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Crafts & Drafts
Crosstown Concourse 1350 Concourse Ave., Memphis, TNLocal artists and makers showcase their wares during a fun afternoon of outdoor holiday shopping. Guests will browse a curated selection of handmade goods, as well as a great selection of beers and food available for purchase to stoke shopping spirits.
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Proud As Folk featuring The Black Opry Revue
Crosstown Arts, The Green Room 1350 Concourse Ave., Suite 280, Memphis, TN, United StatesBlack Opry amplifies Black artists and builds community for Black fans of country, blues, folk, and Americana music. In honor of Pride month, this celebration of queer Black voices in roots music will feature Carmen Dianne, Josey, and Julia Cannon.
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No Tears Project: Community Concerts
Crosstown Arts, The Green Room 1350 Concourse Ave., Suite 280, Memphis, TN, United StatesTwo performances - Shows begin at 2 pm and 6:30 pm
A 90-minute concert from the No Tears Project ensemble led by Christopher Parker (piano) and Kelley Hurt (voice). The band will perform the world premiere of new works written by and in collaboration with Memphis artists, including saxophonist Robert “Bobby LaVell” Garner. A new arrangement of Memphis pianist Donald Brown’s song “Poem for Martin,” written by Marc Franklin, as well as selections previously written by Oliver Lake, Parker, and Hurt, in honor of the Little Rock Nine will also be performed. Poet and spoken word artist Treasure Shields Redmond, and dancer Ashley Tate will also join the ensemble as special guests for both community concerts.
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Modern Masters Jazz Series: Paul Carr
Crosstown Arts, The Green Room 1350 Concourse Ave., Suite 280, Memphis, TN, United StatesWhen you think of an ambassador for jazz music today, you have got to include Paul Carr in that grouping, as his work touches all fronts including jazz education, performance and presentation.
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MicroCinema: Tribute to Barbara Hammer
Crosstown Theater 1350 Concourse Ave., Memphis, TN, United StatesIn honor of the incredible experimental lesbian filmmaker, Barbara Hammer, Indie Memphis and Crosstown Arts are excited to bring this Tribute to Barbara Hammer for this month’s MicroCinema. A prolific filmmaker, installation artist, and pioneer of feminist and queer cinema for over 50 years, Hammer’s work consistently and relentlessly explored the intimate experiences of lesbian relationships, the erasure and censorship of queer history, and the relationship between sex, age, and the body.
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Crosstown Counterpoint: Blueshift Ensemble + Evan Williams
Crosstown Concourse, Central Atrium 1350 Concourse Ave., Memphis, TNSupported by an Arts Access grant from the Tennessee Arts Commission and ArtsMemphis, Crosstown Arts presents the premiere of the commissioned work by Evan Williams, "Crosstown Counterpoint" alongside Williams' earlier works "Bodies Upon the Gears", "Amber Waves", and Terry Riley's classic minimalist bop, "In C."
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Crosstown Arts Residency Application Workshop
Classroom Glass Room 1350 Concourse Ave., Memphis, TN, United StatesThese in-person workshops with Residency staff will highlight the Crosstown Arts application and will give tips for any residency application.
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Halloween lll: Season of the Witch (1982)
Crosstown Theater 1350 Concourse Ave., Memphis, TN, United StatesThe Crosstown Arts Film Series presents Halloween III: Season of the Witch with a live score by Robert Traxler, Natalie Hoffmann, and Revenge Body in collaboration with Memphis Concréte Festival at Crosstown Theater.
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Willie Farmer / Ryan Lee Crosby & Grant Smith / Shaun Marsh & Lynn Greer
Crosstown Arts, The Green Room 1350 Concourse Ave., Suite 280, Memphis, TN, United StatesJoin Willie Farmer, Ryan Lee Crosby & Grant Smith, and Shaun Marsh & Lynn Greer for a special performance featuring the blues across time and space - music that crosses generations, cultures, and continents.
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Darrius Strong: “The Artist”
Crosstown Arts, The Green Room 1350 Concourse Ave., Suite 280, Memphis, TN, United States“The Artist” is a solo showcase performed by artistic director/choreographer Darrius Strong, in which he touches on layers and humanity of the person behind the artist. For Strong, movement is real and it acts as a language and sometimes as a therapeutic device. Overlapped with movement phrases, “The Artist” will also showcase other routine devices he uses throughout his day that tie to the continuous work he does to heal trauma in his body — aspects of the work that are very much read, true, and relatable to the human experience for many. We are not just one-sides, but we have many layers and dimensions to our identity.
