Kafé Kirk with special guest Bob James

Join Grammy-winning saxophonist Kirk Whalum for Kafé Kirk, a monthly jazz series in Crosstown Theater featuring musical and spiritual collaborations with special guest artists. This month’s guest: Grammy-winning jazz keyboardist, arranger, and record producer Bob James.

Doors at 5 pm | performance at 6 pm

General admission tickets — $45
VIP tickets (includes a meet-and-greet and free CD) — $60

About Kirk Whalum:
Soulful, passionate, stirring … these are the words most often used to describe Kirk’s music. Forged from his Memphis gospel roots and his 1980s initiation into the thriving Houston nightclub scene, Kirk’s big, rich tenor sound is unmistakably his.The 80s were highlighted by Kirk’s stepping out of his blossoming sideman role and forming his own band. It was there that Kirk ultimately developed both his “voice” and songwriting in the crucible of the local club scene — especially at a rooftop club called Cody’s. It was also in Houston where jazz pianist Bob James “discovered” him and brought him on tour, which led to five successful albums with Columbia Records, including Cache, Kirk’s first No. 1 album. Kirk and Bob also received a Grammy nomination for their collaboration album, Joined at the Hip.

After moving to Los Angeles, Kirk became an in-demand session player for top artists like Barbara Streisand, Al Jarreau, Luther Vandross, Larry Carlton, Quincy Jones, and, most notably, Whitney Houston, amongst many others. It’s his sax heard on the mega-hit, “I Will Always Love You.” Kirk soon followed that career high point with his phenomenal hit album released on Warner Bros. Records, For You, perhaps the most successful of over 25 solo recordings to date. Others include his eclectic, and much-lauded, Gospel According to Jazz series, (Chapters 1, 2, 3 and 4). In addition to his many solo projects, Kirk was also a member of the popular soul/jazz group, BWB, which features Kirk as the “W” of the group with Rick Braun (trumpet) and Norman Brown (guitar).

About Bob James:
From his early days in Marshall, MO, Bob James’ music has captivated audiences throughout the world.

Known primarily as a jazz artist, he has influenced musical genres from Classical to Hip-Hop. His work at the groundbreaking record label CTI allowed James to hone his skills on projects for Hank Crawford, Grover Washington Jr., and Paul Simon among others.

The release of his solo album, One, launched a stellar career of recordings and performances. His gold selling album, Touchdown included his composition “Angela” which became the theme song for the sitcom, Taxi.

More recently Mr. James has become known as a pioneering member of the best-selling
contemporary jazz group Fourplay, whose members over the years have included guitarists Lee Ritenour, Larry Carlton, and the late Chuck Loeb along with Nathan East on bass and Harvey Mason on drums.

While James is recognized as one of the progenitors of smooth jazz, his music has also had a profound effect on hip hop, having been sampled often. Two of James’ songs —“Nautilus” from 1974’s One and “Take Me to the Mardi Gras” from 1975’s Two — are among the most sampled in history.

James continues to draw sold-out audiences worldwide, not only as a solo artist, but with
collaborations with artist such as David Sanborn, Marcus Miller and The Bob James Trio.
The career of Bob James is long, varied and continues to evolve at every turn.

Chris Milam With …

Chris Milam With… spotlights the generous spirit of Memphis music and the collaborations that have shaped Milam’s recent songs.

Tickets: $15
Doors at 7 pm | Show at 7:30 pm

In 2019, Chris Milam’s work has walked two paths: independently writing his next album (out in 2020) and co-writing with some of Memphis’ finest artists. On December 4th, Milam will perform a sneak peek of songs from his upcoming record. However, the show’s centerpiece will be collaboration: Milam will invite an all-star cast of Memphis artists to debut the songs they’ve written together.

“Everyone knows that Memphis is full of great artists doing exciting work,” Milam says. “But lately I’m drawn to the amount of collaboration I see behind the scenes. I want this concert to bring that spirit to the forefront. I want Memphis music fans to see the fruits of those sessions, to continue seeing their favorite artists in new ways.”

The Bad Plus at Crosstown Theater

Join us for a performance by jazz trio The Bad Plus on the Kemmons Wilson Family Stage at Crosstown Theater.

Tickets: $25
Doors at 7:30 pm | Show at 8 pm

The Bad Plus came together at the end of the 20th century and has avoided easy categorization ever since, winning critical hosannas and a legion of fans worldwide with their creativity, unique sound, and flair for live performance. The intensely collaborative trio has constantly searched for rules to break and boundaries to cross, bridging genres and techniques while exploring the infinite possibilities of three exceptional musicians working in perfect sync.

The band consists of founding members Reid Anderson (bass) and Dave King (drums) and new member Orrin Evans (piano) — a group of passionate collaborators with no single “leader.”

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“Bad Plus have grown from upstart into institution. Best Jazz Album of 2018.”
— Rolling Stone

“A combustible trio with a book of finely orchestrated, catchy original tunes, and a knack for radically reconstituted pop covers.”
— The New York Times

“By any standard, jazz or otherwise, it is moving, mighty music…bad to the bone, hot players with hard-rock hearts.”
— Rolling Stone

“The Bad Plus are the Coen brothers of jazz: Midwesterners, both ironic and dead earnest, technically brilliant, beyond versatile, a little chilly sometimes, but funny, surprising, and pretty hard to pin down.”
— The New Yorker

“One of the great, true groups in jazz of the past 25 years.”
— Joshua Redman

Pablo Sáinz Villegas at Crosstown Theater

Join us for a performance by Spanish guitarist Pablo Sáinz Villegas at Crosstown Theater.

Time: doors at 6:30pm / performance at 7:30pm
Tickets: $20 (students $10 with ID at the door)

“virtuosic playing characterized by its vividly shaded colors and irresistible exuberance …”
— The New York Times
“Master of the guitar”
— Plácido Domingo


About the artist:
Praised as “the soul of the Spanish guitar,” Pablo Sáinz Villegas has become a worldwide sensation known as this generation’s great guitarist. With his “virtuosic playing characterized by irresistible exuberance,” as described by The New York Times, his interpretations conjure the passion, playfulness, and drama of Rioja, his homeland’s rich musical heritage. He is known for his passionate, emotive, and open-hearted playing, whether he is performing at intimate recital halls, or playing with Plácido Domingo to an audience of over 85,000 at Santiago Bernabéu Stadium in Madrid, where maestro Domingo hailed him as “the master of the guitar.”

Sáinz Villegas has continued to thrive over the past year connecting in new ways with his audience. He was one of the few selected artists to participate at the 2018 Grammy’s Classical event at Carnegie Hall in New York, and he recorded an anticipated duo album together with tenor Plácido Domingo. Highlights of his recent collaborations with Domingo include a performance on a floating stage on the Amazon River streamed worldwide to millions, as well as a special anniversary concert at Chile’s National Stadium. Last season, Sáinz Villegas also made his debut at Chicago’s Grant Park Music Festival under the baton of Carlos Kalmar at the Millennium Park to an audience of 11,000 people and accomplished summer tours with the Amsterdam Sinfonietta and the New Zealand Symphony Orchestra. He also gave the world premiere of ‘Rounds,’ the first composition for guitar by five-time Academy Award-winner John Williams.

Routinely drawing comparisons with legendary exponents of his instrument such as Andrés Segovia, Sáinz Villegas has already appeared on some of the world’s most prestigious stages including Carnegie Hall in New York, the Philharmonie in Berlin, and at the National Center for the Performing Arts in Beijing. Known for a sound so rich and full that it does not need amplification, his concerto performances regularly inspire new invitations and re-engagements in more than 30 countries. He has played with the world’s top-level orchestras including the Pittsburgh, Bergen, and Israel Philharmonics, as well as Cincinnati, Spanish National, and Boston Symphonies. He made a series of important debuts under the baton of Frühbeck de Burgos, and has enjoyed fruitful collaborations with conductors including Juanjo Mena, Miguel Harth-Bedoya, Carlos Kalmar, Gustavo Gimeno, and Cristian Macelaru.

Sáinz Villegas continuously searches for ways to communicate with young audiences and to inspire them with music. A born communicator, the guitarist explains: “Music is among things we cannot touch and that is what makes it most powerful.” Over the last decade, he has created projects that bring music beyond the performance halls, reaching more than 20,000 children and youth through volunteering his time, establishing music programs, visiting schools, and creating unique community activities around the globe. His efforts have granted him invitations to play for the Spanish Royal Family and the Dalai Lama.

Gamble Brothers Band & CYC at Crosstown Theater

The Gamble Brothers Band and CYC join forces for a double bill reunion at Crosstown Theater.

Tickets: $25
Doors at 7 pm | Show at 8 pm

About Gamble Brothers Band:
The Memphis-based Gamble Brothers Band formed in 2001, released three albums, and toured the U.S. with their guitar-less sound of R&B, soul and rock. The four-piece band played their last show at Mud Island Amphitheater when they opened for the Black Crowes in fall of 2006. Since then, Art Edmaiston, Al Gamble, Blake Rhea and Chad Gamble have all gone on to record and tour internationally with other well-known groups. Those artists include Grammy-winning Jason Isbell and the 400 Unit, the Gregg Allman Band, JJ Grey and Mofro, Marc Broussard, St. Paul and the Broken Bones, and more.

About CYC:
Seamlessly mixing funk, rap, metal, and jazz, CYC first made their name in Midtown coffee shops and beer joints, and ended their run as late-night stalwarts on Beale. The band became a springboard for launching Memphis music internationally as CYC members have since toured and collaborated with Justin Timberlake, Jay-Z, Buddy Guy, Gregg Allman, Yo Gotti, 8Ball & MJG, Dr. John and many more. It has been twenty years since CYC last performed but the grooves are fresh as ever and the band has been waiting for the opportunity to unleash the gems from the archives.

Spaceface Annual Halloween Show w/ The Upside Down Ensemble

Join us on the Kemmons Wilson Family Stage at Crosstown Theater for a performance by psychedelic garage-rock band Spaceface.

Tickets: $10 advance | $15 door
Doors at 7 pm | Show at 8 pm

Halloween season is here, and Spaceface is ready to haunt your dreams. The local psychedelic anomaly will be performing a double set at Crosstown Theater.

Alongside the city’s favorite astral apparitions, members of The Memphis Symphony Orchestra will be performing under the guise of THE UPSIDE DOWN ENSEMBLE. Don’t miss this hair-raising combination of psych and strings.

As per usual, the night will also feature several other Memphis acts. The indie pop outfit fronted by Harlan Hutton is sure to shock souls and raise spirits, and DJ Chandler Blingg (Jess Jackson of JCKSN AVE) will be keeping the groove going all night long.

Memphis has too much talent to be contained, so in keeping with tradition, a vendor area in the North Plaza courtyard (outside the theater) will feature some of the best local painters, crafters, and visual artists.

Featuring: Amber George /Jess Tinsley/Margaret Wilder/ Jess Kirk

So, mortals, come and bear witness to the spookiest party of the year!