Memphis Women in Film Series

Quarterly event series presented by Indie Memphis and Crosstown Arts. The presenting sponsor for this event is the Memphis & Shelby County Film and Television Commission.

August topic: “XX TCB: Producing in Memphis (and Beyond),” a discussion with producers Erin Hagee Freeman, Kim Bledsoe Lloyd, Dreka Shevon, and Melissa Anderson Sweazy. Moderated by Joann Self Selvidge.

Join us for a conversation about what it takes to be a great producer and what pitfalls to avoid as you are honing your craft. Our panelists have produced a wide range of creative content, from narrative and documentary shorts and feature films to commercials and web series. Find out what these women have learned from their experience developing projects from concept to completion.

Networking at 6:30 p.m. | panel discussion begins at 7:00 pm., followed by an audience Q&A
Complimentary food and drink

Facebook invite

Memphis Women in Film Social Links
Facebook: https://facebook.com/memphiswomeninfilm/
Twitter: https://twitter.com/MEMwomeninfilm
Instagram: https://www.instagram.com/memwomeninfilm/

About our Panelists

Erin Hagee Freeman is a producer with Craig Brewer’s BR2 Productions, a Memphis-based production company that has been producing films, music videos, and web-based series since 2000. She produced Brewer’s first feature film, THE POOR & HUNGRY, and the award-winning short film, THE MORNING RITUAL. In 2007 and 2008, Erin produced $5 COVER, an indie music, multi-platform series featuring Memphis-based musicians and artists and the horror film SAVAGE COUNTY for David Harris and MTV New Media. Erin would later team back up with Harris and Gunpowder & Sky for a web-based live comedy show that BR2 is currently in post production on, YOU LOOK LIKE. In 2015 and 2016, Erin produced short films for Memphis’ NBA team The Grizzlies, including MARC GASOL: OF MEMPHIS and MIKE CONLEY, THE CONDUCTOR, which features players from the Memphis Symphony Orchestra and dancers from Collage Collective. This film is currently streaming on NBA.com.Kim Bledsoe Lloyd is owner/founder of Black Muddy River Productions. She has worked as producer and in recent years and as an editor on feature films and shorts. Some of her clients include Sony Legacy, Eagle Rock Entertainment, Graceland Enterprises, Memphis Rock and Soul Museum, and The Curb Institute. Prior to this, she worked as commercial Producer and Head of Production with Modern Production Concepts Memphis, working on regional and national advertising campaigns. She has produced and co-produced live music concerts for TV/DVD release as well as interview produced for documentaries and webcasts including several years with the New Orleans Jazz and Heritage Festival. Her career began as Segment Producer and Production Coordinator on the Time Warner/TBS music series, “Live From the House of Blues” with hosts Dan Aykroyd and Katie Wagner. Some of her favorite experiences include stellar and singular moments with John Lee Hooker, Levon Helm, The Allman Brothers, Bob Dylan, Keith Richards, The Dixie Cups, Bonnie Raitt, and BB King. As a volunteer board and executive board member of The Recording Academy, she has advocated nationally for intellectual property rights across all listening and performance platforms.

Dreka Shevon is a Producer, Writer, and Director who inspired and helped pioneer an independent film movement in Mississippi after she single-handedly produced her first feature film in 2007, READY FOR LOVE, a romantic comedy that she produced, directed, edited, and filmed, and in which she acted in the starring role. Her current body of work includes several short films that speak to issues affecting lower and middle class Americans. Audiences say her style of film is “Raw and Gritty” and told from a place of truth. Her short film, THE COMPANION, which deals with mental illness and child molestation, won BEST NARRATIVE SHORT FILM at the Miami Women’s International Film Festival. It also screened at several other festivals including Martha Vineyards African American Film Festival and Hollywood Black Film Festival. More recently, Dreka was Co-Producer of the short film WOMAN SCORNED, which has screened in more than 11 festivals, winning two awards and several nominations. She is currently writing a script for her highly anticipated sophomore feature. Her video production company, Prime Stone Media, is currently based in Atlanta, GA.

Melissa Anderson Sweazy is an award-winning screenwriter, filmmaker, music video director and professional photographer based in Memphis, TN. Her documentary feature GOOD GRIEF, co-directed with Laura jean Hocking, will debut in the fall of 2017. She is the recipient of the Indie Memphis Grizzlies Grant for her animated short “Stephanie Loves the Grizzlies.” Her hour drama pilot script “The Fox Sisters” is currently in consideration for the Sundance Episodic Lab. Her commercial work for corporate clients has won her Emmy nominations and multiple Addy awards. Her essays have been published in Babble.com, LA Weekly, and McSweeney’s Internet Tendency, and she delivered a Tedx-Memphis talk entitled “If You Love Them Let Them Go: A Hypocrite’s Guide to Free Range Parenting.” You can see and read about her work at melissasweazy.com

About Memphis Women in Film
We are female film directors who advocate for greater representation of women and girls in filmmaking roles in the Memphis area. For event info and updates, you can follow us on Facebook.com/MemphisWomeninFilm and Twitter @MEMwomeninfilm.

Memphis Women in Film: Equal Means Equal

Quarterly event series. May topic: Equal Means Equal — Film Screening & Panel Discussion

Equal Means Equal offers an unflinching look at how women are treated in the United States today. Examining both real-life stories and precedent-setting legal cases, director Kamala Lopez uncovers how outdated and discriminatory attitudes inform and influence seemingly disparate issues, from workplace harassment to domestic violence, rape and sexual assault, to the foster care system and the healthcare conglomerate to the judicial system. Along the way, she reveals the inadequacy of present laws that claim to protect women, ultimately presenting a compelling and persuasive argument for the urgency of ratifying the Equal Rights Amendment. Runtime: 93 minutes.

Networking at 6:30 p.m.; speaker presentation begins at 7:00 pm.
Complimentary food and drink.


Sponsored by Indie Memphis, Crosstown Arts, Church of the Holy Communion, Tina & Bob Fockler, Margaret & Hugh Fraser, and Martha & Joe Saab.

Additional Screening Dates and Locations:
Tuesday, May 2nd, 7 p.m. at Malco Ridgeway
Tuesday, May 16th, 6 p.m. at the National Civil Rights Museum – This screening will be followed by a panel discussion (complimentary food and beverages provided).


Memphis Women in Film Series

Quarterly event series presented by Indie Memphis and Crosstown Arts

October topic: The Lost Garden: The Life and Cinema of Alice Guy-Blache — Film Screening & Panel Discussion

The Lost Garden looks at the life and times of Alice Guy-Blaché (1873-1968) — arguably, the first narrative filmmaker in the world. Creating her first motion picture in France in the 1890s, Alice Guy-Blaché went on to found her own successful production company in the US, producing and writing more than 700 films. Clips from her films, which were cleverly edited to illustrate events from her personal life, are intercut with revealing excerpts from TV interviews with Guy-Blaché, photographs, reminiscences by family members, and interviews with film historians. A fitting tribute to one of cinema’s most fearless pioneers, produced by the National Film Board of Canada. Runtime: 53 minutes.

Networking at 6:30 p.m.; speaker presentation begins at 7:00 pm.
Complimentary food and drink.


Memphis Women in Film Event Series

Quarterly event series presented by Indie Memphis and Crosstown Arts

February topic: Our Monster, Our Selves: Monstrous Feminine in Horror Film — A Talk by Dr. Marina Levina.

In this talk, Dr. Marina Levina will walk us through a brief history of representations of women’s bodies in horror film. She will illustrate how, and for what reason, women and the feminine have been portrayed as monstrous, deviant, and in need of control and punishment. She argues that these representations are intimately tied to the politics of the past and of the present. Some of the films she will discuss include Cronenberg’s The Brood, the first Alien film, Jennifer’s Body, and Carrie, amongst others.

Dr. Marina Levina is an Associate Professor of Communication at the University of Memphis. Her scholarship centers on cultural studies of science, technology and medicine, and critical media studies. An avid fan of monster and science fiction genres, she has written on cultural meanings of monstrosity and their relationship to current scientific and technological advances. Amongst other books, she is the first editor of Monster Culture in the 21st Century: A Reader (Bloomsbury Academic Press, 2013). Dr. Levina frequently teaches Monster Films, Gender and Film, and Rhetoric of Pop Culture, as well as graduate seminars in media and technologies studies.

Networking at 6:30 p.m.; speaker presentation begins at 7:00 pm.
Complimentary food and drink.