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DTSTART;TZID=America/Chicago:20200915T143000
DTEND;TZID=America/Chicago:20200915T163000
DTSTAMP:20260502T221652
CREATED:20200108T174052Z
LAST-MODIFIED:20200903T173344Z
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SUMMARY:POSTPONED Modern Masters Jazz Series feat. James Singleton
DESCRIPTION:This event has been postponed until further notice. \nCrosstown Arts presents The Modern Masters Jazz Series\, a monthly series featuring jazz soloists from around the country. \nFor September’s performance\, New Orleans-based bassist\, composer\, and producer James Singleton will be featured in an unforgettable performance with the series house band\, The Ted Ludwig Trio. \nTickets: $20\nDoors at 7 pm | Show at 7:30 pm \nJames Singleton is an acoustic bassist\, composer\, and producer. He is a member of the New Orleans-based jazz group Astral Project with Johnny Vidacovich\, Tony Dagradi\, and Steve Masakowski. He has been described as one of the best and most sought-after bassists in New Orleans. \nHe has performed with John Scofield\, Stanton Moore\, and John Medeski\, as well as John Abercrombie\, Art Baron\, Ellis Marsalis\, Earl Turbinton\, Eddie Harris\, Clarence “Gatemouth” Brown\, Lionel Hampton\, Arnett Cobb\, and Banu Gibson\, among others. He has recorded with Chet Baker\, Alvin “Red” Tyler\, James Booker\, Johnny “Tan Canary” Adams\, Charlie Rich\, and Zachary Richard\, among others. \nHe produced Astral Project’s Elvado which won OffBeat magazine’s 1998 Best Modern Jazz Album of the Year award. Although Elvado has been described as “straight-ahead bop-influenced jazz with a Crescent City ambiance\,” Astral Project’s live performances are also known for improvisation\, which Singleton has described as “composing in the groove.” \nHe has led projects such as “3 Now 4\,” “The James Singleton Orchestra\,” and “The James Singleton Trio.” Some of Singleton’s recent projects include playing as a member of the New Orleans saxophonist Robert Wagner Trio and the New Orleans keyboardist Robert Walter Trio. In early 2007\, he toured nationally with Skerik and Mike Dillon. \nIn 2008\, various projects included an experimental jazz string quartet composed of two former Louisiana Philharmonic Orchestra members Dave Rebeck and Matt Rhody\, as well as cellist Helen Gillet. Singleton moved to Los Angeles after Hurricane Katrina but continued to perform frequently in New Orleans. In December 2008\, Singleton returned to New Orleans.
URL:https://crosstownarts.org/calendar/modern-masters-jazz-series-feat-james-singleton/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200821T143000
DTEND;TZID=America/Chicago:20200821T163000
DTSTAMP:20260502T221652
CREATED:20200108T204330Z
LAST-MODIFIED:20200717T211659Z
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SUMMARY:POSTPONED The Cutaway Acoustic Guitar Series: Shane Hennessy
DESCRIPTION:This event has been postponed until further notice. \nCrosstown Arts presents The Cutaway Acoustic Guitar Series\, a monthly concert series showcasing internationally acclaimed guitarists in partnership with the Little Rock-based Argenta Acoustic Music Series. August’s performance features Irish virtuoso guitarist Shane Hennessy in an intimate\, solo performance. \nTickets: $20\nDoors at 7 pm | Show at 7:30 pm \nIrish virtuoso guitarist Shane Hennessy has established himself as one of the leading guitarists on the world stage\, known widely for his fingerstyle\, flatpicking\, and percussive guitar-playing approaches. With a unique style of solo guitar playing that encompasses the range of a whole band – covering drums\, bass\, rhythm\, and lead lines – Shane builds a complete sonic world entirely on his own. \nBilled as “one of the most exciting live performers of his generation\, with an ability to move between styles and genres with ease” by Irish Music Magazine\, audiences can never be too sure what will come next during the exciting mix of jazz\, blues\, country\, soul\, traditional Irish music\, and world music he offers. With the addition of some smooth vocals\, genre-hopping improvisations\, and well-arranged covers\, it makes sense why music legend super-producer Nile Rodgers (CHIC) thinks that “his style is killer\, it’s really cool stuff\,” and why guitar legend Tommy Emmanuel says that Shane “is one of the most engaging musicians in the world today.” \nOver the course of a performance\, Hennessy brings the audience from elated highs to the depths of reflection\, delivering stories\, anecdotes\, and off-the-cuff remarks with the same passion he holds for the music he performs. He says that it is hard to describe in words what he does on stage without experiencing it in person\, but it becomes clear upon witnessing his performance why his tour schedule is so hectic. In 2019 alone\, he will visit much of mainland Europe\, Russia\, China\, and the United States\, the pinnacle of this world tour being a solo set at the prestigious MerleFest in North Carolina\, widely recognized as the mecca of Americana and Roots music in the USA. \nA musician from a young age\, he credits his background in Irish traditional music as the base on which he has built his genre-defying musical explorations. Initially a concertina player under the tuition of the renowned Mícheál Ó Raghallaigh\, Hennessy first turned to the guitar when he was inspired by the music of James Taylor. Becoming more interested in songwriting and in music in general\, it was when he discovered the styles of Tommy Emmanuel and Chet Atkins that his interest in solo performance blossomed. From that point on\, he has toured the world\, with thousands of shows under his belt\, and a proven track record as a performer\, songwriter\, arranger\, accompanist\, and session musician. \nA highlight of his career to date has been a sold-out a solo show in The National Concert Hall in Dublin\, Ireland\, for the release of his latest CD ‘Marrakech’. Another milestone in 2018 was when Shane worked with Bill Whelan\, Grammy-award winning composer of Riverdance\, on a piece of music commissioned for guitar\, piano\, and string quartet. He has also given numerous lectures and guitar workshops all over the world for guitarists and musicians eager to learn more about his unique musical approach. \nStill\, given his successes to date\, he is always eager to keep pushing the boundaries of what he can do on one guitar. To quote RTÉ Radio host Marty Whelan: “There was part of me that didn’t really believe that he could do what he does on one guitar until he came into the studio\, sat down in front of me\, and played. I thought there had to be loops\, or extra tracks\, or recording tricks\, and there was none of that – my jaw dropped! What a talent!”
URL:https://crosstownarts.org/calendar/the-cutaway-acoustic-guitar-series-shane-hennessy/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200811T143000
DTEND;TZID=America/Chicago:20200811T163000
DTSTAMP:20260502T221652
CREATED:20200102T182013Z
LAST-MODIFIED:20200717T211737Z
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SUMMARY:POSTPONED Modern Masters Jazz Series feat. Geoff Clapp
DESCRIPTION:This event has been postponed until further notice. \nCrosstown Arts presents The Modern Masters Jazz Series\, a monthly series featuring jazz soloists from around the country. \nAugust’s concert will feature award-winning drummer Geoff Clapp in a spectacular performance with the series house band\, The Ted Ludwig Trio. \nTickets: $20\nDoors 7pm | Performance at 7:30pm \nAbout Geoff Clapp:\nWhile Geoff Clapp was a high school student at the North Carolina School of the Arts (studying classical percussion and playing in the school’s jazz band)\, he had the opportunity to meet and hear New Orleanians\, including trumpeter Wynton Marsalis\, pianist Ellis Marsalis\, and drummer Herlin Riley (All-Star 1991). “I never knew drums could be played like that\,” exclaims Clapp of Riley’s style and talents. “That really sparked my true interest in jazz.” \nThese events ultimately resulted in Clapp attending the University of New Orleans in the fall of 1989. He was among the first talented group of musicians\, which included drummer Brian Blade (All-Star 1993)\, trumpeter Jeremy Davenport (All-Star 2000)\, and bassist Chris Thomas (All-Star 1999) in the new jazz studies program headed by Ellis Marsalis. “We were just a bunch of hoodlums trying to play jazz\,” says Clapp with a chuckle. \nAbout the series:\nThe Modern Masters Jazz Series is guest-curated by renowned two-decade New Orleans jazz guitarist Ted Ludwig\, who has received an ASCAP award\, the Louis Armstrong award\, and the Overture to the Cultural Season award and is a member of The Arkansas Jazz Hall of Fame. Each month in 2020\, Crosstown Arts welcomes jazz artists from New Orleans\, NYC\, LA\, and beyond\, who will perform with the Ted Ludwig Trio. Highlights include Roseanna Vitro\, who has sung with Christian McBride\, Elvin Jones\, and Lionel Hampton; Ed Cherry\, of Dizzy Gillespie’s band; GRAMMY-winner Victor Atkins; and Dee Dee Bridgewater saxophonist Ed Peterson.
URL:https://crosstownarts.org/calendar/modern-masters-jazz-series-feat-geoff-clapp/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200717T143000
DTEND;TZID=America/Chicago:20200717T163000
DTSTAMP:20260502T221652
CREATED:20200108T203553Z
LAST-MODIFIED:20200618T170110Z
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SUMMARY:POSTPONED The Cutaway Acoustic Guitar Series: Pierre Bensusan
DESCRIPTION:This event is postponed until further notice. \nCrosstown Arts presents The Cutaway Acoustic Guitar Series\, a monthly concert series showcasing internationally acclaimed guitarists in partnership with the Little Rock-based Argenta Acoustic Music Series. July’s performance features guitarist Pierre Bensusan in an intimate\, solo performance. \nTickets: $20\nDoors at 7 pm | Show at 7:30 pm \n“The way the guitar would want to sound if it played itself.” \n“Bensusan is very much his own animal. It’s like listening to a butterfly\, to dappled sunshine coming through quaking aspens. His music flits and darts around like fish in a pool. And his compositions manage to encompass both the calmness of the pool and the flashing of the fish. It’s an entrancing\, almost hypnotic thing to watch and hear\, as he seems eager to share his journey\, his light. I was struck by how the aim of each song was to be beautiful. Not witty\, not avant-garde\, not new\, necessarily\, but beautiful. A great craftsman plying his trade. A shepherd with his flock. As I left\, I felt all of a sudden that I’d been to temple after all. My own sort of temple\, and by the end of the service I felt purified\, cleansed\, and ready for the new year.” — Nyack News and Views (USA\, Dan Cohen\, Oct 4\, 2015) \nWinner of the Independent Music Award\, in the Live Performance Album category for his latest triple live album “Encore” (2014)\, “Rose d’Or” of the Montreux Festival for his first album\, “Près de Paris” (Switzerland\, 1976)\, “Best World Music Guitar Player ” by the readers of Guitar Player Magazine (USA\, 2008)\, Pierre Bensusan is recognized as one of the premier musicians of our time. \nIf “World Music” is music that pays tribute to the spirit of a collection of human beings through distinct rhythms\, traditional instruments\, and harmonic colors\, French-Algerian guitarist\, singer\, and composer Pierre Bensusan can be recognized as one of the most eloquent and world musicians today. \nBorn in Oran\, French-Algeria in 1957\, when France was decolonizing its Empire\, Pierre Bensusan’s family moved to Paris when he was four. He began formal studies on piano at the age of 7\, and\, at 11\, taught himself guitar. Influenced in those early days by the folk revival blooming in Britain\, France\, and North America\, Bensusan began first to explore his own diverse musical heritage and then moved to the horizons beyond. \nAt 17\, he signed his first recording contract\, and one year later\, his first album “Pres de Paris” won the Grand Prix du Disque upon his debut at the Montreux Festival in Switzerland. \nDescribed by the L.A. Times as “one of the most unique and brilliant acoustic guitar veterans in the world music scene today\,” Pierre’s name became synonymous with contemporary acoustic guitar genius\, long before the terms New Age\, New Acoustic Music\, or World Music were invented. He has the ability to make a single guitar sound like an entire band as he brings the audience on a mesmerizing musical journey. And yet\, Bensusan is more than what any musician or music lover expects from a guitarist. He is a composer as well as a bilingual and a brave improvisational vocalist\, melding whistles and resonant low notes with something like his own scat technique. \nThere is a sense of something both playful and serious in his work\, an unparalleled sense of freedom in his compositions and his improvisations. His “manner” of playing defies classification – crossing world\, classical\, jazz\, traditional\, folk and more. None can be isolated as simply “Brazilian”\, “Arabic” or “French”; rather\, they represent our world in its current state\, a world sharing itself\, fusing cultures together in ways we have never experienced. A great ambassador of peace. Not to be missed!
URL:https://crosstownarts.org/calendar/the-cutaway-acoustic-guitar-series-pierre-bensusan/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200714T143000
DTEND;TZID=America/Chicago:20200714T163000
DTSTAMP:20260502T221652
CREATED:20200102T180944Z
LAST-MODIFIED:20200618T170221Z
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SUMMARY:POSTPONED Modern Masters Jazz Series feat. Ed Cherry
DESCRIPTION:This event has been postponed until further notice. \nCrosstown Arts presents The Modern Masters Jazz Series\, a monthly series featuring jazz soloists from around the country. \nJuly’s concert will feature the extraordinary talents of jazz guitarist Ed Cherry in a captivating performance with the series house band\, The Ted Ludwig Trio. \nTickets: $20\nDoors 7pm | Performance at 7:30pm \nAbout Ed Cherry:\nBorn in New Haven\, Connecticut\, Ed Cherry moved to New York in 1978 to play guitar with Dizzy Gillespie from 1978 to 1992\, performing in Gillespie’s quartet\, big band\, and with The United Nation Orchestra which recorded the Grammy Award-winning Live at Royal Festival Hall (Enja). Gillespie died in 1993\, and Cherry released his first recording as a leader\, ‘First Take’ (Groovin’ High). That same year\, Ed recorded with Paquito D’Riveras’ small group\, which recorded “Havana Cafe” (Chesky Records). Ed also worked with composer/saxophonist Henry Threadgill for two years and recorded three CDs with Henry’s ‘Very Very Circus’ group. \nAbout the series:\nThe Modern Masters Jazz Series is guest-curated by renowned two-decade New Orleans jazz guitarist Ted Ludwig\, who has received an ASCAP award\, the Louis Armstrong award\, and the Overture to the Cultural Season award and is a member of The Arkansas Jazz Hall of Fame. Each month in 2020\, Crosstown Arts welcomes jazz artists from New Orleans\, NYC\, LA\, and beyond\, who will perform with The Ted Ludwig Trio. Highlights include Roseanna Vitro\, who has sung with Christian McBride\, Elvin Jones\, and Lionel Hampton; Ed Cherry\, of Dizzy Gillespie’s band; GRAMMY-winner Victor Atkins; and Dee Dee Bridgewater saxophonist Ed Peterson.
URL:https://crosstownarts.org/calendar/modern-masters-jazz-series-feat-ed-cherry/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200619T143000
DTEND;TZID=America/Chicago:20200619T163000
DTSTAMP:20260502T221652
CREATED:20200108T201602Z
LAST-MODIFIED:20200514T203749Z
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SUMMARY:POSTPONED The Cutaway Acoustic Guitar Series: Pat Kirtley
DESCRIPTION:This event is postponed until further notice. \nCrosstown Arts presents The Cutaway Acoustic Guitar Series\, a monthly concert series showcasing internationally acclaimed guitarists in partnership with the Little Rock-based Argenta Acoustic Music Series. June’s performance features guitarist Pat Kirtley in an intimate\, solo performance. \nTickets: $20\nDoors at 7 pm | Show at 7:30 pm \nCombining Kentucky tradition with contemporary style\, Pat Kirtley is a solo guitarist with a wide repertoire known for its honesty\, humor\, and depth. He has penned a virtual library of fresh lyrical compositions enjoyed by audiences of all ages and backgrounds. \nPat’s performing skills won him the title of U.S. National Fingerstyle Champion\, and in 2006\, he was inducted into the National Thumbpickers Hall of Fame. His music has taken him around the world from quaint concert halls to large events\, such as headlining Japan’s National Fingerstyle Festival. As a featured performer\, Pat has toured across the USA and internationally in Asia\, France\, Germany\, Portugal\, Italy\, Netherlands and Austria. His warm\, personal stage presence garners smiles and praise wherever he goes. \nPat has produced numerous instructional videos and books. He co-produced and appears in the respected “World of Celtic Guitar” DVD series from Vestapol Videos\, which spawned accompanying books from Mel Bay and CDs from Rounder Records. Pat’s newest project is a two-volume instructional DVD on the vintage tunes of Chet Atkins. \nPat has produced five albums that are perennial staples of the acoustic guitar world. Among other projects\, he appears on Narada Records’ landmark CD “Guitar Fingerstyle\,” which has sold over a quarter million copies. \n“He is among the new trailblazers — the bold ones who will take the guitar into the next century.” —John Schroeter\, “Fingerstyle Guitar Magazine” \n“Kirtley is one of those all-too-rare musicians able to transcend his influences to create a distinctive\, natural sound all his own.” — David McCarty\, “Walnut Valley Record Reviews”
URL:https://crosstownarts.org/calendar/the-cutaway-acoustic-guitar-series-pat-kirtley/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200609T143000
DTEND;TZID=America/Chicago:20200609T163000
DTSTAMP:20260502T221652
CREATED:20200102T175743Z
LAST-MODIFIED:20200514T203852Z
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SUMMARY:POSTPONED Modern Masters Jazz Series feat. Roseanna Vitro
DESCRIPTION:This event is postponed until further notice. \nCrosstown Arts presents the Modern Masters Jazz Series\, a monthly series featuring jazz soloists from around the country. \nFor June’s performance\, acclaimed jazz vocalist Roseanna Vitro will be featured in an unforgettable performance with the series house band\, The Ted Ludwig Trio. \nTickets: $20\nDoors 7 pm | Performance at 7:30 pm \nAbout Roseanna Vitro:\n“[Roseanna has] a propensity for eclecticism\, drawing on a wide range of songs and sources from well beyond the jazz tradition.” — Will Friedwald\, City View\, New York \n”Tell Me the Truth is additional evidence that Roseanna Vitro is in the top tier of contemporary jazz vocalists.” — Joe Bebco\, The Syncopated Times \nVitro was born in Hot Springs\, Arkansas. She is the product of two distinct cultural strains: Her father\, who ran the Flamingo nightclub\, divided his music affinities between the pluck of Frank Sinatra and the homeland finery of Italian opera. Her mother sang country and gospel songs by way of the church. \nIn 1978\, Roseanna Vitro moved to New York City with guitarist Scott Hardy and began to study with Gabor Carelli\, a professor from the Manhattan School of Music\, and began to perform with Kenny Werner and Fred Hersch. She sang with Lionel Hampton and toured with him. She appeared at The Blue Note\, Iridium\, Birdland\, and Dizzy’s Jazz Club at Lincoln Center. She appeared with Steve Allen at The Town Hall at The Apollo Theater and recorded an album of Allen’s songs. In 2005\, she performed and recorded with the Kenny Werner Trio at the John F. Kennedy Center in Washington D.C. She has worked with Kenny Barron\, Christian McBride\, Elvin Jones\, Gary Bartz\, Kevin Mahogany\, and David “Fathead” Newman\, all of whom have appeared on her recordings. She was a guest on Marian McPartland’s radio program\, Piano Jazz. Her album\, The Music of Randy Newman\, received 4 1/2 stars in Down Beat magazine and a Grammy nomination for Best Jazz Vocal Album in 2012. \nAbout the series:\nThe Modern Masters Jazz Series is guest-curated by renowned two-decade New Orleans jazz guitarist Ted Ludwig\, who has received an ASCAP award\, the Louis Armstrong award\, and the Overture to the Cultural Season award\, and is a member of The Arkansas Jazz Hall of Fame. Each month in 2020\, Crosstown Arts welcomes jazz artists from New Orleans\, NYC\, LA\, and beyond\, who will perform with The Ted Ludwig Trio. Highlights include Roseanna Vitro\, who has sung with Christian McBride\, Elvin Jones\, and Lionel Hampton; Ed Cherry\, of Dizzy Gillespie’s band; GRAMMY-winner Victor Atkins; and Dee Dee Bridgewater saxophonist Ed Peterson.
URL:https://crosstownarts.org/calendar/modern-masters-jazz-series-feat-roseanna-vitro/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200527T143000
DTEND;TZID=America/Chicago:20200527T163000
DTSTAMP:20260502T221652
CREATED:20200116T193425Z
LAST-MODIFIED:20200424T210410Z
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SUMMARY:POSTPONED Nutria in The Green Room
DESCRIPTION:This event is postponed until further notice. \nJoin us in The Green Room at Crosstown Arts for a contemporary jazz performance by Nutria from New Orleans. \nTickets: $10\nDoors at 7 pm | Show at 7:30 pm \nNamed after the infamous South Louisiana swamp rat\, Nutria performs original contemporary jazz music with an emphasis on collective improvisation. Their compositional and improvisational practice at once pushes at the boundaries of instrumental music in the 21st century and situates the music within the lineage of New Orleans jazz and groove traditions. \nThis concert at Crosstown Arts is a part of their 2020 album release tour\, celebrating their new album\, “Meeting In Progress\,” released in February 2020 on ears&eyes Records. \n“Showing a clear strategic intelligence and inventiveness and a substantial depth of artistic resourcefulness\,” according to No Depression magazine\, Nutria has toured throughout the United States playing art centers\, jazz clubs\, and dive bars. In 2017\, they performed on the Millennium Stage at the John F. Kennedy Center for the Performing Arts in Washington\, DC. In 2016\, they were commissioned by the New Orleans-based Marigny Opera Ballet to compose “Wary Heat\,” a new ballet that was premiered in February 2017 and reprised in January 2018. In 2019\, Nutria began a weekly residency at one of New Orleans’ top venues for creative music\, Bacchanal Fine Wine. \nNutria was formed in New Orleans in 2014 as a composition workshop for its members\, who were active in different corners of the local music scene. Their sound reflects a diversity of influences yet with a deep commitment to the jazz idiom. \nThe members of Nutria have performed with a wide array of leading talents in New Orleans and around the world\, including Leyla McCalla\, James Singleton\, Johnny Vidocovich\, Ed Petersen\, Mahmoud Chouki\, Sarah Quintana\, the Revelers and local favorites Los Po-boy-citos. Nutria has performed at venues such as the Kennedy Center (Washington\, DC)\, the New Orleans Museum of Art\, the Ogden Museum of Southern Art (NOLA)\, the New Orleans Jazz Museum\, Twins Jazz Club (DC)\, Chris’ Jazz Cafe (Philadelphia)\, the Jazz Gallery (Milwaukee)\, the Chatterbox Jazz Club (Indianapolis)\, and the California Clipper (Chicago).
URL:https://crosstownarts.org/calendar/crosstown-arts-presents-nutria-from-new-orleans/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200522T143000
DTEND;TZID=America/Chicago:20200522T163000
DTSTAMP:20260502T221652
CREATED:20200108T201043Z
LAST-MODIFIED:20200424T210334Z
UID:10003914-1590157800-1590165000@crosstownarts.org
SUMMARY:POSTPONED The Cutaway Acoustic Guitar Series: Sam Pacetti
DESCRIPTION:This event is postponed until further notice. \nCrosstown Arts presents The Cutaway Acoustic Guitar Series\, a monthly concert series showcasing internationally acclaimed guitarists in partnership with the Little Rock-based Argenta Acoustic Music Series. May’s performance features guitarist Sam Pacetti in an intimate\, solo performance. \nTickets: $20\nDoors at 7 pm | Show at 7:30 pm \nSam Pacetti is one who brings it all together. A fingerstyle guitar wizard. A deft songwriter\, capable of haunting depth and wry humor in the space of one song. An impassioned and ecstatic vocalist\, as well as a mesmerizing live performer\, seamlessly melding head-spinning guitar pyrotechnics and raw emotion into one breathtaking package. Pacetti represents a culmination of the best of the American and British traditions. His 1997 Waterbug debut\, Solitary Travel\, garnered critical raves. “This guy is very good\, indeed\,” deadpanned the highly respected (and highly critical) UK magazine Folk Roots. And Dirty Linen\, the influential US roots publication\, opined\, “Although the woods are full of young guitar virtuosos\, few have developed the style\, technique\, and artistic wisdom of Sam Pacetti. \nSolitary travel heralds the arrival of one of the most talented instrumentalists and composers to appear in acoustic music in a month of Sundays.” Sam Pacetti grew up in North Florida\, hardly known as a hotbed of either the folk tradition or musical innovation. At age 13\, he found the music of both Chet Atkins and Merle Travis\, profound influences on his early musical development. Then fate intervened shortly afterward in the person of Gamble Rogers\, the legendary picker and raconteur from St Augustine who took the young Pacetti under his wing. It was a time of astonishing musical and emotional growth. Pacetti and Rogers met and played weekly for a year\, until tragically Rogers died while trying to save a drowning tourist caught in an undertow at Flagler Beach\, Florida. \nThough brief in their time together\, Rogers was able to instill in Pacetti the importance of the folk process\, the passing of music and oral tradition from teacher to student. Pacetti still counts Rogers as his most influential mentor. Tradition and innovation neatly balance in Sam Pacetti’s music\, the whole infused by a relentless intelligence intent on musical and philosophical synthesis. Martin Simpson\, Richard Thompson\, Joni Mitchell and Merle Travis are touchstones to Pacetti\, and while there are strong elements of the American primitive school of guitar wizardry throughout his work\, there is a powerful raw emotionality evident as well – an earthy sensuality more reminiscent of a Greg Brown or a red-dirt blues master than of a musical academian. Word has started to spread about Sam Pacetti. And as with anything truly innovative\, it starts at the grassroots. You won’t see Pacetti written up in People or Us. You won’t hear his music on Top-40 radio. \nNo\, word is spreading about Sam Pacetti the way true innovation always does – through the grassroots\, through non-commercial radio and “specialty show” play\, from tapes and CDs passed from friend to friend\, At folk festivals and listening rooms\, and in the tradition stemming from the days of rent-raising parties in the Mississippi Delta (and now carried on by music aficionados unable to find music that interest them within the mainstream). \n 
URL:https://crosstownarts.org/calendar/the-cutaway-acoustic-guitar-series-sam-pacetti/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200512T143000
DTEND;TZID=America/Chicago:20200512T163000
DTSTAMP:20260502T221653
CREATED:20200102T173435Z
LAST-MODIFIED:20200424T210048Z
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SUMMARY:POSTPONED Modern Masters Jazz Series feat. Peter Bernstein
DESCRIPTION:This event is postponed until further notice. \nCrosstown Arts presents the Modern Masters Jazz Series\, a monthly series featuring jazz soloists from around the country performing with the series house band\, The Ted Ludwig Trio. May’s featured musician will be award-winning guitarist Peter Bernstein. \nTickets: $20\nDoors at 7pm | Performance 7:30pm \nThe jazz guitarist\, among the most sought after in the New York area\, has a feather-light touch\, an encyclopedic knowledge of chords and the ability to play standards like he’s inventing them on the spot. — The Los Angeles Daily News \nMr. Bernstein is a fluidly improvising guitarist in the post-bop tradition\, with control over harmony and a beautiful sound. — The New York Times \nPeter Bernstein produces a warm\, ringing\, muscular tone which echoes that of such giants as Wes Montgomery\, Jim Hall\, and Kenny Burrell. — Jazziz \nJazz guitarist Peter Bernstein has been a part of the jazz scene in New York and abroad since 1989. During that time he has participated in numerous recordings and performances with musicians from all generations. As a leader\, Peter has released nine albums and a DVD. As a sideman\, Peter has appeared in groups led by Sonny Rollins\, Bobby Hutcherson\, George Coleman\, Lou Donaldson\, Dr. Lonnie Smith\, Fathead Newman\, Joshua Redman\, Brad Mehldau\, Diana Krall\, Lee Konitz\, Jimmy Cobb\, and many more. Current projects include his album\, Monk\, with Doug Weiss and Bill Stewart\, a recently released solo record\, Solo Guitar – Live at Smalls\, and the highly acclaimed organ trio with organist Larry Goldings and drummer Bill Stewart. \nThe Modern Masters Jazz Series is guest-curated by renowned two-decade New Orleans jazz guitarist Ted Ludwig\, who has received an ASCAP award\, the Louis Armstrong award\, and the Overture to the Cultural Season award and is a member of The Arkansas Jazz Hall of Fame. Each month in 2020\, Crosstown Arts welcomes jazz artists from New Orleans\, NYC\, LA\, and beyond\, who will perform with the Ted Ludwig Trio. Highlights include Roseanna Vitro\, who has sung with Christian McBride\, Elvin Jones\, and Lionel Hampton; Ed Cherry\, of Dizzy Gillespie’s band; GRAMMY-winner Victor Atkins; and Dee Dee Bridgewater saxophonist Ed Peterson.
URL:https://crosstownarts.org/calendar/modern-masters-jazz-series-feat-peter-bernstein/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200505T143000
DTEND;TZID=America/Chicago:20200505T163000
DTSTAMP:20260502T221653
CREATED:20200218T200053Z
LAST-MODIFIED:20200424T205946Z
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SUMMARY:POSTPONED Willie Farmer with Tim Easton in The Green Room
DESCRIPTION:This event is postponed until further notice. \nJoin us in The Green Room at Crosstown Arts for a performance by Mississippi bluesman Willie Farmer\, with an opening set by Tim Easton. \nTickets: $15\nDoors at 7pm | Performance at 7:30pm \nWillie Farmer is living proof that Mississippi continues to produce deep blues. The 63-year-old guitarist is neither a soul modernist nor revivalist\, but simply a small-town auto mechanic who’s never shaken his love for old school legends like Muddy\, Wolf\, and Lightnin’. \nA lifelong resident of tiny Duck Hill\, located in the hills east of the Delta\, Farmer grew up on the family farm. He first took up the acoustic guitar in his early teens\, and through picking cotton\, soon saved up enough money to buy an electric instrument. \nHe played for audiences at home and at school events and learned about blues and R&B\, mostly through listening to a powerful station out of Nashville. “John R of WLAC\, that’s how I listened to Lightnin’ Hopkins\, Howlin’ Wolf. That’s how I got my first album by Lightnin’ [The Fire Records LP Mojo Hand]. I got the address off the radio\, and they sent it.” \n“I learned Lightin’ pretty good. I can play all the up-to-date stuff now — B.B.\, Little Milton — but I like the old stuff; that’s the real blues. The blues they’re singing today\, that ain’t blues to me; it just doesn’t have the feel.” \nWillie’s father Alex\, a harmonica player who helped young Willie tune his guitar\, had played as a young man with his brothers\, including Walter\, who was recognized as one of the best guitarists to come out of the area. \nIn the early ‘50s\, Walter played together with Leo “Bud” Welch\, who grew up in the region. Sadly\, Walter was killed in Chicago in 1964 — “a woman liked Walter\, and a man got jealous and killed him” — and Willie never heard him play. \nIn his early ‘20s\, Farmer joined a loos- knit band that played at juke joints across the area — in Duck Hill\, Grenada\, Kilmichael\, and down in the Delta in Greenwood and Charleston. He eventually tired\, though\, of the rough-and-tumble clubs where “people liked to fight like crazy. ” \nFor about fifteen years\, Farmer worked regularly with local semi-professional gospel groups\, including the Rising Sun Singers\, who appeared on TV and over the radio in Greenwood\, the Angelettes\, and\, for nine years\, the Grenada-based Silvertone Gospel Singers. In 2003\, he helped found the annual Grassroots Blues Festival\, staged in a meadow outside Duck Hill. Through the event\, he befriended down-home blues players from across the state\, including Willie King and Welch. \n“The Man From the Hill” marks the first time that he’s spent serious time in the studio. Recorded over multiple sessions at Producer Bruce Watson’s Memphis based Delta-Sonic Sound Studio. Farmer enjoyed working in a North Mississippi Hill Country vein with Jimbo Mathus and session drummer George Sluppick. He even dipped back into gospel\, singing harmony together with Memphis’ Barnes Brothers on [the Sensational Nightingales’] “At the Meeting.” \nFor the past 30 years\, Farmer has run his own auto repair shop and hopes that the release of this record and associated touring will allow him to retire. \n“I’m trying to get out of that shop. I’m tried of messing with those cars. It’s been a long time.” \nTo celebrate 30 years of traveling with and writing songs on his black Gibson J-45 acoustic guitar named ”Paco\,” Nashville-based songwriter Tim Easton recorded an entire album direct-to-lacquer at The Earnest Tube Studio in Bristol\, Virginia. This performance-based method of capturing songs leaves no room for manipulation or overdubbing\, therefore conjuring the roots of American Music. Each track was recorded via portable lathe\, which cuts a mono signal directly to a lacquer acetate disc\, much the way The Carter Family or Jimmie Rodgers would have made their first records in Bristol over 90 years ago. \nIn as much time as it takes to listen\, Easton recorded nine original songs and one cover using a single 1940s RCA 74B ribbon microphone\, alternating between the rapid fire flat-picking and steady\, Travis-style thumb-picking technique that he has been streamlining all these years\, coupled with his Country Blues style rack harmonica playing. The occasional foot stomp can be heard as well\, vibrating through the floors. Easton sings songs from the personal experiences and observations of man who has spent a few decades on the road. His folk music is not always the gentle kind. His authenticity is pervasive. This is what the tradition of the troubadour sounds like. \nThis LP serves as a love letter of sorts to Easton’s trusty Gibson acoustic guitar\, which he purchased in 1987 for $100\, plus two cheap electric guitars on trade. Leaving Ohio and exploring Europe on and off for seven years\, Easton traveled extensively by train\, bus\, and thumb\, learning to write songs along the way. Soon after a Deadhead in Paris named his guitar “Paco\,” Easton made his first recordings just a short walk away from the Charles Bridge in Prague\, where he had been busking in the Summer after Czechoslovakia’s Velvet Revolution. \nAfter returning Stateside and signing with EMI Music Publishing\, he released several critically acclaimed albums with both New West Records and Thirty Tigers. His last album\, 2016’s American Fork (Last Change Records) reached #11 on the Americana Music Association Radio Charts. Easton continues to travel the world and perform while also delving into film score work done at his home studio in Nashville. He has scored two feature documentaries\, “The Power Of Two” (2012)\, and “The Bullish Farmer” (2017) and also placed original songs in film and television. The American South has left it’s emotional and sonic mark on many a traveler\, and it shows in Easton’s range of performances on this unique LP.
URL:https://crosstownarts.org/calendar/willie-farmer-with-tim-easton-in-the-green-room/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200501T143000
DTEND;TZID=America/Chicago:20200501T163000
DTSTAMP:20260502T221653
CREATED:20200122T184910Z
LAST-MODIFIED:20200319T200618Z
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SUMMARY:POSTPONED U.S. Girls in The Green Room
DESCRIPTION:** This event is postponed until further notice.  \nJoin us in The Green Room at Crosstown Arts for a performance by U.S. Girls. \nTickets: $10\nDoors at 7 pm | Show at 7:30 pm \nThe highly anticipated seventh album by U.S. Girls\, the protean musical enterprise of multi-disciplinary artist Meg Remy\, is entitled Heavy Light. While Remy has been widely acclaimed for a panoply of closely observed character studies\, on Heavy Light she turns inward\, recounting personal narratives to create a deeply introspective about-face. \nThe songs are an inquest into the melancholy flavor of hindsight\, both personal and cultural. Heavy Light follows 2018’s internationally critically acclaimed breakout album\, In A Poem Unlimited. Recently named one of the best albums of the decade by Pitchfork\, it was lauded across the pond by the likes of The Guardian\, The Sunday Times\, and Crack and Q magazine for being Remy’s most accessible record in her then decade-long career. \nHeavy Light is produced by Remy and was recorded live with 20 session musicians – including E Street Band saxophonist Jake Clemons – in Montreal’s acclaimed Hotel 2 Tango studio. Heavy Light is a set of songs conceived as a balance between orchestral percussion (as richly arranged by percussionist Ed Squires) and the human voice (conducted by Kritty Uranowski). The resulting album finds Remy casting herself as lead voice among a harmonious multitude\, the singers of which lend not only their voices\, but also share reflections on childhood experiences that are collaged into moving spoken word interludes throughout the album. \n 
URL:https://crosstownarts.org/calendar/u-s-girls-in-the-green-room/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200424T143000
DTEND;TZID=America/Chicago:20200424T163000
DTSTAMP:20260502T221653
CREATED:20200311T163012Z
LAST-MODIFIED:20200317T185110Z
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SUMMARY:POSTPONED Morgan James: Memphis Magnetic Tour at Crosstown Arts
DESCRIPTION:** This event is postponed until further notice. \nCrosstown Arts presents Morgan James’ Memphis Magnetic Tour in The Green Room. \nTickets: $20 General Admission | $50 VIP with artist meet & greet\nDoors at 7 pm | Show at 7:30 pm \nMemphis Magnetic is the third studio album from soul singer Morgan James. This album is a love letter to one of the great American birthplaces of soul. Rooted in her love of Aretha Franklin\, Al Green\, and Otis Redding\, Morgan James delivers as only she can. The Memphis Magnetic Tour will be a feast for the ears and the heart\, from the soul of a great artist with a love for what is real and true in American music. \nLet’s start with the voice\, an instrument through which she can communicate anything. A gift bestowed upon her that she has expertly trained\, meticulously nurtured\, and passionately galvanized into action by an urgency to make real music. Next\, the stories\, and she has them in spades. They are full of truth and beauty\, heartache and thoughtfulness. They reveal colors we weren’t expecting to see. They make us close our eyes and relate. And finally\, the soul – the emotional and intellectual energy through which these parts are fueled. That special something that prompted The Wall Street Journal to herald her as “the most promising young vocalist to come along so far this century.” That young vocalist is Morgan James. And Morgan James is a soul singer. \nArmed with her dedication to create authentic soul music\, James and her husband Doug Wamble\, her producer\, co-writer\, and arranger\, spent months writing twelve new songs in New York City. “Doug and I have always wanted to make a classic record like this\,” she says. “Doug is originally from Memphis and we are both so inspired by the roots of classic soul music. Being entrenched in a place like that really informs everything you make there.” So\, instead of recording in New York\, she aimed straight for the source and booked a week at a new music studio in Memphis\, at the recommendation of drummer George Sluppick. \nShe immediately connected with the space: Memphis Magnetic\, a renovated old bank transformed into a classic recording studio\, decked out with a collection of vintage Nashville gear by owner Scott McEwen. The space exemplified exactly what James wanted her album to be: something new through the prism of something old. She and Wamble assembled a group of local musicians\, including Sluppick\, organist Al Gamble\, bassist Landon Moore\, and pianist Alvie Givhan. They tapped legendary Memphis musicians Reverend Charles Hodges and Leroy Hodges\, who were the backbone of the Hi Records rhythm section\, which played with Al Green and Ann Peebles\, to contribute to two tracks. And finally\, the team was rounded out with a classic Memphis horn section\, plus the amazing Memphis String Quartet. \n“What I’ve learned over the years is to hire great people and let them do what they do best\,” says James. “We came in with all the music charted and ready and left space for people to be themselves and infuse it with their own magic. I really wanted every single person involved in the album to be from Memphis and to channel the great albums I admire so much. From every end of the spectrum\, in every department\, it felt like the right people.” \nThe entire album was recorded to analog tape\, a first for James. She wanted to be less precious about the process overall and to capture the same invigorated feeling as her live performances. Much of the album comes from single\, complete takes\, giving it a vibrant\, in-the-moment sensibility. The songs on the album range in tone\, but there’s a hopeful\, life-affirming feeling that threads through the tracks. The playful “I Wish You Would” takes its cues from “Mr. Big Stuff\,” while “All I Ever Gave You” looks back on losing someone after endless sacrifices. The album also features two duets\, another first for James\, with Marc Broussard and three-time Grammy nominee Ryan Shaw. The collaboration with Shaw\, “I Don’t Mind Waking Up (To A Love This Good)” is the first single and a song James calls one of her favorites she’s ever written. And a standout moment comes on the closing track “Who’s Going to Listen To You? (When You’re Crying Now)\,” a song James and Wamble wrote with lyrics from a poem by Spin Doctors’ lead singer Chris Barron. It creates a poignant and heart-wrenching final note for the album\, a collection of genuine\, satisfying songs that embrace the best of American songwriting. The experience was so inspiring and affirming that James ended up titling the album Memphis Magnetic after the studio where it was made (an homage to Jimi Hendrix and his Electric Ladyland). \nFor James\, Memphis Magnetic is the culmination of a life-long love affair with music. She grew up listening to everyone from Joni Mitchell to Paul Simon to Prince to Aretha Franklin\, cultivating an insatiable love for strong songwriters. After graduating from The Juilliard School with a classical music degree\, and performing in the original companies of four Broadway productions\, James began writing and recording her own music. Meeting her mentor Berry Gordy\, Jr. led to a record deal at Epic Records\, where she recorded and released her solo album Hunter in 2014. In addition to her studio albums\, James recorded and released a full album cover of Joni Mitchell’s seminal Blue as well as The Beatles’ White Album in 2018 to celebrate the 50th anniversary. Through her unique and varied career\, there have been many ups and downs\, but James cites her failures as more important than her successes in shaping the artist she is today. \nAfter her tenure with Epic Records\, she took charge of her career from the business side as well. She cultivated a new world of fans with her viral YouTube videos\, and while connecting with them on social media and at her live shows\, she found the support and strength to go out on her own as an independent artist. Over the last several years\, James has built her own empire and established herself as a touring powerhouse\, allowing her to raise the funds to create her albums and make every decision from the ground up. \n“This album feels so unburdened by anybody or anything. All of the songs were written for this project. They were recorded in the same way\, in the same room. It’s a moment in time captured. I felt like I was a part of the lineage of soul music. My guiding force throughout the record was ‘What would Aretha say? What would Otis say?’ It’s not a retro album or a throwback by any means. This album is me: classic elements\, timeless melodies\, and lyrics from my soul and experience. We need that right now. We need real music now more than ever.”
URL:https://crosstownarts.org/calendar/morgan-james-memphis-magnetic-tour-at-crosstown-arts/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200418T143000
DTEND;TZID=America/Chicago:20200420T163000
DTSTAMP:20260502T221653
CREATED:20200131T162850Z
LAST-MODIFIED:20200327T161147Z
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SUMMARY:POSTPONED A Change of Tone\, a Music Exhibition
DESCRIPTION:** This event is postponed until further notice. \nIn A Change of Tone\, musicians will “exhibit” new work in one venue while performing in another\, creating a non-traditional listening experience. \nThe goal of A Change of Tone is to invite artists to sonically and musically explore the varied interrelations between technical musical themes and humanity: what we experience\, observe\, believe\, and imagine within the realms of our intellectual capabilities. \nAdmission is free (but donations of any amount are suggested); please RSVP on Eventbrite\nDoors at 7 pm | Performances beginning each night at 7:30 pm \nLineup:\nSaturday\, April 18 – NICHOLAS MALONEY\nSaturday\, April 19 – GUNTER GAUPP\nMonday\, April 20 – THE ACHELOIS COLLECTIVE \n\nABOUT THE EVENT:\nDuring this event\, there will be two live-feed interconnections between The Green Room music venue at Crosstown Arts and Crosstown Theater. The first feed will be an audio feed for the audience in The Green Room\, as the musicians\, out of sight\, perform their original work in the empty Crosstown Theater. The second feed will video-capture The Green Room audience so the performing musicians in the Theater may virtually watch and technically perform for their audience on the screen. The audience in The Green Room will be informed in advance that they will be watched by the performing musicians in the theater\, creating an immersive environment in which the performers’ new music might achieve a vivid and seemingly living omnipresence. \nSimilar to the experience of being inside a haunted house or abandoned building\, this spectral approach to auditory perception will be\, among other things\, a sonic experiment in vulnerability. It will be an attempt to enhance and heighten the audio-sensory experience for the listener and perhaps will intensify the presence and impact that music can have when our fight-or-flight response is instinctively activated\, giving the sounds we hear the power to demand our full attention. \n\nABOUT THE ARTISTS: \nNicholas Maloney:\nNicholas Maloney is a sound artist\, multi-instrumentalist\, performer\, and recording engineer from Jackson\, Mississippi. Working primarily in the areas of drone\, ambient\, musique concrète\, and electroacoustics\, Nicholas creates recordings that he feels can provoke emotion\, while at the same time offering a palette of sound that can be used to practice the rewarding act of deep listening. He looks to challenge the listeners’ focus and perception of sound. Much of his work explores the textural nature of sound within a framework of progressing and evolving compositions. He is interested in the interaction among texture\, sound\, and space. \nUnder his full name\, Nicholas Maloney creates and releases compositions using field recordings\, found sounds\, and a variety of processing and audio transformation techniques. He also records under the moniker\, Blanket Swimming\, exploring the more melodic and ambient side of experimental music using guitar\, synthesizers\, tape manipulation\, field recordings\, voice\, and other instrumentation. Maloney also records under the name Sleep Silver Lightning\, exploring compositions for the guitar and voice. In 2015\, Maloney co-founded the net-label Warm Milk Recordings with Whitson Ramsey. \nGunter Gaupp:\nGunter is a composer and teacher based in Memphis\, who’s work combines interests in noise composition and genre music. Born in Louisiana\, Gunter’s recent work maintains a connection to jazz and folk traditions in his approach to melody and harmony\, while exploring new possibilities through extended technique and graphic notation. His music has been premiered recently in Chicago and Green Bay\, as well as internationally in Vienna and Paris. Gunter completed his MM in 2019 at the University of Memphis\, where he studied composition under Kamran Ince and John Baur. More recently\, Gunter has begun teaching music to middle and high school students at Memphis Rise Academy. Gunter will be presenting his new work for A Change of Tone as a quintet\, featuring Aaron Phillips (saxophone)\, Anna Welden (voice)\, Bryan Pallotta (piano)\, Michael Todd (percussion)\, and Ben Walsh (double bass). \nThe Achelois Collective:\nThe Achelois Collective is a contemporary chamber ensemble dedicated to helping co-design opportunities to create healthier communities through the art of new music. The ensemble’s 10 members are featured as composers\, collaborators\, chambers musicians\, and soloists who hail from across the continental U.S. Established in the summer of 2019\, TAC seeks to elevate\, celebrate\, and embolden female/non-binary voices in modern music and to support projects by artists of under-acknowledged backgrounds and nationalities. \nIn an effort to assist the world of classical music to become more egalitarian\, TAC creates spaces for active participation and appreciation for audiences of all genders\, ages and musical knowledge. Equally important\, the Collective strives to represent within themselves a model of respect and appreciation for the unique abilities and perspectives of their members and collaborators.
URL:https://crosstownarts.org/calendar/a-change-of-tone-a-music-exhibition/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater,The Green Room
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200417T143000
DTEND;TZID=America/Chicago:20200417T163000
DTSTAMP:20260502T221653
CREATED:20200108T200109Z
LAST-MODIFIED:20200327T162058Z
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SUMMARY:POSTPONED The Cutaway Acoustic Guitar Series: Peppino D'Agostino
DESCRIPTION:** This event is postponed until further notice. \nCrosstown Arts presents The Cutaway Acoustic Guitar Series\, a monthly concert series showcasing internationally acclaimed guitarists in partnership with the Little Rock-based Argenta Acoustic Music Series. April’s performance features guitarist Peppino D’Agostino in an intimate\, solo performance. \nTickets: $20\nDoors at 7 pm | Show at 7:30 pm \nD’Agostino has performed in more than 34 countries\, at prestigious international festivals and has played in some of the world’s most important theaters. He has shared the stage with Tommy Emmanuel\, Leo Kottke\, Laurindo Almeida\, Sergio Assad\, Larry Carlton\, and Eric Johnson\, to name a few. His solo recordings include high quality labels such as Favored Nations\, Mesa / Bluemoon\, and Acoustic Music Records. Recognized as “the guitarist’s guitarist” by Acoustic Guitar magazine and described as “a giant of the acoustic guitar” by the San Diego Reader\, in 2017 Guitar Player listed him as one of the 50 transcendent superheroes of all time. The CD “Every Step of The Way” was awarded by Acoustic Guitar’s People’s Choice Awards with a Bronze medal for Best Acoustic Album of All Time. His signature Seagull acoustic guitar has been voted among the ten best signature guitars by Guitar Player magazine.
URL:https://crosstownarts.org/calendar/the-cutaway-acoustic-guitar-series-peppino-dagostino/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200408T143000
DTEND;TZID=America/Chicago:20200408T163000
DTSTAMP:20260502T221653
CREATED:20200206T200941Z
LAST-MODIFIED:20200316T202052Z
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SUMMARY:POSTPONED Lynn Cardona in The Green Room
DESCRIPTION:** This event is postponed until further notice. \nJoin us in The Green Room at Crosstown Arts for a performance by contemporary jazz and soul artist Lynn Cardona. \nLynn Cardona is a contemporary jazz and soul artist living in Los Angeles\, where she pens unguarded songs about love: the unrequited\, the returned and ecstatic\, the slow burn of longing and lust. \nTickets: $10\nDoors at 7pm | Performance at 7:30pm \nLynn Cardona is a contemporary jazz and soul artist living in Los Angeles\, where she pens unguarded songs about love: the unrequited\, the returned and ecstatic\, the slow burn of longing and lust. \nTickets: $10\nDoors at 7pm | Performance at 7:30pm \n“[Ophelia] features an absolutely gorgeous and moving vocal performance\, the best of this disc. “Don’t you know how far I’d go for love?”“\n– Michael Doherty\, Michael’s Music Log \n“If jazz songs can be likened to paintings\, then “Ophelia” is comprised of the most delicate execution of pointillism.”\n– Dodie Miller Gould\, Lemonwire \n“In only three compelling\, heart on her sleeve songs\, gossamer voiced soul-jazz singer songwriter invites us into a fascinating interior world\, where she’s unashamed to address suicidal thoughts and her slow emergence from a dark emotional time.”\n– Jonathan Widran\, JW Vibe \n“Lynn Cardona introduces us to her rich voice and accessible songwriting skills.. Her dainty voice works well on the upbeat “A Little Too Late” and she can get vulnerable on the title track.”\n– George Harris\, Jazz Weekly \n“Cardona drops an EP about various facets of love in the soul/jazz groove she’s been mining to good effect in the past. Her version of healing music\, perhaps it will shine a light for others in the same situation.”\n– Chris Spector\, Midwest Record \nIt’s Cardona’s voice—girlish\, dreamily viscous\, and reminiscent of Blossom Dearie—that first draws you in. But you soon find yourself saturated in her world\, one where nostalgia and desire fill the space like rising floodwaters. \nMuch of this is due to the poetry that patters through Cardona’s lyrics\, tugging you deeper and deeper out to sea. For example\, in her new EP\, Ophelia\, Cardona sings in the titular song\, “I’ve said this all before but now I swear it\, please dare it\, don’t you know how far I’d go for love….” She wrote the song in a single night during which she found herself wanting to end her life after the dissolution of her relationship with a long-time lover. Despite the heaviness of the subject matter\, “Ophelia” has a light-hearted feel\, conveying the haunting juxtaposition between what’s felt and what’s shown on the outside. \nFollowing the end of her relationship\, Cardona moved around the world to Seoul\, South Korea\, to escape her memories. The other two songs on Ophelia\, “A Little Too Late” and “Mother Earth” were written during this period of recovery. \n“A Little Too Late” is a tribute to a fleeting but life-changing love affair with a man named Joe\, whom she fell for shortly after her breakup and whom she credits as pulling her out of her dark depression. Cardona sings\, “In just autumn when the leaves all beg the trees to let them go… Maybe he loved me because he let me go\, but it’s a little too late\,” about her brave decision to leave Joe behind and travel alone to South Korea in search of healing. \n“Mother Earth” explores Cardona’s ambivalent feelings about the idea of becoming a mother. Ultimately\, the song celebrates the resilience and nurturing that both Mother Earth and women embody despite the abuses of mankind. \nBefore her musical career\, Cardona grew up in Cleveland\, Ohio\, and moved to Memphis\, Tennessee\, shortly after graduating high school. Over the following decade\, she cut her teeth performing in the southern city\, where she learned from Memphis’ incredible musicians and artists. Eventually\, after her stint in South Korea\, she made her way to Los Angeles. \nCardona enlisted some of the top talent in Southern California to help her with this project. Produced by guitarist DORI AMARILIO\, she’s backed by widely respected pianist and composer JOSH NELSON\, who is a recording artist\, composer\, and educator who has performed with some of the biggest names in jazz. He has recorded for countless albums\, films\, and T.V. shows\, as well as releasing seven CDs as a leader. She first heard Nelson on the radio shortly after moving to Los Angeles in 2012. “He let the music breathe\, and he added to it with such grace and elegance\,” says Cardona. “I was thrilled that Josh agreed to work with me. He was so incredibly busy\, that it took a full year of scheduling and rescheduling until we could nail down a rehearsal and a recording date. He was an absolute dream to work with\, and I would wait another year to do it again.” \nShe’s also backed by bass player DAVE ROBAIRE\, who is a professor of Jazz Studies at California State University\, Northridge’s prestigious music school and is the Manager of Music at Sam First\, one of Los Angeles’s most important venues for creative music. On drums is DAN SCHNELLE\, one of the busiest\, sought-after musicians in the Los Angeles area. Amarilio brought on board MICHAEL HUNTER to play flugelhorn. Hunter has performed with the likes of Stanley Clarke\, Kamasi Washington\, and Lenny Kravitz\, among many others. And guitarist NOZOMI YAMAGUCHI is a dear friend of Cardona. “He was an integral part of giving this record a sound all its own\, since he brings a more soulful rhythmic approach to these songs\,” says Cardona. \nHer upcoming EP\, Secret Crush\, reveals Cardona’s sexier side\, blending her contemporary jazz style with more pop and soul than her previous work. Secret Crush was produced by GRAMMY award winning producer SAM BARSH\, who’s written for and played piano on records by the likes of Aloe Black\, Kendrick Lamar and Anderson Paak. \nCardona wears her heart on her sleeve. Her emotions\, vulnerable and exposed\, flow through her music like a gentle stream. Her voice is sinuous and lyrical\, and the musicianship on these three tunes is superb. As Cardona puts it\, “I want my music to convey the nuances of the experiences I’ve had. I want listeners to feel that they can relate to me on the deepest level.”
URL:https://crosstownarts.org/calendar/lynn-cardona-at-crosstown-arts/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200403T143000
DTEND;TZID=America/Chicago:20200403T163000
DTSTAMP:20260502T221653
CREATED:20200127T215859Z
LAST-MODIFIED:20200318T192830Z
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SUMMARY:POSTPONED Women of Folk: Xaris Waltman Trio & Bailey Bigger Band in The Green Room
DESCRIPTION:** This event is postponed until further notice. \nThe Green Room at Crosstown Arts presents Women of Folk — performances by the Xaris Waltman Trio and Bailey Bigger Band. \nTickets: $10\nDoors at 7 pm | Show at 7:30 pm \nBorn and raised in small-town Arkansas\, just outside of the musically historic city of Memphis\, Tennessee\, Bailey has always had a passion for songwriting. She first picked up a guitar at only nine years old and began to write songs within the first week of playing. \nAt age 17\, Bailey won “Memphis’ Best Song Of 2017” for her original song\, “Wildflower.” Since then\, she has performed at many festivals and venues from Celebrate Memphis (being one of 4 headliners)\, AmericanaFest\, and many more. She has recorded at Dark Horse Studios\, Sun Studios\, and Ardent Studios. Bailey has also been recognized as a top ten up-and-coming Americana artist you should be listening to by Memphis Magazine. \nFollowing Bailey’s first record “Closer to Home\,” she released her second EP\, “Between The Pages.” This EP was engineered by Jessica Willis and released by the University of Memphis record label\, BlueTOMRecords. \nXaris Waltman’s mother claims she was humming tunes before she could talk. As a young child\, Xaris picked up her dad’s guitar and discovered a deep connection to folk songs. Xaris loved how the songs had lives of their own and have been telling the same stories for generations. Xaris still feels the same way. Relaying these stories to audiences during her shows makes her feel like she’s doing something bigger than herself. \nIn 2019\, at nineteen years old\, Xaris released an album of old-time songs titled “Under The Willow” with BigTone Records. Right out of high school\, Xaris began traveling the country solo; just a girl and her guitar. Playing listening rooms\, living rooms\, and festivals\, she has captured the people of small-town America’s ears with her melodious\, high-toned voice.
URL:https://crosstownarts.org/calendar/xaris-waltman-trio-bailey-bigger-band-in-the-green-room/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200327T143000
DTEND;TZID=America/Chicago:20200327T163000
DTSTAMP:20260502T221653
CREATED:20200303T214850Z
LAST-MODIFIED:20200313T225150Z
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SUMMARY:POSTPONED Tonya Dyson is Sarah Vaughan
DESCRIPTION:** This event is postponed until further notice. \nJoin us in The Green Room at Crosstown Arts for a special performance by Tonya Dyson in a tribute to the legendary Sarah Vaughan. \nTickets: $10\nDoors at 7pm | Show at 7:30pm \nTonya Dyson wears so many hats: non-profit arts executive\, music educator\, serial entrepreneur\, community leader\, and festival organizer. You name it. She’s also a beloved artist who has not only built a devoted following in a creative landscape of her own design but has helped develop and nurture that same environment for countless other Memphis artists. She’s the genuine article in Memphis’ new soul underground. Join Tonya as she pays tribute to one of her favorite artists\, the legendary Sarah Vaughan.
URL:https://crosstownarts.org/calendar/tonya-dyson-is-sarah-vaughan/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200325T143000
DTEND;TZID=America/Chicago:20200325T163000
DTSTAMP:20260502T221653
CREATED:20200128T195427Z
LAST-MODIFIED:20200313T225037Z
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SUMMARY:POSTPONED Music for Cello & Jazz Trio
DESCRIPTION:** This event is postponed until further notice.  \nJoin us in The Green Room at Crosstown Arts for Music for Cello and Jazz Trio\, including works by Claude Bolling\, David Baker\, and more. \nFeaturing Alisa Horn (cello)\, Maeve Brophy (piano)\, Tom Lonardo (drums)\, and Tim Goodwin (bass). \nTickets: $10\nDoors at 7pm | Performance at 7:30pm \nAbout the Performers:\nAlisa Horn is a freelance cellist and loves performing and teaching a wide variety of musical genres from classical to jazz to rock and beyond. Alisa studied with Professor Peter Spurbeck at the University of Memphis\, received her Bachelor of Music in Cello Performance from the University of Michigan with Anthony Elliott\, and her Master of Music in Cello Performance from Northwestern University with Hans Jensen. Along with jazz legends trumpeter Marvin Stamm and pianist Bill Mays\, Alisa is a member of The Inventions Trio which performs a fusion of jazz and classical repertoire. The Trio has toured and released three albums\, including the diverse works of Bill Evans\, Bill Mays\, Villa-Lobos\, and Miles Davis. On Broadway\, Alisa has performed in many shows including Sunday in the Park with George\, An American in Paris\, If/Then\, and Next to Normal. \nMaeve Brophy gave her first solo recital at age 9 and made her orchestral debut at age 15. She has a BA from the University of Alabama at Birmingham and a Master of Music in Piano Performance from Texas Christian University. Maeve has given solo and collaborative performances in Wells\, England\, the Amalfi Coast\, Kiev\, Ukraine\, New York\, San Francisco\, Seattle\, Aspen\, Nashville\, and Memphis. Maeve is former adjunct faculty of the Blair School of Music and Belmont University in Nashville and currently lives in Memphis where she works as a freelance collaborative pianist\, soloist\, and piano teacher. \nTom Lonardo grew up playing drums in his father’s dance band. He holds a MM from the University of Mississippi and attended the Berklee College of Music studying with Alan Dawson. He has played music all his life including gigs with Mose Allison\, Di Anne Price\, Joe Restivo 4\, 3rdMan\, and Dog Police. \nTim Goodwin is very active in the recording industry and performs across the United States as a bassist. He has performed with numerous jazz artists including Lee Konitz\, George Colemen\, Pepper Adams\, Art Farmer\, Michele LeGrand\, Jon Hendricks\, Phineas Newborn\, Mose Allison\, and many others. Mr. Goodwin was bassist of a trio which was selected to participate in the Kennedy Center “Jazz Ambassadors” program to present jazz performances and lectures around the world. He has served as an adjunct faculty member at the University of Miami and Miami-Dade Community College and joined the University of Memphis as a faculty member in 1984.
URL:https://crosstownarts.org/calendar/music-for-cello-jazz-trio/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200324T143000
DTEND;TZID=America/Chicago:20200324T163000
DTSTAMP:20260502T221653
CREATED:20200218T181830Z
LAST-MODIFIED:20200313T224955Z
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SUMMARY:POSTPONED Jaime Branch's "Fly Or Die" in The Green Room
DESCRIPTION:** This event is postponed until further notice. \nJoin us in The Green Room at Crosstown Arts for a performance of trumpeter Jamie Branch’s debut album\, “Fly or Die.” \nTickets: $15\nDoors at 7 pm | Show at 7:30 pm \nA mainstay of the Chicago jazz scene and an active recent addition to the New York scene\, Jaimie Branch is an avant-garde trumpeter known for her “ghostly sounds\,” says The New York Times\, and for “sucker punching” crowds straight from the jump off\, says Time Out. \nHer classical training and “unique voice capable of transforming every ensemble of which she is a part” (Jazz Right Now) has contributed to a wide range of projects not only in jazz but also punk\, noise\, indie rock\, electronic\, and hip-hop. Branch’s prolific as-of-yet underexposed work as a composer and a producer\, as well as a sideman for the likes of William Parker\, Matana Roberts\, TV on the Radio\, and Spoon\, is all on display in her debut record Fly or Die — a dynamic 35-minute ride that dares listeners to open their minds to music that knows no genre\, no gender\, no limits. \n 
URL:https://crosstownarts.org/calendar/jaime-branchs-fly-or-die-in-the-green-room/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200321T143000
DTEND;TZID=America/Chicago:20200321T163000
DTSTAMP:20260502T221653
CREATED:20200217T202811Z
LAST-MODIFIED:20200313T224836Z
UID:10003231-1584801000-1584808200@crosstownarts.org
SUMMARY:POSTPONED The Adam Larson Band in The Green Room
DESCRIPTION:** This event is postponed until further notice.  \nJoin us in The Green Room at Crosstown Arts for a performance by The Adam Larson Band\, featuring tenor saxophonist Adam Larson with Michael Shults (alto sax)\, Joe Restivo (guitar)\, Carl Caspersen (bass)\, and James Sexton (drums). \nTickets: General Admission $10 | Student Admission $5 (with Student ID)\nDoors at 7pm | Performance at 7:30pm \nOriginally from Normal\, Illinois\, Adam Larson is an American saxophonist\, composer\, and author. Larson has been described by critic Howard Reich of The Chicago-Tribune as “a player for whom the word ‘prodigious’ was coined.” Peter Hum of the Ottawa Citizen called him “a saxophonist who brings Donny McCaslin and Mark Turner to mind\,” and Nate Chinen of The New York Times said he is “the sort of jazz musician who gets flagged early on as a promising talent and then hustles to meet every requirement for success.” Larson has garnered numerous awards that distinguish him as one of the most promising artists of his generation. \nAs a student\, Larson was a member of virtually every national program dedicated to showcasing excellence in young jazz talent\, including The Grammy Band\, Next Generation Jazz Orchestra\, Betty Carter Jazz Ahead\, YoungArts Jazz Fellows\, Telluride Student All-Stars\, and Jazz Band of America\, among others. Upon graduating from University High School in 2008\, Adam moved to New York City to pursue his BM and MM in Jazz Performance on full scholarship from The Manhattan School\, where he graduated with honors as a Master’s student and the recipient of the William H. Borden Award for Outstanding Performance in Jazz in 2014. \nLarson has released five albums: one for Ropeadope Records\, two under the Inner Circle Music label\, and two produced independently. Larson’s most recent recording “Second City” received a four-star rating from Downbeat magazine\, was listed as one of the best releases of 2017 in both Downbeat and Jazziz Magazine\, and was prominently featured in several publications. Larson’s fifth record\, “Listen With Your Eyes\,” was released on Ropeadope Records on September 6th\, 2019. \nLarson keeps an active schedule with his own groups and as a sideman\, having performed at several venues across the U.S.\, including The Jazz Standard\, Birdland\, The 55 Bar\, The Jazz Gallery\, The Blue Note\, The Village Vanguard\, Smalls\, Jazz at The Bistro\, The Jazz Estate\, The Jazz Showcase\, and several others. \nBeyond maintaining an active touring and recording schedule\, Larson continues to be a sought-after clinician and master class presenter at several high schools and universities across the country and beyond\, including appearances at HKU Conservatory-Utrecht\, University of Iowa\, Drake University\, University of Northern Iowa\, Temple University\, Yale\, Manhattan School of Music\, and University of North Texas among many others. Adam is currently on faculty at University of Missouri-Kansas City Conservatory\, where he teaches saxophone\, jazz pedagogy\, and music business.
URL:https://crosstownarts.org/calendar/the-adam-larson-band-in-the-green-room/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200320T143000
DTEND;TZID=America/Chicago:20200320T163000
DTSTAMP:20260502T221653
CREATED:20200108T194730Z
LAST-MODIFIED:20200313T181514Z
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SUMMARY:POSTPONED The Cutaway Acoustic Guitar Series: Paul Asbell
DESCRIPTION:** This event is postponed until further notice.  \nCrosstown Arts presents The Cutaway Acoustic Guitar Series\, a monthly concert series showcasing internationally acclaimed guitarists in partnership with the Little Rock-based Argenta Acoustic Music Series. March’s performance features guitarist Paul Asbell in an intimate\, solo performance. \nTickets: $20\nDoors at 7 pm | Show at 7:30 pm \nFrom his early years playing blues on Chicago’s South Side to his present multi-faceted career based out of northern Vermont\, Paul Abell has earned an underground reputation as a true “musician’s musician.” He has played and recorded with Muddy Waters\, John Lee Hooker\, Howlin’ Wolf\, Lightnin’ Hopkins\, Otis Rush\, Magic Sam\, Earl Hooker\, Lightnin’ Slim\, Paul Butterfield\, Sam Lay\, Pops Staples\, Donny Hathaway\, and numerous others while in his hometown of Chicago\, Illinois. \nPaul moved to Vermont\, where he still lives\, in the heady “back-to-the-land” days of 1971. He soon started playing and recording with a head-spinningly diverse array of artists\, including Big Mama Thornton\, singer-songwriters Paul Siebel\, Jim Ringer\, Mary McCaslin\, and Rosalie Sorrells\, jazz greats Jon Hendricks\, Bobby McFerrin\, Sonny Stitt\, and Nick Brignola\, and many others. In 1978\, seeking an outlet for more personal musical visions\, he formed Kilimanjaro\, and recorded two award-winning albums for Philo Records. \nSoon after\, the band performed at the Kool Jazz Festival at SPAC\, the Atlanta Jazz Festival\, the Montreux Jazz Festival in Switzerland\, and numerous national tours and concert dates. Kilimanjaro served as backup band on lengthy national tours with Esther Satterfield\, and Paul Butterfield\, with whom they played the Montreal Jazz Festival\, and the Roskilde Festival in Copenhagen. \nIn 1981\, Paul and other members of Kilimanjaro joined forces with a legendary saxophonist and blues singer to form Big Joe Burrell and the Unknown Blues Band. Together\, they performed at many festivals\, including the Kool Jazz Festival\, toured Russia\, Holland\, and Canada\, and served as back-up band for Marva Wright\, Kenny Neal\, W.C. Clark\, and others. The UBB remained a Northeast regional favorite for over 20 years\, until Big Joe’s passing in 2005. \nPersonal performance credits in recent years include David Bromberg\, Betty Carter\, Joshua Redman\, James Carter\, Kermit Ruffins\, Michael Ray\, the Sun Ra Arkestra\, The Wild Magnolias\, John Stowell\, guitar wunderkind Julian Lage\, Dave Grippo\, and former students Trey Anastasio and Nick Cassarino. Paul has taught guitar for over 45 years. Private instruction remains a favored format\, but he has also taught for several decades on a university level\, including positions at Dartmouth College\, St. Michael’s College\, and presently at Middlebury College and the University Of Vermont.
URL:https://crosstownarts.org/calendar/the-cutaway-acoustic-guitar-series-paul-asbell/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200318T140000
DTEND;TZID=America/Chicago:20200318T160000
DTSTAMP:20260502T221653
CREATED:20200311T213233Z
LAST-MODIFIED:20200313T175056Z
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SUMMARY:POSTPONED Stax Listening Session: Do the Funky Chicken
DESCRIPTION:** This event is postponed until further notice. \nJoin us in The Green Room for a listening session and discussion of Rufus Thomas’ 1970 album\, Do the Funky Chicken. Moderated by Dr. Charles Hughes of Rhodes College and a special guest. \nOf all the landmark albums released by Stax Records in 1970\, “Do the Funky Chicken” by Rufus Thomas is in a class by itself. Thomas’ first LP in four years\, “Funky Chicken” highlighted a deep dose of Memphis funk combined with Thomas’ own sense of humor and creativity. Join Dr. Charles Hughes and a special guest for a discussion about the lasting significance of another Stax masterpiece. \nFree and open to the public
URL:https://crosstownarts.org/calendar/stax-listening-session-do-the-funky-chicken/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200317T143000
DTEND;TZID=America/Chicago:20200317T163000
DTSTAMP:20260502T221653
CREATED:20200217T195245Z
LAST-MODIFIED:20200313T223749Z
UID:10003229-1584455400-1584462600@crosstownarts.org
SUMMARY:POSTPONED Lisa Nobumoto and Her Sizzling Six in The Green Room
DESCRIPTION:** This event is postponed until further notice.  \nVocalist Lisa Nobumoto and Her Sizzling Six perform the music and arrangements of tenor saxophonist Teddy Edwards in The Green Room at Crosstown Arts. \nTickets: $10\nDoors at 7 pm | Show at 7:30 pm \nThis especially unique sextet\, led by vocalist Lisa Nobumoto\, brings with it a star-studded cast to The Green Room at Crosstown Arts. The instrumentation includes Alvie Givhan (piano)\, Lance Williams (bass)\, Jim Pettit (drums)\, Sidney Ford (tenor sax)\, Nate Wilensky (trumpet)\, and Howard Lamb (trombone). \nFormidably\, a protégé of the late tenor saxophonist Teddy Edwards\, Lisa Nobumoto carries the lyrics to some of his most notable originals\, including “Sunset Eyes” and “Going Home\,” the former being the song that laid the groundwork for Clifford Brown’s first solo which gained him worldwide recognition. \nTeddy Edwards is a name well-known to serious be-bop fans. His style follows the true and authentic genre of jazz that heralded names like alto sax player Charlie Parker and the noted trumpeter Howard McGhee. \nIn fact\, it is said that when Charlie Parker left New York to record in Los Angeles\, he went to find Teddy Edwards. Teddy Edwards became the first tenor saxophonist in history to record a be-bop solo on tenor saxophone with “Up In Dodo’s Room” in 1946 on the Dial Label. \nThis exciting musical adventure into the music of Teddy Edwards will include a variety of his instrumentals and be-bop solos emoting from Memphis’ best jazz musicians.
URL:https://crosstownarts.org/calendar/lisa-nobumoto-and-her-sizzling-six-in-the-green-room/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200313T143000
DTEND;TZID=America/Chicago:20200313T163000
DTSTAMP:20260502T221653
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SUMMARY:Sound Kulture: Marco Alexander in The Green Room
DESCRIPTION:Join us in The Green Room at Crosstown Arts for a performance by pop/R&B singer-songwriter Marco Alexander. \nMarco Alexander is an American pop/R&B singer-songwriter and all-around artist. Born in Memphis\, TN\, Marco began his study of music at a young age. Marco grew up watching his mother lead the church choir (while sitting next to the organ player so he wouldn’t get into trouble). \nTickets: $10\nDoors at 7pm | Performance at 7:30pm \nGrowing up in a musical family granted Marco the opportunity to travel and study sounds that were unfamiliar to him\, whether it was the sound of beating on pots and pans or listening to the Cincinnati Symphony Orchestra. A versatile musician\, Marco has performed with the National Festival Symphony at Carnegie Hall and in musical theater productions\, such as Thoroughly Modern Millie\, Aida\, and Dreamgirls. \nMarco received a bachelor’s degree in music education and music performance from the University of Memphis\, with a minor in music business. While at the U of M\, he studied with John Chiego. Marco has since performed with more than 23 orchestras nationwide and has participated in national soundtrack tours with Disney and Nintendo. \nMarco released his debut project entitled Friction in 2016. This is a collection of seven songs that mostly feature direct quotes and activities from his life over the past few years. The songs cover subjects such as love\, ambition\, breakups\, and even loss. Be on the lookout for his debut album to be released in the spring of 2020.
URL:https://crosstownarts.org/calendar/sound-kulture-marco-alexander-in-the-green-room/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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DTSTART;TZID=America/Chicago:20200311T143000
DTEND;TZID=America/Chicago:20200311T163000
DTSTAMP:20260502T221653
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LAST-MODIFIED:20200309T154731Z
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SUMMARY:Dave King & Julian Lage in The Green Room
DESCRIPTION:Join us in The Green Room at Crosstown Arts for a performance by guitarist Julian Lage and drummer Dave King. \nTickets: $20\nDoors at 7 pm | Show at 7:30 pm \nHailed as one of the most prodigious guitarists of his generation\, Julian Lage has spent more than a decade searching through the myriad strains of American musical history via impeccable technique\, free association\, and a spirit of infinite possibility. \nThough only 31\, the New York-based musician boasts a long\, prolific resume that includes collaborations with Gary Burton\, John Zorn\, Nels Cline\, Chris Eldridge\, Fred Hersch\, David Grisman\, Béla Fleck\, and Charles Lloyd. \nLove Hurts \, which marks his first album to feature drummer Dave King (The Bad Plus)\, sees the GRAMMY-nominated guitarist exploring the American song catalog from a truly unique vantage point\, performing music written by a range of audacious and original artists\, from Roy Orbison to Ornette Coleman\, Jimmy Giuffre to Peter Ivers. \nLove Hurts finds Lage searching through the unfettered artistic freedom of the late 1960s and 1970s\, the ambitious energy and lack of restrictions placed upon artists of all genres providing a guiding light for the sessions. “The covers on this record are like when you move into a new apartment; the last thing you do is hang your pictures on the wall\,” Lage says. “Those pictures define your aesthetic in a way. So the tunes we chose kind of define the aesthetic I love but hadn’t put on a record yet.” \nThe impetus for Lage to delve deeper into his own improvisational influences was initially catalyzed by a series of 2018 live dates that saw him and bassist Jorge Roeder joined by Dave King\, composer and drummer extraordinaire with The Bad Plus. \n“Dave was like the most beautiful curveball being thrown in\,” Lage says. “He’s one of the greatest improvising forces and artistic visionaries. We became close friends over the last couple of years. We played some shows together and I thought\, this is really heavy. He brings something out in Jorge and I that is native to the music we grew up playing but doesn’t always get prompted in this particular way. I thought\, this is someone who can do it all. He can light that fire as a player and he can help us formulate a strong collective vision.”
URL:https://crosstownarts.org/calendar/dave-king-julien-lage-in-the-green-room/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200310T143000
DTEND;TZID=America/Chicago:20200310T163000
DTSTAMP:20260502T221653
CREATED:20200102T170940Z
LAST-MODIFIED:20200108T180923Z
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SUMMARY:Modern Masters Jazz Series feat. Joel Frahm
DESCRIPTION:Crosstown Arts presents The Modern Masters Jazz Series\, a monthly series featuring jazz soloists from around the country. \nMarch’s performance features award-winning saxophonist Joel Frahm performing with the series house band\, The Ted Ludwig Trio. \n\n\n\nTickets: $20\n\n\n\n\nDoors 7 pm | Performance 7:30 pm \nAbout Joel Frahm:\nA regular on the New York City club circuit\, award-winning saxophonist Joel Frahm has appeared alongside noted jazz artists such as Brad Mehldau\, Bill Charlap\, and Matt Wilson and has recorded with Dianne Schuur\, Freddy Cole\, Jane Monheit\, and others. He has performed at jazz clubs\, music clinics\, and jazz festivals around the world. Fans know him for his big tenor sound — fluid\, inventive and full of passion. \nThe Modern Masters Jazz Series is guest-curated by renowned two-decade New Orleans jazz guitarist Ted Ludwig\, who has received an ASCAP award\, the Louis Armstrong award\, and the Overture to the Cultural Season award\, and is a member of The Arkansas Jazz Hall of Fame. Each month in 2020\, Crosstown Arts welcomes jazz artists from New Orleans\, NYC\, LA\, and beyond\, who will perform with The Ted Ludwig Trio. Highlights include Roseanna Vitro\, who has sung with Christian McBride\, Elvin Jones\, and Lionel Hampton; Ed Cherry\, of Dizzy Gillespie’s band; GRAMMY-winner Victor Atkins; and Dee Dee Bridgewater saxophonist Ed Peterson.
URL:https://crosstownarts.org/calendar/modern-masters-jazz-series-feat-joel-frahm/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200307T133000
DTEND;TZID=America/Chicago:20200307T153000
DTSTAMP:20260502T221653
CREATED:20200122T220253Z
LAST-MODIFIED:20200127T221732Z
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SUMMARY:Marc Ribot in The Green Room
DESCRIPTION:Join us in The Green Room at Crosstown Arts for a performance by Marc Ribot. \nTickets: $20\nDoors at 7 pm | Show at 7:30 pm \nRolling Stone points out that “guitarist Marc Ribot helped Tom Waits refine a new\, weird Americana on 1985’s Rain Dogs\, and since then he’s become the go-to guitar guy for all kinds of roots-music adventurers: Robert Plant and Alison Krauss\, Elvis Costello\, John Mellencamp.” Additional recording credits include Neko Case\, Diana Krall\, Elton John/Leon Russell’s The Union\, Solomon Burke\, John Lurie’s Lounge Lizards\, Marianne Faithful\, Joe Henry\, Allen Toussaint\, Medeski Martin & Wood\, Caetono Veloso\, Susana Baca\, Allen Ginsburg\, Madeleine Peyroux\, Nora Jones\, Jolie Holland\, Akiko Yano\, The Black Keys\, and many others. \nMarc works regularly with Grammy® Award-winning producer T Bone Burnett and New York composer John Zorn. He has also composed and performed on numerous film scores such as “Walk The Line” (James Mangold)\, “The Kids Are All Right\,” and “The Departed” (Martin Scorcese). \nMarc Ribot\, who The New York Times describes as “a deceptively articulate artist who uses inarticulateness as an expressive device\,” has released 25 albums under his own name over a 40-year career\, exploring everything from the pioneering jazz of Albert Ayler to the Cuban son of Arsenio Rodríguez. The enigmatic guitarist has released six very diverse solo guitar albums: (including John Zorn’s Book of Heads\, Plays the Works of Frantz Casseus\, Saints\, Don’t Blame Me\, Exercises in Futility)\, and 2010’s Silent Movies has been described as a “down-in-mouth-near masterpiece” by the Village Voice and earned critical praise across the board. His live solo performances are unpredictable events which may draw on all of these or none\, creating a sonic matrix of memory\, free improvisation\, zeitgeist\, extra-terrestrial radio signals\, and much more … always leaving the listener on the edge of their seats. \n“Dazzling and unique … The music isn’t pretty in the usual sense of the word\, but it grows with intense feeling\, and the effect is breathtaking\, even emotionally compelling. You wish you’d been there to hear it\, to hold your breath for long stretches of daring\, only to suck the air back in in gulps when it was possible… ” — Will Layman\, Pop Matters \n“Guitarist Marc Ribot returns to the original scene in spirit and in songbook\, playing feverishly and paying homage … Ribot is absolutely concentrated and sounds brilliant … building fruitfully on a venerable New York legacy\, adding another chapter.” — John Corbett\, DownBeat \n“..he can sit down with just his guitar and simultaneously confound you with technique\, beauty\, and surprise…The result is solo guitar at its finest.” — John Garratt\, PopMatters \n“A one-of-a-kind guitarist equally adept providing an atmospheric backdrop for Tom Waits as he is calling down the heavens with skronky free jazz\, Ribot’s lush collection of soundtrack work for films both real and imagined only gets richer with each listen. Solo guitar albums can sometimes sound spare or monochromatic\, yet Ribot never operates in less than living color.” — Chris Barton\, LA Times \n“Ribot is one of the great guitarists of today\, having worked for decades as a versatile sideman and an avant-garde-leaning leader\, but he sort of blindsided me here\, an introspective solo guitar gem that is utterly beguiling.” — Tad Hendrickson\, AOL Spinner
URL:https://crosstownarts.org/calendar/marc-ribot-in-the-green-room/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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DTSTART;TZID=America/Chicago:20200306T133000
DTEND;TZID=America/Chicago:20200306T153000
DTSTAMP:20260502T221653
CREATED:20200212T221425Z
LAST-MODIFIED:20200212T221425Z
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SUMMARY:Frog Squad
DESCRIPTION:Join us in The Green Room at Crosstown Arts for a performance of psychedelic\, avant-garde jazz by Frog Squad. \nTickets: $10\nDoors at 7 pm | Show at 7:30 pm \nFrog Squad is an outlet for creative expression and sound exploration based in Memphis\, TN. Their songs pull heavily on improvisation within loose structures\, creating a psychedelic\, avant-garde jazz sound. \nThe group curates and arranges songs from artists such as Theloious Monk\, Erik Satie\, George Coleman\, and Horace Silver\, and bandleader David Collins composes eclectic\, original music. Overall\, Frog Squad gently defies the standards of what defines “good music” by composing song templates with experimental elements. \nFrog Squad currently releases a new live recording every six months. In Fall of 2019\, Frog Squad released “Solar System in Peabody\,” a full-length work written by Khari Wynn and David Collins and funded by UrbanArts Commission. The Memphis Flyer has called it “one of the most incredible pieces of music that came across our threshold this year.”
URL:https://crosstownarts.org/calendar/frog-squad/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200305T133000
DTEND;TZID=America/Chicago:20200305T153000
DTSTAMP:20260502T221653
CREATED:20200217T192719Z
LAST-MODIFIED:20200227T222019Z
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SUMMARY:Alice Hasen & the Blaze with Blueshift Ensemble in The Green Room
DESCRIPTION:Crosstown Arts presents Alice Hasen & the Blaze with an opening performance by Blueshift Ensemble in The Green Room. \nTickets: $10\nDoors at 7 pm | Show at 7:30 pm \nBorn in Vermont and based in Memphis\, Alice Hasen is a professional violinist\, recording artist\, and songwriter. She leads Alice Hasen & the Blaze and is part of the Blackwater Trio\, an acoustic rock band. Alice is known for her unique playing style\, which combines the virtuosity of her classical upbringing with the freedom and creativity of improvisation. \nShe has been called “one in a million” by Alan Rowoth\, founder of folkmusic.org\, and “a monster talent” by Jim Hurst\, nationally acclaimed guitarist. She is most at home at the crossroads of genre\, pushing the traditional sounds of violin and fiddle out of their comfort zones and into the realms of jazz\, pop\, funk\, and rock. \nIn September 2019\, Alice released her debut solo album\, “Violintro\,” which features songs written and co-written by Alice and performances by Memphis musicians. Bluff City Life called Violintro “an impressive showcase of the sheer breadth of Hasen’s talents across all genres… Hasen has made her Violintro as an emerging star.” Ric Chetter of Radio Memphis called it “one of the most dynamic sounds out there.” \nBlueshift is a Memphis­-based contemporary chamber music ensemble dedicated to bringing artists and audiences together through artistic collaboration. By programming both new and existing classical repertoire alongside multi­-genre collaborations\, Blueshift aims to connect a wider audience to today’s classical music. The ensemble draws upon Memphis’s uniquely diverse musical heritage by combining classical music with popular music genres such as rock\, blues\, soul\, and hip hop and featuring local musicians\, visual artists\, and composers. The astronomical term “blueshift” indicates an object’s moving closer toward the observer. Blueshift aims to bring concert music and art out of the concert hall and into the Memphis community.
URL:https://crosstownarts.org/calendar/alice-hasen-the-blaze-with-blueshift-ensemble-in-the-green-room/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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