted “Best Musician” in the 2018 Missoula Independent Readers’ Poll and is a former Crosstown Arts Resident Artist. She is excited to share the songs she composed during the time in her residency studio in the Crosstown Concourse tower (where she only got in trouble once for being on the roof).

POSTPONED A Change of Tone, a Music Exhibition

** This event is postponed until further notice.

In A Change of Tone, musicians will “exhibit” new work in one venue while performing in another, creating a non-traditional listening experience.

The goal of A Change of Tone is to invite artists to sonically and musically explore the varied interrelations between technical musical themes and humanity: what we experience, observe, believe, and imagine within the realms of our intellectual capabilities.

Admission is free (but donations of any amount are suggested); please RSVP on Eventbrite
Doors at 7 pm | Performances beginning each night at 7:30 pm

Lineup:
Saturday, April 18 – NICHOLAS MALONEY
Saturday, April 19 – GUNTER GAUPP
Monday, April 20 – THE ACHELOIS COLLECTIVE


ABOUT THE EVENT:
During this event, there will be two live-feed interconnections between The Green Room music venue at Crosstown Arts and Crosstown Theater. The first feed will be an audio feed for the audience in The Green Room, as the musicians, out of sight, perform their original work in the empty Crosstown Theater. The second feed will video-capture The Green Room audience so the performing musicians in the Theater may virtually watch and technically perform for their audience on the screen. The audience in The Green Room will be informed in advance that they will be watched by the performing musicians in the theater, creating an immersive environment in which the performers’ new music might achieve a vivid and seemingly living omnipresence.

Similar to the experience of being inside a haunted house or abandoned building, this spectral approach to auditory perception will be, among other things, a sonic experiment in vulnerability. It will be an attempt to enhance and heighten the audio-sensory experience for the listener and perhaps will intensify the presence and impact that music can have when our fight-or-flight response is instinctively activated, giving the sounds we hear the power to demand our full attention.


ABOUT THE ARTISTS:

Nicholas Maloney:
Nicholas Maloney is a sound artist, multi-instrumentalist, performer, and recording engineer from Jackson, Mississippi. Working primarily in the areas of drone, ambient, musique concrète, and electroacoustics, Nicholas creates recordings that he feels can provoke emotion, while at the same time offering a palette of sound that can be used to practice the rewarding act of deep listening. He looks to challenge the listeners’ focus and perception of sound. Much of his work explores the textural nature of sound within a framework of progressing and evolving compositions. He is interested in the interaction among texture, sound, and space.

Under his full name, Nicholas Maloney creates and releases compositions using field recordings, found sounds, and a variety of processing and audio transformation techniques. He also records under the moniker, Blanket Swimming, exploring the more melodic and ambient side of experimental music using guitar, synthesizers, tape manipulation, field recordings, voice, and other instrumentation. Maloney also records under the name Sleep Silver Lightning, exploring compositions for the guitar and voice. In 2015, Maloney co-founded the net-label Warm Milk Recordings with Whitson Ramsey.

Gunter Gaupp:
Gunter is a composer and teacher based in Memphis, who’s work combines interests in noise composition and genre music. Born in Louisiana, Gunter’s recent work maintains a connection to jazz and folk traditions in his approach to melody and harmony, while exploring new possibilities through extended technique and graphic notation. His music has been premiered recently in Chicago and Green Bay, as well as internationally in Vienna and Paris. Gunter completed his MM in 2019 at the University of Memphis, where he studied composition under Kamran Ince and John Baur. More recently, Gunter has begun teaching music to middle and high school students at Memphis Rise Academy. Gunter will be presenting his new work for A Change of Tone as a quintet, featuring Aaron Phillips (saxophone), Anna Welden (voice), Bryan Pallotta (piano), Michael Todd (percussion), and Ben Walsh (double bass).

The Achelois Collective:
The Achelois Collective is a contemporary chamber ensemble dedicated to helping co-design opportunities to create healthier communities through the art of new music. The ensemble’s 10 members are featured as composers, collaborators, chambers musicians, and soloists who hail from across the continental U.S. Established in the summer of 2019, TAC seeks to elevate, celebrate, and embolden female/non-binary voices in modern music and to support projects by artists of under-acknowledged backgrounds and nationalities.

In an effort to assist the world of classical music to become more egalitarian, TAC creates spaces for active participation and appreciation for audiences of all genders, ages and musical knowledge. Equally important, the Collective strives to represent within themselves a model of respect and appreciation for the unique abilities and perspectives of their members and collaborators.

POSTPONED Music for Cello & Jazz Trio

** This event is postponed until further notice. 

Join us in The Green Room at Crosstown Arts for Music for Cello and Jazz Trio, including works by Claude Bolling, David Baker, and more.

Featuring Alisa Horn (cello), Maeve Brophy (piano), Tom Lonardo (drums), and Tim Goodwin (bass).

Tickets: $10
Doors at 7pm | Performance at 7:30pm

About the Performers:
Alisa Horn is a freelance cellist and loves performing and teaching a wide variety of musical genres from classical to jazz to rock and beyond. Alisa studied with Professor Peter Spurbeck at the University of Memphis, received her Bachelor of Music in Cello Performance from the University of Michigan with Anthony Elliott, and her Master of Music in Cello Performance from Northwestern University with Hans Jensen. Along with jazz legends trumpeter Marvin Stamm and pianist Bill Mays, Alisa is a member of The Inventions Trio which performs a fusion of jazz and classical repertoire. The Trio has toured and released three albums, including the diverse works of Bill Evans, Bill Mays, Villa-Lobos, and Miles Davis. On Broadway, Alisa has performed in many shows including Sunday in the Park with George, An American in Paris, If/Then, and Next to Normal.

Maeve Brophy gave her first solo recital at age 9 and made her orchestral debut at age 15. She has a BA from the University of Alabama at Birmingham and a Master of Music in Piano Performance from Texas Christian University. Maeve has given solo and collaborative performances in Wells, England, the Amalfi Coast, Kiev, Ukraine, New York, San Francisco, Seattle, Aspen, Nashville, and Memphis. Maeve is former adjunct faculty of the Blair School of Music and Belmont University in Nashville and currently lives in Memphis where she works as a freelance collaborative pianist, soloist, and piano teacher.

Tom Lonardo grew up playing drums in his father’s dance band. He holds a MM from the University of Mississippi and attended the Berklee College of Music studying with Alan Dawson. He has played music all his life including gigs with Mose Allison, Di Anne Price, Joe Restivo 4, 3rdMan, and Dog Police.

Tim Goodwin is very active in the recording industry and performs across the United States as a bassist. He has performed with numerous jazz artists including Lee Konitz, George Colemen, Pepper Adams, Art Farmer, Michele LeGrand, Jon Hendricks, Phineas Newborn, Mose Allison, and many others. Mr. Goodwin was bassist of a trio which was selected to participate in the Kennedy Center “Jazz Ambassadors” program to present jazz performances and lectures around the world. He has served as an adjunct faculty member at the University of Miami and Miami-Dade Community College and joined the University of Memphis as a faculty member in 1984.

Kelvin Walters presents HOPE: The Fruit of Experience in The Green Room

Join us for a performance by the Kelvin Walters Quintet, featuring a mixture of covers, originals, and poems.

Tickets: $10

Music and poetry by Kelvin Walters, Jeremy Wright, and Keith McGee. Featuring Kelvin Walters, saxophone; Jeremy Wright, guitar; Nygel Yancey, drums; Kem Gray, bass; Keith McGee, poet; Kennan Shotwell, piano

Hope in the face of agony.

Live Through it.

It’s ok to keep going.

The problems aren’t solved … but it’s ok.

Remember to laugh,

to love,

to dance,

to smile,

to cry,

forgive,

enjoy.

Many sides to life.

Embrace Them all.

POSTPONED Women of Folk: Xaris Waltman Trio & Bailey Bigger Band in The Green Room

** This event is postponed until further notice.

The Green Room at Crosstown Arts presents Women of Folk — performances by the Xaris Waltman Trio and Bailey Bigger Band.

Tickets: $10
Doors at 7 pm | Show at 7:30 pm

Born and raised in small-town Arkansas, just outside of the musically historic city of Memphis, Tennessee, Bailey has always had a passion for songwriting. She first picked up a guitar at only nine years old and began to write songs within the first week of playing.

At age 17, Bailey won “Memphis’ Best Song Of 2017” for her original song, “Wildflower.” Since then, she has performed at many festivals and venues from Celebrate Memphis (being one of 4 headliners), AmericanaFest, and many more. She has recorded at Dark Horse Studios, Sun Studios, and Ardent Studios. Bailey has also been recognized as a top ten up-and-coming Americana artist you should be listening to by Memphis Magazine.

Following Bailey’s first record “Closer to Home,” she released her second EP, “Between The Pages.” This EP was engineered by Jessica Willis and released by the University of Memphis record label, BlueTOMRecords.

Xaris Waltman’s mother claims she was humming tunes before she could talk. As a young child, Xaris picked up her dad’s guitar and discovered a deep connection to folk songs. Xaris loved how the songs had lives of their own and have been telling the same stories for generations. Xaris still feels the same way. Relaying these stories to audiences during her shows makes her feel like she’s doing something bigger than herself.

In 2019, at nineteen years old, Xaris released an album of old-time songs titled “Under The Willow” with BigTone Records. Right out of high school, Xaris began traveling the country solo; just a girl and her guitar. Playing listening rooms, living rooms, and festivals, she has captured the people of small-town America’s ears with her melodious, high-toned voice.

Hint of Lime Brass Trio in The Green Room

Join us in The Green Room at Crosstown Arts for a performance by Hint of Lime Brass Trio.

Tickets: $10
Doors at 7 pm | Show at 7:30 pm

This young and energetic chamber ensemble, featuring Sarah Ford (Colorado Springs Philharmonic), Nicole Gillotti (Texas A&M International University), and Morgan Fite (New York City Freelancer), will present a varied program of works by Poulenc, Bernofsky, Corelli, Gluck, and Mañas. In celebration of National Women’s History Month, the group will prominently feature works written by female composers.