Tag: The Green Room

Those Pretty Wrongs

Those Pretty Wrongs
Crosstown Arts present Those PRetty Wrongs in The Green Room
The Green Room at Crosstown Arts
Friday, JUNE 27, 2025
Doors open at 7 pm | Show begins at 7:30 pm
Tickets: $25 In advance (plus fees) | $30 at the door
PURCHASE TICKETS HERE
Those Pretty Wrongs celebrated their tenth year as a band with a tour across the U.S., UK, and Australia, promoting their best-reviewed album, Holiday Camp. Mojo described it as “irresistible” due to its “celestial harmonies” and “wrangled emotions,” while Uncut praised its “dreamily autumnal mastery” of power pop.
The partnership between Jody Stephens and Luther Russell began in 1992 but only blossomed into music collaboration a decade ago during the making of the documentary Nothing Can Hurt Me, which focused on the legendary Memphis band Big Star. Their self-titled debut album, released in 2016, garnered acclaim, leading to worldwide tours and the creation of their second album, Zed For Zulu (2019), an earthy exploration of human interaction.
Luther resides in Los Angeles while Jody remains in Memphis, and their collaboration emphasizes a spontaneous approach to music-making. Luther reflects on their journey, stating, “The first record was sort of a little miracle…. But here we are with our third LP out.” Jody’s influence on pop includes his work with Big Star and Golden Smog, while Luther has a storied career as a solo artist and producer, recently recognized in the Oregon Music Hall of Fame. Their harmonious partnership continues to thrive, with plans for a UK tour this September, celebrating a decade of music. Jody emphasizes the rewarding nature of their shared creative experience, involving all who support them.

The Iris Collective Strings Return!

Iris Collective Strings

Crosstown Arts presents Iris Collective Strings in The Green Room

The Green Room at Crosstown Arts
Friday, May 16, 2025
Doors open at 7 pm | Show begins at 7:30 pm
Tickets: $20 in advance (plus fees) | $20 at the door

PURCHASE TICKETS HERE

Join the Iris Collective string musicians as they return for an evening of inspiring and eclectic string music.
Gabriela Fogo is a dynamic and versatile violinist and educator from Brazil. In orchestral settings, Gabriela has played with orchestras across Brazil and the U.S. and her chamber music experience includes collaborations with numerous ensembles like Camerata Fukuda, the Abraham Franck String Quartet, and the Burgin String Quartet, as well as the FogoNuevo violin and viola duo. Deeply committed to music education, Gabriela is a trained Suzuki teacher under the guidance of Susan Kempter at the University of New Mexico.
Gabriela has taught private and group lessons, coached youth orchestras in Brazil and the U.S., and was a Suzuki Group class coordinator at the University of New Mexico string lab school. Gabriela holds a bachelor’s degree in violin performance from Faculdade Cantareira in São Paulo, Brazil, and a master’s degree in violin performance and string pedagogy from the University of New Mexico, where she was a teaching assistant. She received her Doctor of Music degree in violin performance at Florida State University as a graduate teaching assistant to Dr. Shannon Thomas.
Roberta dos Santos is an avid chamber musician and advocate for contemporary music. A Brazilian cellist, Roberta collaborates with some of the most diverse and renowned composers to elevate underrepresented voices in the music scene, both in Brazil and internationally. Roberta continues to influence the next generation of musicians through collaborations with the Memphis Youth Symphony Program, PRIZM Ensemble, and Iris Collective as an Iris Artist Fellow, while also maintaining a private studio in the U.S. and Brazil.
Roberta is a doctoral candidate in cello performance at the University of Memphis, where she also serves as a teaching assistant. Roberta earned her bachelor’s degree from Faculdade Cantareira in São Paulo, Brazil, her master’s degrees from the Federal University of Paraíba and Bowling Green State University, and an Artist Diploma from Nicholls State University.

The Blue Tom Records Revue

Crosstown Arts presents The Blue Tom Records Revue in The Green Room

The Green Room at Crosstown Arts
Thursday, May 1, 2025
Doors open at 7 pm | Show begins at 7:30 pm
Tickets: $1o | free for students

PURCHASE TICKETS HERE

The Blue Tom Records Revue showcases student performers from the University of Memphis’ Rudi E. Scheidt School of Music. Serving as the finale of the student-run record label’s live performance series, the Revue will feature music from all genres, including R&B, rock, folk, rap, and jazz.
Blue Tom Records is the student-run record label facilitated by music industry students at the Rudi E. Scheidt School of Music at the University of Memphis.
Students in our Record Operations (MUID 4850 & 4851) and Concerts & Touring (MUID 4301 & 4825) courses produce, market, manage, and display their original music throughout Memphis over the course of two semesters.
Blue Tom has performed at: Mempho Fest; WYXR’s Raised By Sound Fest; Overton Park Shell on Wheels; Health Sciences Park; and hosted festivals at Crosstown Theater.
Alumni of the label include: The Band Camino, Aaron James, PreauXX, Kid Maestro, Jordan Occasionally, Nick Black, Alexis Jade, and others.

Shadowlands

John & Sean, Shadowlands

Crosstown Arts presents Shadowlands in The Green Room

The Green Room at Crosstown Arts
Thursday, May 22, 2025
Doors open at 7 pm | Show begins at 7:30 pm
Tickets: $28 in advance (plus fees) | $33 at the door

PURCHASE TICKETS HERE

John Raymond x S. Carey “Shadowlands”
John Raymond and S. Carey have been playing music together for close to twenty years since their time studying music at the University of Wisconsin-Eau Claire. While they both received training in jazz and classical music, their careers would soon head in very different directions. Carey would become the right-hand man to Justin Vernon (aka Bon Iver); collaborate as a multi-instrumentalist, songwriter, and producer with the likes of Sufjan Stevens, Low, and Bruce Hornsby among others; and release four albums of his own to critical acclaim from Pitchfork, NPR, and more. Raymond, on the other hand, would become a Grammy-nominated trumpeter and composer “steering jazz in the right direction” (Downbeat); release eight albums garnering praise from the New York Times, Stereogum, and others; and teach on faculty at the Jacobs School of Music at Indiana University, one of the most prestigious music conservatories in the world.
In 2019, the two reunited and began experimenting on what their artistic voices would sound like together. Raymond brought in a host of musical ideas, while Carey contributed lyrics and helped shape the ideas into songs. Producer Sun Chung (formerly with ECM Records) came on board shortly after, and together they enlisted a cast of A-list musicians to help flesh out the music including pianist Aaron Parks (Terri Lyne Carrington, Terence Blanchard), bassist Chris Morrissey (Norah Jones, Mark Guiliana), and guitarist Dave Devine (Brian Blade and the Fellowship Band).
The result is their new album, Shadowlands (Libellule Editions), a stunning, genre-bending collection of songs that combines the warmth and beauty of Carey’s aesthetic with the improvisational, spontaneous nature of Raymond’s. The music ranges from intimate and meditative to soaring and anthemic, with electric moments of musical interplay throughout. It’s the kind of collaboration that feels as if it were years in the making.

Dan & Peggy Reeder with Greg Cartwright Krista Wroten

Crosstown Arts presents a special performance from indie-folk legend Dan Reeder and his daughter Peggy with an opening performance from Memphis-based musos Greg Cartwright and Krista Wroten in The Green Room.

The Green Room at Crosstown Arts
Tuesday, September 24, 2024
Doors open at 7 pm | Show begins at 7:30 pm
Tickets: $25 in advance | $30 at the door

PURCHASE TICKETS HERE

Dan Reeder, Oh Boy Records’ longest signed artist besides John Prine, is a self-sufficient artist in every aspect of his work. The cover of each one of his albums bears artwork he created himself. He’s built a majority of the instruments you hear. From guitar pickups to microphones, preamps and mixers. He’s built steel string guitars, electric guitars, banjos, drums, basses, cellos, violins, clarinets, and even a saxophone (note from Dan: “I’ll never do that again”).

The bluntness of Reeder’s lyrics are softened by his crooning; yet, even with multi-layered harmonies, his voice maintains its iconic “wisp”. Reeder’s musical intelligence is as present as ever. You’re hearing every piece of a self-made artist and his multifaceted skill set — from the soulful, smoky vocal overlay to a singular, meticulous guitar sound, but best of all, you’re hearing the ingenuity that is Dan Reeder.

Bodywerk Presents: Takuya Nakamura

Crosstown Arts presents Bodywerk Presents: Takuya Nakamura in The Green Room.

The Green Room at Crosstown Arts
Saturday, June 1, 2024
Doors open at 7 pm | Show begins at 7:30 pm
Tickets: $20

PURCHASE TICKETS HERE

BODYWERK:
Inaugurated in The Green Room, upstairs from the freeform radio station WYXR, Bodywerk began as a fast-paced, inclusive, and adventurous platform for sharing dance music with Memphis. Rmzi, DJ Blingg and DJ Ross A; Ghoul have hosted residencies and brought the house down at venues around the city before exploring clubs in Washington DC, Baltimore, and abroad in Japan. Today Bodywerk splits time between New York City and Memphis.

Takuya Nakamura:
Producer/DJ, multi-instrumentalist Takuya Nakamura has been playing trumpet, keyboards, and various electronic instruments throughout the United States and the world with a diverse group of artists such as Quincy Jones(remix), The Street(remix), Billy Holiday /Remix&Reimagined(Sony), supported Lee scratch Perry, Gza(Wu Tang Clan), opened for DJ Shadow, toured with George Russell’s Living Time Orchestra, Cocorosie, Arto Lindsay, Jojo Mayer, Brazilian Girls, Organic Grooves.

With his diverse background of music, he has distinguished himself by composing and effectively fusing uncommon and exciting styles of music, leaving audiences and music critics alike ecstatic and excited for future performances. Takuya moved to NY from his native Tokyo and became an integral, sought-after part of NYC’s vibrant live/electronic scene: including the legendary D`n`B party “Prohibited Beats” with Jojo Mayer’s “Nerve”, weekly party “Organic Grooves”(Codek Records).