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DTSTART;TZID=America/Chicago:20220409T140000
DTEND;TZID=America/Chicago:20220409T163000
DTSTAMP:20260513T083205
CREATED:20220405T003538Z
LAST-MODIFIED:20220405T003933Z
UID:10004135-1649512800-1649521800@crosstownarts.org
SUMMARY:Crosstown High Theatre Presents: You’re A Good Man Charlie Brown
DESCRIPTION:Crosstown High Theatre Presents: You’re A Good Man Charlie Brown at Crosstown Theater\, April 8th-10th!⁠ \nFriday\, April 8th at 7pm⁠\nSaturday\, April 9th at 2pm & 7pm⁠\nSunday\, April 10th at 2pm⁠\n⁠\nAdult Tickets $15\nStudent tickets $10\nChild tickets $5⁠ \nPURCHASE TICKETS HERE  \nTickets can be purchased at the door or at the link above.\n⁠\nCrosstown High Theatre is proud to present their rendition of You’re a Good Man Charlie Brown by Clark Gesner. They will be performing at the Crosstown Theater located directly behind the main atrium and next to Farm Burger. Bring out the whole family\, your friends\, and your friends’ kids to this heartwarming and funny musical! House will open 45 minutes before showtime and concessions will be available. Tickets will be available online as well as at the door. We hope to see you there!⁠
URL:https://crosstownarts.org/calendar/crosstown-high-theatre-presents-youre-a-good-man-charlie-brown-4/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2022/04/IMG_0186.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220409T090000
DTEND;TZID=America/Chicago:20220409T113000
DTSTAMP:20260513T083205
CREATED:20220405T003538Z
LAST-MODIFIED:20220405T003831Z
UID:10004133-1649494800-1649503800@crosstownarts.org
SUMMARY:Crosstown High Theatre Presents: You’re A Good Man Charlie Brown
DESCRIPTION:Crosstown High Theatre Presents: You’re A Good Man Charlie Brown at Crosstown Theater\, April 8th-10th!⁠ \nFriday\, April 8th at 7pm⁠\nSaturday\, April 9th at 2pm & 7pm⁠\nSunday\, April 10th at 2pm⁠\n⁠\nAdult Tickets $15\nStudent tickets $10\nChild tickets $5⁠ \nPURCHASE TICKETS HERE  \nTickets can be purchased at the door or at the link above.\n⁠\nCrosstown High Theatre is proud to present their rendition of You’re a Good Man Charlie Brown by Clark Gesner. They will be performing at the Crosstown Theater located directly behind the main atrium and next to Farm Burger. Bring out the whole family\, your friends\, and your friends’ kids to this heartwarming and funny musical! House will open 45 minutes before showtime and concessions will be available. Tickets will be available online as well as at the door. We hope to see you there!⁠
URL:https://crosstownarts.org/calendar/crosstown-high-theatre-presents-youre-a-good-man-charlie-brown-2/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2022/04/IMG_0186.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220408T140000
DTEND;TZID=America/Chicago:20220408T163000
DTSTAMP:20260513T083205
CREATED:20220405T003538Z
LAST-MODIFIED:20220405T003538Z
UID:10004132-1649426400-1649435400@crosstownarts.org
SUMMARY:Crosstown High Theatre Presents: You’re A Good Man Charlie Brown
DESCRIPTION:Crosstown High Theatre Presents: You’re A Good Man Charlie Brown at Crosstown Theater\, April 8th-10th!⁠ \nFriday\, April 8th at 7pm⁠\nSaturday\, April 9th at 2pm & 7pm⁠\nSunday\, April 10th at 2pm⁠\n⁠\nAdult Tickets $15\nStudent tickets $10\nChild tickets $5⁠ \nPURCHASE TICKETS HERE  \nTickets can be purchased at the door or at the link above.\n⁠\nCrosstown High Theatre is proud to present their rendition of You’re a Good Man Charlie Brown by Clark Gesner. They will be performing at the Crosstown Theater located directly behind the main atrium and next to Farm Burger. Bring out the whole family\, your friends\, and your friends’ kids to this heartwarming and funny musical! House will open 45 minutes before showtime and concessions will be available. Tickets will be available online as well as at the door. We hope to see you there!⁠
URL:https://crosstownarts.org/calendar/crosstown-high-theatre-presents-youre-a-good-man-charlie-brown/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2022/04/IMG_0186.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220407T143000
DTEND;TZID=America/Chicago:20220407T160000
DTSTAMP:20260513T083205
CREATED:20220121T222456Z
LAST-MODIFIED:20220121T222456Z
UID:10004088-1649341800-1649347200@crosstownarts.org
SUMMARY:Crosstown Arthouse presents THE FILMS OF MAYA DEREN with live score by Optic Sink
DESCRIPTION:The Crosstown Arthouse Film Series presents THE FILMS OF MAYA DEREN with live score by Optic Sink at Crosstown Theater.\n\nMaya Deren / Multiple Years / 60 minutes / Rated M\nTickets: $5 at the door\nFilms begin at 7:30 pm (sharp!) at Crosstown Theater \nMaya Deren is one of the most important American experimental filmmakers of all time. Along with being a filmmaker\, Deren was a choreographer\, dancer\, film theorist\, poet\, lecturer\, and photographer\, and she brings all of these disciplines together in her dreamlike and ecstatic films. The history of avant-garde film is unthinkable without her. For this presentation Deren’s films will be curated and performed with a live score by Memphis no-wave and Goner Records recording artist OPTIC SINK. \n\n\n\n\n\n\n\nThe Crosstown Arthouse Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground and documentary features. \nCrosstown Arts is requesting proof of vaccination or a negative Covid test for this event. Please be prepared to present your vaccination card or a negative Covid test taken within 72 hours at check-in.
URL:https://crosstownarts.org/calendar/crosstown-arthouse-presents-the-films-of-maya-deren-with-live-score-by-optic-sink/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2022/01/MAYA-DEREN-STILL-02.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220405T140000
DTEND;TZID=America/Chicago:20220405T163000
DTSTAMP:20260513T083205
CREATED:20220322T000558Z
LAST-MODIFIED:20220322T000558Z
UID:10004125-1649167200-1649176200@crosstownarts.org
SUMMARY:Shoot & Splice: Hair & Makeup with Faizah Husniyah
DESCRIPTION:Doors open at 6:30pm | Event begins at 7:00pm\nCrosstown Theater\nFree to attend\nComplimentary drinks provided by Crosstown Arts\n\nPlease join Indie Memphis & Crosstown Arts in a conversation and live demonstration with film & television hair and makeup artist\, Faizah Husniyah. Faizah will discuss her flourishing career as well as how filmmaking fundamentals — such as lighting\, camera angles\, scene-to-scene continuity\, and more — all play an important role when strategizing and implementing a style plan for every character on screen. She will also provide a live\, on stage demonstration of her work while giving guided insight into her creative process.\n\nKnown for her incredible transformations outside of TV & Film\, Faizah Husniyah has been a professional hair and makeup artist since 2010\, beginning in Memphis\, TN. Faizah’s love for production started at the age of 12\, where she would help backstage at local theatres’ where her mother was a stage actress. She found herself drawn to the hair and makeup artists who would eventually take Faizah under their wing and mentor her which has contributed to her successes today. \nDetermined to pursue her career as a professional hair and makeup artist after dropping out of high school\, Faizah attended both the Beauty Institute and Paul Mitchell. Faizah ventured into fashion where she became a recognized participant at the notable New York Fashion Week\, and later became a sought after artist and is now faithfully invited to work alongside the biggest names in Hollywood. \nFaizah has never been afraid to expand to new territories. She set her sights on the film world and landed opportunities that afforded her to work with major production companies such as: CMT\, HBO\, WETV\, NBC\, HULU\, NETFLIX\, DISNEY\, GAP KIDS\, ABC\, SONY & ADIDAS to name a few. \nIn 2020\, Faizah was the winner of an unprecedented award that she received by Emmy and Oscar winning stylists Camille Friend (Dept. Head of hair for Black Panther\, Captain Marvel & Guardians of The Galaxy) and Vito Trotta (Grey’s Anatomy) as “The best up and coming artists in tv & film” in which she was paired and mentored by Oscar winning hairstylist Kathrine Gordan. \n\nShoot & Splice is a FREE filmmaker forum presented by Crosstown Arts and Indie Memphis\, featuring a wide variety of technical\, educational\, and unique topics of interest to the Memphis filmmaking community.
URL:https://crosstownarts.org/calendar/shoot-splice-hair-makeup-with-faizah-husniyah/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2022/03/indiememphisfilm.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220403T130000
DTEND;TZID=America/Chicago:20220403T150000
DTSTAMP:20260513T083205
CREATED:20220228T204542Z
LAST-MODIFIED:20220403T215617Z
UID:10003393-1648990800-1648998000@crosstownarts.org
SUMMARY:Kafé Kirk with Kirk Whalum and Avery*Sunshine
DESCRIPTION:Crosstown Arts presents Kafé Kirk with Kirk Whalum and Avery*Sunshine at Crosstown Theater. \n  \n\n\n\n\n\n\n\n\nDoors open at 5pm | Show begins at 6pm\nTickets: General Admission $45 (plus fees) \n\nPURCHASE TICKETS HERE \n\nCrosstown Arts is requesting proof of vaccination or a negative Covid test for this event. Please be prepared to present your vaccination card or a negative Covid test taken within 72 hours at check-in. At-home and rapid tests are accepted. Masks encouraged. \nKIRK WHALUM \nSoulful\, passionate\, stirring…these are the words most often used to describe Kirk’s music. Forged from his Memphis\, (TN) gospel roots and his 1980‘s initiation into the thriving Houston\, TX nightclub scene\, Kirk’s big\, rich tenor sound is unmistakably his. The 80’s were highlighted by Kirk’s stepping out of his blossoming sideman role and forming his own band. It was there that Kirk ultimately developed both his “voice” and songwriting in the crucible of the local club scene––especially at a rooftop club called Cody’s. It was also in Houston where jazz pianist Bob James “discovered” him and brought him on tour\, which led to five successful albums with Columbia Records\, including Cache\, Kirk’s first #1 album. As well\, Kirk and Bob received a Grammy nomination for their collaboration album\, Joined at the Hip. After moving to Los Angeles\, Kirk became an in demand session player for top artists like\, Barbara Streisand\, Al Jarreau\, Luther Vandross\, Larry Carlton\, Quincy Jones and most notably\, Whitney Houston\, amongst many others. It’s his sax heard on the mega-hit\, “I Will Always Love You.” Kirk soon followed that career high point with his phenomenal hit album released on Warner Bros. Records\, For You\, perhaps the most successful of over 25 solo recordings to date; others include his eclectic\, and much lauded\, Gospel According to Jazz series\, (Chapters 1\, 2\, 3 and 4). In addition to his many solo projects\, Kirk was also a member of the popular soul/jazz group\, BWB\, which features Kirk as the “W” of the group with Rick Braun (trumpet) and Norman Brown (guitar). \nAn ordained minister\, Kirk has earned a Masters of Art in Religion. It’s in this spirit that he serves his community in various ways when his touring schedule allows. There is also his daily fifteen minute podcast\, Bible In Your Ear (BIYE)\, in which he invites you to listen along as he reads through the Bible in a year. In addition to music and ministry\, Kirk has a passion to educate young\, aspiring musicians and is currently engaged as a music professor at Visible Music College in his hometown of Memphis. \nKirk is the recipient of numerous awards and acknowledgements for his musical excellence including three Dove Award nominations\, an NAACP Image Award nomination and has won two Stellar Awards- Gospel music’s highest honor. A twelve time Grammy nominee\, Kirk won his first Grammy award (2011)for Best Gospel Song (“It’s What I Do”––featuring Lalah Hathaway) alongside life-long friend and gifted songwriter\, Jerry Peters. \nIn a career spanning decades\, Kirk has a sound that is uniquely his; it is a sound that leaves an indelible imprint on the listener. \nAVERY*SUNSHINE \nAvery*Sunshine is a singer-songwriter whose music can be described as “the epitome of soul.” A native of Chester\, Pennsylvania\, her foundation\, like many of the great soul singers\, is rooted in her experience growing up in the Black church. She honed her craft as a vocal performance student at Spelman College where she earned a Bachelor of Arts. In 2010\, Sunshine released her debut album\, Avery*Sunshine\, a work co-produced by her then musical partner\, and future husband\, Dana Johnson. The single\, “Ugly Part of Me”\, hit the airwaves and introduced Sunshine to the world. Her second album\, The SunRoom (2014) spawned her first No. 1 single on a Billboard chart with “Call My Name”. She continued to grow her discography with the release of Twenty Sixty Four (2017) and the single “How Will You Remember Me?” (2020). \nIn 2020\, Avery expanded her artistry to the world of beauty\, launching Lou*Mack Beauty — a cosmetic company created to encourage women of color to discover\, connect to\, and celebrate the beauty of our lineage. She also created the Hey Sunshine Show\, her own performance platform producing monthly live shows to share with her fans from the comfort of her own home. \nAvery*Sunshine’s sound is uplifting\, vibrant\, and exactly as her namesake suggests\, full of sunshine. She brings people together through her riveting stage performances\, candid and often humorous stage banter\, and optimistic anthems about love and life. She prays that the small space that she occupies in this world reminds everyone to shine as brightly as they can – no matter what. For more visit AverySunshine.com.
URL:https://crosstownarts.org/calendar/kafe-kirk-with-kirk-whalum-and-averysunshine/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2022/02/Screen-Shot-2022-02-28-at-2.08.13-PM.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220331T143000
DTEND;TZID=America/Chicago:20220331T160000
DTSTAMP:20260513T083205
CREATED:20220121T221849Z
LAST-MODIFIED:20220121T221849Z
UID:10004087-1648737000-1648742400@crosstownarts.org
SUMMARY:Crosstown Arthouse Film Series presents THRILLING BLOODY SWORD
DESCRIPTION:The Crosstown Arthouse Film Series presents THRILLING BLOODY SWORD  at Crosstown Theater.\n\nHsin-Yi Chang / 1981 / 89 minutes / Rated R\nTickets: $5 at the door\nFilms begin at 7:30 pm (sharp!) at Crosstown Theater \nIf He-Man and the Masters of the Universe dropped acid with the Shaw Brothers while knocking out a martial arts horror-fantasy movie\, that movie would be THRILLING BLOODY SWORD. This head-spinning slice of Taiwanese psychotronic cinema builds a movie out of SNOW WHITE AND THE SEVEN DWARFS\, impossible fight scenes\, and wild monsters that include a cyclops\, a pterodactyl\, and Satan himself! A comet impregnates a queen. She gives birth to a fleshy egg. In disgust\, the king tosses the egg in the river. Seven little people stumble onto the egg. They stab it with a knife and find a cute baby inside —one who grows up to be a beautiful princess. One day\, she runs into a prince\, who is fighting a multi-headed dragon. Of course\, the two royals fall in love. Unfortunately\, a group of dastardly wizards want to keep them apart\, and they’ll use every creature at their disposal to do it! Previously only available via VHS bootlegs\, Gold Ninja Video is proud to present this hallucinogenic fantasia in a new 2K preservation from the only known 35mm print in existence. \n\n\n\n\n\n\n\nThe Crosstown Arthouse Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground and documentary features. \nCrosstown Arts is requesting proof of vaccination or a negative Covid test for this event. Please be prepared to present your vaccination card or a negative Covid test taken within 72 hours at check-in.
URL:https://crosstownarts.org/calendar/crosstown-arthouse-film-series-presents-thrilling-bloody-sword/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2022/01/Screen-Shot-2022-01-21-at-4.16.09-PM.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220329T143000
DTEND;TZID=America/Chicago:20220329T160000
DTSTAMP:20260513T083205
CREATED:20220126T224533Z
LAST-MODIFIED:20220329T195546Z
UID:10003378-1648564200-1648569600@crosstownarts.org
SUMMARY:Bang on a Can All-Stars
DESCRIPTION:Crosstown Arts presents the Bang on a Can All-Stars\, an ensemble that crosses the boundaries between genres\, at Crosstown Theater. \nTICKETS: $25 first-level seating | $20 second-level seating\n$10 students (with student ID at the door) \nDoors open at 7:00pm / Performance at 7:30pm \nCrosstown Arts is requesting proof of vaccination or a negative Covid test for this event. Please be prepared to present your vaccination card or a negative Covid test taken within 72 hours at check-in. Masks are required. \n“A fiercely aggressive group\, combining the power and punch of a rock band with the precision and clarity of a chamber ensemble.” – The New York Times \nFormed in 1992\, the Bang on a Can All-Stars are recognized worldwide for their ultra-dynamic live performances and recordings of today’s most innovative music. Freely crossing the boundaries between classical\, jazz\, rock\, world and experimental music\, this six-member amplified ensemble has consistently forged a distinct category-defying identity\, taking music into uncharted territories. Performing each year throughout the U.S. and internationally\, the All-Stars have shattered the definition of what concert music is today. \nTogether\, the All-Stars have worked in unprecedented close collaboration with some of the most important and inspiring musicians of our time\, including Steve Reich\, Ornette Coleman\, Burmese circle drum master Kyaw Kyaw Naing\, Tan Dun\, DJ Spooky\, and many more. The group’s celebrated projects include their landmark recordings of Brian Eno’s ambient classic Music for Airports and Terry Riley’s In C\, as well as live performances with Philip Glass\, Meredith Monk\, Don Byron\, Iva Bittova\, Thurston Moore\, Owen Pallett and others. The All-Stars were awarded Musical America’s Ensemble of the Year and have been heralded as “the country’s most important vehicle for contemporary music” by the San Francisco Chronicle. \nCurrent and recent project highlights include “In C”\, a new dance collaboration with Sasha Waltz & Guests based on Terry Riley’s minimalist classic; Dance Party\, a brand new multi-media concert pairing composers and choreographers; a new recording of legendary composer/performer Meredith Monk’s MEMORY GAME; Julia Wolfe’s Flower Power for Bang on a Can All-Stars and orchestra\, a multi media concert exploring the sonic landscape of the late 1960s; Road Trip\, an immersive and visually stunning concert collaboratively-composed by Michael Gordon\, David Lang\, and Julia Wolfe to commemorate the 30+ year journey of Bang on a Can; the touring performances and recording of Julia Wolfe’s Pulitzer Prize winning Anthracite Fields for the All-Stars and guest choir; Julia Wolfe’s acclaimed Steel Hammer\, plus a moving theatrically staged collaboration with SITI Company and director Anne Bogart; Field Recordings\, a major multi-media project and CD/DVD now featuring 30 commissioned works by Tyondai Braxton\, Mira Calix\, Anna Clyne\, Bryce Dessner\, Florent Ghys\, Michael Gordon\, Jóhann Jóhannsson\, David Lang\, Christian Marclay\, Steve Reich\, Todd Reynolds\, Julia Wolfe\, and more; the Lincoln Center Festival 2017 world premiere of Cloud River Mountain\, a collaboration featuring Chinese superstar singer Gong Linna; the world premiere performance and recording of Steve Reich’s 2×5 including a sold-out performance at Carnegie Hall\, and much more. With a massive repertoire of works written specifically for the group’s distinctive instrumentation and style of performance\, the All-Stars have become a genre in their own right. The All-Stars record on Cantaloupe Music and have released past recordings on Sony\, Universal and Nonesuch.
URL:https://crosstownarts.org/calendar/bang-on-a-can-all-stars/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2022/01/boac_allstars©serling_2021_BG_0614-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220327T143000
DTEND;TZID=America/Chicago:20220327T163000
DTSTAMP:20260513T083205
CREATED:20210914T160947Z
LAST-MODIFIED:20220316T210448Z
UID:10003297-1648391400-1648398600@crosstownarts.org
SUMMARY:Arooj Aftab with Ouri at Crosstown Arts
DESCRIPTION:Crosstown Arts presents Arooj Aftab at Crosstown Theater with an opening performance by Ouri. This concert is presented in part by Sonosphere\, Inc. \n\n\nTickets: $25 \nDoors at 6:30 pm | Show at 7:30 pm \nCrosstown Arts is requesting proof of vaccination or a negative Covid test for this event. Please be prepared to present your vaccination card or a negative Covid test taken within 72 hours at check-in. Masks are required. \n\nArooj Aftab\nBorn and raised in Lahore\, Pakistan\, Arooj Aftab came to prominence in Pakistan in the early 2000s when she developed a style that combines Sufi-mystical poetry with the spirit of independent rock. This sound catapulted her to stardom from a then-fledgling underground and online music community in Pakistan. She eventually moved to the U.S.\, earned a degree at the Berklee School of Music\, and now lives in New York City.\n\n\nHer music is inspired by the poetry and musicality of Rumi\, Abida Parveen\, and other Sufi poets\, as well as the reworking of classical Pakistani and North Indian forms like khayal and kafi. She says Sufi words have impacted her writing: “It is very much about the feeling that (Sufi poetry) leaves you with: calmness\, peace\, patience\, simplicity. And then sadness\, longing\, wandering\, searching\, openness\, oneness. I try to take all these qualities and weave them into my music.” She is adamant that her music not be defined as retro; instead\, she’d prefer that her music be understood as a new approach to an old form. She says her music is\, “something new that’s both musically and politically resonant for the contemporary moment.” \n\n\nIn 2011\, NPR listed Arooj as one of the Top 100 Young Composers of today\, alongside names such as Grammy Award-winning Esperanza Spalding and Fusion Jazz piano virtuoso Vijay Iyer. The New York Times included Arooj in their list of Best Concerts of 2012. TimeOut Magazine rated one of her collaborative projects in the Top 10 Classical Albums of 2013. Most recently\, Curious Animal Magazine has listed Bird Under Water among the 10 best albums including Bjork\, Sufjan Stevens\, and Kendrick Lamar. \n\nArooj has collaborated with world-renowned artists such as Meshell Ndegeocello\, Esperanza Spalding\, DJ /rupture\, and Abida Parveen to name a few. She has performed her music at major venues such as the Lincoln Center\, Highline Ballroom\, Le Poisson Rouge\, and the Museum of Modern Art in New York. She has also been invited to perform at festivals such as The Big Ears Festival\, The Ecstatic Music Festival\, and the SF Jazz Festival to name a few.\n\n\nOURI\n\nOuri is both a producer and a performing artist\, a DJ\, a cello & harp player\, a vocalist\, songwriter and composer. Heralded in the electronic music space for a breadth of sound that reaches into the variety of her abilities\, Ouri grows beyond its confines for the next phase of her career as a solo artist. \nOurielle Auvé\, known professionally as Ouri\, grew up in France in a family of afro-carribean descent before arriving in Montreal at the age of 16 to pursue a degree in composition. Here her artistry and vision were able to flourish\, establishing herself in the city’s music community as a producer\, collaborating with peers like Helena Deland and Mind Bath\, and circulating Montreal’s rich\, underground rave culture with wizardry late-night DJ sets. \nTapped for Red Bull Music Academy’s 2017 Montréal Bass Camp\, it was a quick ascent for the producer turned songstress. Opportunities quickly followed suit. She was invited to headline Boiler Room’s Montreal show\, signed to Ghosty (international) & Make it Rain Records (Canada) for the release of her EP ‘Superficial’ — dubbed  a “startling\, exploratory piece of digital soul” by Clash Magazine — and was asked to make official remixes for the likes of Tokimonsta\, Selah Sue\, Busty and the Bass and others. \nInvited to support Jacques Greene\, Yves Tumour & Kllo live in concert\, Ouri toured the world through 2019\, popping up in America\, Europe\, the UK and Mexico across a busy year supporting the release of her EP and growing notoriety\, as affirmed by millions of streams and praise from Fader\, Line of Best Fit\, Clash\, Jamz Supernova\, Red Bull and Majestic Casual. \nIt was in the many collaborations through Ouri’s journey as a producer that the itch to explore her own abilities as a vocalist and songwriter took shape. Arriving in Montreal Ouri dreamed of being a composer\, hiding her identity and womanhood in an enigma behind the laptop\, staying hidden and ambiguous as a means of survival. Yet\, with a burning sense of limitation\, masked in compromise between herself as a producer and the accompanying vocalist\, swirled with the catalyst of a breakup spinning ideas of new beginnings\, Ouri embraced the inevitable. What comes next is the first manifestation of said change\, an initial offering of a project fully imaged and executed by Ouri\, the producer\, the song-writer and the voice. \nRecent times have seen Ouri embrace a period of realignment\, finding solace in her artistic practice while staying close to home to work on a new project poised for release next year. On it\, she stretches beyond the boundaries of electronica for a deliberate synthesis of moods and sounds that allow for a purity that no longer lives inside her computer. \nOuri’s multi-instrumental talents and classical training steer her approach to melody and bass in entrancingly emotive\, bold and playful ways. Pairing traditional song structure with abstract spatial dynamics she creates unparalleled tension between aggressive rhythmic progression and soothing harmonic fluidity. At the centre of it all lies Ouri’s ethereal voice; her words and melodies lay ground for a soulful emotional honesty that swirl around deftly produced arrangements of harp\, cello\, steel guitar\, synthesizer and a mélange of percussion. \nOuri is both fierce and delicate in its most evocative balance as expands her sonic spectrum in her next offering. With single ‘Shape of It’ — a song composed exclusively of her performance on cello and harp — Ouri exposes her bare vocals to find space for vulnerability. She sings of fear in a manner in which to look past it\, to build a safe place after abuse\, to desire hope as a means of generating hope\, to celebrate sex\, to celebrate creation\, all while in these times of crisis.
URL:https://crosstownarts.org/calendar/arooj-aftab-at-crosstown-arts/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220326T140000
DTEND;TZID=America/Chicago:20220326T163000
DTSTAMP:20260513T083205
CREATED:20220307T191931Z
LAST-MODIFIED:20220307T191931Z
UID:10003400-1648303200-1648312200@crosstownarts.org
SUMMARY:Soul Kids (Memphis Premiere + Performance)
DESCRIPTION:Featuring in-person Q&A with Director Hugo Sobelman and subjects of the film + performance from 926\, the Stax Music Academy Alumni Band \nEvent presented by Indie Memphis\, Stax Music Academy\, and Crosstown Arts \nDoors open at 6:30pm | Event begins at 7:00pm\nTickets: $15 \n\nPURCHASE TICKETS HERE \n\n*In accordance with Crosstown Arts’ COVID-19 policies\, any Indie Memphis event hosted at Crosstown Arts will now require that attendees show proof of vaccination or a negative COVID-19 test in order to attend. \n\n\n\n\n\nIn Memphis\, one of the USA’s most distressed city\, the Stax Music Academy is an oasis. Founded in 2000\, the academy continues the legacy of Stax Records\, the legendary 60s soul label which was a refuge and an active space for dialog during the Civil Rights movement. By learning and understanding soul music in after school programs\, teenagers embark into Black Americans legacy and open themselves to new future prospects. Soul Kids is a musical odyssey through history and the concerns of a new generation.
URL:https://crosstownarts.org/calendar/soul-kids-memphis-premiere-performance/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2022/03/unnamed-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220325T150000
DTEND;TZID=America/Chicago:20220325T173000
DTSTAMP:20260513T083205
CREATED:20220218T165905Z
LAST-MODIFIED:20220218T165905Z
UID:10004112-1648220400-1648229400@crosstownarts.org
SUMMARY:Craig Brewer’s Secret Screening with special guests Lucky 7 Brass Band
DESCRIPTION:Crosstown Arts presents CRAIG BREWER’S SECRET SCREENING\nwith special guests LUCKY 7 BRASS BAND at Crosstown Theater. \nDoors open at 7:30 PM | Screening begins at 8:00 PM\n$5 DOLLAR TICKETS AT THE DOOR \nJoin Crosstown Arts and filmmaker and Memphian Craig Brewer in the Crosstown Theater on Friday March 25th for a special\, mystery screening of one of Craig’s most favorite films! What is the film? You will have to come and find out as Craig will be on hand to introduce the film himself! GUARANTEED TO BE A GOOD TIME!! With music by LUCKY 7 BRASS BAND. $5 DOLLAR TICKETS\, CHEAP! 
URL:https://crosstownarts.org/calendar/craig-brewers-secret-screening-with-special-guests-lucky-7-brass-band/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2022/02/Screen-Shot-2022-02-18-at-10.58.16-AM.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220324T143000
DTEND;TZID=America/Chicago:20220324T160000
DTSTAMP:20260513T083205
CREATED:20220121T220537Z
LAST-MODIFIED:20220121T220617Z
UID:10004086-1648132200-1648137600@crosstownarts.org
SUMMARY:Crosstown Arthouse Film Series presents BREATHLESS
DESCRIPTION:The Crosstown Arthouse Film Series presents BREATHLESS at Crosstown Theater.\n\nJean-Luc Godard / 1960 / 90 minutes / Rated M\nTickets: $5 at the door\nFilms begin at 7:30 pm (sharp!) at Crosstown Theater \nSmall-time crook Michel (Jean-Paul Belmondo) steals a car and murders a policeman. While on the run\, he reconnects with Patricia (Jean Seberg)\, a journalism student living in Paris\, and tries to convince her to go on the lam with him. \n\n\n\n\n\n\n\nThe Crosstown Arthouse Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground and documentary features. \nCrosstown Arts is requesting proof of vaccination or a negative Covid test for this event. Please be prepared to present your vaccination card or a negative Covid test taken within 72 hours at check-in.
URL:https://crosstownarts.org/calendar/crosstown-arthouse-film-series-presents-breathless/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2022/01/BREATHLESS-STILL-03-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220317T143000
DTEND;TZID=America/Chicago:20220317T160000
DTSTAMP:20260513T083205
CREATED:20220121T215501Z
LAST-MODIFIED:20220121T215546Z
UID:10004085-1647527400-1647532800@crosstownarts.org
SUMMARY:Crosstown Arthouse presents MIRACLE IN MILAN
DESCRIPTION:The Crosstown Arthouse Film Series presents MIRACLE IN MILAN at Crosstown Theater.\n\nVittoria De Sica / 1951 / 96 minutes / Rated M\nTickets: $5 at the door\nFilms begin at 7:30 pm (sharp!) at Crosstown Theater \nVittorio De Sica’s follow-up to his international triumph Bicycle Thieves is an enchanting neorealist fairy tale in which he combined his celebrated slice-of-life poetry with flights of graceful comedy and storybook fantasy. On the outskirts of Milan\, a band of vagabonds work together to form a shantytown. When it is discovered that the land they occupy contains oil\, however\, it’s up to the cherubic orphan Totò (Francesco Golisano)—with some divine help—to save their community from greedy developers. Tipping their hats to the imaginative whimsy of Charles Chaplin and René Clair\, De Sica and screenwriter Cesare Zavattini (adapting his own novel) craft a big-hearted ode to the nobility of everyday people. Restored from the original camera negative by Cineteca di Bologna and Compass Film\, in collaboration with Mediaset\, Infinity\, Arthur Cohn and Variety Communications at L’Immagine Ritrovata laboratory. \n\n\n\n\n\n\n\nThe Crosstown Arthouse Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground and documentary features. \nCrosstown Arts is requesting proof of vaccination or a negative Covid test for this event. Please be prepared to present your vaccination card or a negative Covid test taken within 72 hours at check-in.
URL:https://crosstownarts.org/calendar/crosstown-arthouse-presents-miracle-in-milan/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2022/01/Screen-Shot-2022-01-21-at-3.54.25-PM.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220310T133000
DTEND;TZID=America/Chicago:20220310T150000
DTSTAMP:20260513T083205
CREATED:20220120T225553Z
LAST-MODIFIED:20220121T215938Z
UID:10004084-1646919000-1646924400@crosstownarts.org
SUMMARY:Crosstown Arthouse Film Series presents THE BIG BIRD CAGE
DESCRIPTION:The Crosstown Arthouse Film Series presents THE BIG BIRD CAGE at Crosstown Theater.\n\nJack Hill / 1972 / 88 minutes / Rated R\nTickets: $5 at the door\nFilms begin at 7:30 pm (sharp!) \nIn the ’70s\, mad genius producer Roger Corman took his crew to the Philippines to create the most enduring women-in-prison films in cinematic history. Inside the hellish women’s prison called THE BIG BIRD CAGE\, inmates like Terry (Anitra Ford\, THE PRICE IS RIGHT) struggle to survive. They get their chance to escape when scheming revolutionary Blossom (Pam Grier\, COFFY; FOXY BROWN) engineers a prison break… from the outside in! “Half of you won’t get ten steps before you get a boobful of lead!” Also starring Carol Speed (ABBY THE BLACK EXORCIST) and directed by the legendary Jack Hill (SPIDER BABY; THE SWINGING CHEERLEADERS). \n\n\n\n\n\n\n\nThe Crosstown Arthouse Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground and documentary features. \nCrosstown Arts is requesting proof of vaccination or a negative Covid test for this event. Please be prepared to present your vaccination card or a negative Covid test taken within 72 hours at check-in.
URL:https://crosstownarts.org/calendar/crosstown-arthouse-presents-the-big-bird-cage/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2022/01/Screen-Shot-2022-01-20-at-4.54.35-PM.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220309T130000
DTEND;TZID=America/Chicago:20220309T153000
DTSTAMP:20260513T083205
CREATED:20220225T040402Z
LAST-MODIFIED:20220225T040652Z
UID:10003391-1646830800-1646839800@crosstownarts.org
SUMMARY:MicroCinema/Shoot & Splice: An Evening with Hope Tucker
DESCRIPTION:Crosstown Arts and Indie Memphis present a special combined MicroCinema / Shoot & Splice screening of short films + discussion at Crosstown Theater.\n\n\nDoors open at 6:30pm | Screening & Discussion begin at 7:00pm\nFREE EVENT / Pay-What-You-Can at the door \n\n\n\nCrosstown Arts is requesting proof of vaccination or a negative Covid test for this event. Please be prepared to present your vaccination card (or a photo of card) or a negative Covid test taken within 72 hours at check-in.  \n\n\n\n\n\nCrosstown Arts and Indie Memphis are thrilled to be hosting the first combined MicroCinema and Shoot & Splice experience: An Evening with Hope Tucker! Join us as we dive into the experimental documentary shorts and filmmaking practice of filmmaker and Memphian Hope Tucker – whose most recent short\, What Travelers Are Saying About Jornada Del Muerto\, screened at the 2022 Sundance Film Festival and here in Memphis as part of our Sundance Satellite Screenings!\n\nTucker’s shorts\, or obituaries\, as part of her longitudinal project The Obituary Project\, contain a rigor that invites viewers to consider constructions of public memory\, the long lasting impacts of nuclear research on place and people\, and largely through text and materials\, illustrates the ways in which people interact and reframe the various sites she’s visited throughout the twenty-two year span of the Project.\n\nThe evening will begin with a screening of three of the filmmaker’s works\, and will be followed by a conversation centered on Hope’s approach and experiences with creating experimental documentary work.\n\n**This event will also be livestreamed here: https://bit.ly/3JM94CS
URL:https://crosstownarts.org/calendar/microcinema-shoot-splice-an-evening-with-hope-tucker/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220308T133000
DTEND;TZID=America/Chicago:20220308T150000
DTSTAMP:20260513T083205
CREATED:20220125T213834Z
LAST-MODIFIED:20220211T181059Z
UID:10004091-1646746200-1646751600@crosstownarts.org
SUMMARY:Eighth Blackbird
DESCRIPTION:Crosstown Arts presents the dynamic GRAMMY Award-winning ensemble Eighth Blackbird at Crosstown Theater. \nTICKETS: $20 ($10 student tickets with ID) plus fees\nDoors open at 7:00pm / Performance at 7:30pm \nCrosstown Arts is requesting proof of vaccination or a negative Covid test for this event. Please be prepared to present your vaccination card or a negative Covid test taken within 72 hours at check-in. Masks are required. \nEighth Blackbird\, hailed as “one of the smartest\, most dynamic ensembles on the planet” (Chicago Tribune)\, began in 1996 as a group of six entrepreneurial Oberlin Conservatory students and continues today under the leadership of founding members Lisa Kaplan (executive director) and Matthew Duvall (artistic director). \nEighth Blackbird has won four Grammy Awards for Best Small Ensemble/Chamber Music Performance over its 23-year history and has become “a brand-name defined by adventure\, vibrancy and quality” (Detroit Free Press). It has commissioned and premiered hundreds of works by established and emerging composers\, including Steve Reich’s Pulitzer Prize-winning Double Sextet and works by Andy Akiho\, Bryce Dessner\, Michael Gordon\, Jennifer Higdon\, Amy Beth Kirsten\, David Lang\, David T. Little\, Nico Muhly\, Carlos Sanchez-Gutierrez\, Julia Wolfe\, and Pamela Z. Through performances in its Chicago home base and at venues across the U.S. and around the world\, Eighth Blackbird has brought innovative presentations of works by living composers to tens of thousands of music lovers. \nThe ensemble’s extensive recording history\, primarily with Chicago’s Cedille Records\, encompasses more than a dozen acclaimed albums. Its most recent release on 37d03d/Secretly Canadian\, 2019’s When We Are Inhuman\, is a collaboration with The National’s Bryce Dessner and Will Oldham (aka Bonnie ‘Prince’ Billy) that features new arrangements by Lisa Kaplan\, who also co-produced the album with Dessner. Singing in the Dead of Night\, written for Eighth Blackbird by Michael Gordon and Pulitzer Prize winners David Lang and Julia Wolfe\, will be released on Cedille Records on June 12\, 2020. Other collaborations with some of today’s most well-regarded artists include heralded performers such as Dawn Upshaw and Jeremy Denk\, seminal composers such as Philip Glass and Nico Muhly\, and genre-fluid composers and performers Dessner\, Oldham\, Arcade Fire’s Richard Reed Parry\, Justin Vernon of Bon Iver\, My Brightest Diamond frontwoman Shara Nova\, and Iarla Ó Lionáird of The Gloaming. \nIn addition to its Grammy Awards\, Eighth Blackbird’s many honors include winning the 1998 Concert Artists Guild Competition; pioneering a year-long residency at the Museum of Contemporary Art—Chicago in 2016\, during which the ensemble served as a living installation with open rehearsals\, performances\, guest artists\, and public talks; receiving the prestigious MacArthur Award for Creative and Effective Institutions and Chamber Music America’s inaugural Visionary Award; and being named Musical America’s 2017 Ensemble of the Year. \nThe members of Eighth Blackbird value their roles as curators\, educators\, and mentors. The ensemble was named music director of the 2009 Ojai Music Festival\, has held residencies at the Curtis Institute of Music and at the University of Chicago\, and serves as ensemble-in-residence at the University of Richmond. In 2017 and 2018\, Eighth Blackbird led its boldest initiative yet\, the Blackbird Creative Laboratory\, an inclusive\, two-week summer workshop and performance festival for performers and composers in Ojai\, California. During the 2018–19 season\, some of the Lab’s network of 60 alumni presented regional events and side-by-side concerts across the U.S. and in Melbourne\, Australia with members of Eighth Blackbird. In the 2019–2020 season\, Eighth Blackbird performs works by Lab alumni Fjóla Evans\, Nina Shekhar\, and Viet Cuong. In 2020\, it will give the world premiere of a new work for sextet and the U.S. Navy Band by Cuong in conjunction with Chicago’s Year of Music. \nThe name “Eighth Blackbird” derives from the eighth stanza of Wallace Stevens’s evocative\, imagistic poem\, Thirteen Ways of Looking at a Blackbird: “I know noble accents / And lucid\, inescapable rhythms; / But I know\, too\, / That the blackbird is involved / In what I know.” \nMatthew Duvall\, Artistic Director \nLisa Kaplan\, Executive Director \nLina Andonvoska\, flutes \nZach Good\, clarinets \nMaiani da Silva\, violin \nAshley Bathgate\, cello \nMatthew Duvall\, percussion \nLisa Kaplan\, piano \nEighth Blackbird is managed by David Lieberman Artists. Carol Fox & Associates is Eighth Blackbird’s Public Relations Agency.
URL:https://crosstownarts.org/calendar/eighth-blackbird/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220306T090000
DTEND;TZID=America/Chicago:20220306T110000
DTSTAMP:20260513T083205
CREATED:20211209T204449Z
LAST-MODIFIED:20220215T213153Z
UID:10004068-1646557200-1646564400@crosstownarts.org
SUMMARY:Iris at Crosstown: Celebrating the Upside
DESCRIPTION:Join Iris Orchestra for a concert honoring the life of Peter Formanek at Crosstown Theater. \nTICKETS: $40 advance general admission | $45 day of show general admission\nDoors open at 2:30 pm | Show at 3 pm \nIris Orchestra honors the life of Memphis philanthropist Peter Formanek with a special concert featuring pianists Inon Barnatan and Alon Goldstein. These international concert artists\, welcomed as guests and friends in the home of Peter and Mary Lee Formanek during their visits to Memphis as Iris concerto soloists\, will each perform music for solo piano and then join forces in music for piano four-hands. The Sunday concert at Crosstown Theater completes a weekend honoring Peter that begins with the orchestral program featuring the two pianists at Germantown Performing Arts Center on Saturday\, March 5. \nProgram \nDebussy: Estampes\nBernstein: “The Masque” from Symphony No. 2\, Age of Anxiety\nAlon Goldstein\, piano \nGershwin: Prelude No. 2\nGershwin/Wild: I Got Rhythm\nChopin: Andante spianato et Grande polonaise brillante in E-flat Major\, Op. 22 \nInon Barnatan\, piano\nSchubert: Fantasia in F minor\, D.940 for piano four-hands\nInon Barnatan and Alon Goldstein\, piano \nMasks are strongly recommended. Read HERE about Iris Orchestra’s COVID season health and safety protocols. Presenting sponsor: nexAir \n 
URL:https://crosstownarts.org/calendar/iris-at-crosstown-celebrating-the-upside/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2021/12/BarnatanGoldstein.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220304T123000
DTEND;TZID=America/Chicago:20220304T143000
DTSTAMP:20260513T083205
CREATED:20220214T190210Z
LAST-MODIFIED:20220214T191430Z
UID:10004104-1646397000-1646404200@crosstownarts.org
SUMMARY:The Memphis Symphony Orchestra: Vaughan-Williams Fantasia
DESCRIPTION:The Memphis Symphony Orchestra presents Vaughan-Williams Fantasia\, with works by Fela Sowande\, Ralph Vaughan-Williams\, and Camille Saint-Saëns. Featuring pianist Maxim Lando. \nCrosstown Theater | 6:30pm (doors open at 6:00pm)\nCrosstown Arts is requesting proof of vaccination or a negative Covid test for this event.  \nTickets: $35  \nRobert Moody\, conductor\nMaxim Lando\, piano \n  \nSOWANDE  African Suite\nVAUGHAN-WILLIAMS  Tallis Fantasia\nSAINT-SAËNS  Piano Concerto No. 2 \nThe young pianist\, Maxim Lando\, has been described as “individualistic with over-the-top charisma”. Nigerian composer Fela Sowanda’s music integrated musical ideas from his West African musical traditions with his love for the music of Bach and Handel. The Vaughan-Williams Fantasia is one of the most hauntingly beautiful string works ever composed. \nClassic Accents Series Sponsored by Paul and Linnea Bert. \n \n 
URL:https://crosstownarts.org/calendar/the-memphis-symphony-orchestra-presents-vaughan-williams-fantasia/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2022/01/2-Orchestra1-scaled.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220303T133000
DTEND;TZID=America/Chicago:20220303T150000
DTSTAMP:20260513T083205
CREATED:20220120T223401Z
LAST-MODIFIED:20220121T215921Z
UID:10004083-1646314200-1646319600@crosstownarts.org
SUMMARY:Crosstown Arthouse Film Series presents TO SIR\, WITH LOVE
DESCRIPTION:The Crosstown Arthouse Film Series presents TO SIR\, WITH LOVE at Crosstown Theater.\n\nJames Clavell / 1967 / 105 minutes / Rated M\nTickets: $5 at the door\nFilms begin at 7:30 pm (sharp!) at Crosstown Theater \nIn memory of the great actor Sidney Poitier\, Crosstown Arts is excited to screen TO SIR\, WITH LOVE. Poitier plays Mark Thackeray\, an immigrant from British Guiana who wants to be an engineer but takes a job as a teacher in an inner city school in London. Without experience\, Thackeray (Poitier) powers through changing the lives of his young and troubled charges\, as well himself. \n\n\n\n\n\n\n\nThe Crosstown Arthouse Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground and documentary features. \nCrosstown Arts is requesting proof of vaccination or a negative Covid test for this event. Please be prepared to present your vaccination card or a negative Covid test taken within 72 hours at check-in.
URL:https://crosstownarts.org/calendar/crosstown-arthouse-presents-to-sir-with-love/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2022/01/TO-SIR-WITH-LOVE-STILL-02-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220227T133000
DTEND;TZID=America/Chicago:20220227T150000
DTSTAMP:20260513T083205
CREATED:20220104T225013Z
LAST-MODIFIED:20220201T052445Z
UID:10004070-1645968600-1645974000@crosstownarts.org
SUMMARY:Mahogany Chamber Performances: Vocal Juggernauts
DESCRIPTION:Crosstown Arts presents an evening of show-stopping vocal music across multiple genres\, featuring works by HT Burleigh and María Grever\, musical theater pieces by Kurt Weill\, and famous arias by Puccini and Wagner. Featuring local artists Paulina Villareal (U of M vocal professor)\, Gavin Wigginson (PRIZM Executive Director)\, and guest artist dramatic soprano Takesha Meshé Kizart-Thomas. They will be joined by pianists Jonathan Tsay and Artina McCain.\n\n\n\n\n\n\n\nThe Mahogany Chamber Performances is a series of three chamber music concerts curated by Dr. Artina McCain\, spotlighting Black and other underrepresented composers and performers. \nTICKETS: $15 ($5 with student ID at the door)\nDoors at 7 pm | Show at 7:30 pm \nPurchase Tickets Here \nCrosstown Arts is requesting proof of vaccination or a negative Covid test for this event. Please be prepared to present your vaccination card or a negative Covid test taken within 72 hours at check-in. Masks are required. \n\nTakesha Meshé Kizart-Thomas\, soprano \nMultidisciplinary creative performing artist and founder of SWAP’ra North America\, Mrs. Takesha Meshé Kizart-Thomas is a vocally and visually stunning force on stage and screen. From leading roles with many storied institutions such as the Metropolitan Opera and Sydney Opera House\, to sharing the stage with the likes of Yo-Yo Ma and Wynton Marsalis\, to collaborating with Broadway in Chicago and HBO\, she also brings her global worldview to building community\, education\, and innovation. This is evidenced by her recent partnerships with Booker T. Washington High School for the Performing and Visual Arts in Dallas and the Chicago Symphony Orchestra\, as well as her 15+ years of experience as a Master Vocal Technician\, Coach\, Songwriter\, and Arranger who specializes in holistically integrating and freeing the Mind\, Body\, and Spirit to effectively communicate one’s clarity and purpose. A performer since the age of two\, and counting music legends McKinley “Muddy Waters” Morganfield and Tina Turner among her relations\, she consistently propels her vision of uniting tradition with innovation in all she creates. In so doing\, Mrs. Kizart-Thomas recently launched “The Meshé Legacy” with her husband\, Dr. D. Vincent Thomas Jr. and infant daughter\, Little Miss Joëlle Meshé. As marriage and family advocates who believe in the immense power of partnership\, they are collectively driven by their mission to promote Love\, Life\, and Legacy initiatives for families and their children. \nPaulina Villarreal\, mezzo-soprano \nMexican mezzo-soprano Paulina Villarreal is a prominent recitalist\, cabaret\, operatic\, and musical theater singer around the United States and Mexico. A graduate of the Cincinnati College-Conservatory of Music\, Dr. Villarreal has been a soloist and resident artist in important companies and orchestras around the United States like Opera Saratoga\, Cincinnati opera\, Opera Fusion: New Works\, the Tanglewood Music Center\, the Boston Pops (Boston\, MA)\, Opera Memphis\, Opera Steamboat\, Princeton Symphony Orchestra\, Cincinnati Symphony Orchestra\, Kentucky Symphony Orchestra\, Appalachian Symphony Orchestra\, and the Decatur Millikin Symphony Orchestra. Trained as a classical vocalist\, Villarreal is now additionally in demand for her singing versatility in musical theater\, and commercial music genres. \nIn the entrepreneurship and administrative world\, Dr. Villarreal is the founder and artistic director of the annual concert series Cantos para Hermanar al Mundo (Songs to Unite the world) devoted to the promotion of classical vocal genres hosted in Northern Mexico. She currently holds the rank of Assistant Professor of Voice at the University of Memphis Rudi E. Scheidt School of Music and serves as the Young Singer Program Director at the Hawaii Performing Arts Festival\, a prestigious summer training program in the United States. \nGavin Wigginson\, tenor \nGavin Wigginson has devoted his career to inspiring youth to explore their musical abilities and open their eyes – and ears – to the countless elements of music. \nWith a bachelor’s and master’s degree in music and in vocal performance from the University of Tennessee at Knoxville\, Gavin has fused his classical training to raise awareness and uplift victims of social injustice. Currently\, Gavin serves as executive director for PRIZM Ensemble and director of concert choir instructor of voice at LeMoyne-Owen College. Previously Gavin has served as a fellowship coach for Memphis Music Initiative\, where he partnered with dozens of local schools and managed a team of music fellows who taught more than 750 students each semester. \nAs PRIZM’s executive director\, Gavin oversees all operations and strategic direction for the nonprofit\, manages development\, drives programming\, recruits mentors\, and fosters community partnerships to support PRIZM’s vast youth outreach efforts. He also leads PRIZM’s largest program\, the Summer Music Camp and International Chamber Music Festival\, and the PRIZM in the Schools (PITS) program\, which provides high-level introductory music classes and orchestral instruction at various schools. \nArtina McCain\, piano \nDescribed as a pianist with “power and finesse” (Dallas Arts Society)\, “beautiful and fiery” (KMFA Austin)\, and having a “sense of color\, balance and texture” (Austin Chamber Music Center)\, Artina McCain has a built a three-fold career as a performer\, educator\, and speaker. Recent performance highlights include guest appearances with the Dallas Symphony Orchestra\, Oregon East Symphony\, and the Memphis Symphony Orchestra. As a recitalist\, her credits include performances at the Mahidol University in Bangkok\, Hatch Recital Hall in Rochester\, and in 2022\, her debut at Wigmore Hall in London. \nDedicated to promoting the works of Black and other underrepresented composers\, McCain curates Black Composers Concerts for multiple arts organizations and is an American Prize winner for her solo piano recordings of these works. Recently\, she won a Gold Global Music Award for her recent solo album project Heritage. Currently\, she is Coordinator of Keyboard Studies at the University of Memphis. Artina McCain is a Yamaha Artist. \nJonathan Tsay\, piano \nPrior to his appointment as Assistant Professor of Piano at the Rudi E. Scheidt School of Music at The University of Memphis\, Jonathan Tsay served numerous roles in the music community including Head of Collaborative Piano at Conservatory Music in the Mountains\, Head of Piano at the Chloé Trevor Music Academy\, Presenter and Artist for Cliburn in the Classroom (which serves over 50k under-served 2nd-4th graders in the DFW area per year) and Artistic Director of Ensemble75\, a chamber music series based in the North Texas area. \nA sought-after collaborator\, Jonathan has also performed alongside some of the world’s premier musicians\, including Chee-Yun\, David Cooper (Principal Horn\, Chicago Symphony)\, Jing Wang (Concertmaster\, Hong Kong Philharmonic)\, dramatic soprano Alessandra Marc\, the Cézanne Quartet\, and Nathan Olson (Concertmaster\, Dallas Symphony Orchestra). As a solo recitalist\, Jonathan has performed throughout the United States\, Canada\, and Taiwan. \nJonathan earned a Bachelor’s of Music under the tutelage of Dr. Carol Leone at Southern Methodist University and his doctorate at l’Université de Montréal with Marc Durand. \nJonathan’s performances have been broadcast on WRR Classical\, KMFA Classical\, and are featured in the companion CD to “Brahms – A Listener’s Guide: Unlocking the Masters Series.” Jonathan’s album\, “Harmonic Allusions\,” was named in the “Top 5 Albums of 2017” by TheaterJones\, and his YouTube collaboration with Chloé Trevor performing “Danse Macabre” has garnered over 1.3 million views.
URL:https://crosstownarts.org/calendar/mahogany-chamber-performances-a-night-of-song/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220225T133000
DTEND;TZID=America/Chicago:20220225T150000
DTSTAMP:20260513T083205
CREATED:20220113T201234Z
LAST-MODIFIED:20220201T052252Z
UID:10004074-1645795800-1645801200@crosstownarts.org
SUMMARY:Hub New Music
DESCRIPTION:Crosstown Arts presents Boston-based contemporary chamber music trailblazers Hub New Music in Crosstown Theater. This performance is sponsored in part by Concerts International. \nTICKETS: $20 ($10 with student ID at the door)\nDoors at 7 pm | Show at 7:30 pm \nPurchase Tickets Here \n*Crosstown Arts is requesting proof of vaccination or a negative Covid test for this event. Please be prepared to present your vaccination card or a negative Covid test taken within 72 hours at check-in. \nCalled “contemporary chamber trailblazers” by the Boston Globe\, Hub New Music – composed of flute\, clarinet\, violin\, and cello – performs on the Kemmons Wilson Family Stage at Crosstown Theater. The ensemble will perform works by Christopher Cerrone\, Takuma Itoh\, Christian Quiñones\, Du Yun\, and Eric Nathan. \nThis concert is presented in collaboration with Concerts International. \n\nAbout Hub New Music: \nCalled “contemporary chamber trailblazers” by the Boston Globe\, Hub New Music – composed of flute\, clarinet\, violin\, and cello – is forging new pathways in 21st-century repertoire. The ensemble’s ambitious commissioning projects and “appealing programs” (New Yorker) celebrate the rich diversity of today’s classical music landscape. Its performances have been described as “gobsmacking” (Cleveland Classical)\, “innovative” (WBUR)\, and “the cutting edge of new classical music” (Taos News). \nHub’s 2021-22 highlights include concerts presented by the Morgan Library and Museum\, Celebrity Series of Boston\, Seattle Symphony\, Soka Performing Arts Center\, and Williams Center for the Performing Arts. Season residencies include visits to Baylor\, Portland State\, Illinois State\, and Georgetown universities. The coming season brings premieres of new works by Nathalie Joachim\, Laura Kaminsky\, and Nina C. Young. In fall 2021\, the Library of Congress presents the “virtual premiere” of Hub’s collaboration with composer Carlos Simon\, Requiem for the Enslaved\, which will tour in 2022-23. Simon’s large-scale work honors the lives of 272 slaves sold by Georgetown University (where Simon serves on the faculty) in 1838\, and features spoken-word artist Marco Pavé\, trumpeter Jared Bailey\, and Simon on piano. \nHub’s debut album\, Soul House\, released on New Amsterdam Records in 2020 was called “ingenious and unequivocally gorgeous” by the Boston Globe. The ensemble’s upcoming recording with Silkroad’s Kojiro Umezaki (shakuhachi) and Asia-America New Music Institute (AANMI) will be released on Tōrō Records in 2022. Other upcoming recording projects include Carlos Simon’s Requiem for the Enslaved\, and Michael Ippolito’s abstract- expressionist inspired work\, Capriccio. The group will also be featured on Eric Nathan’s portrait album\, Missing Words\, to be released on New Focus Recordings. \nHub New Music is a group of passionate educators whose approach to teaching melds the artistic and entrepreneurial facets of modern musicianship. The ensemble was recently in residence with the Los Angeles Philharmonic’s Nancy and Barry Sanders Composer Fellowship program\, working with 10 outstanding high school aged composers. Other residency activities include those at New England Conservatory\, Princeton\, Harvard\, \nUniversity of Michigan\, University of Texas-Austin\, UC Irvine\, and University of Nebraska- Lincoln. In 2021-22\, the ensemble continues its K-12 program\, HubLab\, that uses graphic scores and improvisation to create group compositions with students of all levels. \nHub New Music owes thanks to its supporters including Chamber Music America\, the Cricket Foundation\, Boston Cultural Council\, the Florence & Joseph Mandel Family Foundation\, Johnstone Fund for New Music\, Amphion Foundation\, Mid Atlantic Arts Foundation\, and Alice M. Ditson Fund for Contemporary Music at Columbia University. The ensemble’s name is inspired by its founding city of Boston’s reputation as a hub of innovation. Hub New Music is exclusively represented by Unfinished Side.
URL:https://crosstownarts.org/calendar/hub-new-music/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220224T133000
DTEND;TZID=America/Chicago:20220224T163000
DTSTAMP:20260513T083205
CREATED:20220120T215714Z
LAST-MODIFIED:20220216T231759Z
UID:10004082-1645709400-1645720200@crosstownarts.org
SUMMARY:Crosstown Arthouse Film Series presents WHO WE ARE: A CHRONICLE OF RACISM IN AMERICA
DESCRIPTION:The Crosstown Arthouse Film Series presents  WHO WE ARE: A CHRONICLE OF RACISM IN AMERICA at Crosstown Theater. \nIn advance of the Memphis release of Sony Pictures Classics’ “Who We Are: A Chronicle of Racism in America\,” the focus of the documentary Jeffery Robinson and the directors (Emily and Sarah Kunstler) will be hosting an exclusive showing and Q&A at the Crosstown Theater on Thurs.\, Feb. 24 at 7:30 p.m.\n\nEmily & Sarah Kunstler / 2022 / 118 minutes / Rated PG-13\nTickets: $5 at the door (or purchase presale tickets HERE)\nFilms begin at 7:30 pm (sharp!) \n\nInterweaving lecture\, personal anecdotes\, interviews\, and shocking revelations\, in WHO WE ARE: A CHRONICLE OF RACISM IN AMERICA\, criminal defense/civil rights lawyer Jeffery Robinson draws a stark timeline of anti-Black racism in the United States\, from slavery to the modern myth of a post-racial America. \n\n\n\n\n\n\n\n\nThe Crosstown Arthouse Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground and documentary features. \nCrosstown Arts is requesting proof of vaccination or a negative Covid test for this event. Please be prepared to present your vaccination card or a negative Covid test taken within 72 hours at check-in.
URL:https://crosstownarts.org/calendar/crosstown-arthouse-film-series-presents-who-we-are-a-chronicle-of-racism-in-america/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220219T133000
DTEND;TZID=America/Chicago:20220219T150000
DTSTAMP:20260513T083205
CREATED:20211109T184637Z
LAST-MODIFIED:20220201T051943Z
UID:10003325-1645277400-1645282800@crosstownarts.org
SUMMARY:The Barnes Family at Crosstown Theater
DESCRIPTION:Gospel group The Barnes Family presents a special show at Crosstown Theater. \nTICKETS: $30 first-level seating | $20 balcony seating\nDoors at 6:30 pm | Show at 7:30 pm \nPurchase Tickets Here \n*Crosstown Arts is requesting proof of vaccination or a negative Covid test for this event. Please be prepared to present your vaccination card or a negative Covid test taken within 72 hours at check-in. \n\nWith more than 30 years in the music industry\, The Barnes Family has been called “one of the most influential Gospel families in Memphis\, TN.” They’re reuniting on-stage after a five year hiatus. \nChris and Courtney of the Sensational Barnes Brothers released their critically acclaimed debut album Nobody’s Fault But My Own in 2019. The following year\, in 2020\, Calvin J. Barnes II and Carla Barnes-Anderson released James Anderson\, an album with more R&B influences centered around inspiration and motivation. The success of these projects were the missing piece in reuniting the family on stage and shifting their time and energy on the revival of the Barnes family. \nThis show gives the family an opportunity to have fun and create music on their terms. Since their time apart\, each member of the family has toured and performed with acts\, such as the Bar-Kays\, and in solo ventures in Las Vegas. However\, this time around they are looking forward to sharing their favorite songs in their own way. And more importantly\, they’ll be revisiting the moments that have gotten away from them over the years. \nThe Barnes family has deep ties to gospel\, often bridging the gap between soul and non-secular music. There is a familiarity in the way this family performs as it teeters the line of both fervid and faithful. Although the Barnes family got its start in gospel music\, this concert will be a melting pot of old and new. It will be a raw look at the life that each of them has experienced individually over the last couple of years and how that translates into the way they will perform together. \nThis holiday production will be an elevation of where the Barnes family left off in 2015 after the release of their family album\, Family Tree.
URL:https://crosstownarts.org/calendar/the-barnes-family/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220217T133000
DTEND;TZID=America/Chicago:20220217T154500
DTSTAMP:20260513T083205
CREATED:20220214T174854Z
LAST-MODIFIED:20220215T164942Z
UID:10004103-1645104600-1645112700@crosstownarts.org
SUMMARY:The Crosstown Arthouse Film Series presents A Tree Grows In Brooklyn
DESCRIPTION:The Crosstown Arthouse Film Series presents A Tree Grows In Brooklyn at Crosstown Theater.\nElia Kazen / 1945 / 128 minutes / Rated PG \nTickets: $5 at the door\nFilms begin at 7:30 pm (sharp!) \nWe were originally going to show A Tree Grows in Brooklyn at Christmas as it is is one our favorite Christmas movies here at the Arthouse series!! It was postponed but it is still cold so come see this film and you won’t ever think about Christmas the same way again! A gut punch of a film\,  A Tree Grows in Brooklyn tells the story of an Irish immigrant family\, the Nolans\, living out their lives in the Williamsburg neighborhood of Brooklyn in 1912. About 100 years before Williamsburg got to be the gentrified Hell hole it currently is\, this story takes place when the neighborhood was filled with thousands of first generation immigrants from all different parts of the world\, crammed together in tenements and hustling every day to put food on the table and maybe a little liquor down their gullet! With Dorthy McGuire (Old Yeller\, Swiss Family Robinson) as stern mom Katie Nolan! Joan Blondell (Glenda in Stay Away\, Joe) as sassy Aunt Sissy!! Come out and get in the spirit with us!!  A Tree Grows in Brooklyn\, CAN’T MISS!!! \n\n\n\n\n\n\n\nThe Crosstown Arthouse Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground and documentary features. \nCrosstown Arts is requesting proof of vaccination or a negative Covid test for this event. Please be prepared to present your vaccination card or a negative Covid test taken within 72 hours at check-in. Masks are required.
URL:https://crosstownarts.org/calendar/the-crosstown-arthouse-film-series-presents-a-tree-grows-in-brooklyn/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220215T130000
DTEND;TZID=America/Chicago:20220215T150000
DTSTAMP:20260513T083205
CREATED:20220124T231045Z
LAST-MODIFIED:20220214T174224Z
UID:10004090-1644930000-1644937200@crosstownarts.org
SUMMARY:Shoot & Splice: Case Study of 'The Devil Will Run' w/ Noah Glenn & IMAKEMADBEATS
DESCRIPTION:Indie Memphis & Crosstown Arts are excited to present a case study of the 2021 Indie Memphis Film Festival Jury & Audience award-winning short film\, ‘The Devil Will Run.’ Join writer/director Noah Glenn and producer IMAKEMADBEATS as they share insights and stories from each stage of the production process — from receiving an IndieGrant in 2019 all the way through production and into festival distribution.\n\nThe case study will also feature a screening of the 10-minute film\, ‘The Devil Will Run’.\n\nDoors open 6:30 pm\nBegins at 7:00 pm\n\nCrosstown Arts is requesting proof of vaccination or a negative Covid test for this event. Please be prepared to present your vaccination card or a negative Covid test taken within 72 hours at check-in. Masks are required.\n\nShoot & Splice is a FREE filmmaker forum presented by Crosstown Arts and Indie Memphis\, featuring a wide variety of technical\, educational\, and unique topics of interest to the Memphis filmmaking community.
URL:https://crosstownarts.org/calendar/shoot-splice-case-study-of-the-devil-will-run-w-noah-glenn-imakemadbeats/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220211T123000
DTEND;TZID=America/Chicago:20220211T143000
DTSTAMP:20260513T083205
CREATED:20220126T195850Z
LAST-MODIFIED:20220207T023006Z
UID:10003372-1644582600-1644589800@crosstownarts.org
SUMMARY:The Memphis Symphony Orchestra presents Wagner's Tristan and Isolde
DESCRIPTION:The Memphis Symphony Orchestra presents a program titled Wagner’s Tristan and Isolde\, featuring works by Wagner\, Joseph Boulogne de Chevalier de St. George\, Villa-Lobos\, and Haydn  at Crosstown Theater. Featuring cellist Brant Taylor of the Chicago Symphony Orchestra. \nTickets: $35  \nRobert Moody\, conductor\nBrant Taylor\, cello \n \nBOULOGNE  Symphony No. 1\nHAYDN  Cello Concerto No. 1\nVILLA-LOBOS Bachianas Brasileiras No. 1\nWAGNER  Prelude and Liebestod from Tristan and Isolde (arranged for chamber orchestra) \nWagner changed the direction of love music forever with Tristan and Isolde. Joseph Boulogne de Chevalier de St. George was a black French contemporary of Mozart\, who was one of France’s most celebrated composers during his life. Brant Taylor\, a member of the Chicago Symphony Orchestra and an accomplished soloist\, performs Haydn’s First Cello Concerto.
URL:https://crosstownarts.org/calendar/the-memphis-symphony-orchestra-presents-wagners-tristan-and-isolde/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220210T133000
DTEND;TZID=America/Chicago:20220210T153000
DTSTAMP:20260513T083205
CREATED:20211123T213647Z
LAST-MODIFIED:20220127T212552Z
UID:10004050-1644499800-1644507000@crosstownarts.org
SUMMARY:Crosstown Arthouse presents The Apartment
DESCRIPTION:The Crosstown Arthouse Film Series presents The Apartment at Crosstown Theater.\nBilly Wilder / 1960 / 125 minutes / Rated M \nTickets: $5 at the door\nFilms begin at 7:30 pm (sharp!) \nRestored in 4K from the 35mm original picture negative and 35mm duplicate picture negative! Park Circus in collaboration with Metro Goldwyn Mayer presents The Apartment. From Park Circus: C.C. Baxter is an office clerk who courts favor with the executives in his office by giving them the key to his small apartment for their extramarital flings. Among them is his callous boss\, J.D. Sheldrake\, who Baxter eventually learns is using his place to sleep with Miss Kubelik\, the sweet elevator operator the clerk has loved from afar. When Sheldrake coldly dumps the vulnerable young woman\, she tries to commit suicide in Baxter’s apartment\, giving the clerk the opportunity to save the woman of his dreams but possibly lose his job. \n\n\n\n\n\n\n\nThe Crosstown Arthouse Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground and documentary features. \nCrosstown Arts is requesting proof of vaccination or a negative Covid test for this event. Please be prepared to present your vaccination card or a negative Covid test taken within 72 hours at check-in. Masks are required.
URL:https://crosstownarts.org/calendar/crosstown-arthouse-presents-the-apartment/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220204T133000
DTEND;TZID=America/Chicago:20220205T160000
DTSTAMP:20260513T083205
CREATED:20211209T223109Z
LAST-MODIFIED:20220202T183620Z
UID:10004069-1643981400-1644076800@crosstownarts.org
SUMMARY:Mempho Presents Todd Snider at Crosstown Theater
DESCRIPTION:Mempho Presents Todd Snider on the Kemmons Wilson Family Stage at Crosstown Theater on Friday\, February 4\, 2022 and Saturday\, February 5\, 2022. Opening performance by Will Kimbrough. \nTICKETS: Tickets $38-$42 (plus fees)\nDoors at 6:30 pm | Show at 7:30 pm (both nights) \nPurchase Tickets Here \n\n\n*Crosstown Arts is requesting proof of vaccination or a negative Covid test for this event. Please be prepared to present your vaccination card or a negative Covid test taken within 72 hours at check-in.\n \n*Tickets for this event are non-refundable with less than 72 hours before the event.  \n\n\n\n\nYou don’t often hear about an artist reinventing their sound eighteen albums into a celebrated career. But for Todd Snider\, his latest release\, First Agnostic Church of Hope and Wonder\, isn’t so much a sudden change in direction as an arrival after years of searching. \n“After my last album\, Agnostic Hymns\, I felt like I was out of ideas\, and I just didn’t know where to go next\,” Snider says. “So I did a side project with the Hard Working Americans\, and I learned a ton. I tried to study music by other people and come to this record hoping that I’d have something new to say. I wanted to do what I was calling ‘funk in back and busking up front\, with White Album-y shit scattered about.’ I had done a lot of listening to Parliament and James Brown and lots of reggae music\, too. It’s embarrassing to admit\, but I’ve been trying to think of this sound all my life. This is the closest I’ve come to thinking\, ‘Man\, I don’t know that I’ve heard anything like this before.’” \nEspecially within the often too-purist context of Americana\, the record’s sound is refreshingly experimental. More funk than folk\, more Sly Stone than singer-songwriter\, it’s fatback-style grooves\, full of ghost notes and disparate syncopated elements\, slither and slide around Snider’s acoustic guitar with caduceus-like precision. The arrangements are given extra texture and atmosphere by ace mixer/multi-instrumentalist Tchad Blake (Tom Waits\, Elvis Costello). On songs like “Never Let A Day Go By\,” “Stoner Yodel Number One\,” and “The Get Together\,” there is a taut\, dry snap\, an intimacy that invites you inside and best of all\, opens up space for Snider’s husky voice and thought-provoking lyrics to breathe and connect. It’s music that makes you move\, smile and think all at once. \n“My main collaborator on all the grooves was Robbie Crowell\,” Snider says. “He’d played one show with [my band] the Bulldogs\, and he and I started hanging and listening to funk songs. He gave me an education on drummers. Most of the time\, I started with a basic kick and snare pattern\, and I’d sing. Then he would add more groove\, and I’d chisel more melody out of that. Robbie knew that I wanted to do something idiosyncratic\, without any reference to other records. So a snare might not go with the kick drum in a logical way. We were trying to get drum sounds and grooves that made their own kind of sense. We’d build it up\, add parts\, tear it apart\, build it back up. The songs went through a lot of different incarnations. But we had so much fun trying to find the grooves.” \nSince debuting in 1994\, Snider has gone through his own incarnations. His first single “Talking Seattle Blues” was a head fake that might’ve pointed to goofy novelty songs. But he quickly showed that his artistic quiver was much deeper and more interesting. A storyteller who works a similar creative soil to John Prine and Shel Silverstein\, Snider’s best songs are both sad and funny\, political and entertaining\, and always written with a poet’s eye and a stand-up comedian’s sensibility about the follies of human condition. While he’s made eighteen fine albums\, it’s on stage where Snider is even more potent\, with between-song banter that weaves subtle emotional threads through his sets. A road dog who loves the road\, Snider has toured with Emmylou Harris\, John Prine\, Jimmy Buffett\, and appeared at festivals like Farm Aid\, Newport Folk Fest\, Lockn’ and Hardly Strictly Bluegrass Festival. \n“I miss banging around America like it’s my yard\,” Snider says of the lost\, last year. “I like to play for people. Staying home\, I gardened\, I got a boat\, I played guitar a lot. But then I usually don’t make up ten songs in one year\, so that’s one good thing about the pandemic.” \nThe other key framing device for the new songs is the album’s colorful title. “If the gods of folk didn’t want no funk\, they shouldn’t have started none\,” Snider says with a chuckle. “2020 was a terrible year\, and it kept taking people that I loved. So I kept feeling funky\, and the church idea came out of that. I’ve always had the First Agnostic Church of Hope and Wonder in mind. Aren’t we always hoping for something and wondering ‘What the fuck?’ We hope there’s a God. We wonder if there is. We hope you’re coming. We wonder if you will.” \n“I started realizing because I had this church\, in my mind\, that I could make up different kinds of songs\,” he continues. “I don’t usually like bossy kinds of songs\, where someone tells you to breathe. Me and Neal Casal used to say\, ‘I don’t have to know when to fold ’em. I don’t have to live like I’m dying.’ I’m always telling the radio when I’m listening to it\, ‘No\, I don’t!’ But this is a reverend thing. I have a reverend license. I married Jason Isbell and Amanda Shires\, and my tour manager and his wife. So it just felt like this natural thing for it to be on Sunday mornings where I can do like these pseudo-sermons.” \nHe playfully undermines typical sermon themes like faith can move mountains – on “Turn Me Loose (I’ll Never Be the Same”)\, he reckons “Mountains can get around just fine on their own – and finding meaning on mystical sojourns – “Oh\, shit\, I quit my job\,” the truth seeker on “The Get Together” realizes in a panic. \n“The record is the story of a preacher who starts this church that is total bullshit\,” Todd says. “People start giving him money anyway\, but then they start asking him questions. So then he prays to God and God helps him. But the moral of the story is that God’s hilarious.” \nLike all preachers\, Snider manipulates language\, riffling and sleight-of-handing it like a deck of cards. “I love lyrics\, but I don’t think the alphabet is this magic thing that I thought it used to be\,” he says. “Mostly\, I think the alphabet was a bad idea. I know\, because I use it. It’s a shell game. It feels okay to use this jive language thing that I’ve been learning over the years on the Sunday shows. There are ways to not say stuff. You can go for a great long chunks of time without saying anything. Politicians do it all the time. I’ve been getting into that. I still like making up lyrics. I don’t know that I think there’s anything to say.” \nAmidst the groovier\, more playful songs are two somber centerpieces that have much to say about mortality – “Sail On\, My Friend” and “Handsome John” – the latter a gorgeous tribute to John Prine. Nobody was as important to Snider as a friend and mentor. \nSnider says. “I started singing that song about him almost right after he died. Nobody had ever been kinder to me\, more vulnerable with me. He’d take the time to sit down and generously explain something that he believed was not serving you. I was young when I met John\, so I’m embarrassed to tell you that the lecture that I got from him was a painful one\, but it saved my life. It changed my songs completely. I remember I was withdrawing on a plane\, and he said\, ‘You’re doing this wrong.’ And I had seventeen songs\, and he was the only who’d heard them\, and he said\, ‘You’ve got two songs here.’ And I said\, ‘What about the others? And he said\, ‘Yeah\, let’s talk about those.’ Those conversations changed everything about the way I approached my life. People don’t want to tell everybody what the therapist said\, so I’ll leave it there. But very compassionately\, he said\, ‘Here’s why you’re not happy.’ Of all the people I know who wrote songs and sang\, he was the happiest and the one who’d most dialed the troubadour life in and made peace with it. I loved him.” \nIt feels appropriate that with his latest album\, Snider may play a similar inspirational role for the parishioners in his church. “I’d like it to feel like a drum circle or a revival for listeners. I’d like it to feel like a hippie summer\, where you take acid and listen to the songs by a beautiful lake. There’s a thing called effervescence – that feeling that you’re present\, alive. I’d like for people to have a moment with this record. I think about records that will come into my life and they’ll help put a little more salt on the moment. That’s what I’m going for. But then\, who knows if anyone will like the record. I dig it. I know it’s a cliché for people to say\, ‘This is how I’ve been meaning to sound forever.’ But I swear\, that’s how it feels.”
URL:https://crosstownarts.org/calendar/mempho-presents-todd-snider/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2021/12/Screen-Shot-2021-12-09-at-4.28.56-PM.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220203T133000
DTEND;TZID=America/Chicago:20220203T153000
DTSTAMP:20260513T083205
CREATED:20211123T225919Z
LAST-MODIFIED:20220127T212633Z
UID:10004054-1643895000-1643902200@crosstownarts.org
SUMMARY:Crosstown Arthouse presents Foxes
DESCRIPTION:The Crosstown Arthouse Film Series presents Foxes at Crosstown Theater.\nAdrian Lyne / 1980 / 106 minutes / Rated R \nTickets: $5 at the door\nFilms begin at 7:30 pm (sharp!) \nThe story of four teenage girls living in LA in 1980\, mostly doing what they hell they want\, anytime they want\, with hardly any supervision or input by any sensible adult. Foxes takes place in a world and a time when being a teenager was fun\, free\, and DANGEROUS. Directed by Adrian Lyne (Fatal Attraction\, Flashdance)!! With a cameo concert by Kiss proteges and fellow Casablanca Records artist Angel (Punky Meadows!!!). Also with Jodie Foster (Taxi Driver\, Bugsy Malone\, The Little Girl Who Lives Down The Lane\, Freaky Friday – and that was JUST WHAT SHE WAS IN THAT WAS RELEASED IN 1976!!!!!)\, Cherie Currie (THE RUNAWAYS LEAD SINGER YA’LL!!!)\, Randy Quaid (Midnight Express\, The Long Riders\, Independence Day) in an early\, super-creepy role and HOT LIPS Sally Kellerman (MASH\, A Little Romance)\, as Jodie Foster’s uptight but distant mother!! \n\n\n\n\n\n\n\nThe Crosstown Arthouse Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground and documentary features. \nCrosstown Arts is requesting proof of vaccination or a negative Covid test for this event. Please be prepared to present your vaccination card or a negative Covid test taken within 72 hours at check-in. Masks are required.
URL:https://crosstownarts.org/calendar/crosstown-arthouse-presents-foxes/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2021/11/FOXES-03.jpg
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DTSTART;TZID=America/Chicago:20220128T050000
DTEND;TZID=America/Chicago:20220130T150000
DTSTAMP:20260513T083205
CREATED:20220103T220649Z
LAST-MODIFIED:20220124T221214Z
UID:10003354-1643346000-1643554800@crosstownarts.org
SUMMARY:Sundance Satellite Screenings
DESCRIPTION:Indie Memphis is an official Sundance Satellite screen partner for 2022. In collaboration with Crosstown Arts\, they will be screening a specially curated selection of 2022 Sundance Film Festival Films during the festival’s closing weekend\, Friday\, January 28 – Sunday\, January 30\, 2022\,  at Crosstown Theater. \nLean more and check out the film lineup/schedule HERE.
URL:https://crosstownarts.org/calendar/sundance-satellite-screenings/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2022/01/257472934_442783603883145_3095971431529989916_n.jpg
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