Tag: The Green Room

Crosstown Arts presents the Modern Masters Jazz Series: Khari Allen Lee with the Ted Ludwig Trio in The Green Room.

The Green Room at Crosstown Arts
Sunday, February 12, 2023
Doors: 6:00 pm | Show begins at: 6:30 pm
Tickets: $20 in advance | $25 at the door | $10 student tickets at the door

PURCHASE TICKETS HERE

Khari Allen Lee has arisen as one of the most in-demand saxophonists, educators, composers, and multi-instrumentalists of his generation. He has performed and recorded with such luminaries as Alvin Batiste, Ellis Marsalis, Edward ‘Kidd’ Jordan, Aretha Franklin, Dr. John, Branford Marsalis, Terence Blanchard, DeeDee Bridgewater, Stevie Wonder, Raphael Saadiq, the Treme Brass Band, Herlin Riley, Nicholas Payton, the Astral Project, Shannon Powell, Wes ‘Warmdaddy’ Anderson, Jason Marsalis, Bill Summers, Jeff ‘Tain’ Watts, Ravi Coltrane, Kenny Barron & more. In addition to his own the group, the New Creative Collective, he is lead saxophonist & touring member of Delfeayo Marsalis’ Uptown Jazz Orchestra, Sextets & Quintets, former lead saxophonist of the New Orleans Jazz Orchestra directed by Adonis Rose, and was a faculty member at the University of New Orleans & Loyola University, following his extended tenure at the prestigious New Orleans Center for the Creative Arts (NOCCA). He was recently chosen to become the Auburn University Daniel F. Breeden Eminent Scholar in Residence for the Arts & Humanities.

As leader, Khari Allen Lee & the New Creative Collective has released three albums, Conscious Evolution (2012), Our Great Awakening (2014) & A New Earth (2016), all to enthusiastic praise. In 2015, he was chosen as newest artist endorser of the family of Jody Jazz Mouthpieces, & in 2017 was chosen as newest artist ambassador for the family of Rovner Ligatures.

He is featured on recordings with Grammy & Tony-winner DeeDee Bridgewater & The New Orleans Jazz Orchestra (DeeDee’s Feathers, 2015), New Orleans legend Dr. John (Ske-Dat-De-Dat, The Spirit of Satch, 2014), The Treme Brass Band (New Orleans Music, 2008), & recently released albums by octogenarian blues man, Bobby Rush (Porcupine Meat [2017 Grammy Award for Best Traditional Blues Album]), multi Grammy-winning trumpeter & composer Terence Blanchard (The Comedian [Original Motion Picture Sountrack], 2017), & NEA Jazz Master Delfeayo Marsalis & the Uptown Jazz Orchestra (Jazz Party, 2019). He was also featured in the Oscar-winning film Green Book (2018).

As an educator, Lee has served as Director of Music at the International School Moshi, Tanzania, East Afrika at the foot of Mt. Kilimanjaro, and as a clinician nationally and internationally. In addition to his current faculty appointment at Auburn University as Daniel F. Breeden Eminent Scholar in Residence for the Arts & Humanities, he has served as faculty at Loyola University, the University of New Orleans & Tulane University, as well as a decade’s long appointment at the New Orleans Center for the Creative Arts (NOCCA).

He earned his Bachelors of Science in Music Education from Auburn University, attended the Berklee College of Music as a scholarship recipient, graduating with an Artist Diploma in Professional Music, & earned his Masters of Music from the University of New Orleans as a member of the Louis Armstrong Quintet.

Crosstown Arts presents the Modern Masters Jazz Series: Pat Bianchi with the Ted Ludwig Trio in The Green Room.

The Green Room at Crosstown Arts
Tuesday, July 11, 2023
Doors open at 7 pm | Show begins at 7:30 pm
Tickets: $20 in advance | $25 at the door | $10 student tickets at the door

PURCHASE TICKETS HERE

Grammy-nominated organist, winner of DownBeat magazine’s 2016 rising star poll and Hot Housemagazine’s 2019 poll, Pat Bianchi has established himself as one of the premier organists on the international scene today. His command of the instrument, harmonic prowess, rhythmic intensity and versatility are rivaled by few. Bianchi has had the honor of being a longtime member of jazz guitar icon Pat Martino’s trio and also performed with NEA Jazz Master and saxophone legend Lou Donaldson’s quartet for a number of years as well.

He has released eight CDs as a leader and is also a featured artist on over 30 recordings. Building on the success of his 2015 recording A Higher Standard, his 2019 release In The Moment rose to #1 on the Jazzweek Radio Charts and features an array of guests including Pat Martino, Kevin Mahogany, Joe Locke, Peter Bernstein, Paul Bollenback, Byron Landham, Carmen Intorre Jr. Bianchi briefly steps away from his straight-ahead roots on his newest release (2021) Something To Say.

Bianchi, who comes from a musically gifted family, began playing organ at the age of 7, after receiving a Farfisa Compact Duo organ as a Christmas gift. His grandfathers (Pat Bianchi – Saxophone, and Richard Zona – Trumpet) along with his father (Nick Bianchi – Drums) all working musicians, provided a great deal of support and guidance early in his musical development. Recognizing Pat’s continuing affinity for music, his parents enrolled him in classical piano study. While still maintaining a strong interest in organ, he was playing his first professional gigs by the age of 11, eventually performing with dance bands around his hometown of Rochester, NY. Bianchi’s interest shifted in his high school years as he began to also focus more on jazz piano. Enrolling in The Eastman School of Music’s preparatory program for piano and music theory, Pat was also mentored by numerous musicians in the Rochester jazz scene, eventually choosing to continue his studies at Berklee College of Music in Boston. Bianchi never lost sight of his love of Jazz Organ and since a B3 was still out of his reach, he began spending more time on a smaller version of the famed instrument called a Hammond M100. With his passion and dedication, (also not being able to play left hand bass on a Spinet organ) Bianchi taught himself to play bass lines solely with his foot pedals. It was shortly after this time that Bianchi had a chance encounter with his hero (and soon to be mentor) Joey DeFrancesco. This was the moment Pat knew that in time he would leave the piano behind for the Hammond B3. After graduating Berklee cum laude, Bianchi secured the position as the house pianist at the famous El Chapultepec club in Denver, CO. The Pec (as it is known to locals) often brought in guest artists giving Pat the opportunity to play with such greats as Red Holloway, Dakota Staton, Carl Fontana, Javon Jackson, Mark Elf, Bud Shank, Brad Leali, Pete Christlieb, and Conte Candoli. After being at the Pec for six nights a week for almost three years, Pat became an important fixture on the Denver jazz scene.

At this time, Bianchi decided to focus exclusively on the organ making his national debut as an organist, appearing on two recordings as a member the Denver based organ trio, 3osity. The national release of Art of The Jazz Organ Trio and the subsequent recording Tri-O-City brought Bianchi wider recognition and onto a larger stage as a rising star of the organ.

Moving to NYC, Bianchi quickly established himself in the competitive New York scene. At this time, legendary saxophonist Lou Donaldson immediately took notice of the young organist. Bianchi then joined the faculty of the University of Colorado at Boulder Jazz Studies Program teaching piano, theory, and ensembles to undergraduate, masters, and doctoral students. During this time he recorded his first album as a leader, East Coast Roots, which features Mark Whitfield on guitar and Byron Landham on drums. At the same time, Bianchi began working closely with drummer Ralph Peterson Jr. on collaborative projects, including and co-leading The Unity Project (a tribute to organist Larry Young and his album Unity).

Upon returning to New York City in June of 2008, Pat officially joined The Lou Donaldson’s quartet in 2009. Continuing to play with Lou, Bianchi also joined Pat Martino’s working trio in 2011 while taking on the responsibilities as musical director. Bianchi is featured on numerous recordings such as Tim Warfield’s Sentimental Journey, a follow up to Warfield’s recording One For Shirley (on which he also appears) as well as guitarist Chuck Loeb’s release, Plain and Simple. At this time Bianchi also continued to perform with drummer Ralph Peterson Jr., forging ahead with The Unity Project. Bianchi was featured, recording much of this material on Peterson’s CD Outer Reaches. Soon after Bianchi released his second recording as a leader, Back Home. This recording features Terell Stafford, Ralph Peterson Jr., Wayne Escoffery, Carmen Intorre Jr. and Gilad Hekselman.

Bianchi not only continues to collaborate, tour and record with many well known musicians, he is also very active in the educational front. Pat has been on faculty at Temple University (Philadelphia, PA) and Queens College (NYC), and is currently on faculty at Berklee College of Music (Boston, MA).