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The Bad Plus & Marc Ribot and the Jazz Bins

03/30/23
7:30 pm – 10:00 pm


Crosstown Theater
1350 Concourse Ave.
Memphis, TN 38104 United States

Crosstown Arts presents The Bad Plus & Marc Ribot and the Jazz Bins at Crosstown Theater.

Crosstown Theater
Thursday, March 30, 2023
Doors open at 6:30 pm | Show begins at 7:30 pm
Tickets: $35-45

PURCHASE TICKETS HERE

The Bad Plus

Reid Anderson (bass), Dave King (drums), Ben Monder (guitar), Chris Speed (saxophone)

The Bad Plus are the ultimate originals. A democratic unit with a clear vision and a refusal to conform to convention. For the past two decades they have played with spirit and adventure, made their own rules and done so with a bold sense of creativity and intent. Avoiding easy categorization, The Bad Plus has won critical acclaim and a legion of fans worldwide with their unique sound and flair for live performance.

Now in their 21st year, The Bad Plus continues to push boundaries as founding members Reid Anderson (bass) and Dave King (drums) embark on a new piano-less incarnation of the band with Ben Monder (guitar) and Chris Speed (tenor saxophone) – instigating a new wave of excitement and anticipation within the band that is re-energizing their sound and inspiration. The Bad Plus have constantly searched to bridge genres and techniques while exploring the infinite possibilities of exceptional musicians working in perfect sync.

The Bad Plus is set to release their 15th studio recording and debut self-titled album as a dynamic new quartet via Edition Records on Friday, September 30th. “Evolution is necessary for life and creativity,” say Dave King and Reid Anderson. “We’ve evolved, but we’re still The Bad Plus.”

Marc Ribot & The Jazz Bins

Marc Ribot (guitar), Greg Lewis (organ), Joe Dyson (drums)

Marc Ribot’s four months with jazz organ legend Brother Jack McDuff were his first ever with an internationally touring artist. Their 1979 itinerary included Ribot’s first concerts in Europe, and his only to date in Gary, Indiana and Rochester, NY. Although the two never recorded together (due to artistic differences that became apparent in Ribot’s later work…Brother Jack reportedly spent much of their stage time fixing Ribot with what side musicians referred to as his “death ray”), Ribot never lost his affection for McDuff’s music and the Hammond organ dominated Soul Jazz scene from which it emerged. Says Ribot: “McDuff’s US audiences—the so-called ‘Chitlin Circuit— were just the hippest in the world: sophisticated about the music, definitely…but also demanding the deepest soul while rewarding restraint in its expression. What this brought out in the musicians was every bit as intense as the music taking shape at CBGBs at the time. In fact, I always felt the two scenes had something in common, and I’ve been trying to express exactly what ever since.”

Fellow Jazz-Bin, Greg Lewis, is not only one of the greatest virtuosos of the Hammond b3 organ alive, but perhaps the only one willing and able to haul a real Hammond b3 and Leslie speaker cabinet to live gigs in NYC! Says Ribot: “Greg is NYC’s best kept secret. He can tell a story on the Hammond like nobody else.” Rounded out with a TBA guest drummer, The Jazz-Bins use deep grooves and over the top improvisation to channel the spirits of Newark’s Key Club Sparky J’s Lounge, and NYC’s CBGB’s c/a 1977 into a quest for punk/soul salvation. The Jazz-Bins go— not exactly ‘ancient’, but ‘back’— to the future, to tap into a scene that never really existed (but should have, will, and does whenever people drop their preconceptions about ‘genre’ long enough to feel the groove), and a vibe that never really stopped. Dig it!

New Orleans native Joe Dyson has certainly been one to watch. He started playing music in his family’s church at just two years old. After being noticed for his peculiar talent, Joe was placed in the Louis “Satchmo” Armstrong Summer Jazz Camp where he was shadowed by the late, great clarinetist Alvin Batiste, and his longtime band leader and mentor, alto saxophonist Donald Harrison. He went on to graduate from the New Orleans Center for Creative Arts (NOCCA), and earned a Presidential Scholarship to his alma mater Berklee College of Music.

Joe has shared the stage with Dr. Lonnie Smith, Ellis Marsalis, Christian Scott aTunde Adjuah, Jon Batiste, Leo Nocentelli, Sullivan Fortner, Dirty Dozen Brass Band, Pedrito Martinez, Grammy Award winners Nicholas Payton and Pat Metheny among others.

Crosstown Arts

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