Modern Masters Jazz Series: Jimmy Bruno

Crosstown Arts presents the Modern Masters Jazz Series: Jimmy Bruno with the Ted Ludwig Trio at Crosstown Arts.

The Green Room at Crosstown Arts
Tuesday, January 17, 2023
Doors open at 7pm | Show begins at 7:30 pm
Tickets: $20 in advance | $25 at the door | $10 student tickets at the door

PURCHASE TICKETS HERE

Jimmy Bruno, born July 22, 1953, in Philadelphia, Pennsylvania, is a master jazz guitarist and jazz educator. One of the most critically acclaimed jazz guitarists performing today, Jimmy Bruno came to prominence as a jazz musician in the 1990s, after a successful twenty-year career as a sought-after commercial guitarist and session musician.

“Get on the bus; we leave tonight.”

Those were the words that began Jimmy Bruno’s professional career as a guitarist. Most of the other guitarists auditioning for Buddy Rich’s band that day in 1973 were getting drumsticks thrown at them, Buddy’s not-so-subtle way of showing disapproval. But not 19-year-old Jimmy; he got the gig. A Philadelphia native, he was born into a family no strangers to the music world. Jimmy’s father played guitar on the 1959 hit “Guitar Boogie Shuffle” with Frank Virtue. Jimmy’s mom was a gifted singer. Living in such a musical household, playing guitar eight to ten hours a day was normal for this south Philly kid. He studied jazz improvisation with local Philly bass legend Al Stauffer and to develop technique, taught himself to play the rigorous and exacting classical violin etudes of Wohlfahrt and Paganini. Although he briefly considered leveraging his perfect SAT scores into medical school, a summer guitar gig in Wildwood, New Jersey, changed the direction of Jimmy’s life forever, putting him into the path of Buddy Rich.

Jazz guitarists just don’t come any better. Jimmy Bruno combines a dazzling virtuoso technique with drive and swing to produce, in concert and on record, superb and inspired lyrical improvisations.

—Maurice J. Summerfield, noted British author of the definitive and highly regarded The Jazz Guitar Guide and The Classical Guitar Guide.

After a whirlwind round-the-world tour as the youngest member of the Buddy Rich Orchestra, he went on to play guitar in orchestras for Frank Sinatra, Anthony Newley, Doc Severinsen, Lena Horne, and many more music icons. Additionally he spent many years as an LA session musician working with Tommy Tedesco. But his first love was always jazz, and by the time he was in his mid-thirties he was ready to come out of the background and into the spotlight. The first step was moving back East.

Paying his dues by playing blistering guitar in the small clubs and venues around his beloved Philadelphia during the 1980s, his reputation as one of the hottest guitar players grew. In 1992 he was discovered by Carl Jefferson, the founder of Concord Records and landed a multi-CD recording deal. Since then, Jimmy has recorded over 13 critically acclaimed CDs, including “Sleight of Hand,” “Like That,” and “Polarity” (with Joe Beck). His most recent CD “Maplewood Avenue” (Affiliated Artists Records) has been described as having “…a ‘classic’ feel to it… like a famous album we somehow hadn’t discovered yet,” and was honored by being selected as one of the top CD’s of 2008 by Downbeat magazine.

In recognition of his prodigious talents, Jimmy has been invited to play at major music festivals around the world, including the JVC, Berks, Vail, and Concord Jazz Festivals, and a whirlwind stop at the Pescara Jazz Festival in Pescara, Italy. Over the years, he has shared the stage with a who’s who of legendary and highly regarded musicians: Joe Beck, Bobby Watson, Jack Wilkins, Tal Farlow (at Farlow’s 75th Birthday Concert), Howard Alden, Christian McBride, Curt Elling and many more. When a tribute concert was planned for Barney Kessel, Jimmy was one of an invited group of 30 guitarists chosen to perform and was honored to open the tribute (with Howard Alden). He has also participated in tributes to jazz giants Kenny Burrell, Herb Ellis and Johnny Smith.

In May of 2007, Jimmy and Affiliated Artists opened the Jimmy Bruno Guitar Institute (JBGI). With his unique insight into jazz and jazz guitar, Jimmy brought his method and “no nonsense” approach to jazz improvisation to eager guitar students around the world. Five months later, his long-standing reputation as a jazz educator was further enhanced when he was invited to address and perform at the four-day Jazz Improv Convention in New York City.

Downbeat magazine — in celebration of their 75th Anniversary in 2009 — named Jimmy as one of the top 75 guitarists of all time!

In 2011, Jimmy created his own independent online jazz guitar school — the Jimmy Bruno Guitar Workshop — with all-new, improved lesson content and delivery systems to better serve his huge jazz guitar student base around the world. Having spent three years with the Institute, improving upon and tweaking his teaching method thanks to the direct feedback from his students, he has once again revolutionized the way students can learn guitar on the Internet.

POSTPONED The Cutaway Acoustic Guitar Series: Peppino D’Agostino

** This event is postponed until further notice.

Crosstown Arts presents The Cutaway Acoustic Guitar Series, a monthly concert series showcasing internationally acclaimed guitarists in partnership with the Little Rock-based Argenta Acoustic Music Series. April’s performance features guitarist Peppino D’Agostino in an intimate, solo performance.

Tickets: $20
Doors at 7 pm | Show at 7:30 pm

D’Agostino has performed in more than 34 countries, at prestigious international festivals and has played in some of the world’s most important theaters. He has shared the stage with Tommy Emmanuel, Leo Kottke, Laurindo Almeida, Sergio Assad, Larry Carlton, and Eric Johnson, to name a few. His solo recordings include high quality labels such as Favored Nations, Mesa / Bluemoon, and Acoustic Music Records. Recognized as “the guitarist’s guitarist” by Acoustic Guitar magazine and described as “a giant of the acoustic guitar” by the San Diego Reader, in 2017 Guitar Player listed him as one of the 50 transcendent superheroes of all time. The CD “Every Step of The Way” was awarded by Acoustic Guitar’s People’s Choice Awards with a Bronze medal for Best Acoustic Album of All Time. His signature Seagull acoustic guitar has been voted among the ten best signature guitars by Guitar Player magazine.

POSTPONED The Cutaway Acoustic Guitar Series: Paul Asbell

** This event is postponed until further notice. 

Crosstown Arts presents The Cutaway Acoustic Guitar Series, a monthly concert series showcasing internationally acclaimed guitarists in partnership with the Little Rock-based Argenta Acoustic Music Series. March’s performance features guitarist Paul Asbell in an intimate, solo performance.

Tickets: $20
Doors at 7 pm | Show at 7:30 pm

From his early years playing blues on Chicago’s South Side to his present multi-faceted career based out of northern Vermont, Paul Abell has earned an underground reputation as a true “musician’s musician.” He has played and recorded with Muddy Waters, John Lee Hooker, Howlin’ Wolf, Lightnin’ Hopkins, Otis Rush, Magic Sam, Earl Hooker, Lightnin’ Slim, Paul Butterfield, Sam Lay, Pops Staples, Donny Hathaway, and numerous others while in his hometown of Chicago, Illinois.

Paul moved to Vermont, where he still lives, in the heady “back-to-the-land” days of 1971. He soon started playing and recording with a head-spinningly diverse array of artists, including Big Mama Thornton, singer-songwriters Paul Siebel, Jim Ringer, Mary McCaslin, and Rosalie Sorrells, jazz greats Jon Hendricks, Bobby McFerrin, Sonny Stitt, and Nick Brignola, and many others. In 1978, seeking an outlet for more personal musical visions, he formed Kilimanjaro, and recorded two award-winning albums for Philo Records.

Soon after, the band performed at the Kool Jazz Festival at SPAC, the Atlanta Jazz Festival, the Montreux Jazz Festival in Switzerland, and numerous national tours and concert dates. Kilimanjaro served as backup band on lengthy national tours with Esther Satterfield, and Paul Butterfield, with whom they played the Montreal Jazz Festival, and the Roskilde Festival in Copenhagen.

In 1981, Paul and other members of Kilimanjaro joined forces with a legendary saxophonist and blues singer to form Big Joe Burrell and the Unknown Blues Band. Together, they performed at many festivals, including the Kool Jazz Festival, toured Russia, Holland, and Canada, and served as back-up band for Marva Wright, Kenny Neal, W.C. Clark, and others. The UBB remained a Northeast regional favorite for over 20 years, until Big Joe’s passing in 2005.

Personal performance credits in recent years include David Bromberg, Betty Carter, Joshua Redman, James Carter, Kermit Ruffins, Michael Ray, the Sun Ra Arkestra, The Wild Magnolias, John Stowell, guitar wunderkind Julian Lage, Dave Grippo, and former students Trey Anastasio and Nick Cassarino. Paul has taught guitar for over 45 years. Private instruction remains a favored format, but he has also taught for several decades on a university level, including positions at Dartmouth College, St. Michael’s College, and presently at Middlebury College and the University Of Vermont.

POSTPONED Modern Masters Jazz Series feat. Victor Atkins

This event is postponed until further notice.

Crosstown Arts presents The Modern Masters Jazz Series, a monthly series featuring jazz soloists from around the country.

For November’s performance, New Orleans-based pianist Victor Atkins will be featured in an unforgettable performance with the series house band, The Ted Ludwig Trio.

Tickets: $20
Doors at 7 pm | Show at 7:30 pm

Victor “Red” Atkins is known for being a “powerful and unconventional” piano player. Victor is a native of Selma, Alabama, and currently lives in New Orleans, Louisiana. Atkins had an early start with jazz as his father loved Charlie Parker. At home, he learned how to appreciate music and develop an ear for more complex music.

He began his professional career on Delfeayo Marsalis’ “Pontius Pilate’s Decision” record. After recording he moved on to be a professional pianist alongside many notable musicians such as Elvin Jones, Mark Whitfield, Nnenna Freelon, Joshua Redman, Wynton Marsalis, and Leroy Jones. Subsequently, he returned to school to finish his Masters at the Manhattan School of Music. He was inducted into the Alabama Jazz Hall of Fame in 1998. Atkins is well-known for his work with Grammy-winning, New Orleans-based Los Hombres Calientes as well as his re-working of Duke Ellington’s “Such Sweet Thunder,” a tribute to William Shakespeare.

Not only is Victor Atkins a professional musician but also a tenured professor at the University of New Orleans, where he teaches theory, composition, jazz keyboard, and applied piano. He also works with the New Orleans Jazz Orchestra on compositions, and has played with them numerous times. Victor Atkins credits Donald Brown as his mentor. His studies with him had the largest impact, and it is when he developed a sincere appreciation for jazz.

POSTPONED Modern Masters Jazz Series feat. Howard Alden

This event has been postponed until further notice.

Crosstown Arts presents the Modern Masters Jazz Series, a monthly series featuring jazz soloists from around the country.

For October’s performance, jazz guitarist Howard Alden will be featured in an unforgettable performance with the series house band, The Ted Ludwig Trio.

Tickets: $20
Doors at 7 pm | Show at 7:30 pm

“He may be the best of his generation,” writes Owen Cordle in JazzTimes. George Kanzler of the Newark Star Ledger proclaims that he is “the most impressive and creative member of a new generation of jazz guitarists.” And Chip Deffaa of the New York Post observed that he is “…one of the very finest young guitarists working today.”

It seems that the only thing regarding Howard Alden on which the critics have debate is whether the remarkable jazz guitarist is one of the best or simply the best.

Born in Newport Beach, California, in 1958, Howard began playing at age ten, inspired by recordings of Armstrong, Basie, and Goodman, as well as those by guitarists Barney Kessel, Charlie Christian, Django Reinhardt, and George Van Eps. Soon, he was working professionally around Los Angeles, playing in groups ranging from traditional to mainstream to modern jazz. In 1979, Alden went east for a summer in Atlantic City with Red Norvo, and continued to perform with him frequently for several years.

Upon moving to New York City in 1982, Alden’s skills, both as soloist and accompanist, were quickly recognized and sought-out for appearances and recordings with such artists as Joe Bushkin, Ruby Braff, Joe Williams, Warren Vache, and Woody Herman.

He has continued to win accolades from critics and musicians alike, adding Benny Carter, Flip Phillips, Mel Powell, Bud Freeman, Kenny Davern, Clark Terry, Dizzy Gillespie, and George Van Eps, as well as notable contemporaries such as Scott Hamilton and Ken Peplowski to his list of impressive credits.

Howard Alden has been a Concord Jazz recording artist since the late ’80s, where his prolific recorded output as leader, co-leader, and versatile sideman has captured an artist of consistently astonishing virtuosity and originality.

Howard Alden was voted “Best Emerging Talent-Guitar” in the first annual JazzTimes critics’ poll, 1990, and “Talent Deserving Wider Recognition” in the 1996, 1992, 1993, and 1995 Downbeat critics’ poll. In February of 2009, Howard was recognized as a “Modern Maestro,” one of DOWNBEAT MAGAZINE’S 75 Great Guitarists of all time. “An original virtuoso.”

POSTPONED Modern Masters Jazz Series feat. James Singleton

This event has been postponed until further notice.

Crosstown Arts presents The Modern Masters Jazz Series, a monthly series featuring jazz soloists from around the country.

For September’s performance, New Orleans-based bassist, composer, and producer James Singleton will be featured in an unforgettable performance with the series house band, The Ted Ludwig Trio.

Tickets: $20
Doors at 7 pm | Show at 7:30 pm

James Singleton is an acoustic bassist, composer, and producer. He is a member of the New Orleans-based jazz group Astral Project with Johnny Vidacovich, Tony Dagradi, and Steve Masakowski. He has been described as one of the best and most sought-after bassists in New Orleans.

He has performed with John Scofield, Stanton Moore, and John Medeski, as well as John Abercrombie, Art Baron, Ellis Marsalis, Earl Turbinton, Eddie Harris, Clarence “Gatemouth” Brown, Lionel Hampton, Arnett Cobb, and Banu Gibson, among others. He has recorded with Chet Baker, Alvin “Red” Tyler, James Booker, Johnny “Tan Canary” Adams, Charlie Rich, and Zachary Richard, among others.

He produced Astral Project’s Elvado which won OffBeat magazine’s 1998 Best Modern Jazz Album of the Year award. Although Elvado has been described as “straight-ahead bop-influenced jazz with a Crescent City ambiance,” Astral Project’s live performances are also known for improvisation, which Singleton has described as “composing in the groove.”

He has led projects such as “3 Now 4,” “The James Singleton Orchestra,” and “The James Singleton Trio.” Some of Singleton’s recent projects include playing as a member of the New Orleans saxophonist Robert Wagner Trio and the New Orleans keyboardist Robert Walter Trio. In early 2007, he toured nationally with Skerik and Mike Dillon.

In 2008, various projects included an experimental jazz string quartet composed of two former Louisiana Philharmonic Orchestra members Dave Rebeck and Matt Rhody, as well as cellist Helen Gillet. Singleton moved to Los Angeles after Hurricane Katrina but continued to perform frequently in New Orleans. In December 2008, Singleton returned to New Orleans.