Events

Pedal and lap steel guitar ace Roosevelt Collier, so proficient he’s affectionately known as “The Dr,” released his solo debut, Exit 16, on GroundUP Music. It’s a potent mix of blues, gospel, rock and, in his words, “dirty funk swampy grime,” as overseen by producer and Bokanté bandmate Michael League (from the Grammy-winning Snarky Puppy). Brought up in the House of God Church in Perrine, Florida, Roosevelt built his “sacred steel” guitar prowess alongside his uncles and cousins in The Lee Boys, known for their spirited, soul-shaking live performances.

Already being hailed as “the next Woody Guthrie,” DC resident Crys Matthews is among the brightest stars of the new generation of social justice music-makers. A powerful lyricist whose songs of compassionate dissent reflect her lived experience as what she lightheartedly calls “the poster-child for intersectionality,” Justin Hiltner of Bluegrass Situation called Matthews’s gift “a reminder of what beauty can occur when we bridge those divides.” A former drum major and classically-trained clarinetist turned folk singer, Matthews is using her voice to answer Dr. Martin Luther King’s call to be “a drum major for justice.” Crys Matthews’s thoughtful, realistic and emotional songs speak to the voice of our generation and remind us why music indeed soothes the soul.

The sonically innovative harpist, Brandee Younger, is revolutionizing harp for the digital era. Over the past fifteen years, she has worked relentlessly to stretch boundaries and limitations for harpists. In 2022, she made history by becoming the first Black woman to be nominated for a Grammy Award for Best Instrumental Composition. That same year, she was also nominated for an NAACP Image Award. Ever-expanding as an artist, she has worked with cultural icons including Common, Lauryn Hill, John Legend, and Moses Sumney. Her current album, Brand New Life, builds on her already rich oeuvre, and cements the harp’s place in pop culture.

The Crosstown Strictly Jazz Series, presented by Crosstown Arts in collaboration with Strictly Jazz Entertainment, is designed to salute classic jazz music as contemporary musicians perform the work of the legends.

John Fullbright’s debut album was called “preternaturally self-assured,” while NPR said “it’s not every day a new artist earns comparisons to great songwriters like Townes Van Zandt and Randy Newman, but Fullbright’s music makes sense in such lofty company.” The Wall Street Journal crowned him as giving one of the year’s 10 best live performances, and the album also earned him a GRAMMY nomination for Best Americana Album and the ASCAP Foundation’s Harold Adamson Lyric Award. 

In the attempt to pioneer a new sound while exploring his Eritrean origins, trumpeter Hermon Mehari composed an album entirely influenced by the harmonies, rhythms, and melodies of Eritrean music. However this work, "Asmara" (Komos), doesn't only come from his musical side — the songs have an emotional bent and express the different aspects of his perspectives towards his relationship with family and the culture.

For this performance, Ben Ricketts (piano/vocals/electronics) will be joined by the Vanishing Imaginary Orchestra, a small ensemble featuring Julia Rice (guitar), Dylan Van Zile (bass), and Kole Oakes (tapes/synthesizer/samples). This performance ensemble recreates and reimagines songs from Ricketts’ wide-ranging catalogue, bringing them to life with a mix of tight arrangements, adventurous improvisation, and expansive audio exploration. Local songwriter Rachel Maxann will be opening the show.