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SUMMARY:Opening Reception
DESCRIPTION:Friday\, March 13\, 2026 | 6–8 PMFree and open to the public \nCelebrate the opening of our Spring exhibitions with an evening of art\, conversation\, and community. This reception brings together three distinct bodies of work spanning painting\, installation\, and multimedia exploration across our galleries and screening spaces. \nFeaturing: \nWiley Henry\nEast GalleryShades of Heritage \nLawrence Matthews\nWest GalleryA Rabbit With A Gun \nKarl Erickson\nScreening Room + Pop Out WallsClub Walrus\, Fluvial Effluvia\, and Know No Now \nFree and open to the public.
URL:https://crosstownarts.org/calendar/opening-reception-2/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251010T130000
DTEND;TZID=America/Chicago:20251010T160000
DTSTAMP:20260423T223021
CREATED:20250916T230231Z
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SUMMARY:Opening Reception: Brantley Ellzey - Reflection + Ritual + Refuge
DESCRIPTION:Friday\, October 10\, 2025 | 6-9 pm | Crosstown Arts Galleries\nFree and open to the public \nJoin us for the opening of Reflection + Ritual + Refuge\, a major solo exhibition by Memphis-based artist Brantley Ellzey. \nBrantley Ellzey\n\n\n\nREFLECTION + RITUAL + REFUGE STATEMENT\n\nIn Reflection + Ritual + Refuge\, artist Brantley Ellzey weaves a world where repetition becomes\nremembrance\, where reflection fractures into beauty\, and where the quiet\, persistent act of making\nbecomes a form of resistance.\nAcross media and gesture\, Ellzey explores how we survive—by circling back\, by touching what’s been\nlost\, by naming what others ignore. Rolling\, collecting\, documenting\, layering—these are his rituals. Some\nare personal. Some are political. All are acts of reckoning.\nThe spiral is his recurring form. It turns through the exhibition like a silent logic—natural\, ancestral\,\nunstoppable. It’s found in architecture\, in emotion\, in protest\, in paper. Each gesture becomes a structure.\nEach structure becomes a kind of refuge.\nThis is work that blurs the line between the sacred and the ordinary. Between the deeply interior and the\npublicly defiant. There are no beginnings or endings here—only movement\, only return.\nReflection + Ritual + Refuge is not a single story\, but a field of them. It invites the viewer to look closer\, to\nenter slowly\, to see how something small—repeated—can become something vast.\n\n\n\n\nARTIST BIO (Revised)\n\nBrantley Ellzey is a Memphis-based artist known for transforming everyday printed materials into\nsculptural works that explore memory\, place\, and cultural identity. Raised in Osceola\, Arkansas\, and\ntrained at Tulane University in Theater and Architecture\, Ellzey brings a unique\, multidisciplinary\napproach to his work—blending architecture\, design\, and storytelling.\nEllzey has played a vital role in Memphis’s creative landscape\, first establishing his studio in the heart of\nCrosstown. His current space at Summer Avenue and Baltic Street continues to serve as both a working\nstudio and gallery.\nEllzey’s work appears in collections across the country\, including St. Jude Children’s Research Hospital\,\nSteelcase\, Conde Nast and Nicole Kidman’s production headquarters. His art invites viewers to see the\nbeauty and meaning in what’s often overlooked.\n\n\n\nARTIST BIO (East Atrium)\nBRANTLEY ELLZEY\nREFLECTION + RITUAL + REFUGE\nREFLECTIONS\nIn a world of relentless motion and media noise\, the Reflections installation ("Reflections" being a nod to a\nstoried gay bar in Memphis.) invites the viewer into a space of quiet disorientation—where distortion\nreveals deeper truths.\nUsing rolled mirrored mylar as both material and metaphor\, this body of work challenges our relationship\nwith perception. The surfaces ripple\, fracture\, and fold light into fragmented realities\, evoking the tension\nbetween clarity and chaos. Echoing the Hypostyle Hall in Luxor\, Egypt—where towering columns once\nhoused ritual\, reverence\, and collective awe—this installation transforms the gallery into a contemporary\nsanctuary. The space becomes both architectural and emotional: a forest of mirrored pillars that hold not\njust structure\, but memory.\nThe act of rolling—a primal\, physical gesture—becomes a meditative ritual\, a way to process the\nturbulence of current events and personal anxieties. Meticulous yet destabilizing\, the work invites viewers\n\nto confront their own shifting perspectives. The mirrored mylar refuses to offer a perfect reflection;\ninstead\, it bends the familiar into the uncanny\, revealing how fragile and flexible our realities truly are.\nThis installation honors reflection as a radical act\, ritual as a survival mechanism\, and refuge as a\nnecessary\, sacred space.\n\n\n\n\nARTIST STATEMENT (East Gallery)\nBRANTLEY ELLZEY\nREFLECTION + RITUAL + REFUGE\nSPIRAL ARCHITECTURES\nIn Spiral Architectures\, the act of rolling paper becomes both a personal ritual and a sculptural meditation\non time\, memory\, and survival. Composed of rolled vintage magazines\, construction paper\, a complete\n1962 encyclopedia\, targets\, Mylar\, cellophane and hand-stamped black paper marking every day the\nartist has been alive\, this installation turns an ordinary gesture into an extraordinary archive.\nDrawing inspiration from a childhood memory—a local craftsperson in the artist’s hometown who worked\nwith rolled paper— Spiral Architectures reclaims that modest tradition and reimagines it as a practice of\nresilience. Each roll becomes a vessel: of cultural ideals\, domestic fantasies\, gendered expectations\,\nhistorical knowledge\, and the private rituals of a life lived through seismic personal and collective events.\nThis is a space where time is both compressed and expansive. The repetitive gesture of rolling\,\nperformed over and over\, mirrors the mental and emotional work required to process life's challenges.\nThe materials—both personal and public\, nostalgic and overlooked—are transformed into quiet\nmonuments.\nLike the mirrored columns in the adjacent space\, these works reflect a desire for order in the face of\nchaos. But while the columns reach outward and upward\, Spiral Architectures turns inward\, into\nmemory—into the places of refuge we build within ourselves.\n\n\n\nARTIST STATEMENT (East Gallery – Small Room)\nBRANTLEY ELLZEY\nRFLECTION + RITUAL + REFUGE\n2025 PROJECT\n2025 Project confronts the sharp edge of the present moment—where reflection gives way to resistance\,\nand refuge is found not in memory but in the uncompromising act of creation.\nThis section uses the same ritual of rolling paper found throughout Reflection + Ritual + Refuge\, but here\nthe material is weaponized. Pages from Mandate for Leadership: The Conservative Promise are rolled\nand overlaid with the image of an oversized hand gripping a gun. Nearby\, printed shooting targets—also\nrolled—are clustered in groupings\, their form echoing both vulnerability and defense. These works refuse\nsubtlety; they inhabit a space of threat\, visibility\, and protest.\nAs a queer artist\, the creator of this work grapples with a growing fear for the future—particularly the\nfragility of hard-won rights like same-sex marriage. 2025 Project names the unspoken: that the LGBTQI+\ncommunity is being deliberately targeted by political and religious forces who cloak intolerance in the\nlanguage of “values.”\nUnlike the other sections\, which look inward or backward to memory and ritual for solace\, this work offers\nno comfort. Instead\, it insists on visibility. It is both a warning and a refusal to be erased. The only refuge\nhere is found in resistance—through protest\, through truth-telling\, and through the act of making art when\nthe world demands silence.\n\n\n\nARTIST STATEMENT (Screening Room)\nBRANTLEY ELLZEY\nREFLECTION + RITUAL + REFUGE\nEVERYTHING TURNS\nThere is a rhythm beneath the visible world\, a pattern older than language\, deeper than memory.\nEverything Turns is a meditation on that turning—on the spiral as both structure and spell.\nIn this first experimental film by the artist\, the act of rolling becomes ritual – a quiet conjuring\, a way of\nshaping chaos into meaning. The spiral appears not only in nature—in storms\, galaxies\, seashells—but in\nthe body\, in breath\, in grief\, in healing. To roll is to draw energy inward. To coil. To contain. To remember.\nConnected to the broader exhibition through gesture and material\, Everything Turns expands the central\nact of rolling into a cosmology—a kinetic ritual that links body to world\, past to present\, and the personal\nto the planetary.\n\n\n\nARTIST STATEMENT (West Gallery)\nBRANTLEY ELLZEY\nREFLECTION + RITUAL + REFUGE\nSPECIAL PROJECTS\nSpecial Projects offers a window into the artist’s expanded practice—a space where ritual meets curiosity\,\nand art becomes an act of noticing\, collecting\, and reshaping the world.\nWhether documenting found objects unearthed while gathering trash at his inner-city studio\, protesting\nthe silent vandalism of historic buildings through the Memphis Masonry Preservation Society\, listing small\nacts of love during a year of crisis (Love List 2020)\, restaging the language of advertising to subvert\npower\,  ready-mades\, and intimate portraits of meals shared with his husband\, the artist weaves humor\,\nactivism\, sensitivity\, and critique into a practice rooted in paying attention.  These special projects reveal\nthe artist’s impulse to organize chaos\, to ritualize the everyday\, and to blur the line between personal\narchive and public performance.\nHere\, photography\, social media\, and found materials become not just tools—but rituals. This is art as\ndocumentation\, as resistance\, as a kind of spiritual filing system. There is no hierarchy of material\, no\nfixed path through the works on display —only the result of a mind mapping meaning through every\ndetail.\n 
URL:https://crosstownarts.org/calendar/opening-reception-brantley-ellzey-reflection-ritual-refuge/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251009
DTEND;VALUE=DATE:20260126
DTSTAMP:20260423T223021
CREATED:20251014T174613Z
LAST-MODIFIED:20251015T174110Z
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SUMMARY:Brantley Ellzey: Reflection + Ritual + Refuge
DESCRIPTION:On view through January 25\, 2026Crosstown Arts GalleriesFree and open to the public\nTues-Friday from 11-8pm and Saturday and Sunday from noon-6pm \nIn Reflection + Ritual + Refuge\, artist Brantley Ellzey weaves a world where repetition becomes remembrance\, where reflection fractures into beauty\, and where the quiet\, persistent act of making becomes a form of resistance. \nAcross media and gesture\, Ellzey explores how we survive: by circling back\, by touching what has been lost\, by naming what others ignore. Rolling\, collecting\, documenting\, layering—these are his rituals. Some are personal. Some are political. All are acts of reckoning. \nThe spiral is his recurring form. It turns through the exhibition like a silent logic\, natural\, ancestral\, unstoppable. It is found in architecture\, in emotion\, in protest\, in paper. Each gesture becomes a structure. Each structure becomes a kind of refuge. \nThis is work that blurs the line between the sacred and the ordinary\, between the deeply interior and the publicly defiant. There are no beginnings or endings here\, only movement\, only return. \nReflection + Ritual + Refuge is not a single story\, but a field of them. It invites the viewer to look closer\, to enter slowly\, to see how something small\, repeated\, can become something vast. \nBrantley Ellzey is a Memphis-based artist known for transforming everyday printed materials into sculptural works that explore memory\, place\, and cultural identity. Raised in Osceola\, Arkansas\, and trained at Tulane University in Theater and Architecture\, Ellzey brings a multidisciplinary approach that blends architecture\, design\, and storytelling. His work appears in collections across the country\, including St. Jude Children’s Research Hospital\, Steelcase\, Conde Nast\, and Nicole Kidman’s production headquarters.
URL:https://crosstownarts.org/calendar/brantley-ellzey-reflection-ritual-refuge/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250911T130000
DTEND;TZID=America/Chicago:20250911T150000
DTSTAMP:20260423T223021
CREATED:20250822T212118Z
LAST-MODIFIED:20250822T215355Z
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SUMMARY:Artist Talks: September 11
DESCRIPTION:Thursday\, September 11\n6–8 PM\nThe Galleries at Crosstown Arts\nFree and open to the public\n\n  \nJoin us for a special evening with exhibiting artists Alexandra Rose\, Anthony George\, Tad Lauritzen Wright\, Andres Arauz\, and Abby Meyers as they discuss their current work on view at Crosstown Arts. \nThis is a unique opportunity to hear directly from the artists about their processes\, inspirations\, and the ideas behind their exhibitions. Whether you’re deeply involved in the local art scene or just starting to explore\, you’ll gain meaningful insight into the creative minds shaping contemporary art in Memphis. \nFree and open to all-come connect with the artists and the art.
URL:https://crosstownarts.org/calendar/artist-talks-september-11/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250116T120000
DTEND;TZID=America/Chicago:20250116T140000
DTSTAMP:20260423T223021
CREATED:20241003T015140Z
LAST-MODIFIED:20250109T192429Z
UID:10003801-1737028800-1737036000@crosstownarts.org
SUMMARY:Rescheduled: Artist Talks Featuring Lester Merriweather & Alex Paulus
DESCRIPTION:Artist Talks Rescheduled: New Date & Time \nDear Crosstown Arts Community\, \nWith the possibility of inclement weather this weekend\, we’ve decided to reschedule the Artist Talks originally planned for Saturday\, January 11. Keeping the safety and well-being of our community in mind\, the event will now take place on:\nThursday\, January 16\, 2025\n6–8 PM \nWe can’t wait to welcome you for an evening of creativity\, connection\, and inspiration on the 16th! \n\nJoin us for an inspiring conversation with artists Lester Merriweather and Alex Paulus as they discuss their current exhibitions and creative processes. \nLester Merriweather’s ANA•LOG examines agency over Black visualization within American popular culture through layered\, hand-crafted collages. Inspired by Basquiat-Warhol collaborations\, Dr. Dre’s conceptual album The Planets\, and the experimental processes of Jack Whitten\, Merriweather’s work serves as a “Record of Remembered Angers\,” addressing racial disparities in visual culture. \nAlex Paulus’s Size Matters explores scale and proportion\, contrasting small figures in expansive landscapes with large-scale portraits of significant personal figures from his childhood. His work reflects on human existence\, our place in the universe\, and the peculiarities of life on Earth. \nThis is a unique opportunity to engage with two distinct artistic perspectives. \nFree and open to the public. We hope to see you there. \nWhen:\nSaturday\, January 11\, 2025 Rescheduled for Thursday\, January 16\nTime:\n6:00 PM – 8:00 PM\nWhere:\nThe Galleries at Crosstown Arts\n1350 Concourse Ave\, Suite 280\, Memphis\, TN 38104
URL:https://crosstownarts.org/calendar/artist-talks-featuring-crosstown-arts-residents/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery,Residency
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180320T130000
DTEND;TZID=America/Chicago:20180320T150000
DTSTAMP:20260423T223021
CREATED:20180316T145815Z
LAST-MODIFIED:20180316T145815Z
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SUMMARY:Resident Artist Talks
DESCRIPTION:Crosstown Arts resident artists Michael “Birdcap” Roy and Eso Tolson will discuss their work. \nAbout the artists:\nMichael Roy is an Memphis College of Art graduate\, a muralist\, and an illustrator from Moss Point\, Mississippi. He has painted murals in multiple countries including The United States\, Japan\, South Korea\, Vietnam\, Cambodia\, Thailand\, and Germany. His style is inspired by the legends and mythologies  of the parts of the world he has traveled in. His illustrations can be found monthly in Busan HAPS and Groove Korea. \nEso Tolson is a freelance creative director/designer who moved to Memphis from East St. Louis to attend Memphis College of Art. He specializes in brand identity design and developing creative content. His passions include music\, typography\, pop culture\, and inner city life. Eso’s hand lettering has in been featured in local Memphis galleries\, blogs such as Choose901.com\, and on the official downtown Memphis street banners.
URL:https://crosstownarts.org/calendar/resident-artist-talks/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Residency
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180301T060000
DTEND;TZID=America/Chicago:20180301T070000
DTSTAMP:20260423T223021
CREATED:20180215T171141Z
LAST-MODIFIED:20180219T224103Z
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SUMMARY:Artist Talks: Terri Phillips & Emily C. Thomas
DESCRIPTION:Crosstown Arts resident artists Terri Phillips and Emily C. Thomas will discuss their work currently on view in “Don’t Look for My Heart” (West Gallery) and “Imprismed” (East Gallery)\, respectively. Terri’s exhibition is on view through March 11. Emily’s exhibition will remain on view through March 8. \n\nAbout Terri Phillips:\nPhillips draws from a multiplicity of artistic traditions\, including sculpture\, performance\, film\, installation\, sound\, and photography. Her work incorporates humble materials and everyday objects to create scenes of magic realism based on an abstracted narrative of the artist’s history. Phillips choses materials based on their tactile and sensual qualities to provoke intuitive responses that include the viewer in completing the process of the narrative. Together these elements transform the experience with the intimacy of memory and the subconscious. She returns to Memphis after completing her education at California Institute of the Arts\, Beaux-Arts\, and Pepperdine University and has exhibited and curated internationally. \nAbout Emily C. Thomas:\nBorn and raised in Memphis\, Tennessee\, Emily C. Thomas is an interdisciplinary\, project-based artist who has lived and worked in New York\, Los Angeles\, Santa Barbara\, Memphis\, and Amsterdam\, The Netherlands. She received a BFA from NYU in 2009 and a MFA from UC Santa Barbara in 2015. \nThomas’ practice is a holistic response to the fragmentation of consciousness\, resulting from institutionalized segregation of knowledge and the classification of individuals into cultural\, social\, gender\, and human vs. nonhuman roles. Acting as a medium\, she conjures visions of trans-rational and transpersonal realms that dissolve divisions within consciousness. \nShe materializes these visionary states through installation\, animation\, film\, sculpture\, painting\, and sound to fabricate self-reflecting worlds of initiatory experience. As cognizant of the digital as she is of the archaic (a time when the disciplines of philosophy\, science\, religion\, magic\, and art were one unified field of exploration)\, her work often juxtaposes the concepts of Enlightenment within Eastern and New Age spiritual practices and The Scientific Revolution’s Age of Enlightenment that developed within 18th-century Europe. \nHer imagery frequently alludes to the practice of observing color\, light\, and darkness as a way to gain insight into the spiritual and scientific nature of reality. Her work is created by equal parts research\, imagination\, and hands-on experimentation with materials and technology. The result is an aesthetic that embraces elements of the handmade alongside digital and obsolete technologies.
URL:https://crosstownarts.org/calendar/artist-talks-terri-phillips-emily-c-thomas/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180228T120000
DTEND;TZID=America/Chicago:20180228T130000
DTSTAMP:20260423T223021
CREATED:20180208T210102Z
LAST-MODIFIED:20180208T210102Z
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SUMMARY:Artist Talk: Elizabeth Alley
DESCRIPTION:Elizabeth Alley discusses her work in “Two Stories of Iceland\,” a narrative exploration of Icelandic stories and landscape in small paintings and drawings. \nOn view: January 26-March 11 \n\nArtist Statement:\nIceland is dramatic and magical\, with mountains\, lava fields\, the original geyser\, visible tectonic plates\, and rivers that dramatically cut through the landscape and produce giant waterfalls that look like they drop into the abyss. Just looking at the rocks covered with moss\, or the lupin flowers creating an intricate pattern\, or the steam venting out of hot springs in the distance makes you feel like you are in a magical story. The people are lovely with a dry and dark sense of humor and a deep belief in spirits\, which is fitting for a place where the landscape feels like a presence. \nTwo Stories of Iceland is a narrative exploration of stories of Iceland in small paintings and drawings. In one series\, a true story about a young woman who disappeared\, plays out in small ink drawings that tell the story of the ensuing search\, investigation\, and the impact this event had on the community. Another series is of a trip I took to Iceland in 2015 with my best friend\, who is Icelandic\, and our families. As I tell the story of the trip in small paintings and drawings\, I re-live the trip obsessively. \nTelling these stories through sketching and painting keeps me connected to the experience and to this place that now lives in my heart. \n\nAbout the Artist:\nElizabeth Alley was born in Memphis\, Tennessee\, and has a Bachelor of Fine Arts in painting from the University of Memphis. In addition to making paintings and filling up sketchbooks\, she teaches at Flicker Street Studio and organizes Memphis Urban Sketchers. Since 1999\, she has organized\, curated\, produced\, and participated in 32 solo and group shows. \nShe spent over 11 years in public art administration\, two years in the roller derby\, served as president of Urban Sketchers\, and by day works as a technical communicator with a flair for project management. Other interests include reading\, traveling\, making lists\, and staring out the window.
URL:https://crosstownarts.org/calendar/artist-talk-elizabeth-alley/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180217T123000
DTEND;TZID=America/Chicago:20180217T160000
DTSTAMP:20260423T223021
CREATED:20180131T181702Z
LAST-MODIFIED:20180208T164508Z
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SUMMARY:SOLD OUT - The Music of Ella Fitzgerald
DESCRIPTION:THIS EVENT HAS SOLD OUT. Please check back soon for info on the March Crosstown Jazz Series performance. \nTickets – $15 (purchase on Eventbrite) \nJazz tribute to the music of Ella Fitzgerald featuring Jiana Hunter (vocals)\, Alvie Givhan (piano)\, Sylvester Sample (acoustic bass)\, Kelvin Walters (alto saxophone)\, and James Sexton (drums). \nThe Crosstown Jazz Series\, presented by Strictly Jazz Entertainment in collaboration with Crosstown Arts\, is designed to salute classic jazz music as contemporary musicians perform the work of the legends. \nDubbed “The First Lady of Song\,” Ella Fitzgerald was the most popular female jazz singer in the United States for more than half a century. In her lifetime\, she won 13 Grammy awards and sold over 40 million albums. Her voice was flexible\, wide-ranging\, accurate and ageless. She could sing sultry ballads\, sweet jazz and imitate every instrument in an orchestra. \nDoors at 6:30 pm | performance at 7 pm \n\n \nAbout Jiana Hunter:\nJiana Hunter received her Bachelor of Music Education degree from Kentucky State University and a Master of Music degree in Jazz Studies Performance (Voice) from Western Michigan University. Having journeyed from Motown to the Memphis by way of Cincinnati\, Ohio\, Jiana has been a music educator and presenter for Music Educator Association Conferences in Ohio\, Michigan and Tennessee. Special topics include: artistry\, genre authenticity\, vocal health and state presence. \nJiana served as the Vocal Division Head of Visible Music College\, Professor of Vocal Jazz at\nOakland University\, Jazz Voice instructor for Arts League of Michigan and master class\npresenter at Middle Tennessee State University hosted by Dr. Cedric Dent. (Take 6) Jiana has also taught choral and/or vocal jazz for the dynamic\, community and student-centered program of Stax Music Academy\, Shelby County Schools and St. Georges Independent Schools. \nActive in the music community\, Jiana can be found singing lead and backing vocalist in the\ngenres of Pop\, Soul\, Jazz\, Gospel/Praise and Worship and Gospel Jazz. Locally\, Jiana has\nperformed alongside of Steve Lee\, Prime Cut Band and Bamboo Forest in addition to various sponsored events by Memphis Music Commission\, Dizzy Bird Jazz Lounge and national corporations. \nJiana has performed with notable musical imprints such as Darmon Meader\, Billy Hart\, Bobby McFerrin\, Pastor Marvin L. Winans (Perfecting Church)\, Michael F. Mack\, Dorinda Clark Cole\, Jonathan Dunn\, Tamela Mann\, Donnie McClurkin\, Donald Lawrence\, Phil Perry\, Maysa\, Anthony Hamilton\, Eric Roberson and KEM. \nMs. Hunter is an active songwriter and arranger. Her arrangements have been performed and/or recorded with students from Gold Company (WMU)\, The School for Creative and Performing Arts\, (Cinti\, Ohio) Marvin L. Winans Academy of Performing Arts (Detroit\, Mi) and Stax Music Academy. \nJiana released her first Gospel Jazz single “True Love” (on a digital media outlets) from her\nupcoming debut album “For You.” \n\nAbout Strictly Jazz Entertainment:\nStrictly Jazz Entertainment is committed to cultivating a growing community in the knowledge and appreciation of jazz. We facilitate dialogue and collaboration between the devoted supporters of jazz and the brand new constituents – those new to the genre – for the furthering of the jazz community. We provide a bridge between leading artists and a community that typically does not embrace jazz by promoting concerts in various venues to generate an atmosphere that is viable for the absorption of pure jazz.
URL:https://crosstownarts.org/calendar/the-music-of-ella-fitzgerald/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180127T123000
DTEND;TZID=America/Chicago:20180127T150000
DTSTAMP:20260423T223021
CREATED:20171219T205658Z
LAST-MODIFIED:20180123T192820Z
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SUMMARY:The Music of Art Blakey & The Jazz Messengers: The Early Years
DESCRIPTION:THIS EVENT IS SOLD OUT. Please check back soon for details on the next Crosstown Jazz Series performance \n\nJazz performance featuring Stephen Lee (piano)\, Sal Crocker (tenor saxophone)\, Johnny Yancey (trumpet)\, John Birdsong (acoustic bass)\, and Renardo Ward (drums). \nThe Crosstown Jazz Series\, presented by Strictly Jazz Entertainment in collaboration with Crosstown Arts\, is designed to salute classic jazz music as contemporary musicians perform the work of the legends. \nThe Jazz Messengers were an influential jazz combo that existed for over thirty-five years beginning in the early 1950s as a collective\, and ending when long-time leader and founding drummer Art Blakey died in 1990. Blakey led or co-led the group from the outset.  “Art Blakey” and “Jazz Messengers” became synonymous over the years\, though Blakey did lead non-Messenger recording sessions and played as a sideman for other groups throughout his career. \nDoors at 6:30 pm | performance at 7 pm\nComplimentary beverages
URL:https://crosstownarts.org/calendar/the-music-of-art-blakey-the-jazz-messengers-the-early-years/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20171110T123000
DTEND;TZID=America/Chicago:20171110T150000
DTSTAMP:20260423T223021
CREATED:20171023T190923Z
LAST-MODIFIED:20171024T214115Z
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SUMMARY:The Music of Phineas Newborn and Calvin Newborn: Memphis Legends
DESCRIPTION:Tickets – $15 (purchase on Eventbrite)\nDoors at 6:30 pm | performance at 7 pm \nJazz performance celebrating the music of Phineas and Calvin Newborn\, featuring Gerard Harris (guitar)\, Alvie Givhan (piano)\, Sylvester Sample (acoustic bass)\, and Renardo Ward (drums). \nThe Crosstown Jazz Series\, presented by Strictly Jazz Entertainment in collaboration with Crosstown Arts\, is designed to salute classic jazz music as contemporary musicians perform the work of the legends. \n\nAbout Phineas Newborn:\nPhineas Newborn’s life story is as dizzying as his unique style of piano playing. He was born in Whiteville\, Tennessee\, 60 miles east of Memphis\, on December 14\, 1931\, but he was raised from infancy in Memphis among a musical family that included his equally talented brother\, jazz guitarist Calvin Newborn. By his early teenage years at Booker T. Washington High School\, he was not only adept at the piano\, but several reed and brass instruments as well. \nFrom the mid-1940s through the early 1950s\, Newborn performed with his father\, Calvin\, Tuff Green\, Ben Branch\, and Willie Mitchell at the famed Plantation Inn in West Memphis\, Arkansas\, where dozens of musicians got their start. During that stint as the club’s house band\, the three Newborns also played on B.B. King’s first album\, recorded in 1949\, and followed that as session players at Sam Phillips’ Sun Records. Shortly afterwards\, Phineas enrolled as a music major at the Tennessee Agricultural and Industrial State University in Nashville. While there\, he worked tirelessly on his classical repertoire and technique\, developing a particular affinity for Franz Liszt\, whose double and triple octave approach to linear melodies became characteristic of Newborn’s signature improvisations. \nThe 1950s proved to be the most productive and acclaimed years of Newborn’s life and career. He moved back to Memphis and continued studying at LeMoyne-Owen College\, spent time performing with Lionel Hampton’s band\, and then\, at the urging of Count Basie\, moved to the East Coast to be represented by the venerable Willard Alexander agency. His style was bold and percussive while also being spare and feathery. He could wow an audience playing at length with just his left hand; he could rip through speedy renditions like a bebop bomb exploding with both hands. \nHe recorded albums that drew both critical praise and stirring controversy. He was thought by many to be the only other jazz pianist in the world in the same virtuoso league as icons Art Tatum and Oscar Peterson. In 1957 he recorded “My Lady Sleeps” with a symphony orchestra for RCA Victor. It was reported in the liner notes that the orchestra cheered his playing at the end of each take. The following year he recorded with Charles Mingus and their version of “Nostalgia in Times Square” was featured in the early John Cassavetes film Shadows. That same year he toured Europe with a group of musicians in a production titled “Jazz From Carnegie Hall\,” and such was his popularity that he also performed solo concerts in Stockholm and Rome. \n\nAbout Calvin Newborn:\nCalvin Newborn is the brother of pianist Phineas Newborn Jr. (1931–89)\, with whom he recorded between 1953 and 1958. They also formed an R&B band\, with their father Phineas Newborn Sr. on drums and Tuff Green on bass. \nThe group was the house band at the Plantation Inn Club in West Memphis\, Arkansas\, from 1947 until 1951. The group recorded as B. B. King’s band on his first recordings in 1949\, and also the Sun Records sessions in 1950. \nNewborn gave guitars lessons to Howlin’ Wolf and was friends with Elvis Presley\, who frequented his gig at the Plantation Inn Club two nights a week. Presley also used to eat at the Newborns’ house and browse their music store for gospel records. \nThe group left West Memphis in 1951 to tour with Jackie Brenston as the “Delta Cats” in support of the record “Rocket 88”. It was considered by many to be the first rock and roll record ever recorded\, and was the first Billboard number one record for Chess Records.[3] \nFollowing this\, he played with Earl Hines starting in 1959. In the early 1960s\, he toured with Lionel Hampton\, Jimmy Forrest\, Wild Bill Davis\, Al Grey\, and Freddie Roach\, along with fellow Memphis jazz luminaries including Booker Little\, George Coleman. Frank Strozier\, and Louis Smith. Newborn also worked with Ray Charles\, Count Basie\, Hank Crawford\, David “Fathead” Newman. Since the 1970s Newborn has remained mostly in Memphis\, Tennessee\, where he played regularly in local clubs well into the 1990s. His 1980 album Centerpiece hit No. 35 on the U.S. Billboard jazz albums chart\, but much of his earlier material was not reissued on CD until 2005. He currently lives in Jacksonville\, FL and continues to perform throughout Northeast Florida. \n\nAbout Strictly Jazz Entertainment:\nStrictly Jazz Entertainment is committed to cultivating a growing community in the knowledge and appreciation of jazz. We facilitate dialogue and collaboration between the devoted supporters of jazz and the brand new constituents – those new to the genre – for the furthering of the jazz community. We provide a bridge between leading artists and a community that typically does not embrace jazz by promoting concerts in various venues to generate an atmosphere that is viable for the absorption of pure jazz.
URL:https://crosstownarts.org/calendar/the-music-of-phineas-newborn-and-calvin-newborn-memphis-legends/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20171021T140000
DTEND;TZID=America/Chicago:20171021T160000
DTSTAMP:20260423T223021
CREATED:20170928T175516Z
LAST-MODIFIED:20171017T150729Z
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SUMMARY:The Music of Sarah Vaughan: Sassy's Return
DESCRIPTION:Tickets – $15 (purchase on Eventbrite)\nDoors at 6:30 pm | performance at 7 pm \nJazz performance featuring Jamille Hunter (vocals)\, Keenan Shotwell (piano)\, Vince Oglesby (bass)\, Isaac Daniels (saxophone)\, and Chris Pat (drums) performing the works of jazz legend Sarah Vaughan. \nThe Crosstown Jazz Series\, presented by Strictly Jazz Entertainment in collaboration with Crosstown Arts\, is designed to salute classic jazz music as contemporary musicians perform the work of the legends. \n \n\nAbout Jamille Hunter:\nJamille JAM Hunter and Mood Swing is a Memphis-based jazz band led by Jamille Hunter and Keenan Shotwell. Jam is a dynamic vocalist who is making her mark on the jazz scene with her mesmerizing vocals and contemporary approach to classic and modern jazz. The group was formed in 2010 and recently released their third music project on June 17\, 2017 titled “Sassy’s Return — The SV Project.”  \n“Sassy’s Return” is already in rotation on several radio stations. The two previous releases contained original music written by Jamille JAM Hunter. Mood Swing has performed at the River Arts Fest\, On Location: International Film and Music Festival\, The Black Arts Fest\, and the Memphis International Jazz Festival\, in addition to numerous clubs and other venues.   \n\nAbout Strictly Jazz Entertainment:\nStrictly Jazz Entertainment is committed to cultivating a growing community in the knowledge and appreciation of jazz. We facilitate dialogue and collaboration between the devoted supporters of jazz and the brand new constituents – those new to the genre – for the furthering of the jazz community. We provide a bridge between leading artists and a community that typically does not embrace jazz by promoting concerts in various venues to generate an atmosphere that is viable for the absorption of pure jazz.
URL:https://crosstownarts.org/calendar/the-music-of-sarah-vaughn-sassys-return/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20170916T140000
DTEND;TZID=America/Chicago:20170916T160000
DTSTAMP:20260423T223021
CREATED:20170810T204912Z
LAST-MODIFIED:20170912T193802Z
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SUMMARY:SOLD OUT - The Music of Julian Edwin "Cannonball" Adderley
DESCRIPTION:THIS EVENT HAS SOLD OUT.\nTicket sales have closed\, as we have limited seating capacity. \n\nTickets – $10 (purchase on Eventbrite)\nCash bar\nDoors at 6:30 p.m. | show at 7 p.m. \n\nJazz performance featuring Dr. Bill Hurd (alto and soprano sax)\, Sylvester Sample (acoustic bass)\, Alvie Givhan (piano)\, Gerard Harris (guitar)\, and Renardo Ward (drums). \nThe Crosstown Jazz Series\, presented by Strictly Jazz Entertainment in collaboration with Crosstown Arts\, is designed to salute classic jazz music as contemporary musicians perform the work of the legends. \n\nAbout Dr. Bill Hurd:\nOphthalmologist Dr. Bill Hurd’s music career dates back to his college days\, when he won the saxophone award in the 1967 Notre Dame Collegiate Jazz Festival. Since then\, he has recorded with Kirk Whalum on his album\, Into My Soul; performed as the opening act for Najee\, Joe Sample\, and David Sanborn; performed alongside Mulgrew Miller\, Norman Conners\, and Bobby Lyle; and recorded with Charles Curl on three albums. \nHurd has operated a private ophthalmology private practice for more than 30 years. He’s traveled on a dozen international medical/surgical mission trips to Africa and Madagascar. He holds two U.S. and foreign patents for medical devices. \nHurd graduated from Manassas High School in Memphis in 1965 and went on to the University of Notre Dame\, where he earned a B.S. in electrical engineering. He earned his MBA in IT at M.I.T. in Cambridge\, Massachusetts and received an M.D. degree at Meharry Medical College. \nHurd also boasted an impressive athletic career in his youth. He broke a national high school 100-yard-dash record with time of 9.3 sec. in 1965. He was a 1968 Olympic Trials finalist in the 100 meter and 200 meter races\, and he received a 1994 NCAA Silver Anniversary Award along with Kareem Abdul Jabaar\, Calvin Hill\, Jim Ryun\, Lee Evans and Leroy Keys. \n\n\nAbout Strictly Jazz Entertainment:\nStrictly Jazz Entertainment is committed to cultivating a growing community in the knowledge and appreciation of jazz. We facilitate dialogue and collaboration between the devoted supporters of jazz and the brand new constituents – those new to the genre – for the furthering of the jazz community. We provide a bridge between leading artists and a community that typically does not embrace jazz by promoting concerts in various venues to generate an atmosphere that is viable for the absorption of pure jazz.
URL:https://crosstownarts.org/calendar/the-music-of-julian-edwin-cannonball-adderley/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20170708T140000
DTEND;TZID=America/Chicago:20170708T160000
DTSTAMP:20260423T223021
CREATED:20170516T153251Z
LAST-MODIFIED:20170628T184851Z
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SUMMARY:SOLD OUT Thelonious Monk: The Music of Monk
DESCRIPTION:Ticket sales for this event have closed\, as we have reached seating capacity. The next event in this series will be announced soon. \n***** \nTickets – $10 (purchase tickets on Eventbrite)\nCash bar\nDoors at 6:30 p.m. | show at 7 p.m. \n\nJazz performance featuring Stephen Lee (piano)\, Johnny Yancey (Trumpet)\, Sylvester Sample (Acoustic Bass) and Nygel Yancey (Drums) celebrating the legacy of Thelonious Monk. \nThe Crosstown Jazz Series\, presented by Strictly Jazz Entertainment in collaboration with Crosstown Arts\, is designed to salute classic jazz music as contemporary musicians perform the work of the legends. \n\nAbout Stephen Lee:\nJazz pianist Stephen Lee cut his teeth playing at Smalls Jazz Club in New York City’s Greenwich Village in the late 90s\, but he’s been playing piano and organ since the age of eight. His passion for jazz was born in college\, when he attended the University of Tennessee in Knoxville. \nStephen spent time as a touring musician with the Carnival Cruise Line and even did stints in Paris and Switzerland with the Legendary Paris Gospel Extravaganza and Jazz Life with the Janis Carter Quartet. His journey eventually took him to New York City\, where he worked as musical director of Manhattan’s Crenshaw Christian Center under Dr. Frederick Price. \nTough economic times eventually led Lee back to his hometown of Memphis. Stephen says being back in Memphis has turned out to be the best thing for his career. He’s finished his first album\, Songs in the Key of My Life\, and he plays regular gigs at the Westin Hotel downtown. \n\nAbout Strictly Jazz Entertainment:\nStrictly Jazz Entertainment is committed to cultivating a growing community in the knowledge and appreciation of jazz. We facilitate dialogue and collaboration between the devoted supporters of jazz and the brand new constituents – those new to the genre – for the furthering of the jazz community. We provide a bridge between leading artists and a community that typically does not embrace jazz by promoting concerts in various venues to generate an atmosphere that is viable for the absorption of pure jazz.
URL:https://crosstownarts.org/calendar/thelonious-monk-the-music-of-monk/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20170630T143000
DTEND;TZID=America/Chicago:20170630T170000
DTSTAMP:20260423T223021
CREATED:20170515T191507Z
LAST-MODIFIED:20170630T141223Z
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SUMMARY:SOLD OUT -- An Evening with Wu Fei
DESCRIPTION:Ticket sales for this event have closed\, as we have reached seating capacity.  \n****** \nPresented by Sonosphere in collaboration with Crosstown Arts \nAn interactive performance with Wu Fei\, a genre-bending composer\, guzheng virtuoso\, and vocalist from Nashville — by way of Beijing. Wu Fei blends her Western and Chinese traditional sensibilities with a contemporary\, idiosyncratic\, experimental dialect as she performs original compositions on the guzheng\, an ancient 21-string Chinese zither. \nTickets: $15 (purchase on Eventbrite)\nCash bar\nDoors at 7:30 p.m. | Performance at 8 p.m. \n\nAbout Wu Fei:\nWu Fei\, a native of Beijing and a current Nashville resident\, is a master of the guzheng\, the ancient 21-string Chinese zither. She was trained as a Western classical composer\, a vocalist\, and plays beautifully in the guzheng’s vernacular — a musical language which is at least 2\,000 years old. She mixes her Western and Chinese traditional sensibilities with a contemporary\, idiosyncratic\, experimental dialect nurtured by years spent at Mills College and immersed in the New York downtown improvisation scene which revolved around venues like The Stone\, where Fei has frequently performed and curated. \nWu Fei composes for choir\, string quartet\, chamber ensemble\, Balinese gamelan\, and orchestra; her commissions range from a composition for Percussions Claviers de Lyon that premiered in the Forbidden City Concert Hall in Beijing to live performances in Paris and Tokyo for luxury brand Hermès. \nIn addition to her own original compositions\, Fei has collaborated with many artists of different disciplines and genres ranging\, from Béla Fleck to avant garde composer John Zorn. She has taken her guzheng and music around the world and touring highlights include composition premiere at the Forbidden City Concert Hall in Beijing\, the MoMA in New York City\, North Sea Jazz Festival in the Netherlands\, Vossa Jazz Festival in Norway\, Europalia in Belgium\, and the Big Ears Festival in Knoxville. Wu Fei was recently commissioned by Intersection Ensemble in Nashville to create new classical work for guzheng\, voice\, and western chamber ensemble which she titled If I Was A Batman Queen. \n\nAbout the guzheng:\nWu Fei’s instrument\, the guzheng\, is more than 2\,000 years old. It became prominent during the Qin Dynasty (221 to 206 BCE)\, and by the Tang Dynasty (618 CE to 907 CE)\, the guzheng was arguably the most commonly played instrument in China. \nThe guzheng has 21 strings\, which were once made from silk but now they are almost always metal nylon which increase the instrument’s volume and timbre. There are many techniques used in the playing of the guzheng\, including basic plucking actions (right or both hands) at the right portion and pressing actions at the left portion (by the left hand to produce pitch ornamentations and vibrato) as well as tremolo (right hand). These techniques of playing the guzheng can create sounds that can evoke the sense of a cascading waterfall\, thunder\, horses’ hooves\, and even the scenic countryside. \n\nAbout Sonosphere:\nSonosphere is a Memphis-based podcast aimed at exploring sound in music and art movements through history and today. \n 
URL:https://crosstownarts.org/calendar/an-evening-with-wu-fei/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20170610T130000
DTEND;TZID=America/Chicago:20170610T160000
DTSTAMP:20260423T223021
CREATED:20170516T153613Z
LAST-MODIFIED:20170609T115200Z
UID:10003066-1497099600-1497110400@crosstownarts.org
SUMMARY:SOLD OUT The Music of Miles Davis: From Bebop to Hip Hop
DESCRIPTION:Ticket sales for this event have closed\, as we have reached seating capacity. The next event in this series (The Music of Monk) is Saturday\, July 8\, and tickets can be reserved here. \n***** \nJazz performance featuring Paul McKinney and the Knights of Jazz\, celebrating the legacy of Miles Davis. \nThe Knights of Jazz features Paul McKinney (trumpet/flugel horn)\, Keenan Shotwell (piano)\, Vincent Oglesby (bass)\, Kelvin Walters (alto/soprano saxophone)\, and Renaldo Ward (drums). \n\nThe Crosstown Jazz Series\, presented by Strictly Jazz Entertainment in collaboration with Crosstown Arts\, is designed to salute classic jazz music as contemporary musicians perform the work of the legends.\n\n\n  \nTickets – $10 (purchase on Eventbrite)\nCash bar\nDoors at 6 p.m. | show at 7 p.m. \n\nAbout the Knights of Jazz:\nThe Knights of Jazz balance entertainment with value and education\, as they pay homage to historical jazz musicians\, such as Louis Armstrong\, Louis Jordan\, Herbie Hancock\, Freddie Hubbard\, Grover Washington Jr.\, Kirk Whalum\, Roy Hargrove\, and Robert Glasper. The Knights of Jazz believe music should evoke emotion; it should be pleasurable\, even spiritual. Blues legend Bobby Bland once said\, “People don’t want to hear all of those notes; they want to feel something.” \n\nAbout Strictly Jazz Entertainment:\nStrictly Jazz Entertainment is committed to cultivating a growing community in the knowledge and appreciation of jazz. We facilitate dialogue and collaboration between the devoted supporters of jazz and the brand new constituents – those new to the genre – for the furthering of the jazz community. We provide a bridge between leading artists and a community that typically does not embrace jazz by promoting concerts in various venues to generate an atmosphere that is viable for the absorption of pure jazz.
URL:https://crosstownarts.org/calendar/the-music-of-miles-davis-from-bebop-to-hip-hop/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Programs
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20170225T040000
DTEND;TZID=America/Chicago:20170225T080000
DTSTAMP:20260423T223021
CREATED:20170208T213515Z
LAST-MODIFIED:20170221T200524Z
UID:10002635-1487995200-1488009600@crosstownarts.org
SUMMARY:Yoga with Cats
DESCRIPTION:The We Need to Talk exhibition — an open call show of break-up art and artifacts — may have you feeling a little broken-hearted. But those old relationships were in the past. That was zen. This is meow. \nOn the final day of the exhibition\, we invite you to take a moment to “paws” and reflect and heal your broken heart in this Yoga with Cats event hosted by Memphis Animals Services (MAS)\, Crosstown Arts\, and Co-Motion Studio. \nMAS will have approximately 10 adoptable cats at the Crosstown Arts gallery from 10 a.m. to 2 p.m. Adriene Holland\, co-owner of Co-Motion Studio\, will teach two yoga classes — one at 11 a.m. and another at noon — during which cats will be free-roaming and interacting with the yogis. \nPeople can participate by either attending a class at 11 a.m. or noon\, or by visiting between 10 to 11 a.m. or 1 to 2 p.m. to play with (and hopefully adopt) kitties. To attend a class\, sign up here. The 11 a.m. class is now full. \nThe class is free to attend to those who plan to adopt a cat. Participants who aren’t able to adopt a cat are asked to make a pay-what- you-can donation. Participants are asked to bring their own yoga mats\, as Crosstown Arts will not have any extra mats to loan. \nAll cat adoptions at the Yoga with Cats event will be $35 cash-only (nearly half off the regular adoption fee) and will include spay/neuter\, microchip\, vaccinations\, FIV/FeLV test\, customized ID tag (to be picked up at the shelter)\, and a collar. \nSign up for a yoga class
URL:https://crosstownarts.org/calendar/yoga-with-cats/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20170223T080000
DTEND;TZID=America/Chicago:20170223T170000
DTSTAMP:20260423T223021
CREATED:20170223T164909Z
LAST-MODIFIED:20170223T165045Z
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SUMMARY:Memphis 3.0 Application Workshop
DESCRIPTION:Interested in applying for the UrbanArt Commission Memphis 3.0 Call for Artists? Started your application but have questions? Or do you just do your best work with good company? \nIf so\, join us at Crosstown Arts on Thursday\, February 23rd from 6-8 p.m. for our second of two Memphis 3.0 Artist Application Q + A / Workshops. All are welcome to join! \nBring your application and/or computer with you for an opportunity to workshop your application. We’ll have resources available to help you with the following: \n*Memphis 3.0 & Comprehensive Planning\, in general\n*Example projects from Minneapolis’ comprehensive plan\n*Writing about your artwork / work samples\n*General writing / proofreading / revising help\n*Technological assistance for the application process \nWe’ll start the workshop with a whole-group Question + Answer session\, then break down into smaller tables with resources available to match your needs. \nThere’ll be brain food on hand\, too\, including coffee + snacks. \nHope to see you there! \nTo start your application or to submit any questions\, email submissions@urbanartcommission.org. \nDownload a complete copy of the call at: urbanartcommission.org/open-projects/\nFacebook invite \n*As a reminder\, all applicants must have attended one of the Memphis 3.0 Information Sessions held on January 24th + 25th. If you did not make either session\, email us to schedule a make-up by February 16th!
URL:https://crosstownarts.org/calendar/memphis-3-0-application-workshop/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Programs
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20170210T040000
DTEND;TZID=America/Chicago:20170225T120000
DTSTAMP:20260423T223021
CREATED:20161216T174812Z
LAST-MODIFIED:20170222T222427Z
UID:10002899-1486699200-1488024000@crosstownarts.org
SUMMARY:We Need to Talk
DESCRIPTION:An open call exhibition of break-up art and artifacts submitted by more than 40 local artists. \nExhibition Opening Reception: Friday\, February 10\, 5-8 p.m.\nExhibition on View: February 10-February 25 \n\nSometimes\, love ends. Romantic relationships\, familial relationships\, relationships with places\, our former selves\, or even really\, really great pieces of pizza — they all have to end. These relationships tend to be hard to let go of. Whether the break-up was genial\, terrible\, or downright awful\, most people have an object\, memento\, or souvenir of each broken relationship that they just can’t throw away. These mundane objects are transformed into totems of memory\, becoming the holy tangibles of a relationship ceased. This exhibition focuses on those objects and their stories and aims to offer one final bit of catharsis. Or at least a final chance to say … “Boy\, Bye!!!”  \nThe idea for this exhibition is drawn from the Museum of Broken Relationships\, which has two locations in Los Angeles and Zagreb\, Croatia. The museum website states: “The original concepts of an artist ex-couple in the midst of their own breakup\, whom wondered what people did with objects that had been meaningful in their relationships. In 2006\, they had their first exhibition and the Museum has since toured internationally\, amassing an amazing collection. They opened their permanent museum in Zagreb\, Croatia in 2010\, and a follow-up museum has also sprung up in Los Angeles\, California.” \nCrosstown Arts has organized this exhibition to coincide with The Break Up Show 6\, taking place at The New Daisy Theater on Saturday\, February 11th. During the opening reception of “We Need To Talk” on Friday\, February 10th\, The Break-Up Show cast will be performing a free and open-to-the-public dress rehearsal of The Break Up Show 6 next door at 430 N. Cleveland. \nSome work may be listed for sale. Crosstown Arts does not take a commission. \n\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n		\n\n\nParticipating Artists: \nNanette Freeman\nBeth Edwards\nErica Qualy\nEthel Floon\nHannah Chipman\nRichard Fudge\nCarrie Schule\nMarilyn League\nBryan Martin\nKatie Lothrop\nBritynn Davis\nChristine Shapiro\nDemar Jones\nTerri Weaver\nJamond Bullock\nJonathan May\nTemple Faux Daniels\nRobin Jayne Henderson\nEthan Taylor\nRaquela Adams\nAndri Alexandrou\nBria Johnson\nCaolinn Golden\nO. Gustavo Plascencia\nChristy\nJudith Dierkes\nSpencer Durden\nJeremiah Matthews\nMelinda Posey\nBrent Gaia\nDarren Floyd\nMatt Christy\nDanielle Sumler\nMargaret Henderson\nSarah Dorou\nChelle Ellis\nAmber George\nNathan Parten\nJana Wilson\nBianca Phillips
URL:https://crosstownarts.org/calendar/we-need-to-talk/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20170113T040000
DTEND;TZID=America/Chicago:20170113T140000
DTSTAMP:20260423T223021
CREATED:20170104T171932Z
LAST-MODIFIED:20170109T201334Z
UID:10002911-1484280000-1484316000@crosstownarts.org
SUMMARY:Mellotron Record Release & Pick-up
DESCRIPTION:Duets for Mellotron — a blue vinyl gatefold LP package of a live performance by Jonathan Kirkscey and Robby Grant\, organized in collaboration with Winston Eggleston — will be available for pre-order pick-up on January 13\, 14\, 17 and 18. A limited number of copies will also be available to the general public for $20 each. \nTimes for pick-up:\nFriday 1/13: 10 a.m. – 8 p.m.\n(On Friday\, from 6-8 p.m.\, there will be screenings of Winston Eggleston’s “Liquid Light Show” and Crosstown Arts’ Mellotron video. Jonathan and Robby will be on hand for a meet-and-greet\, and cocktails will be available).\nSaturday 1/14: 10 a.m. – 6 p.m.\n Sunday 1/15: CLOSED\n Monday 1/16: CLOSED\n Tuesday 1/17: 10 a.m. – 6 p.m.\n Wednesday 1/18: 10 a.m.- 6 p.m. \nThe album was originally performed during the “Duets for Mellotron” event at Crosstown Arts on April 16-17\, 2016. \nFacebook event for pre-order pick-up \n\nThis unique performance — the world’s first Mellotron duet — features an obscure but ingenious keyboard instrument invented in the 1940s which was designed to reproduce the sound of virtually any acoustic\, electromechanical\, or synthesized instrument. \nThe Mellotron is essentially a giant cassette tape player\, operated manually by pressing keys on a keyboard. When a key is struck\, a prerecorded sound is played/heard\, conceptually making the Mellotron an analog forerunner to digital sampling. \nThe M400 and a new M4000 cycling Mellotron\, from Winston Eggleston’s small but diverse Mellotron collection\, will be played at the performance. Eggleston will also share a series of new site-specific digital projections to complement the music. \n 
URL:https://crosstownarts.org/calendar/mellotron-record-pick-up/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20161215T133000
DTEND;TZID=America/Chicago:20161215T150000
DTSTAMP:20260423T223021
CREATED:20161028T150804Z
LAST-MODIFIED:20170222T222824Z
UID:10002874-1481808600-1481814000@crosstownarts.org
SUMMARY:Crown\, Teeth & Tears
DESCRIPTION:A unique experience of experimental chamber music curated by Terri Phillips featuring the Blueshift Ensemble. \nDoors open at 7:30 p.m./performance begins at 8 p.m. Approximate performance time: 45 minutes \nTickets are $10. Holiday cocktail included in the price of admission. Click here to purchase. \n\nLimited number of chair seating available; standing room also available \n\n   \n\n\nAbout Terri Phillips\nTerri Phillips is an artist and writer from Alabama\, currently living in Memphis.  She is a recipient of the ArtsMemphis Accelerator grant and has exhibited and curated internationally. She is a graduate of California Institute of the Arts and Pepperdine University.  Her work has been written about in ArtForum\, The New York Times\,LA Times\, Sculpture Magazine\, and The Commercial Appeal.  She has written three books of poetry and is currently finishing a record of country songs with the artist Jim Ovelmen. \n\n\nAbout Blueshift Ensemble\nBlueshift is a Memphis­-based contemporary chamber music ensemble dedicated to bringing artists and audiences together through artistic collaboration. By programming both new and existing classical repertoire alongside multi­-genre collaborations\, Blueshift aims to connect a wider audience to today’s classical music. The ensemble draws upon Memphis’ uniquely diverse musical heritage by combining classical music with popular music genres such as rock\, blues\, soul\, and hip-hop and featuring local musicians\, dancers\, visual artists\, and composers. \n\nAbout the musicians \nA native of Brazil\, Mariama Alcântara grew up in a musical family and began studying the violin at age seven. She made her solo debut at age 12 with the Paraiba Symphony Orchestra\, and since then she has appeared as a soloist with several orchestras in her home country. Mariama moved to the United States in 2012\, and received her bachelor’s degree in violin performance from the University of Memphis where she studied with Dr. Soh-Hyun Altino and Dr. Marcin Arendt. She has performed with many orchestras including the Jackson Symphony (TN)\, Starkville Symphony (MS)\, Sinfonietta Orchestra (TN)\, Memphis Repertory Orchestra\, and Memphis Symphony (Feb. 2017). Mariama is now an IRIS Orchestra Artist Fellow and a member of the C3 Strings Trio. She also instructs and mentors elementary and middle school students as a Memphis Music Initiative fellow. \n\nBlueshift Ensemble Artistic Director and flutist\, Jenny Davis is a Memphis-based flutist who regularly performs with the Luna Nova Ensemble and the Memphis Repertory Orchestra and maintains a large private teaching studio. She has also performed with other area ensembles including the Memphis Symphony Orchestra\, PRIZM Ensemble\, Balmoral Chamber Orchestra\, and is a member of the River City Flute Quartet. In past summers\, Jenny has performed at the New Music on the Point contemporary chamber music festival\, the Cortona Sessions for New Music in Cortona\, Italy\, the National Music Festival\, and the Belvedere Chamber Music Festival. Jenny was a finalist in the 35th Annual James Pappoutsakis Memorial Flute Competition\, as well as alternate finalist in the 2015 Chicago Flute Club Donald Peck International Competition and 2014 Mid-South Flute Society Young Artist Competition. In addition to performing and teaching\, Jenny serves on the boards of the Beethoven Club of Memphis and the Mid-South Flute Society and is a co-founder of the Greater Memphis Flute Club. Jenny holds degrees in flute performance from Boston University\, Middle Tennessee State University\, and two years of additional post-graduate flute studies with Trevor Wye at Studio in Kent\, United Kingdom. \n\n Andre Dyachenko currently serves as the principal clarinetist with Memphis Symphony Orchestra. Mr. Dyachenko has performed as a member Minnesota Orchestra\, Houston Symphony\, Houston Grand Opera and as a guest principal with Seattle Symphony Orchestra and Arkansas Symphony Orchestra. During summers he has participated in several music festivals\, including Music Academy of the West\, Spoleto USA\, Hot Springs Music Festival and Feodosia Music Festival. Mr. Dyachenko is a recipient of First and Grand Prize at the International Competition for Woodwind Players in Kharkiv and First Prize at the International Clarinet Association Orchestral Competition. He had his first solo debut with the orchestra at the age 14 playing Weber Concerto No. 1. Mr. Dyachenko performed numerous solo recitals around Europe and US. Mr. Dyachenko started his education at the age of 7 in Kharkiv Special Secondary School of Music under guidance of Valeriy Altukhov. In 1996 he was awarded full scholarship to study clarinet at Interlochen Arts Academy with Richard Hawkins. Mr. Dyachenko also holds bachelor’s degree from University of Michigan and master’s degree from University of Minnesota and Doctor of Music degree from Rice University. Among his teachers are Fred Ormand\, Burt Hara\, Richie Hawley\, Lee Morgan\, Yehuda Gilad\, Richard Hawkins and Michael Webster. \n\n Logan Hanna is a guitarist and educator from Memphis. He currently works with different jazz groups around town\, and is a member of The Mighty Souls Brass Band\, Big Barton\, and the Memphis Ukulele Band. For the last 8 years\, Logan has also been recording and performing with Grace Askew. He is also currently on the adjust faculty at the University of Memphis where he teaches Intro To Jazz Guitar. Heavily influenced by guitar greats such as Bill Frisell\, Jim Hall\, Marc Ribot\, Albert King\, T-Bone Walker\, Steve Cropper\, and Don Rich\, Logan enjoys being somewhat of a musical chameleon blending styles to fit the music he is playing. \n\nDelara Hashemi is a freelance musician and teacher in the Memphis area. She subs with the Memphis Symphony\, the Memphis Symphony Woodwind Quintet\, and plays in the BlueShift Ensemble and Poplar Wind Trio. She has performed in the National Flute Association (NFA) Collegiate Flute Choir at conventions in 2009 and 2011. Delara was the 2011 and 2012 Music Teachers National Association State Winner in Oklahoma\, Young Artist Performance – Woodwinds. Delara completed degrees in flute performance at the University of Memphis where she studied flute with Prof. Elise Blatchford\, and the University of Central Oklahoma where she studied flute with Dr. Emily Butterfield. \n\nBlueshift cellist and Composer-in-Residence\, Jonathan Kirkscey is a composer\, producer\, and cellist who regularly performs with the Memphis Symphony Orchestra\, Mouserocket and Luna Nova Ensemble. As a film composer\, Jonathan scored the documentary “Best of Enemies”\, directed by Morgan Neville (20 Feet From Stardom) and Robert Gordon\, which premiered at the 2015 Sundance Film Festival. His score for “Best of Enemies” earned him the International Documentary Association’s award for best original music in a documentary feature.  He also composed music for the Netflix original documentary series “Chelsea Does”\, which premiered at Sundance in January of 2016. Jonathan also recently scored the short film “Our Conductor” directed by Craig Brewer for the Memphis Grizzlies. Jonathan has provided arrangements for the Memphis Symphony Orchestra and has had several original pieces for orchestra performed by the MSO. As an arranger and performer he has worked with Cat Power\, Al Green\, Ra Ra Riot\, Smokey Robinson\, Johnny Mathis\, Steve Jordan\, Daniel Johnston\, Jay Reatard\, North Mississippi Allstars\, Lucero\, Amy Lavere\, Kallen Esperian\, and many others. \n\nEd Murray is a graduate of the New England Conservatory and was a student of Vic Firth. He has held the position of Assistant Principal of Percussion/Timpani in the Memphis Symphony Orchestra since 1987\, and has been a member of the Iris Orchestra since the year 2000. Ed has been the first-call percussionist for the Orpheum Theatre Touring Shows since 1990 and is the drummer for the Memphis Symphony Orchestra Big Band.  He was a soloist with the Memphis Symphony Orchestra on three separate occasions\, featured on Xylophone\, Marimba and World Percussion. He was the Principal Percussionist for the Mexico City Philharmonic\, 1985-1987\, and has performed with such artists as Yo-Yo Ma\, Itzhak Perlman\, Aretha Franklin\, Johnny Mathis and  Joshua Bell. \n\nRenée Kemper Murray has called Memphis her home since 2004. She has been a Musical Director for many Regional Theaters across the U.S. such as the Fulton Opera House (PA)\, the Barter Theater (VA)\, the Old Creamery (Iowa)\, and the Tri-Arts Sharon Playhouse (CT). After completing Graduate School at the University of Memphis (2006)\, she joined the production staff at Memphis’ Playhouse on the Square as the Resident Music Director for seven years. She is now in her third year with St. George’s Independent Schools as Music Artist-in-Residence and Fine Arts educator at their Memphis Campus. In addition to her Master of Music degree in Collaborative Piano Performance\, she holds a Bachelor of Music degree in Piano Performance from Southwestern University (Georgetown\, TX) and has attended the Aspen School of Music in Colorado. She has received five Ostrander awards and two Memphis Theater Awards for Excellence in Musical Direction as well as two Ostrander Awards for singing roles in theater – one for her featured role in Jaques Brel is Alive and Well and Living in Paris and the other for Leading Actress in the musical\, A Closer Walk with Patsy Cline. She has played with the Memphis Symphony Orchestra Big Band\, continues to play for shows\, performs as singer and guitarist in her own band\, and is a member of Blueshift Ensemble. \n\nViolinist Marisa Polesky is a member of the Memphis Symphony Orchestra and the IRIS Orchestra. In addition\, she works with the Memphis Music Initiative as a mentor/teacher at White Station Middle and High Schools and teaches at St Louis School. \n\nJennifer Puckett currently serves as principal violist with the Memphis Symphony Orchestra. Prior to her tenure here in Memphis\, she completed three years with the New World Symphony in Miami Beach\, Florida. She has been on the EMF faculty since the summer of 2005. Mrs. Puckett has been teaching private lessons since 1996. She has taught with different Suzuki programs and is the founder of the East Memphis Music Academy. Her current private studio consist violin and viola students of all ages. Originally trained as a violinist\, she received her Bachelor’s degree in violin performance from the University of Alabama in Tuscaloosa. Some of the summer music festivals she attended in the past are the Aspen Music Festival\, Meadowmount School of Music\, National Repertory Orchestra\, Spoleto USA\, and the Brevard Music Center. The Aspen Music Festival led her to the University of Colorado in Boulder where she received her Master’s degree in viola performance. Mrs. Puckett held graduate quartet and teaching assistantships for the three years that she was at the University of Colorado. Over the years she has played professionally with many other orchestras including the Colorado Symphony\, Alabama Symphony\, and the Arizona Music Festival to name a few. In addition to her position with the Memphis Symphony\, her leadership experience includes principal viola on numerous occasions with the New World Symphony\, and throughout her college career as concertmaster\, principal second violin\, and principal viola. \n\nJonathan Russ composes direct\, expressive music with an eye towards social good\, drawing from the languages of contemporary classical music\, musical theater\, and indie rock. He is Composer-In-Residence with the Blueshift Ensemble and the American Chamber Ensemble\, and is a founding member of the ICEBERG New Music composers’ collective. Jonathan has worked with Marimolin\, Sō Percussion (through their Summer Institute)\, members of the JACK Quartet and International Contemporary Ensemble\, clarinetist Stanley Drucker (NY Philharmonic)\, mezzo-soprano Jennifer Beattie\, and pianists Amir Khosrowpour and Marilyn Lehman. Awards include the MA-ASTA Composition Competition\, ShoutHouse Call For Scores\, and the Boston Conservatory Choral Composers’ Competition. Jonathan has held residencies at the Brush Creek Foundation for the Arts and the Hambidge Center\, was featured at the inaugural New Music On The Bayou Festival\, and will be in residence at Arteles and the Kimmel Harding Nelson Center in 2017. Upcoming projects include a book of piano pieces\, an opera about a hermetic young woman\, and a piece for New York-based ensemble loadbang. As a guitarist\, Jonathan has performed with indie bands Young Yeller and Lucky Sons\, and has played in musical theater pits throughout New York. He holds a master’s in composition from The Boston Conservatory\, where he studied with Andy Vores and Curtis Hughes\, as well as a BA from Brown University in music and an MFA from NYU’s Tisch School of the Arts in musical theater writing. www.jonathanrussmusic.com
URL:https://crosstownarts.org/calendar/crown-tear-and-tears/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20161119T040000
DTEND;TZID=America/Chicago:20161204T120000
DTSTAMP:20260423T223021
CREATED:20161020T160117Z
LAST-MODIFIED:20161122T221203Z
UID:10002870-1479528000-1480852800@crosstownarts.org
SUMMARY:Retos y Retratos
DESCRIPTION:OPENING RECEPTION: FRIDAY\, NOVEMBER 18\, 6-9 PM \nNoviembre 19 hasta Diciembre 4\nRecepción: Viernes\, 18 de noviembre 6 – 9 PM \nHorario de la Galería: de Martes a Sábado\, 10 AM – 6 PM \nThe gallery will be closed November 24-25 for the Thanksgiving holiday. \n\nRetos y Retratos\, an exhibition of portraits of Latino/a artists and samples of their work\, strives to give a voice to the struggles\, triumphs\, and experiences of this community of artists in Memphis. Committed to different forms of expression\, united by art and the challenges they have faced\, these artists seek to preserve and communicate their roots. The portraits demonstrate both the artistic and intimate side of these creators. \nOrganized by Centro Cultural Latino Cultural Center in collaboration with Crosstown Arts. \n\nRetos y Retratos es una  muestra de arte Latino en Memphis que busca dar una voz a los procesos y experiencias de sus artistas.  Entregados a diferentes formas de expresión\, unidos por el arte y los retos alcanzados\, estos artistas buscan conservar y comunicar sus raíces. Los  retratos presentados nos muestran el lado artístico y a la vez intimo de estos  creadores.
URL:https://crosstownarts.org/calendar/retos-y-retratos/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20161027T130000
DTEND;TZID=America/Chicago:20161027T150000
DTSTAMP:20260423T223021
CREATED:20160930T213000Z
LAST-MODIFIED:20161019T202718Z
UID:10002578-1477573200-1477580400@crosstownarts.org
SUMMARY:Artist Talk: Brantley Ellzey
DESCRIPTION:Artist and architect Brantley Ellzey discusses his work on display in “Sweet\,” an exhibition of over 20 new works created from hand-rolled construction paper in a kaleidoscopic array of colors and forms. \n“Sweet” is on display from October 7th through November 5th. \n\nArtist Biography\nBrantley Ellzey is an architect and artist who has operated an independent studio in the Crosstown neighborhood of Memphis since 2010.  With degrees in Architecture and Theater Design from Tulane University\, Ellzey creates art that illustrates the precision and structural form of architecture while embodying the colorful thrill and drama of the theater.  His works consist primarily of paper from magazines\, books and other printed media which he deconstructs\, rolls and methodically builds into complex\, layered forms.  Drawing from the themes of the selected materials\, he expresses the anatomy of a journal\, making the subject and content visually apparent in the piece with lines\, color and overall construction.  His work is in numerous private and corporate collections throughout the United States\, such as Le Bonheur Children’s Hospital\, West Cancer Center\, Bass Berry + Sims\, Wunderlich Securities\, and Iberia Bank. Examples of his architectural work are First Congregational Church\, The Museum of Modern Spinal Surgery at Medtronic\,The Kemmons Wilson Exhibit at the Kemmons Wilson School of Hospitality and Resort Management at University of Memphis\, the renovation of Immaculate Conception Cathedral\, and Ballet Memphis (Cordova).
URL:https://crosstownarts.org/calendar/brantley-ellzey-artist-talk/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
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DTSTART;TZID=America/Chicago:20161007T050000
DTEND;TZID=America/Chicago:20161105T130000
DTSTAMP:20260423T223021
CREATED:20160822T171728Z
LAST-MODIFIED:20161110T215111Z
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SUMMARY:Brantley Ellzey: SWEET
DESCRIPTION:OPENING RECEPTION: FRIDAY\, OCTOBER 7\, 6-9 PM \n\nCrosstown Arts is pleased to present SWEET\, an exhibition of 20 new works by Memphis-based artist and architect\, Brantley Ellzey. \nFor the past 15 years\, Ellzey’s practice has typically involved media-based content in service to a particular subject. His works consist primarily of paper from magazines\, books\, and other printed media which he deconstructs\, rolls and methodically builds into complex\, layered forms.  Hand-rolled\, individual pages contain information that create an archive\, a time capsule of a specific theme and period. He has spent the last few years working on commissions that involved this concept\, giving him less control over palette or pattern. \nWith approximately 20 new pieces on view in SWEET\, Ellzey continues his exploration of the rolled paper module\, the process in creating the module\, and the resulting compositions and textures when the module is replicated and combined. In the process of these works\, Ellzey’s architectural training is evident. He was always drawn to model-making and the notion of creating things by hand. Modules provide scale and the hand is visible in the final product\, as each roll of paper is meticulously reworked by the artist. “This process of rolling is a meditative process. I find great inspiration in mundane\, methodical tasks. My mind is free to concentrate on exactly how and why I’m driven to create a particular piece.” The rolled pages that make up his work are filled with energy\, like springs waiting to snap back. \n“You say to a brick\, “What do you want\, brick?” And brick says to you\, “I like an arch.” -Louis Kahn \nThroughout SWEET\, Ellzey returns to the origins of his process by focusing on elements of color\, form\, and composition. In paring down the recent works to their basics\, Ellzey also simplified his inspirations and returned to his past. He began to revisit children’s books that formed his earliest visual memories and researched artists and designers that were working in the early sixties. Through this process he discovered the work of Mary Blair.  An unsung hero of the Disney animation studios and creative force in advertising and design\, Blair was responsible for the “It’s A Small World” attraction for the New York World’s Fair and then Disneyland. The juxtapositions of color with folk art patterning and imagery in her work hugely influenced his perception of the world as a child. Blair’s work as well as the styles of Alexander Girard and Charles and Ray Eames have guided the color and energy of Ellzey’s new body of work. \nDuring this tumultuous political season\, the process of creating these pieces\, as well as the imagery and materials involved\, has been a bulwark against a daily barrage of cynicism and acrimony. SWEET is unabashedly happy and optimistic\, and Ellzey hopes his audience will be similarly inspired. \n\n                 \n\n\n    \n\nArtist Biography \nBrantley Ellzey is an architect and artist who has operated an independent studio in the Crosstown neighborhood of Memphis since 2010.  With degrees in Architecture and Theater Design from Tulane University\, Ellzey creates art that illustrates the precision and structural form of architecture while embodying the colorful thrill and drama of the theater.  His works consist primarily of paper from magazines\, books and other printed media which he deconstructs\, rolls and methodically builds into complex\, layered forms.  Drawing from the themes of the selected materials\, he expresses the anatomy of a journal\, making the subject and content visually apparent in the piece with lines\, color and overall construction.  His work is in numerous private and corporate collections throughout the United States\, such as Le Bonheur Children’s Hospital\, West Cancer Center\, Bass Berry + Sims\, Wunderlich Securities\, and Iberia Bank. Examples of his architectural work are First Congregational Church\, The Museum of Modern Spinal Surgery at Medtronic\,The Kemmons Wilson Exhibit at the Kemmons Wilson School of Hospitality and Resort Management at University of Memphis\, the renovation of Immaculate Conception Cathedral\, and Ballet Memphis (Cordova).
URL:https://crosstownarts.org/calendar/brantley-ellzey-sweet/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
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DTSTART;TZID=America/Chicago:20160819T050000
DTEND;TZID=America/Chicago:20160917T130000
DTSTAMP:20260423T223021
CREATED:20160629T185224Z
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SUMMARY:Anthology: Somewhere Not Here
DESCRIPTION:OPENING FRIDAY\, AUGUST 19\, 6-9 pm\nON VIEW THROUGH SEPTEMBER 17\nRelated event: A Real Imitation\n\nCURATED BY TOMMY KHA\nPao Houa Her\nManal Abu-Shaheen\nJohanna Case-Hofmeister\nJen Davis\nCurran Hatleberg\nKa-Man Tse\nPixy Liao\nJoel W. Fisher\nDru Donovan\nMichael Marcelle\nFarah Al Qasimi\nSara Maria Salamone\nJustine Kurland\nRyan James MacFarland\nShane Lavalette\nRory Mulligan\nHannah Price\nNelson Chan\nLilly McElroy \n\nCrosstown Arts is pleased to present Anthology: Somewhere Not Here\, an exhibition of photography and video curated by New York/Memphis-based artist Tommy Kha. \nAnthology collects images by an array of contemporary photographers sharing a common process instead of specific genre or subject. The works are informed by the acts of their journeys—seeking\, feeling\, and finding through passages of time and place. \nFeatured artists include Pao Houa Her\, Manal Abu-Shaheen\, Johanna Case-Hofmeister\, Jen Davis\, Curran Hatleberg\, Ka-Man Tse\, Pixy Liao\, Joel W. Fisher\, Dru Donovan\, Michael Marcelle\, Farah Al Qasimi\, Sara Maria Salamone\, Justine Kurland\, Ryan James MacFarland\, Shane Lavalette\, Rory Mulligan\, Hannah Price\, Nelson Chan\, and Lilly McElroy. \nLearn more about the artists below. \nFrom the curator \nLife is not about significant details\, illuminated a flash\, fixed forever. Photographs are. \n– Susan Sontag \nSomewhere Not Here brings together a diverse group of contemporary photographers. Rather than relying on a particular theme\, the selected artists and works are connected through a hunting and gathering gesture in picture making. \nThe pictures\, intentionally printed in small format to reference drug store prints and postcards\, vary in subject matter and genre. They share and borrow languages such as landscape\, the open road\, picture as document\, and street photography. \nThe photographers are nomadic\, always in search of images that are elusive and not always present\, not easily hunted. \nCurran Hatleberg and Justine Kurland actively travel the American Road\, while Manal Abu-Shaheen seeks her subjects in further places\, crossing vast oceans to photograph in her home country. \nOften\, the way home is the source of the artists’ images. Ka-man Tse presents a picture of the personal journey\, of her wife and Tse’s parents sharing a meal together in the same frame. Lilly McElroy’s video\, Hopeful Romantic\, reflects another aspect of artist’s performative nature—a performed Lilly McElroy. The video is edited to Bruce Springsteen’s “Dancing in the Dark” as she drives from Maine to California. \nSome respond on impulse\, referencing modes of transport\, manifested as a sort of muse—a sitter for the camera. At times\, these modes become a temporary studio space for Pixy Liao\, as she travels back to China with her boyfriend\, Moro Magario. \nOthers respond to constraints. Hannah Price’s pictures may take cues from Oulipo\, a French literary movement\, where she actively makes photographs “during a time people consider to be the most menacing; during the dark nights and of those who blend in with it. At night\, I roam the streets looking for subjects of this type.” \nThe rest could be seen as collections of the world seen in passing—the gathered. \n\nAbout Tommy Kha \nTommy Kha (b. 1988\, Memphis\, Tennessee) received his BFA in Photography from Memphis College of Art and his MFA from Yale University School of Art. His work has been published in Modern Painters\, Humble Arts\, Slate\, the Huffington Post\, Blouin ArtInfo\, BUTT Magazine\, Buzzfeed\, and Miranda July’s “We Think Alone” and exhibited at Deli Gallery\, Ryerson Artspace\, Georgia Scherman Projects\, Aperture\, Signal Gallery\, ALLGOLD at MoMA PS1 Printshop\, Johalla ProAjects\, Yongkang Lu Art\, and Kunstverein Wolfsburg. He was an artist-in-residence through the Center for Photography at Woodstock and Light Work. Recently\, Kha published his first monograph\, A Real Imitation\, through Aint-Bad Magazine. He currently lives and works in New York City and Memphis.\nLearn more \n\n\nAbout the Artists \nPao Houa Her was born somewhere in the northern jungles of Laos. She fled Laos with her family when she was a baby\, crossed the Mekong on her mother’s back\, was fed opium to keep from crying\, lived in the refugee camps in Thailand and landed in America on a silver metal bird in the mid 1980s. She is a visual artist who works within multiple genres of photography. She has exhibited in numerous shows both nationally and internationally including a solo show at the Eli and Edythe Broad Art Museum at Michigan State University. Her received her BFA from the Minneapolis College of Art and Design and her MFA from Yale University. \nManal Abu-Shaheen is a Lebanese-American photographer currently living and working in Long Island City\, NY. She was born in Beirut in 1982 and moved from Lebanon to New York in 2000. Abu-Shaheen received a MFA in Photography from the Yale School of Art\, New Haven\, CT in 2011; a BA from Sarah Lawrence College\, Bronxville\, NY in 2003; and attended Lebanese American University\, Byblos\, Lebanon in 1999. Her work has been exhibited at the Queens Museum\, Queens\, NY (2016); The Center for Fine Art Photography\, Fort Collins\, CO (2016); The Bronx Museum of the Arts\, Bronx\, NY (2015); The Print Shop at MoMA PS1\, Queens\, NY (2014); Camera Club of New York\, NY (2013); and Welch School of Art and Design Galleries\, Atlanta\, GA (2012)\, among others. She is a recipient of the 2016/17 A.I.R Gallery Fellowship and the 2015 Artist in the Marketplace Residency program at the Bronx Museum of the Arts. She currently teaches at the City College of New York. \nJohanna Case-Hofmeister received an MFA from Yale University in 2013. She went on to study projection design and technology at the Yale School of Drama. Her photography has been exhibited nationally and internationally. She is currently an Associate Professor in Photography at Long Island University. \nJen Davis is a New York based photographer. For the past fourteen years she has been working on a series of Self-Portrait’s dealing with issues regarding beauty\, identity\, and body image. She has also been exploring men as a subject\, and is interested in investigating the idea of the relationship\, both physical and psychological\, with her camera. Her first monograph titled Eleven Years\, published by Kehrer Verlag (Germany) was released in the Spring of 2014 accompanied by her first solo show in New York City at ClampArt. She received an MFA from Yale University in 2008\, and BFA from Columbia College Chicago in 2002. Davis’ work has been exhibited both nationally and internationally. In the fall of 2016 Davis will have a solo exhibition in FotoFocus 2016 Biennial in Cincinnati\, Ohio. Her photographs are in the collections of the Art Institute of Chicago\, The Sir Elton John Photography Collection\, and The Library of Congress\, Museum of Fine Arts\, Boston. Davis is represented by Lee Marks Fine Art and ClampArt\, NY. \nCurran Hatleberg (b. 1982\, Washington\, DC) received his MFA from Yale University in 2010. His work has been exhibited nationally and internationally\, including recent shows at Higher Pictures gallery and Fraenkel Gallery. He is the recipient of a 2015 Magnum Emergency Fund grant\, a 2014 Aaron Siskind Foundation Individual Photographer’s Fellowship grant\, and the 2010 Richard Benson Prize for excellence in photography. Hatleberg’s work is held in various museum collections\, including the SF MoMA\, the Center for Contemporary Photography\, the Davison Art Center at Wesleyan University\, the Williams College Museum of Art\, and the Yale University Art Gallery. Lost Coast\, his forthcoming monograph\, will be released by TBW Books in fall 2016. \nKa-Man Tse is a photographer and video artist based in New York.  She received an MFA from Yale University in 2009\, and a BA from Bard College in 2003.   Her images are informed by the points of intersection between the LGBTQ and the Asian Pacific Islander communities\, and what is shared and negotiated between the two seemingly divergent worlds.  Her photography and video begin from small gestures and moments that then unfold in public and private spaces. She has exhibited internationally and nationally; including the Lianzhou Foto Festival in Guangdong\, China\, the Museum of Chinese in America in New York\, NY\, the Bronx Museum of the Arts in New York\, NY; Cornell University\, the Palm Springs Art Museum in California\, Capricious Gallery in New York\, NY\, the Philadelphia Photo Arts Center\, and Gallery 339 in Philadelphia\, and the Eighth Veil in Los Angeles.  She was a SPARC Artist-in-Residence through the New York City Department of Cultural Affairs\, and completed the Artist in the Marketplace Program through the Bronx Museum of Arts. She is the recipient of the 2014-2015 Robert Giard Fellowship.  She currently teaches at Yale University\, where she was appointed lecturer in 2013\, as well Parsons the New School of Design\, since 2011. This spring\, Tse mounted her first solo exhibition at the Silver Eye Center for Photography in Pittsburgh\, PA. Her current project\, Narrow Distances is currently on view in a solo exhibition at Lumenvisum in Hong Kong this summer (July 23 – August 21\, 2016); her work is also currently on view at the New York Public Library\, Mulberry Street Branch in Soho (June 1 – September 7\, 2016). \nBorn and raised in Shanghai\, China\, Pixy Liao is an artist currently resides in Brooklyn.She is a recipient of NYFA Fellowship in photography\, En Foco’s New Works Fellowship and LensCulture Exposure Awards\, etc. She has done artist residencies at Pioneer Works\, Light Work\, Lower Manhattan Cultural Council\, Center for Photography at Woodstock\, and Camera Club of New York. Liao’s photographs have been exhibited internationally\, including He Xiangning Art Museum (China)\, Asia Society (Houston)\, Flower Gallery (NY)\,  VT Artsalon (Taiwan)\, Kips Gallery (Korea)\, The Running Horse Contemporary Art Space (Lebanon)\,  Format (UK)\, Noorderlicht (Netherland)\, etc\,.Liao holds a MFA in photography from University of Memphis. \nJoel W. Fisher (b. Newport\, VT) received a Bachelor of Arts in English from the University of New Hampshire in 1997 and a Master in Fine Arts from the Rhode Island School of Design in 2006. From 2006-2007 he worked and studied at the Hochschule für Grafik und Buchkunst in Leipzig\, Germany on a Fulbright Fellowship. His work has shown both nationally and internationally in both group and solo exhibitions. Work in collaboration with J.T. Leonard entitled Landmark was shown in group and two person exhibitions including Wassaic Projects’ Return to Rattlesnake Mountain\, AD/HD at KNOWMOREGAMES and P-R-I-M-E-T-I-M-E Galleries in Brooklyn\, and solo exhibitions in Kansas City and Indianapolis in 2013 and 2014. A monograph entitled Landmark was published by Daylight Books in the spring of 2015 and was short-listed for the Aperture Foundation First Book Prize. Work from an on-going solo project entitled Agapage appeared in exhibitions Shifting Practices: Allusions\, Interventions\, and Conventions in Contemporary Photography at The Art Gym at Marylhurst University and The Heart is a Lonely Hunter at the Fraenkel Gallery in 2015. Joel has received grants from the Oregon Arts Commission\, Ford Family and Mellon Foundations and was a participant in the Lower Manhattan Cultural Council’s Workspace Program (2015-2016). Joel also co-curated and wrote the introduction for the exhibition catalog Reinventing Documentary: The Art of Allan Sekula (2015). Joel was a Visiting Assistant Professor at the Rochester Institute of Technology\, an area head of photography at the City College of New York (CUNY)\, and is currently an Assistant Professor of Art and Studio Head of Photography at Lewis and Clark College. \nDru Donovan received a BFA from California College of the Arts in 2004 and an MFA from Yale School of Art in 2009. Donovan’s work has shown nationally and internationally and was included in reGeneration2: Tomorrow’s Photographers Today at the Musée de l’Elysée in Lausanne\, Switzerland\, and in the 2010 California Biennial at the Orange County Museum of Art\, Fraenkel Gallery\, Yancey Richardson Gallery\, Hap Gallery and Philadelphia Photo Arts Center. Donovan’s photographs have been published in Aperture Magazine\, Blind Spot\, Picture Magazine\, Matte Magazine\, The New York Times Magazine and Vice. Her work is in the collections of Deutsche Bank and the Los Angeles County Museum of Art. In 2011TBW Books published her first book\, Lifting Water. In 2011-2012 she participated in the Lower Manhattan Cultural Council’s Workspace studio residency. Awards Donovan has received are the John Gutmann Photography Fellowship in 2015 and is a 2016-2017 John Simon Guggenheim Memorial Foundation Fellow. She has taught at many institutions including Parsons School for Design\, Pratt Institute\, Lewis & Clark College\, University of Hartford and Yale University and will be a Visiting Lecturer at Harvard in the fall of 2016. \nMichael Marcelle was born in New Jersey in 1983\, received a BA from Bard College in 2005 and an MFA from Yale University in 2013. His work has been exhibited at Aperture Foundation\, Interstate Projects\, Pioneer Works\, Austin Center for Photography\, and has been featured in The New Yorker\, Vice Magazine\, Vogue\, Paper Journal\, and more. \nFarah Al Qasimi\, born 1991 in Abu Dhabi\, is an artist and musician. Farah studied photography and music at Yale University (New Haven\, Connecticut) and is currently an MFA candidate in the Photography program at the Yale School of Art. Farah has participated in residencies at the Burren College of Art in Ireland\, at her studio in Dubai (with the support of the Abu Dhabi Music and Arts Foundation) and at the School of Visual Arts in New York. Recent shows include Coming Up Roses at The Third Line\, Dubai; Biennial for Arab Photography at Institut du Monde Arabe\, Paris; Emirati Expressions at Manarat al Saadiyat\, Abu Dhabi; Walls and Margins at the Barjeel Art Foundation\, Sharjah; and Black Mirror at the Aperture Foundation\, New York. \nSara Maria Salamone is a photographer and independent curator who has earned her BA in Photography from Hampshire College and her MFA in Photography and Related Media from Parsons The New School for Design. Salamone has curated exhibitions at Albany Center Gallery in Albany\, NY and LAUNCH F18\, NYCAMs\, and site95 in NYC. Salamone also comes from a diverse and experienced background\, having worked at Casey Kaplan\, site95\, The Armory Show\, Frieze New York among many others. Her most recent solo exhibition was held at GCA in Brooklyn\, NY. Salamone lives and works in Brooklyn. \nJustine Kurland is an artist who is lives in New York\, and is represented by Mitchell-Innes & Nash. \nRyan James MacFarland\, born Tallahassee\, FL in 1985\, is a multidisciplinary artist with a focus in analog photography. Working with both natural and found environments as his primary subject\, MacFarland explores the relationship to his surroundings informed by concepts such as nonlinear science\, cosmic intervention and conscious existence. His work has been exhibited in the US and abroad since 2004 and written about or published in Art F City\, Artinfo\, DuJour\, Purple\, OUT\, The New York Times\, Vogue\, W and Whitewall. He lives and works in Brooklyn\, NY. \nShane Lavalette\, born 1987\, in Burlington\, VT\, is an American photographer\, the founding Publisher/Editor of Lavalette\, and the Director of Light Work. He holds a BFA from Tufts University in partnership with The School of the Museum of Fine Arts\, Boston. Lavalette’s photographs have been shown widely\, including exhibitions at the High Museum of Art\, Center for Documentary Studies at Duke University\, Aperture Gallery\, Montserrat College of Art\, The Carpenter Center for Visual Arts at Harvard University\, The Center for Photography at Woodstock\, The Museum of Fine Arts\, Boston\, and Musée de l’Elysée\, in addition to being held in private and public collections. In 2016\, a solo exhibition of One Sun\, One Shadowwas presented at Robert Morat Galerie in Hamburg\, Germany. His editorial work has been published in various magazines\, including The New York Times Magazine\, The New Yorker\, Newsweek\, Esquire\, Bloomberg Businessweek\, Vice Magazine\, The Wire\, Wallpaper*\, among others. Lavalette is currently based in Upstate New York. \nRory Mulligan currently lives in Hastings-on-Hudson\, New York. He received a BA from Fordham University and a MFA from Yale University in 2010. His work has been exhibited both nationally and internationally and is included in the permanent collection of the Philadelphia Museum of Art. Mulligan’s work has been published by J&L Books (Atlanta)\, Blind Spot Magazine (New York) and Art Licks (London) and his writing is featured in The Photographer’s Playbook published by Aperture. He was a 2014 Artist in Residence at Light Work in Syracuse\, New York and is currently a Process Space Resident for the Lower Manhattan Cultural Council. \nRaised in Fort Collins\, Colorado\, Hannah Price\, born in 1986\, is a photographic artist and filmmaker primarily interested in documenting relationships\, race politics\, perception and misperception.  Price is internationally known for her project City of Brotherly Love (2009-2012)\, a series of photographs of the men who catcalled her on the streets of Philadelphia. In 2014\, Price graduated from the Yale School of Art MFA Photography program\, receiving the Richard Benson Prize for excellence in photography.  Over the past six years\, Price’s photos have been displayed in several cities across the United States\, with a few residing in the permanent collection of the Philadelphia Museum of Art. \nNelson Chan was born in New Jersey to immigrant parents from Hong Kong and Taiwan and has spent most of his life between the States and Hong Kong. Having grown up on two continents with unique cultures\, this immigrant experience has influenced the majority of Nelson’s work. He continues to explore this duality of personal and cultural identity through the medium of photography. He is a graduate of the Rhode Island School of Design\, where he received a BFA and a graduate of the University of Hartford\, Hartford Art School\, where is received his MFA. Nelson is based in New York City and is currently a Visiting Assistant Professor at Pratt Institute in Brooklyn\, New York. \nLilly McElroy is an American photographer born in Wilcox\, Arizona. The artistic projects she pursues are a reflection of her complex relationship with the American West and exploring what it means to be an American in a time of diminished expectations. She received her BFA in Photography in 2003 and BA in creative writing in 2004 from University of Arizona\, and an MFA from the Art Institute of Chicago in 2006.
URL:https://crosstownarts.org/calendar/anthology-somewhere-not-here/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20160805T123000
DTEND;TZID=America/Chicago:20160805T133000
DTSTAMP:20260423T223021
CREATED:20160425T204743Z
LAST-MODIFIED:20160802T162753Z
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SUMMARY:FISH Gallery Talk
DESCRIPTION:Learn more about the inspiration behind and production of FISH from its creators Laura Jean Hocking\, Sarah Fleming\, and Christopher Reyes.\nRECENT PRESS\n\n\n\nLaura Jean Hocking\n\nThe universe was mysteriously created; fourteen billion years later Laura Jean Hocking became a filmmaker. She has edited four feature films\, including the award winning documentary Antenna\, and directed and/or edited dozens of music videos and experimental short films. Her most recent creation is the Indie Grant funded short film\, “How To Skin A Cat.” \n\nSarah Fleming\nFor over a decade Sarah has worked as a filmmaker and visual artist in the Memphis area.  She has produced and directed numerous award-winning works of art\, spanning the spectrum from narrative and documentary films to music videos to experimental films and projection pieces.  Currently she heads up her own production company\, Cat and Fish\, and is an active member of both Team Electron and Film Fatales. Sarah is passionate about creativity and an engaged member of the Memphis community. \n\nChristopher Reyes\nChristopher Reyes AKA Ninjacat is an experiential artist combining traditional murals\, sculptures\, and installations\, with original soundscapes\, music\, film\, projection mapping\, and technology.  Most recent installations include the Moonpie Project with Birdcap and NFO with the Urban Art Commission. \n\n\n                 \n\n\n    \n\n 
URL:https://crosstownarts.org/calendar/fish-gallery-talk/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20160722T050000
DTEND;TZID=America/Chicago:20160813T130000
DTSTAMP:20260423T223021
CREATED:20160425T204743Z
LAST-MODIFIED:20160726T191308Z
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SUMMARY:FISH
DESCRIPTION:On view Tuesday-Saturday\, 10 am – 6 pm through August 13\nGallery Talk: Friday\, August 5\, 5:30 pm\nExperience a magical underwater world. From the minds of Laura Jean Hocking\, Sarah Fleming\, and Christopher Reyes\, FISH is an immersive\, site-specific display combining traditional audio\, visual\, and sculptural media with technology.\n\n\nRECENT PRESS \n\n\n\n                 \n\n\n    \n\n\n\n\nLaura Jean Hocking\n\nThe universe was mysteriously created; fourteen billion years later Laura Jean Hocking became a filmmaker. She has edited four feature films\, including the award winning documentary Antenna\, and directed and/or edited dozens of music videos and experimental short films. Her most recent creation is the Indie Grant funded short film\, “How To Skin A Cat.” \n\nSarah Fleming\nFor over a decade Sarah has worked as a filmmaker and visual artist in the Memphis area.  She has produced and directed numerous award-winning works of art\, spanning the spectrum from narrative and documentary films to music videos to experimental films and projection pieces.  Currently she heads up her own production company\, Cat and Fish\, and is an active member of both Team Electron and Film Fatales. Sarah is passionate about creativity and an engaged member of the Memphis community. \n\nChristopher Reyes\nChristopher Reyes AKA Ninjacat is an experiential artist combining traditional murals\, sculptures\, and installations\, with original soundscapes\, music\, film\, projection mapping\, and technology.  Most recent installations include the Moonpie Project with Birdcap and NFO with the Urban Art Commission. \n\n  \n\n 
URL:https://crosstownarts.org/calendar/fish/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20160610T050000
DTEND;TZID=America/Chicago:20160709T130000
DTSTAMP:20260423T223021
CREATED:20160401T200256Z
LAST-MODIFIED:20160705T194430Z
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SUMMARY:Say Hello to America!
DESCRIPTION:OPENING EVENT: FRIDAY\, JUNE 10\, 6-9 PM\n\nParticipating artists:  \nKenneth Alexander\, Mary Baddour\, Timothy Barker\, Nick Canterucci\, Len Clark\, Saj Crone\, Temple Daniels\, Judith Dierkes\, Charles Dwyer\, Brantley Ellzey\, Jay Etkin\, Adam Farmer\, Jan Hankins\, Carrol Harding McTyre\, Kenneth Johnston\, Paula Kovarik\, Taylor Loftin\, Elysia Mann\, Barbi Martin\, Sophia Mason\, Lester Merriweather\, Andrea Morales\, Margaret Munz-Losch\, Nathan Parten\, Alex Paulus\, Terri Phillips\, Erica     Qualy\, Carrie Schule\, Matt Seltzer\, Valerie Shavers\, Valerie Sparks\, Kyle Taylor\, Lance Turner\, Jeane Umbreit\, Jeff Unthank\, Richard Varnon\, Keysha Warr\, Stephanie Wexler\, Jana Wilson & Meredith Wilson \n\nHi Friends\, \nOf all the madness in American politics at the moment\, it’s nearly impossible to get your head around exactly what’s happening. Somehow\, it’s all very funny and sad and terrifying at the same time. Dr. Thomas More asked a question in the opening lines of Walker Percy’s Love in the Ruins that feels eerily appropriate to ask now: \nIn these dread latter days of the old violent beloved and of the Christ-forgetting Christ-haunted death dealing western world…undoubtedly something is about to happen. Or is it that something has stopped happening? Is it that God has at last removed his blessing from the U.S.A. and what we feel now is just the clank of the old historical machinery\, the sudden jerking ahead of the roller-coaster cars as the chain catches hold and carries us back into history with its ordinary catastrophies\, carries us out and up toward the brink from that felicitous and privileged siding where even unbelievers admitted that if it was not God who blessed the U.S.A\, then at least some great good luck had befallen us\, and that now the blessing or the luck is over\, the machinery clanks\, the chain catches hold\, and the cars jerk forward? \nBut who needs words to describe what’s happening to America? Did you get bored reading that last paragraph? It was kind of long\, right? Way too many words for this news cycle. Keep the words short\, mean what you say—or don’t. Tomorrow’s another headline. \nMillions of Americans are supporting a man for president who has stayed in the forefront of the news by repeatedly saying outrageous things with a very limited range of words\, usually 140 characters or less at a time. He’s definitely onto something and knows it\, even claiming “I know words. I have the best words.” \nThis is a season of extremes\, but in the words of Extreme’s “More than Words\,” “more than words is all you have to do to make it real.” \nPlease consider yourself invited to submit works of visual art\, music\, or performance related to the current political landscape (or anything to do with politics\, America\, etc.) for the upcoming exhibit Say Hello To America! All that we ask is that you keep it real\, using words\, or not. Whatever. \nHere is my submission to the show\, made in collaboration with Memphis-based artist Sadie Yanckello. The photo is of my son\, with an American made beer\, because he loves America. I promise this photo is “real.” It even has words on it to prove it! \n \nChristopher Miner & Sadie Yanckello\, The 4.2%\, digital collage\, 2016\n“I believe in an America where millions of Americans believe in an America. That’s the America millions of Americans believe in. That’s the America I love.” – Mitt Romney \nHope to see you soon\,\nChris \n\n  \n1.Important Dates \nSubmission deadline: Sunday\, May 15 \nSelection notices sent: Friday\, May 20 \nArtwork drop-off: Monday\, June 6\, 9am-6pm \nOpening Reception: Friday\, June 10\, 6-9 pm \nArtwork pick-up: Sunday\, July 10\, 3-5 pm and Monday\, July 11\, 9am-noon  \nDates on view: June 10-July 9\, 2016\, Tuesday-Friday\, 10 am – 6 pm \nOther events TBA \n2.Size Limit\nThere is no restriction on size of artwork other than reasonable passage through a standard doorway. \n3.Display Requirements\nAll artwork must be delivered ready to hang/install to be included in the exhibition. Please communicate any specific installation needs (special handling\, pedestal needs\, AV equipment needs\, etc) in submission form. \n4.Sales\nAll proceeds from sales go directly to artists. Crosstown Arts does not take a commission. Crosstown Arts will facilitate sales via cash\, check (made out to the artist) or Visa/MasterCard via Square during the run of the show. More details to follow. \n5.SUBMISSION FORM \nSubmit entries online through this form \n\nContact: For more information please contact us at info@crosstownarts.org \nCrosstown Arts\, 422 N Cleveland\, Memphis\, TN\, 38104
URL:https://crosstownarts.org/calendar/say-hello/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20160429T050000
DTEND;TZID=America/Chicago:20160521T130000
DTSTAMP:20260423T223021
CREATED:20160211T203131Z
LAST-MODIFIED:20160520T194004Z
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SUMMARY:Belongings II: Repurposed
DESCRIPTION:Opening Reception: Friday\, April 29\, 6-9 pm\n\n\nCall to Artists – February 2016\nBelongings II: Repurposed \nAn open call exhibition organized by Crosstown Arts and the Cleveland Street Flea Market \nThis second incarnation of the Belongings show continues in the spirit of community and the reuse and re-imagining of objects. All artists are invited to participate by purchasing any object of inspiration from the Cleveland Street Flea Market at 438 N Cleveland to transform into (or use as inspiration for) a new work of art. \nThe nostalgia and surprise felt when browsing at a flea market is a ripe field for artistic interpretation. A psychedelic print from the 70’s can inspire a color scheme or shape motif. A plastic bust of Scooby Doo can evoke early childhood Saturday mornings in front of the TV. A cover of an early genre pulp fiction paperback might be a poignant reminder of how prevalent attitudes have changed since the 1950’s. \nOne submission per artist will be accepted based on the guidelines below. All artists are welcome to participate regardless of their level of expertise or prior art experience. \nBelongings II: Repurposed will be on view at \nCrosstown Arts Gallery\, 422 N Cleveland\, April 29- May 14\, 2016  \n\nCall for Submissions\n1. Submit via Formstack \nClick here to submit \n2. Important Dates \nArtwork submission deadline/drop-off: Monday\, April 25\, 2-7 pm at Crosstown Arts at 422 N Cleveland \nOpening Reception: Friday\, April 29\, 6-9 pm \nGallery Hours: Tuesday-Saturday\, April 29 – May 14\, 10 am – 6 pm \nArtwork pick-up: Sunday\, May 15\, 2-5 pm and Monday\, May 16\, 12-6 pm \n3. Fees\nThere is no fee to participate in the show other than the cost of purchasing an item from the Cleveland Street Flea Market to be incorporated into or used as inspiration for the artwork for the show. Prices of objects in the flea market are $1+ \n4. Size limit\nThere is no restriction on size of artwork other than reasonable passage through a standard doorway. \n5. Display requirements\nAll artwork must be delivered ready to hang/install to be included in the exhibition. Please communicate any specific installation needs (special handling\, pedestal needs\, AV equipment needs\, etc) by email to maryjo@crosstownarts.org before delivery. \n6.Sales\nCrosstown Arts will facilitate sales via cash\, check (made out to the artist) or Visa/MasterCard via square during the run of the show. More details to follow. \nContact: For more information please contact Mary Jo Karimnia at maryjo@crosstownarts.org or 901-626-6298
URL:https://crosstownarts.org/calendar/belongings-ii-repurposed/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20160417T143000
DTEND;TZID=America/Chicago:20160417T160000
DTSTAMP:20260423T223021
CREATED:20160304T142135Z
LAST-MODIFIED:20160415T192839Z
UID:10002501-1460903400-1460908800@crosstownarts.org
SUMMARY:Duets for Mellotron - Encore
DESCRIPTION:ENCORE PERFORMANCE ADDED: SUNDAY\, APRIL 17\, 7:30 PM \nCrosstown Arts is pleased to present Duets for Mellotron\, a live performance by Jonathan Kirkscey and Robby Grant\, organized in collaboration with Winston Eggleston. \nThis unique performance experience—the world’s first Mellotron duet—features an obscure but ingenious keyboard instrument invented in the 1940s which was designed to reproduce the sound of virtually any acoustic\, electromechanical\, or synthesized instrument. \nThe Mellotron is essentially a giant cassette tape player\, operated manually by pressing keys on a keyboard. When a key is struck\, a prerecorded sound is played/heard\, conceptually making the Mellotron an analog forerunner to digital sampling. \nThe M400 and a new M4000 cycling Mellotron\, from Winston Eggleston’s small but diverse Mellotron collection\, will be played at the performance. Eggleston will also share a series of new site-specific digital projections to complement the music. \nThe collaboration will result in a forthcoming limited-release vinyl recording of the performance and other duets for Mellotron composed by the artists. \nEvent tickets can be purchased in advance\, online for $30 (includes a copy of the record) or $15 (performance only). Capacity is limited. Performance location is Crosstown Arts at 422 N. Cleveland\, Memphis. A complimentary reception will take place prior to the performance. \n\nTICKETS \nDuets for Mellotron\nSaturday\, April 16\, 8 pm doors/8:30 pm show (45 mins)\nCrosstown Arts\, 422 N. Cleveland\nTickets: $15 / $30 with record\nSOLD OUT \n\nDuets for Mellotron Encore\nSunday\, April 17\, 7:30 pm doors/8 pm show (45 mins)\nCrosstown Arts\, 422 N. Cleveland\nTickets: $15 / $30 with record \n \n\n\n\nOrganized by Robby Grant\, Jonathan Kirkscey\, and Winston Eggleston \nMore about the Mellotron: \nThe Mellotron is essentially a giant cassette tape player\, operated manually by pressing keys on a keyboard. When a key is struck\, a prerecorded sound is played/heard\, conceptually making the Mellotron an analog forerunner to digital sampling. \nAn American engineer named Harry Chamberlin invented the precursor to the Mellotron in the late 1940s. While playing his Hammond organ\, he wondered if it would be possible to create a keyboard instrument that allowed the player to reproduce a wider range of orchestral and brass sounds. Over the course of many decades and through the hands of several manufacturers and marketers\, the Mellotron’s technology and appearance took many forms. \nWhile the individual instruments sampled for the Mellotron were recorded in the highest available fidelity for the time\, the wow and flutter of the tape playback mechanism\, as well as the ability to affect volume and speed through the relative amount of pressure applied to the keys all contribute to the instrument’s characteristic sound. \nThe iconic sound of the Mellotron has helped shape important moments in the history of modern music\, such as the Beatles’ “Strawberry Fields Forever\,” and work by The Moody Blues\, Pink Floyd\, Yes\, Genesis\, and Led Zeppelin\, to name a few. \nMore about the artists/organizers: \nJonathan Kirkscey and Robby Grant have been playing music together for over 10 years with the band Mouserocket. Jonathan also performs with Glorie\, String Theory\, the Memphis Symphony\, and recently scored the documentary “Best of Enemies.” Robby has performed at Crosstown previously with the experimental band\, >mancontrol<. He most recently recorded and released “Let the Little Things Go” under the Vending Machine moniker.
URL:https://crosstownarts.org/calendar/duets-for-mellotron-encore/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery,Programs
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