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The Crosstown Arthouse Film Series showcases a diverse collection of independent, international, historically significant, artistic, experimental, cult, underground, and documentary features.

Films begin at 7:30 pm sharp.
Tickets are $10 (at the door only)

Double feature with THE PHANTOM CARRIAGE (1921) and a live piano accompaniment by Maeve Brophy, followed by a screening of SECOND FEATURE: GANJA & HESS (1973).

THE PHANTOM CARRIAGE (1921): The last person to die on New Year’s Eve before the clock strikes twelve is doomed to take the reins of Death’s chariot and work tirelessly, collecting fresh souls for the next year. So says the legend that drives THE PHANTOM CARRIAGE (Körkarlen), directed by the father of Swedish cinema, Victor Sjöström. The story, based on a novel by Nobel Prize winner Selma Lagerlöf, concerns an alcoholic, abusive ne’er-do-well (Sjöström himself) who is shown the error of his ways, and the pure-of-heart Salvation Army sister who believes in his redemption. This extraordinarily rich and innovative silent classic (which inspired Ingmar Bergman to make movies) is a Dickensian ghost story and a deeply moving morality tale, as well as a showcase for groundbreaking special effects.

MAEVE BROPHY gave her first solo piano recital at age 9 and made her orchestral debut at 15. She has given solo and collaborative performances in Wells, England; the Amalfi Coast; Kiev, Ukraine; New York; San Francisco; Seattle; Aspen; Nashville; and Memphis. She has performed for the Memphis Chamber Music Society and the Artist Ascending Series in Memphis and is a regular performer with the Luna Nova Ensemble. Maeve has performed as soloist with the Chernygev Symphony in Kiev as well as the Paducah Symphony and the Central Florida Philharmonic. She has a BA from the University of Alabama at Birmingham and a Master of Music in Piano Performance from Texas Christian University. She also studied at the Manhattan School of Music and at the New England Conservatory of Music with Russell Sherman. She has worked as a freelance accompanist in Memphis and played for numerous student recitals at the University of Memphis. She has taught students privately as well as at the Boston College of Adult Education.

SECOND FEATURE: GANJA & HESS (1973): Flirting with the conventions of blaxploitation and horror, Bill Gunn’s revolutionary independent film GANJA & HESS is a highly stylized and utterly original treatise on sex, religion, and African American identity. Duane Jones (Night of the Living Dead) stars as anthropologist Hess Green, who is stabbed with an ancient ceremonial dagger by his unstable assistant (director Bill Gunn), bestowing upon him the blessing of immortality … and the curse of an unquenchable thirst for blood. When the assistant’s beautiful and outspoken wife Ganja (Marlene Clark) comes searching for her missing husband, she and Hess form an unexpected partnership. Together, they explore just how much power blood holds. Later recut and released in an inferior version, this edition represents the original release, restored by The Museum of Modern Art with support from The Film Foundation, and mastered in HD from a 35mm negative.