BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Crosstown Arts - ECPv6.15.17.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://crosstownarts.org
X-WR-CALDESC:Events for Crosstown Arts
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Chicago
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20170312T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20171105T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20180311T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20181104T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20190310T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20191103T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20200308T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20201101T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20210314T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20211107T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20220313T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20221106T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20230312T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20231105T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20240310T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20241103T070000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221118
DTEND;VALUE=DATE:20230327
DTSTAMP:20260514T100213
CREATED:20221028T171615Z
LAST-MODIFIED:20230222T211607Z
UID:10004242-1668794400-1679857199@crosstownarts.org
SUMMARY:“Those Who Hold Dominion Here”
DESCRIPTION:On view November 18\, 2022\, to March 26\, 2023\nCrosstown Arts Galleries\nFree and open to the public \nGallery Hours\nTuesday–Friday: 10 a.m. – 8 p.m.\nSaturday: 10 a.m. – 6 p.m.\nSunday: noon– 6 p.m. \n“Those Who Hold Dominion Here” by Sarah Elizabeth Cornejo takes inspiration from serpents in Incan Mythology\, and Southern snakes to create a liminal space at the center of the earth presided over by deities capable of transgressing the boundary between this subterranean spiritual realm and our current lived reality. After the violence of our present\, portals on the walls reminiscent of black holes observe and allow entry and exit to the space. Observing through these windows our human actions on earth\, these yonic\, serpentine deities rise encrusted from the deepest earth\, unknowable\, and as guides responsible for the passage of knowledge. Bringing humanity to a negotiation of human time on earth\, they facilitate the decision to exit the space through another portal\, on to an unknown world to come\, or the possibility of complete non-existence. \nSarah Elizabeth Cornejo is an interdisciplinary artist based in Memphis\, Tennessee. She is a co-founder of BASEMENT\, a provisional artist-run space in Chapel Hill\, North Carolina\, where she was also a co-curator from 2019-2022. Her work has been shown throughout the eastern United States and internationally including the Mint Museum\, Ackland Art Museum\, Duke University\, and Field Projects among others. She received her MFA in Interdisciplinary Studio from The University of North Carolina at Chapel Hill\, and her BA in Studio Art and English Literature from Davidson College. She was a 10-month artist-in-residence at Crosstown Arts (2021) and is an upcoming artist-in-residence at the McColl Center (2023). She was a 2021 New Public Sculpture Fellow with the UrbanArts Commission in Memphis\, and a 2021 recipient of TriStar Arts’ inaugural Current Art Fund project grant. She was awarded the 2022 Tennessee State Fellowship through the Southern Prize and State Fellowship Program\, and was the finalist for the Southern Prize. \n 
URL:https://crosstownarts.org/calendar/those-who-hold-dominion-here/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2022/10/CORNEJO_01-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20221118T120000
DTEND;TZID=America/Chicago:20221118T140000
DTSTAMP:20260514T100213
CREATED:20221028T172647Z
LAST-MODIFIED:20221101T222715Z
UID:10004243-1668772800-1668780000@crosstownarts.org
SUMMARY:Opening Reception for “Mending in a State of Abundance”
DESCRIPTION:Crosstown Arts presents the opening reception for “Mending in a State of Abundance” by Katrina Perdue. \nNovember 18\, 2022\n6-8 p.m.\nCrosstown Arts Galleries\nFree and open to the public \n“Mending in a State of Abundance” explores the emotional and physical labor of repair\, offering an alternative response to the modern realities of material excess. Through slowly mending both found and personal objects by hand\, textile artist Katrina Perdue investigates connections and relationships between sentimental and material worth\, surplus and enough\, holding on and letting go.  \nThroughout the exhibition\, damaged objects repaired with colorful threads emphasize and celebrate worn areas — not only to preserve and restore\, but also to offer a renewed sense of value\, appreciation\, and usefulness. Using darning techniques in traditional and nontraditional ways\, stitching serves as a visual representation of mending as an act of care. To fix something — to make it whole again — is an act of healing.  \nExtending the life of any object is also a significant gesture towards a more sustainable existence. Displayed alongside the carefully mended pieces are all too familiar scenes of excess — piles of handmade quilts in need of repair\, mass quantities of unwanted clothing bundled in bales like harvest crops. This visual interplay of abundance and scarcity calls into focus the paradox of fixing things in a culture of mass consumerism and disposability.  \nFrom emotional repairs like the artist’s own jeans heavily patched with layers of her late father’s clothing\, to a cracked plastic garden tote pulled from the garbage and stitched back together\, “Mending in a State of Abundance” is about seeing the potential in worn-out everyday objects. Through repair\, we can rethink consumption and imbue our own value on possessions and resources. As we navigate the vicissitudes of life\, piecing together broken materials can also make a way forward feel tangible — one thread\, one stitch\, one step at a time. \nKatrina Perdue is a textile artist and educator living and working in Memphis\, Tennessee. Her love for hand stitching has grown over the past twenty years from first learning machine sewing\, quickly followed by hand knitting\, and most recently to a full time studio practice focusing on the art and impact of mending and repair. She was selected to be a textile studio assistant at Penland School of Craft for a summer 2019 mending workshop\, a 2020 Arts Memphis ArtsAccelerator Grantee\, and an adjunct instructor of Textiles at the University of Memphis.  \nKatrina was born and raised in the Midwest\, spent several years living in the Mid-Atlantic\, and now calls Memphis — the heart of the Mid-South — home. \nInstagram: @katrinaperdue \nWebsite: www.katrinaperdue.com
URL:https://crosstownarts.org/calendar/opening-reception-for-mending-in-a-state-of-abundance/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2022/10/kperdue_rubbermaidtote2-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20221118T120000
DTEND;TZID=America/Chicago:20221118T140000
DTSTAMP:20260514T100213
CREATED:20221028T171128Z
LAST-MODIFIED:20221028T172810Z
UID:10004241-1668772800-1668780000@crosstownarts.org
SUMMARY:Opening Reception for “Those Who Hold Dominion Here”
DESCRIPTION:Crosstown Arts presents the opening reception for “Those Who Hold Dominion Here” by Sarah Elizabeth Cornejo. \nNovember 18\, 2022\n6-8 p.m.\nCrosstown Arts Galleries\nFree and open to the public \n“Those Who Hold Dominion Here” by Sarah Elizabeth Cornejo takes inspiration from serpents in Incan Mythology\, and Southern snakes to create a liminal space at the center of the earth presided over by deities capable of transgressing the boundary between this subterranean spiritual realm and our current lived reality. After the violence of our present\, portals on the walls reminiscent of black holes observe and allow entry and exit to the space. Observing through these windows our human actions on earth\, these yonic\, serpentine deities rise encrusted from the deepest earth\, unknowable\, and as guides responsible for the passage of knowledge. Bringing humanity to a negotiation of human time on earth\, they facilitate the decision to exit the space through another portal\, on to an unknown world to come\, or the possibility of complete non-existence. \nSarah Elizabeth Cornejo is an interdisciplinary artist based in Memphis\, Tennessee. She is a co-founder of BASEMENT\, a provisional artist-run space in Chapel Hill\, North Carolina\, where she was also a co-curator from 2019-2022. Her work has been shown throughout the eastern United States and internationally including the Mint Museum\, Ackland Art Museum\, Duke University\, and Field Projects among others. She received her MFA in Interdisciplinary Studio from The University of North Carolina at Chapel Hill\, and her BA in Studio Art and English Literature from Davidson College. She was a 10-month artist-in-residence at Crosstown Arts (2021) and is an upcoming artist-in-residence at the McColl Center (2023). She was a 2021 New Public Sculpture Fellow with the UrbanArts Commission in Memphis\, and a 2021 recipient of TriStar Arts’ inaugural Current Art Fund project grant. She was awarded the 2022 Tennessee State Fellowship through the Southern Prize and State Fellowship Program\, and was the finalist for the Southern Prize.
URL:https://crosstownarts.org/calendar/opening-reception-for-those-who-hold-dominion-here/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2022/10/CORNEJO_02-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220603
DTEND;VALUE=DATE:20221024
DTSTAMP:20260514T100213
CREATED:20220616T174819Z
LAST-MODIFIED:20220907T173611Z
UID:10003461-1654282800-1666551599@crosstownarts.org
SUMMARY:The Art of Science
DESCRIPTION:On view June 4\, 2022 to October 23\, 2022\nCrosstown Arts Galleries\nFree and open to the public \nGallery Hours\nTuesday–Friday: 10 am – 8 pm\nSaturday: 10 am – 6 pm\nSunday: noon– 6 pm \nPresented by Crosstown Arts and Le Bonheur Children’s Hospital in collaboration with the University of Tennessee Health Science Center \nSponsored by Le Bonheur Children’s Hospital and the Children’s Research Foundation Institute \nExploring the beauty of science and the power of art: Local artists paired up with medical research scientists and clinicians from across Memphis.  \nTogether these scientists and artists introduce new audiences to science that is saving lives every day. Local researchers not only strive to prevent and cure childhood illnesses\, but are also making discoveries that can improve the health and well-being of all Memphians and people everywhere. Over thirty local artists will present a piece of art inspired by the work of area researchers and clinicians\, which will also be on display alongside the works of art. The Art of Science artists create unique portals that enable viewers to peer inside the clinics and laboratories of the renowned facilities at Le Bonheur Children’s Hospital\, the University of Tennessee Health Science Center\, and St Jude Children’s Hospital.
URL:https://crosstownarts.org/calendar/the-art-of-science/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2022/06/ArtOfScience_2022_FB-AdBanner-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220421
DTEND;VALUE=DATE:20220502
DTSTAMP:20260514T100213
CREATED:20220126T220558Z
LAST-MODIFIED:20220421T135110Z
UID:10003374-1650567600-1651431599@crosstownarts.org
SUMMARY:Long Story Short
DESCRIPTION:This Friday\, April 22\, 2022 from 6-8pm\, join us for an opening reception for “Long Story Short” (presented by University of Memphis BFA students in the West Gallery) and “Fourth Kind” (presented by University of Memphis graduate students in the East Gallery).⁠ ⁠\n\nThe shows will be on view through Sunday\, May 1\, 2022.
URL:https://crosstownarts.org/calendar/long-story-short/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:West Gallery
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2022/01/long-story-short-Postcard-250dpi.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220421
DTEND;VALUE=DATE:20220502
DTSTAMP:20260514T100213
CREATED:20220126T220558Z
LAST-MODIFIED:20220421T184809Z
UID:10003376-1650567600-1651431599@crosstownarts.org
SUMMARY:The Fourth Kind
DESCRIPTION:This Friday\, April 22\, 2022 from 6-8pm\, join us for an opening reception for “Long Story Short” (presented by University of Memphis BFA students in the West Gallery) and “The Fourth Kind” (presented by University of Memphis graduate students in the East Gallery).⁠ ⁠\n\nThe shows will be on view through Sunday\, May 1\, 2022.
URL:https://crosstownarts.org/calendar/fourth-kind/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:East Gallery
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2022/01/Screen-Shot-2022-04-21-at-8.50.47-AM.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220410T100000
DTEND;TZID=America/Chicago:20220410T120000
DTSTAMP:20260514T100213
CREATED:20220331T222528Z
LAST-MODIFIED:20220404T160911Z
UID:10004130-1649584800-1649592000@crosstownarts.org
SUMMARY:Memphis Quarantine Closing Ceremony
DESCRIPTION:The Memphis Quarantine exhibit is coming to an end. Join photographer Jamie Harmon for a closing reception Sunday\, April 10\, from 3 – 5pm in the Crosstown Arts Galleries. Anyone that has a photo in the exhibit is welcome to take it home with them at no charge. The prints are large so if anyone wants to order a reprint at a custom size Jamie will be taking orders for those as well (there is a reasonable fee for re-prints).
URL:https://crosstownarts.org/calendar/memphis-quarantine-closing-ceremony/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2022/03/MemphisQuarantine_ClosingCeremony_04_10_22_WebGraphic-SQUARE-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220218
DTEND;VALUE=DATE:20220411
DTSTAMP:20260514T100213
CREATED:20220126T220558Z
LAST-MODIFIED:20220128T172253Z
UID:10003373-1645142400-1649635199@crosstownarts.org
SUMMARY:Memphis Quarantine
DESCRIPTION:Crosstown Arts presents an exhibition of photographer Jamie Harmon’s Memphis Quarantine photographs.\n\nFrom March 13-May 31\, 2020\, Jamie Harmon photographed more than 2\,000 people at more than 800 homes in the Greater Memphis area to document life during the quarantine period of the global Covid-19 pandemic. Through portraiture\, the images document Memphis residents’ shared isolation anxieties and bonds renewed by survival\, hope\, and solidarity.\n\n\n\n\n\n\nAbout Jamie Harmon: \nJamie Harmon is a Memphis-based photographer with decades of experience in documenting both found objects and human subjects through film and digital media. A visual anthropologist\, Harmon’s photographs have been featured in the New York Times\, CBS News\, Bitter Southerner and Memphis Magazine. His latest project “Quarantine Memphis” offers an intimate\, early record of life during the 2020 global pandemic through showcasing home-bound notable local figures and everyday Memphians. Through portraiture\, the images document Memphis residents’ shared isolation anxieties and bonds renewed by survival\, hope and solidarity. His other work includes an ongoing portable studio called “Amurica\,” a renovated midcentury Airstream trailer lit with bright\, whimsical props that help visitors come alive with color in the shutter. Grounded in an exploration of place from community to individual to object\, Harmon’s work breathes in a sincere interest in capturing human emotion and character as story. \nArtist Statement:\nThe Memphis Quarantine Project started on March 13\, 2020\, when I\, along with many others\, officially started distancing from one another. I thought I needed something to keep me busy but still be safe. I assumed this would only be for a few weeks and asked a friend if I could photograph them from outside their home. This led to posting an open invitation on social media\, and the project quickly grew to hundreds of people. I eventually reached over 1\,200 people on the sign up link before I had to put a freeze on it. \nFrom March 13 through May 31\, 2020\, I photographed over 800 dwellings and 2\,000 people with an average of 13 photoshoots a day\, each lasting between 15 -30 minutes. Leah Keys\, my partner\, sorted and scheduled all 800 requests by zip code and surrounding cities in the greater Memphis area with daily efficiency routes\, which made it possible to keep such a tight schedule. After the photos were taken\, there was still editing and sorting to do. Generally 8 hours of shooting would lead to another 8 hours of editing. So even though the shooting stopped at the end of May\, the editing continued every day until July. \nThe project was free for participants. Each home\, person\, or family received a private web link with edited images that they could download at no charge. Although many people donated to the project\, it was never advertised as a requirement in efforts to keep participation equitable.
URL:https://crosstownarts.org/calendar/memphis-quarantine/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2022/01/LaShara-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200514
DTEND;VALUE=DATE:20200817
DTSTAMP:20260514T100213
CREATED:20200218T192559Z
LAST-MODIFIED:20200508T184252Z
UID:10003236-1589482800-1597604399@crosstownarts.org
SUMMARY:POSTPONED Art of Science 2020
DESCRIPTION:This event is postponed until further notice. \nCrosstown Arts\, Le Bonheur Children’s Hospital\, and the University of Tennessee Health Science Center (UTHSC) present the 7th annual Art of Science exhibition. \nLocal artists are paired up with medical research scientists and doctors from across Memphis. Together\, scientists and artists create work that introduces new audiences to the science that is saving children’s lives everyday in Memphis. \nResearchers at Le Bonheur and UTHSC not only strive to prevent and cure childhood illnesses\, but are also making discoveries that can improve the health and well-being of all Memphians. By making art inspired by their research\, Art of Science artists create unique portals that enable viewers to peer inside the laboratories of these renowned facilities.
URL:https://crosstownarts.org/calendar/art-of-science-2020/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
ATTACH;FMTTYPE=image/png:https://crosstownarts.org/wp-content/uploads/2020/02/aos-2020-call-to-artists-square-logos-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190728T080000
DTEND;TZID=America/Chicago:20190728T100000
DTSTAMP:20260514T100213
CREATED:20190711T210829Z
LAST-MODIFIED:20190711T210829Z
UID:10003736-1564300800-1564308000@crosstownarts.org
SUMMARY:Stitched Finale
DESCRIPTION:Join us on July 28 from 1-3 pm to celebrate the STITCHED exhibitions at Crosstown Arts. This will be the last time you’ll be able to see the shows. We’re going to announce the viewer’s choice awards\, debut the community quilt made during Maria Shell’s workshop in June\, and acknowledge all of the artists and volunteers who made these shows a reality. \nAnnouncement of the Viewer’s Choice awards will be at 2pm. We will be asking artists to take their quilts down during the celebration. Artists are encouraged to take pictures of your quilt and post them on the Stitched2019 Facebook page as a remembrance of the events. If you will be picking up a quilt for another person you will need to have written permission from that person. \nBLUE show posters will be available at the event. \nIf you have a quilt in the show and are unable to attend the event\, your quilt will be available for pick up from July 29-August 2 from 12-4pm\, Tuesday through Friday at Crosstown Arts. Note that the galleries are closed on Monday.
URL:https://crosstownarts.org/calendar/stitched-finale/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2019/07/Stitched_Finale.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190509
DTEND;VALUE=DATE:20190729
DTSTAMP:20260514T100213
CREATED:20181106T221542Z
LAST-MODIFIED:20190612T155230Z
UID:10003424-1557428400-1564340399@crosstownarts.org
SUMMARY:BLUE
DESCRIPTION:A regional quilt challenge in conjunction with Stitched: The Art of Quilting. The BLUE challenge features over 230 quilts in blue made by quilters and artists from the Mid-South. \nArtists were asked to design traditional\, modern or art-focused quilts. These range from appliquéd\, pieced\, collaged\, fused\, engineered\, hand- or machine-stitched\, 3-D\, painted\, sculpted\, and any variation in between. The only thing they have in common: 3 layers and stitching. \nThis event is in conjunction with Stitched: Celebrating the Art of Quilting — a festival at Crosstown Arts with art exhibitions\, public quilting workshops\, and a Gathering of the Guilds showcase. Stitched runs from May 10-July 28\, 2019.
URL:https://crosstownarts.org/calendar/blue/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2018/11/BLUEchallenge_Stitched.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190402T110000
DTEND;TZID=America/Chicago:20190402T120000
DTSTAMP:20260514T100213
CREATED:20190327T201846Z
LAST-MODIFIED:20190402T183502Z
UID:10002986-1554202800-1554206400@crosstownarts.org
SUMMARY:Culture Club: Young Collectors Contemporary Art Fair
DESCRIPTION:Culture Club invites you to Crosstown Arts on Tuesday\, April 2 to view the current exhibition Young Collectors Contemporary Art Fair presented by Young Arts Patrons. \nThe exhibition showcases a national roster of emerging artists from Memphis and beyond.  Please join our conversation with Young Arts Patrons founder and executive director Whitney Hardy\, as she discusses the significance of collecting art and supporting emerging artists. \n\nMission Statement:\n\nCulture Club is an emergent conversation project for women hosted by Linda Pelts in conjunction with Crosstown Arts. By sharing the experience of art throughout our city\, we aim to activate our sense of community\, build new friendships and open minds.\n\nCulture Club is open to the public. If you identify as a women and are interested in joining the conversation\, please contact Laurel Sucsy at laurel@crosstownarts.org. 
URL:https://crosstownarts.org/calendar/culture-club-young-collectors-contemporary-art-fair/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2019/03/00A815C7-4B41-407F-9C1A-C32B5FA0CCAB.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190321
DTEND;VALUE=DATE:20190408
DTSTAMP:20260514T100213
CREATED:20190322T172848Z
LAST-MODIFIED:20190322T172848Z
UID:10002978-1553194800-1554663599@crosstownarts.org
SUMMARY:Young Collectors Contemporary
DESCRIPTION:Now in its fourth edition\, Young Collectors Contemporary is one the most celebrated art events and the perfect destination to discover and buy visual art from emerging artists. \nThe four-day art fair and conference includes an open-to-the-public exhibition with multidisciplinary work by emerging artists. The goal is to expand the spectrum of artists to new and existing collectors to support the arts economy. \nArtists include: Jonathan Adams\, Khadija Nia Adell\, Chambers Austelle\, Nuveen Barwari\, Erick Antonio Benitez\, Natalie Eddings\, Adama Delphine Fawundu\, Phylicia Ghee\, Jerrell Gibbs\, LaToya Hobbs\, Courtney\, Khail\, Marcus Manganni\, Sarah Stefana Smith\, Austin Stern\, Andrew Gray\, Anna Bearman\, Brittney Boyd Bullock\, Richard Echols\, Paige Ellens\, Dustin Hedrick\, Lacy Mitcham Veteto\,  Kyle Owens\, Raymond Padron\, Clay Palmer\, Jess Tinsley\, Tracy Treadwell\, and Melissa Wilkinson. \n 
URL:https://crosstownarts.org/calendar/young-collectors-contemporary-2/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
ATTACH;FMTTYPE=image/png:https://crosstownarts.org/wp-content/uploads/2019/03/Screen-Shot-2019-03-22-at-12.27.39-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180727T140000
DTEND;TZID=America/Chicago:20180727T160000
DTSTAMP:20260514T100213
CREATED:20180329T154935Z
LAST-MODIFIED:20180724T190113Z
UID:10002795-1532700000-1532707200@crosstownarts.org
SUMMARY:Opening Reception for Art of the South 2018
DESCRIPTION:Opening reception for the fifth annual Art of the South exhibition\, presented by Number: Featuring work by artists from Alabama\, Arkansas\, Florida\, Georgia\, Kentucky\, Louisiana\, Maryland\, Missouri\, Mississippi\, North Carolina\, Oklahoma\, Tennessee\, Texas\, South Carolina\, Virginia\, West Virginia\, and Washington DC. \nThe exhibition is juried by Brian Jobe\, artist\, educator\, independent curator\, and non-profit co-director of Locate Arts based in Nashville\, TN. \nFeatured artists:\nRichard Armendariz\nApril Bachtel\nBridget Bailey\nLeticia Bajuyo\nOmari Booker\nMark Brosseau\nJason S. Brown\nRichie Budd\nNancy Cheairs\nPaul Collins\nSage Dawson\nDawn Dickins\nKimberly Dummons\nSamuel Dunson\nNatalie Eddings\nBrian Edmonds\nBeth Edwards\nVirginia Fleck\nLynne Ghenov \nMichael Giles\nBuster Graybill Flyswatter\nGeorganna Greene\nVirginia Griswold\nAndy Harding\nKatie Hargrave\nNatalie Harrison\nAnne Herbert \nChintia Kirana\nPaula Kovarik\nSilvan Laan\nTad  Lauritzen Wright\nKatie  Maish\nElysia Mann\nT. Michael Martin\nAlex McClurg\nErica Mendoza\nAverell Mondie & Terri Phillips\nJeffrey Morton\nJoe Nolan\nMeredith Olinger\nClay Palmer\nChristen Parker\nNick Peña\nGiang Pham\nNate Renner\nNikii Richey\nZach Searcy \nRyan Steed\nJason Stout\nHills Snyder\nChris Boyd Taylor\nAugusta Toppins\nNatalie Tyree\nMary VanGieson\nJonathan Whitfill\nA.C. Wilson\nTom Wixo\nJessica Wohl 
URL:https://crosstownarts.org/calendar/opening-reception-for-art-of-the-south-2018/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2018/03/number-inc-art-of-the-south-billboard-3.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180726
DTEND;VALUE=DATE:20180903
DTSTAMP:20260514T100213
CREATED:20180329T153935Z
LAST-MODIFIED:20180620T165023Z
UID:10002794-1532631600-1535914799@crosstownarts.org
SUMMARY:Number: Presents Art of the South 2018
DESCRIPTION:The fifth annual Art of the South exhibition\, presented by Number:\, is open to all artists 18 and older working in any media residing in Alabama\, Arkansas\, Florida\, Georgia\, Kentucky\, Louisiana\, Maryland\, Missouri\, Mississippi\, North Carolina\, Oklahoma\, Tennessee\, Texas\, South Carolina\, Virginia\, West Virginia\, and Washington DC. \nThe exhibition will be juried by Brian Jobe\, artist\, educator\, independent curator\, and non-profit co-director of Locate Arts based in Nashville\, TN. \n\nFeatured artists:\nRichard Armendariz\nApril Bachtel\nBridget Bailey\nLeticia Bajuyo\nOmari Booker\nMark Brosseau\nJason S. Brown\nRichie Budd\nNancy Cheairs\nPaul Collins\nSage Dawson\nDawn Dickins\nKimberly Dummons\nSamuel Dunson\nNatalie Eddings\nBrian Edmonds\nBeth Edwards\nVirginia Fleck\nLynne Ghenov \nMichael Giles\nBuster Graybill Flyswatter\nGeorganna Greene\nVirginia Griswold\nAndy Harding\nKatie Hargrave\nNatalie Harrison\nAnne Herbert \nChintia Kirana\nPaula Kovarik\nSilvan Laan\nTad  Lauritzen Wright\nKatie  Maish\nElysia Mann\nT. Michael Martin\nAlex McClurg\nErica Mendoza\nAverell Mondie & Terri Phillips\nJeffrey Morton\nJoe Nolan\nMeredith Olinger\nClay Palmer\nChristen Parker\nNick Peña\nGiang Pham\nNate Renner\nNikii Richey\nZach Searcy \nRyan Steed\nJason Stout\nHills Snyder\nChris Boyd Taylor\nAugusta Toppins\nNatalie Tyree\nMary VanGieson\nJonathan Whitfill\nA.C. Wilson\nTom Wixo\nJessica Wohl  \n\nBiography of the Juror\nBrian Russell Jobe (American\, b. 1981) is an artist\, educator\, independent curator\, and\nnon-profit co-director based in Nashville\, TN. \nIn 2015\, Brian and Carolyn Jobe founded Locate Arts\, an organization that connects\nand promotes contemporary visual art in Tennessee. Presently\, he is the Co-Executive\nDirector of Locate Arts + Seed Space. He also teaches art courses at Lipscomb\nUniversity. \nJobe’s studio practice is focused on sculpture\, installation\, and public art. His solo\nexhibitions/ projects have been on view at venues such as Mixed Greens Gallery (New\nYork\, NY)\, Blue Star Contemporary Art Museum (San Antonio\, TX)\, the University of\nWyoming (Laramie\, WY)\, the University of Tennessee College of Architecture + Design\n(Knoxville\, TN)\, and the McNay Art Museum (San Antonio\, TX). \nBorn in Houston\, Texas and raised in Memphis\, Tennessee\, Jobe received a Bachelor of Fine Arts degree from the University of Tennessee in 2004 and Master of Fine Arts degree from the University of Texas at San Antonio in 2006. After living in Brooklyn\, NY for a time\, he relocated with his wife\, painter Carolyn Jobe\, to Tennessee.
URL:https://crosstownarts.org/calendar/number-presents-art-of-the-south-2018/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2018/03/number-inc-art-of-the-south-billboard-3.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180613T130000
DTEND;TZID=America/Chicago:20180613T140000
DTSTAMP:20260514T100213
CREATED:20180521T164720Z
LAST-MODIFIED:20180521T164720Z
UID:10002814-1528894800-1528898400@crosstownarts.org
SUMMARY:Pinkney Herbert: Artist Talk
DESCRIPTION:Artist Pinkney Herbert will discuss his work in Distilled: The Narrative Transformed\, which will be on view at Crosstown Arts May 26-July 4.\n\n\n \n\n\nThis 30-year survey of Herbert’s work tracks his transition from narrative beginnings through the development of a personal abstract vocabulary that both thrills and seduces the viewer.\n\n\n\n\nArtist Statement:\nSince 2008\, I have divided my time between Memphis and New York. Working in both cities has inspired a sense of exploration and a certain amount of nervous energy in my paintings and drawings. My intent is to allow for the funky\, raw history of Memphis to collide with the frenetic energy of New York City. This dichotomy fires my intuitive impulses\, allowing them to surface and meet head​-on in an ever-changing conflict​ between the emotional and the cerebral. The gestural marks I make attempt to bridge that gap. I am influenced by many other sources\, including the figure\, architecture\, maps\, water\, music\, urban imagery\, and digital technology. During the last few years\, my goal has been to expand my abstract language to question and illuminate the connections and contradictions between my interior world and the real world. \n\nAbout the Artist:\nPinkney Herbert was born in Charlotte\, NC in 1954. He received his BA from Rhodes College and his MFA from the University of Memphis. Herbert is the recipient of Fellowships from the National Endowment for the Arts\, the Tennessee Arts Commission\, and USIA-Arts  America. He is has exhibited throughout the US\, Europe\, Japan\, and Southeast Asia. His art is in numerous national and international collections and in the permanent collections of the New Orleans Museum of Art\, Ogden Museum of Southern Art\, Memphis Brooks Museum of Art\, and the Arkansas Arts Center\, among others. \nHerbert is represented by David Lusk Gallery\, Memphis\, TN; Sandler Hudson Gallery\, Atlanta\, GA; Boyd Satellite\, New Orleans\, LA; ADA Gallery\, Richmond\, VA; and Greg Thompson Fine Arts\, North Little Rock\, AR. He is a fellow and has served as trustee of the Virginia Center for the Creative Arts (VCCA)\, Amherst\, VA (2008-2017). He currently serves as president of VCCA-France\, a residency program in Auvillar\, France\, and has served on that board since 2009. He is also the founding director of Marshall Arts\, an alternative gallery\, performance\, and studio space he established in Memphis in 1992. For the past ten years\, he has divided his time equally between New York and Memphis. \nIn November 2015\, the Ewing Gallery of Art and Architecture at the University of Tennessee\, Knoxville mounted a 30-year survey of Herbert’s work entitled Distilled: The Narrative Transformed. In 2013-2014\, Herbert was awarded a year-long studio as part of the Marie Walsh Sharpe Foundation Space Program in Brooklyn\, NY. \nHerbert has taught painting and drawing at the University of Georgia Study Abroad Program in Cortona\, Italy\, and also at the Penland School of Crafts\, the Arrowmont School\, the Telluride School of Painting\, Rhodes College\, the University of Memphis\, and the Memphis College of Art. He has been a visiting artist at the University of Tennessee\, Knoxville\, TN; the Academy of Fine Arts\, Helsinki\, Finland; the Institute of Fine Arts\, Lahti\, Finland; the Academy of Fine Arts\, Prague\, Czech Republic; University of Fine Arts\, Hanoi\, Vietnam; and the Oberfalzer Kuntzlerhaus\, Schwandorf\, Germany.
URL:https://crosstownarts.org/calendar/pinkney-herbert-artist-talk/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2018/04/Pinkney-Herbert-Pollination-Celebration-pastel-mixed-media-on-paper-96x-110-in.-1993-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180526T130000
DTEND;TZID=America/Chicago:20180526T160000
DTSTAMP:20260514T100213
CREATED:20180419T161708Z
LAST-MODIFIED:20180628T183646Z
UID:10003289-1527339600-1527350400@crosstownarts.org
SUMMARY:Opening Reception — Distilled: The Narrative Transformed
DESCRIPTION:A 30-year survey of Pinkney Herbert’s vibrant body of work.  \nThis exhibition tracks Herbert’s transition from his narrative beginnings through the development of a personal abstract vocabulary that both thrills and seduces the viewer. \nOn view through through July 3 \nCurated by Sam Yates\, T. Michael Martin\, and David Lusk in collaboration with Crosstown Arts \n\nArtist Statement:\nSince 2008\, I have divided my time between Memphis and New York. Working in both cities has inspired a sense of exploration and a certain amount of nervous energy in my paintings and drawings. My intent is to allow for the funky\, raw history of Memphis to collide with the frenetic energy of New York City. This dichotomy fires my intuitive impulses\, allowing them to surface and meet head​-on in an ever-changing conflict​ between the emotional and the cerebral. The gestural marks I make attempt to bridge that gap. I am influenced by many other sources\, including the figure\, architecture\, maps\, water\, music\, urban imagery\, and digital technology. During the last few years\, my goal has been to expand my abstract language to question and illuminate the connections and contradictions between my interior world and the real world. \nAbout the Artist:\nPinkney Herbert was born in Charlotte\, NC in 1954. He received his BA from Rhodes College and his MFA from the University of Memphis. Herbert is the recipient of Fellowships from the National Endowment for the Arts\, the Tennessee Arts Commission\, and USIA-Arts  America. He is has exhibited throughout the US\, Europe\, Japan\, and Southeast Asia. His art is in numerous national and international collections and in the permanent collections of the New Orleans Museum of Art\, Ogden Museum of Southern Art\, Memphis Brooks Museum of Art\, and the Arkansas Arts Center\, among others. \nHerbert is represented by David Lusk Gallery\, Memphis\, TN; Sandler Hudson Gallery\, Atlanta\, GA; Boyd Satellite\, New Orleans\, LA; ADA Gallery\, Richmond\, VA; and Greg Thompson Fine Arts\, North Little Rock\, AR. He is a fellow and has served as trustee of the Virginia Center for the Creative Arts (VCCA)\, Amherst\, VA (2008-2017). He currently serves as president of VCCA-France\, a residency program in Auvillar\, France\, and has served on that board since 2009. He is also the founding director of Marshall Arts\, an alternative gallery\, performance\, and studio space he established in Memphis in 1992. For the past ten years\, he has divided his time equally between New York and Memphis. \nIn November 2015\, the Ewing Gallery of Art and Architecture at the University of Tennessee\, Knoxville mounted a 30-year survey of Herbert’s work entitled Distilled: The Narrative Transformed. In 2013-2014\, Herbert was awarded a year-long studio as part of the Marie Walsh Sharpe Foundation Space Program in Brooklyn\, NY. \nHerbert has taught painting and drawing at the University of Georgia Study Abroad Program in Cortona\, Italy\, and also at the Penland School of Crafts\, the Arrowmont School\, the Telluride School of Painting\, Rhodes College\, the University of Memphis\, and the Memphis College of Art. He has been a visiting artist at the University of Tennessee\, Knoxville\, TN; the Academy of Fine Arts\, Helsinki\, Finland; the Institute of Fine Arts\, Lahti\, Finland; the Academy of Fine Arts\, Prague\, Czech Republic; University of Fine Arts\, Hanoi\, Vietnam; and the Oberfalzer Kuntzlerhaus\, Schwandorf\, Germany.
URL:https://crosstownarts.org/calendar/opening-reception-distilled-the-narrative-transformed/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2018/04/Pinkney-Herbert-Pollination-Celebration-pastel-mixed-media-on-paper-96x-110-in.-1993-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180525
DTEND;VALUE=DATE:20180704
DTSTAMP:20260514T100213
CREATED:20180419T160834Z
LAST-MODIFIED:20180628T183714Z
UID:10003288-1527274800-1530644399@crosstownarts.org
SUMMARY:Pinkney Herbert — Distilled: The Narrative Transformed
DESCRIPTION:A 30-year survey of Pinkney Herbert’s vibrant body of work.  \nThis exhibition tracks Herbert’s transition from his narrative beginnings through the development of a personal abstract vocabulary that both thrills and seduces the viewer. \nOpening reception: Saturday\, May 26\, 6-9 pm \nCurated by Sam Yates\, T. Michael Martin\, and David Lusk in collaboration with Crosstown Arts \n\nArtist Statement:\nSince 2008\, I have divided my time between Memphis and New York. Working in both cities has inspired a sense of exploration and a certain amount of nervous energy in my paintings and drawings. My intent is to allow for the funky\, raw history of Memphis to collide with the frenetic energy of New York City. This dichotomy fires my intuitive impulses\, allowing them to surface and meet head​-on in an ever-changing conflict​ between the emotional and the cerebral. The gestural marks I make attempt to bridge that gap. I am influenced by many other sources\, including the figure\, architecture\, maps\, water\, music\, urban imagery\, and digital technology. During the last few years\, my goal has been to expand my abstract language to question and illuminate the connections and contradictions between my interior world and the real world. \nAbout the Artist:\nPinkney Herbert was born in Charlotte\, NC in 1954. He received his BA from Rhodes College and his MFA from the University of Memphis. Herbert is the recipient of Fellowships from the National Endowment for the Arts\, the Tennessee Arts Commission\, and USIA-Arts  America. He is has exhibited throughout the US\, Europe\, Japan\, and Southeast Asia. His art is in numerous national and international collections and in the permanent collections of the New Orleans Museum of Art\, Ogden Museum of Southern Art\, Memphis Brooks Museum of Art\, and the Arkansas Arts Center\, among others. \nHerbert is represented by David Lusk Gallery\, Memphis\, TN; Sandler Hudson Gallery\, Atlanta\, GA; Boyd Satellite\, New Orleans\, LA; ADA Gallery\, Richmond\, VA; and Greg Thompson Fine Arts\, North Little Rock\, AR. He is a fellow and has served as trustee of the Virginia Center for the Creative Arts (VCCA)\, Amherst\, VA (2008-2017). He currently serves as president of VCCA-France\, a residency program in Auvillar\, France\, and has served on that board since 2009. He is also the founding director of Marshall Arts\, an alternative gallery\, performance\, and studio space he established in Memphis in 1992. For the past ten years\, he has divided his time equally between New York and Memphis. \nIn November 2015\, the Ewing Gallery of Art and Architecture at the University of Tennessee\, Knoxville mounted a 30-year survey of Herbert’s work entitled Distilled: The Narrative Transformed. In 2013-2014\, Herbert was awarded a year-long studio as part of the Marie Walsh Sharpe Foundation Space Program in Brooklyn\, NY. \nHerbert has taught painting and drawing at the University of Georgia Study Abroad Program in Cortona\, Italy\, and also at the Penland School of Crafts\, the Arrowmont School\, the Telluride School of Painting\, Rhodes College\, the University of Memphis\, and the Memphis College of Art. He has been a visiting artist at the University of Tennessee\, Knoxville\, TN; the Academy of Fine Arts\, Helsinki\, Finland; the Institute of Fine Arts\, Lahti\, Finland; the Academy of Fine Arts\, Prague\, Czech Republic; University of Fine Arts\, Hanoi\, Vietnam; and the Oberfalzer Kuntzlerhaus\, Schwandorf\, Germany.
URL:https://crosstownarts.org/calendar/pinkney-herbert-distilled-the-narrative-transformed/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2018/04/Pinkney-Herbert-Pollination-Celebration-pastel-mixed-media-on-paper-96x-110-in.-1993-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180512T123000
DTEND;TZID=America/Chicago:20180512T160000
DTSTAMP:20260514T100213
CREATED:20180315T174722Z
LAST-MODIFIED:20180504T140129Z
UID:10003264-1526128200-1526140800@crosstownarts.org
SUMMARY:The Music of Grant Green
DESCRIPTION:Free and open to the public (register here)\nDoors at 5:30 pm | performance at 6 pm \nJazz tribute to the music of Grant Green\, featuring Joe Restivo (guitar)\, Alvie Givhan (piano)\, Tim Goodwin (acoustic bass)\, and Pee Wee Jackson (drums). \nThe Crosstown Jazz Series\, presented by Strictly Jazz Entertainment in collaboration with Crosstown Arts\, is designed to salute classic jazz music as contemporary musicians perform the work of the legends. \nGrant Green was an American jazz guitarist and composer. Recording prolifically and mainly for Blue Note Records as both leader and sideman\, Green performed in the hard bop\, soul jazz\, bebop\, and Latin-tinged idioms throughout his career. \n\nAbout Joe Restivo:\nJoe Restivo is a guitar player with over 25 years of professional experience as a performer. He is a graduate of the prestigious Jazz and Contemporary Music Program at New School University. While in New York he performed and studied with such jazz luminaries as Jack Wilkins\, Junior Mance\, Cecil Bridgewater\, and Phil Markowitz. Heavily influenced and inspired by stylistically diverse soul and jazz guitarists such as Wes Montgomery\, Tal Farlow\, Steve Cropper\, and Reggie Young\, Joe has developed into a thoroughly in-demand guitarist and composer in Memphis. \n\n\n\nAbout Strictly Jazz Entertainment:\nStrictly Jazz Entertainment is committed to cultivating a growing community in the knowledge and appreciation of jazz. We facilitate dialogue and collaboration between the devoted supporters of jazz and the brand new constituents – those new to the genre – for the furthering of the jazz community. We provide a bridge between leading artists and a community that typically does not embrace jazz by promoting concerts in various venues to generate an atmosphere that is viable for the absorption of pure jazz.
URL:https://crosstownarts.org/calendar/the-music-of-grant-green/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2018/03/IMGL8148edit.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180426T130000
DTEND;TZID=America/Chicago:20180426T150000
DTSTAMP:20260514T100213
CREATED:20180328T214557Z
LAST-MODIFIED:20180419T192447Z
UID:10002793-1524747600-1524754800@crosstownarts.org
SUMMARY:Crosstown Arts Resident Artist Talks
DESCRIPTION:Resident artists Averell Mondie\, Vanessa Gonzalez\, Josh Short\, and Carrie Rubinstein will discuss their work. \nAbout the artists:\nAverell Mondie hails from Memphis\, TN. His self-taught photography focuses on portraiture\, street photography\, and photojournalism. Averell strives daily to capture city life\, particularly in his hometown\, in a unique gritty\, moody\, and minimalist style. \nSpurred often by galvanizing community development\, Averell walks\, bikes\, and buses through the corridors and alleys of Memphis\, chasing light and exploring relics deeply rooted in the city’s past. His style becomes more defined daily\, composing many of his shots with a cinematic frame\, focusing on low light\, aggressive shadows\, and desaturated tone. \nVanessa Gonzalez is a printmaker who uses mixed media in her art work. She was born in Laredo Texas and raised in Leon Mexico. Gonzalez was exposed to Latino art and culture from an early age\, which inspired her to become passionate to its rich cultural traditions. Vanessa is currently living in Memphis TN\, where she earned her Masters Degree in Fine Arts at Memphis College of Art and is an elementary school art teacher at a charter school. Vanessa’s work has being exhibited not only in the United States but also internationally in Mexico\, Australia\, and Germany. \nJoshua Short‘s work blurs the line between audience\, artwork\, and performer\, inviting the viewer to complete the art. Much like the all-American spectacle of pro-wrestling\, the audience is part of the performance. The action of entering into the artwork as a participant generates a more authentic experience by suspending the social filters that we carry into everyday life. Short uses cultural detritus as a point of departure. The inherited meanings found within cast-off objects combined with his artistic sensibilities creates an altered space that frames contemporary American Mythologies and Rituals. \nCarrie Rubinstein is a Brooklyn-based sculptor who creates life-sized installations from paper with pen and ink. She earned her B.A. in Studio Art from Smith College\, a Post Baccalaureate degree in Sculpture from Brandeis University\, and her M.F.A. in Sculpture from Hunter College with an exchange semester at L’École des Beaux Arts in Paris. In 2013\, she was a sculpture resident at the Vermont Studio Center. This experience generated early work for Retrofit\, a full room installation made entirely from paper through drawings\, hollow constructed forms\, and casting. Brooklyn’s Rhombus Space presented Retrofit\, which was Rubinstein’s first NYC solo show\, and she was their August 2015 artist-in residence. In June 2017\, Rubinstein created the paper installation\, Found Underground\, at Hunter College’s Thomas Hunter Project Space in Manhattan. In September 2017\, Retrofit traveled to the Krasl Art Center in St. Joseph\, MI. This was Rubinstein’s first solo museum show. Other notable NYC based group shows include exhibitions at Arts@Renaissance\, Brooklyn Museum’s Go Open Studio Project\, A.I.R. Gallery\, Orgy Park\, and The Roger Smith Hotel.
URL:https://crosstownarts.org/calendar/crosstown-arts-resident-artist-talks-2/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2018/03/FUnderground_Crosstown_025.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180422T073000
DTEND;TZID=America/Chicago:20180422T100000
DTSTAMP:20260514T100213
CREATED:20180227T155718Z
LAST-MODIFIED:20180409T191014Z
UID:10003261-1524382200-1524391200@crosstownarts.org
SUMMARY:Mellotron Variations: Pt. 3
DESCRIPTION:Reprise brunch featuring a performance of various acts from Part 1 of Mellotron Variations. Q&A sessions with performers from parts 1 and 2. \nLight refreshments will be served.\nFree | Open to the public\nDoors 12:30 pm | Performance 1 pm \nMellotron Variation Part 1 will be on April 18th (free) and Part 2 will be on April 21st (free with ticket). More info on those shows here: https://goo.gl/qNkoGv \nSponsored in part by the National Endowment for the Arts
URL:https://crosstownarts.org/calendar/mellotron-variations-pt-3/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
ATTACH;FMTTYPE=image/png:https://crosstownarts.org/wp-content/uploads/2018/02/CXA-MellotronVariations-PT3-Instagram.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180421T143000
DTEND;TZID=America/Chicago:20180421T170000
DTSTAMP:20260514T100213
CREATED:20180227T153205Z
LAST-MODIFIED:20180418T173557Z
UID:10003258-1524321000-1524330000@crosstownarts.org
SUMMARY:Mellotron Variations: Pt. 2
DESCRIPTION:Due to demand\, we’re opening the 8 pm Mellotron Variations Pt. 2 performance up to everyone — no ticket required. So feel free to bring a friend\, even if they didn’t get a reserved ticket. All guests who reserved tickets for the 10:30 pm show are now welcome to come to the 8 pm show (the 10:30 show is rescheduled to the earlier time).\n\nTo accommodate everyone\, we’ve moved the 8 pm show to our East Atrium space\, which holds more guests than the Listening Room (where the show was planned to be). Just come up the red spiral staircase\, and you’ll land in the East Atrium.\n\n\n\n\n\n\nPerformance of new works and collaborations for the mellotron by Robby Grant\, Jonathan Kirkscey\, John Medeski\, and Pat Sansone. \nProjections by Winston Eggleston and John Markham. \nFree | Open to the public\nDoors 7:30 pm | Concert 8 pm \n\nMellotron Variation Part 1 will be on April 18th and Part 3 will be on April 22nd. Neither of these will require reserved tickets. More info on those shows here: https://goo.gl/qNkoGv \nSponsored in part by the National Endowment for the Arts \n \n\n\n\nAbout the artists: \nRobby Grant is a songwriter\, performer\, and producer who has recorded and released records over the past 15 years under both his name and the moniker Vending Machine. He spent the 1990s co-fronting and touring the country with Big Ass Truck and currently plays with the garage pop group Mouserocket. \nJonathan Kirkscey is a composer\, cellist\, and producer who performs regularly with the Memphis Symphony Orchestra and Mouserocket\, and is a co-founder of Blueshift Ensemble\, a contemporary classical chamber ensemble. As a film composer\, Jonathan has scored several award-winning documentaries including Best of Enemies\, directed by Morgan Neville\, and Won’t You Be My Neighbor\, a film about Fred Rogers which premieres in January 2018 at the Sundance film festival. \nWinston Eggleston is a woodworker and avid collector of Mellotrons (he recently built one from scratch). \nJohn Markham is a videographer and collaborates with the experimental group >mancontrol<. Together they created the oil-based light show that accompanied 2015’s Duets for Mellotron performance. \nPat Sansone is a multi-instrumentalist (guitar\, keyboard\, percussion\, harpsichord) from the bands Wilco and The Autumn Defense. \nJohn Medeski is an American jazz keyboard player and composer. Medeski is a veteran of New York’s 1990s avant-garde jazz scene and is known popularly as a member of Medeski Martin & Wood.
URL:https://crosstownarts.org/calendar/mellotron-variations-pt-2/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
ATTACH;FMTTYPE=image/png:https://crosstownarts.org/wp-content/uploads/2018/02/CXA-MellotronVariations-PT2-Instagram.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180418T140000
DTEND;TZID=America/Chicago:20180418T170000
DTSTAMP:20260514T100213
CREATED:20180227T154532Z
LAST-MODIFIED:20180417T170435Z
UID:10003260-1524060000-1524070800@crosstownarts.org
SUMMARY:Mellotron Variations: Pt. 1
DESCRIPTION:New work for the mellotron by composer Robert G. Patterson\, performed by members of the Memphis Symphony Orchestra. A documentary featuring keyboardist Audie Smith. Performance by Ross Rice collaborating with the New Ballet Ensemble. \nFree | Open to the public \nMellotron Variation Part 2 will be on April 21st (free with ticket) and Part 3 will be on April 22nd. More info on those shows here: https://goo.gl/qNkoGv \nSponsored in part by the National Endowment for the Arts \n \n\nAbout the artists: \nRobert G. Patterson is a resident composer with the Luna Nova Ensemble. Recent accomplishments include commissions from Opera Memphis\, the One Coin Concert series in Osaka\, Japan\, and First Prize in the NATS Art Song Composition Award. In addition to his musical activities\, Patterson also has been a professional software developer\, and his interest in computers led him to become an expert in musical engraving using a computer. \nNew Ballet Ensemble and School is a thriving after school dance program in the heart of Midtown Memphis\, founded in 2001. Dancers from all over the Mid-South fill their studios six days a week\, training and exploring cultural forms of dance alongside a strong classical ballet curriculum. New Ballet Ensemble was awarded the National Arts and Humanities Youth Program Award in 2014\, recognizing the country’s best creative youth development programs for using engagement in the arts and the humanities to increase self-direction\, academic achievement\, graduation rates\, and college enrollment. \nRoss Rice might be best known as the lead singer/writer/keyboardist for Human Radio\, who hit Billboard Top Forty in 1990 with “Me & Elvis” (Columbia)\, but has also appeared frequently on Memphis stages with Big Ass Truck\, The Coolers\, Riverbluff Clan\, The Mudflaps\, and Ross Rice Group. Rice has produced\, toured\, and recorded with Peter Frampton\, George Clinton\, Todd Snider\, Adrian Belew\, Stephen Perkins (Janes Addiction)\, and Susannah Hoffs (Bangles)\, to name but a few. Presently residing in Murfreesboro\, Rice is enrolled in the MFA program in Recording Arts at MTSU\, and is working on a documentary comparing Memphis and Nashville recording styles. \n 
URL:https://crosstownarts.org/calendar/mellotron-variations-pt-1/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
ATTACH;FMTTYPE=image/png:https://crosstownarts.org/wp-content/uploads/2018/02/CXA-MellotronVariations-PT1-Instagram.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180417
DTEND;VALUE=DATE:20180423
DTSTAMP:20260514T100213
CREATED:20180227T170539Z
LAST-MODIFIED:20180502T163359Z
UID:10003263-1523991600-1524423599@crosstownarts.org
SUMMARY:Mellotron Variations
DESCRIPTION:Multi-day festival featuring original musical compositions for the mellotron performed live alongside newly created multidisciplinary installations. \nSponsored in part by the National Endowment for the Arts \nPt. 1\nWednesday\, April 18\, 7 pm\nNew work for the mellotron by composer Robert G. Patterson\, performed by members of the Memphis Symphony Orchestra. A documentary featuring keyboardist Audie Smith. Performance by Ross Rice collaborating with the New Ballet Ensemble. \nFree | Open to the public \n\nPt. 2\nSaturday\, April 21\, 7:30 pm\nPerformance of new works and collaborations for the mellotron by Robby Grant\, Jonathan Kirkscey\, John Medeski\, and Pat Sansone. Projections by Winston Eggleston and John Markham. \nFree | Open to the public\nDoors 7:30 pm | Concert 8 pm \n\nPt. 3\nSunday\, April 22\, 12:30 pm\nReprise brunch featuring a performance of various acts from Part 1 of Mellotron Variations. Q&A sessions with performers from parts 1 and 2. \nLight refreshments will be served.\nFree | Open to the public\nDoors 12:30 pm | Performance 1 pm \n\n\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n		\n\n\n\nAbout the artists: \nRobby Grant is a songwriter\, performer\, and producer who has recorded and released records over the past 15 years under both his name and the moniker Vending Machine. He spent the 1990s co-fronting and touring the country with Big Ass Truck and currently plays with the garage pop group Mouserocket. \nJonathan Kirkscey is a composer\, cellist\, and producer who performs regularly with the Memphis Symphony Orchestra and Mouserocket\, and is a co-founder of Blueshift Ensemble\, a contemporary classical chamber ensemble. As a film composer\, Jonathan has scored several award-winning documentaries including Best of Enemies\, directed by Morgan Neville\, and Won’t You Be My Neighbor\, a film about Fred Rogers which premieres in January 2018 at the Sundance film festival. \nWinston Eggleston is a woodworker and avid collector of Mellotrons (he recently built one from scratch). \nJohn Markham is a videographer and collaborates with the experimental group >mancontrol<. Together they created the oil-based light show that accompanied 2015’s Duets for Mellotron performance. \nPat Sansone is a multi-instrumentalist (guitar\, keyboard\, percussion\, harpsichord) from the bands Wilco and The Autumn Defense. \nJohn Medeski is an American jazz keyboard player and composer. Medeski is a veteran of New York’s 1990s avant-garde jazz scene and is known popularly as a member of Medeski Martin & Wood. \nRobert G. Patterson is a resident composer with the Luna Nova Ensemble. Recent accomplishments include commissions from Opera Memphis\, the One Coin Concert series in Osaka\, Japan\, and First Prize in the NATS Art Song Composition Award. In addition to his musical activities\, Patterson also has been a professional software developer\, and his interest in computers led him to become an expert in musical engraving using a computer. \nNew Ballet Ensemble and School is a thriving after school dance program in the heart of Midtown Memphis\, founded in 2001. Dancers from all over the Mid-South fill their studios six days a week\, training and exploring cultural forms of dance alongside a strong classical ballet curriculum. New Ballet Ensemble was awarded the National Arts and Humanities Youth Program Award in 2014\, recognizing the country’s best creative youth development programs for using engagement in the arts and the humanities to increase self-direction\, academic achievement\, graduation rates\, and college enrollment. \n\n\nRoss Rice might be best known as the lead singer/writer/keyboardist for Human Radio\, who hit Billboard Top Forty in 1990 with “Me & Elvis” (Columbia)\, but has also appeared frequently on Memphis stages with Big Ass Truck\, The Coolers\, Riverbluff Clan\, The Mudflaps\, and Ross Rice Group. Rice has produced\, toured\, and recorded with Peter Frampton\, George Clinton\, Todd Snider\, Adrian Belew\, Stephen Perkins (Janes Addiction)\, and Susannah Hoffs (Bangles)\, to name but a few. Presently residing in Murfreesboro\, Rice is enrolled in the MFA program in Recording Arts at MTSU\, and is working on a documentary comparing Memphis and Nashville recording styles.
URL:https://crosstownarts.org/calendar/mellotron-variations/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
ATTACH;FMTTYPE=image/png:https://crosstownarts.org/wp-content/uploads/2018/02/CXA-MellotronPt2-FB-ProfilePic.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180415T090000
DTEND;TZID=America/Chicago:20180415T110000
DTSTAMP:20260514T100213
CREATED:20180315T181951Z
LAST-MODIFIED:20180413T151159Z
UID:10003265-1523782800-1523790000@crosstownarts.org
SUMMARY:Resident Artists' Open Studio
DESCRIPTION:Visit Crosstown Arts resident artists’ studios and view their work in progress. Meet up in the  Crosstown Arts East Atrium (top of the red spiral staircase) at 2 pm for a guided tour. \nArtists include:\nYancy Villa-Calvo\nEric Clausen\nVanessa Gonzalez\nAverell Mondie\nTerri Phillips\nCarrie Rubinstein\nJosh Short\nPaul Taylor\nEmily C Thomas \n 
URL:https://crosstownarts.org/calendar/resident-artists-open-studio/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Residency
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2018/03/IMGL9112edit.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180331T143000
DTEND;TZID=America/Chicago:20180331T173000
DTSTAMP:20260514T100213
CREATED:20180215T204208Z
LAST-MODIFIED:20180302T215321Z
UID:10003240-1522506600-1522517400@crosstownarts.org
SUMMARY:Sound Observations: Tara Rodgers
DESCRIPTION:A musical performance and lecture series presented by Sonosphere in collaboration with Crosstown Arts \nJoin us on Saturday\, March 31 for a performance and artist talk by Tara Rodgers (Analog Tara)\, a multi-instrumentalist composer and historian of electronic music and sound who produces techno tracks using analog sound sources. \n\nArtist Talk\nCrosstown Concourse Theater Stair\nNoon | free and open to the public | light refreshments \nPerformance\nCrosstown Arts East Atrium\nDoors at 7:30 pm | show at 8 pm\n$12 tickets (purchase on Eventbrite) \n\nAbout Sound Observations:\nIn this four-part series highlighting new explorations in sound\, musicians\, composers\, and scholars from across the country will showcase their unique talents through performances and lectures. Listen and experience sound as art through a variety of different approaches and mediums.  \n\nAbout the artist:\nTara Rodgers (Analog Tara) is a multi-instrumentalist composer and historian of electronic music and sound\, originally from upstate New York and now based in the Washington\, DC area.  \nShe earned an MFA in Electronic Music & Recording Media at Mills College and a PhD in Communication Studies at McGill University. Her work has been presented at the Tate Modern (London)\, the Museum of Contemporary Canadian Art (Toronto)\, Eyebeam (NYC)\, on the Le Tigre Remix album\, and in many other forums.  \nShe is the author of numerous essays on music\, technology\, and culture\, and of Pink Noises: Women on Electronic Music and Sound (Duke University Press\, 2010)\, a collection of interviews that received the 2011 Pauline Alderman Book Award from the International Alliance for Women in Music.  \nShe has taught at Dartmouth College\, the University of Maryland\, and the School of the Museum of Fine Arts\, Boston\, and has served on the editorial boards of Leonardo Music Journal and Women & Music. \n\nAbout Sonosphere:\nSonosphere is a Memphis-based podcast aimed at exploring sound in music and art movements through history and today. Past podcasts have featured ICEBERG New Music Collective\, John Cage\, Martin Heyne\, and Memphis Concrete\, among other artists and music events. \n 
URL:https://crosstownarts.org/calendar/sound-observations-tara-rodgers/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2018/02/a0285834435_10.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180327T130000
DTEND;TZID=America/Chicago:20180327T150000
DTSTAMP:20260514T100213
CREATED:20180319T175232Z
LAST-MODIFIED:20180320T203827Z
UID:10003273-1522155600-1522162800@crosstownarts.org
SUMMARY:Crosstown Arts Resident Artist Talks
DESCRIPTION:Hear from Crosstown Arts resident artists Eric Clausen\, Yancy Villa-Calvo\, and Robby Grant as they discuss their work. \n\nAbout the artists:\nEric Clausen (b. 1984) is an artist currently living and working in Memphis. As part of his research\, he travels cross country by bicycle. During these ventures\, Clausen documents observations through drawings and audio recordings. Using these\, he creates psychogeographic meditations on our changing Americana. Outside of that work\, he is an Instructional Designer for Columbia University\, a faculty member in the Rosa Deal School of the Arts at Christian Brothers University\, and an independent illustrator\, animator\, audio producer\, & gameshow host.\n \nYancy Villa-Calvo holds a B.A.\, B.F.A.\, and M.B.A.\, and she was born in Mexico City. Through multimedia work\, she seeks to create awareness\, provoke a thought and engage in a conversation on issues of social justice and equality. The latest collaborative projects\, GEMS Memphis 3.0 and Barrier Free Art Installation\, are examples of her work that showed the art engagement with underserved individuals and communities. To learn more: YancyArt.com\, Memphis City Artists\, Barrier Free Art \nRobby Grant is a Memphis\, TN based musician that has toured and recorded with Vending Machine\, Big Ass Truck\, Mouserocket and >mancontrol<. In April 2018\, he will perform in the “Mellotron Variations” series which is made possible by an NEA grant. The show will feature collaborations with other composers\, musicians\, visual artists\, and dancers.
URL:https://crosstownarts.org/calendar/crosstown-arts-resident-artist-talks/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Residency
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2018/03/clausen2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180316T133000
DTEND;TZID=America/Chicago:20180316T160000
DTSTAMP:20260514T100213
CREATED:20180215T211101Z
LAST-MODIFIED:20180228T204220Z
UID:10003241-1521207000-1521216000@crosstownarts.org
SUMMARY:The Music of John Coltrane
DESCRIPTION:Tickets $15 (purchase on Eventbrite)\nDoors at 6:30 pm | performance at 7 pm \nJazz tribute to the music of John Coltrane featuring Art Edmaiston (saxophones)\, Tim Goodwin (acoustic bass)\, Gerald Stephens (piano)\, Logan Hanna (guitar)\, and Chad Anderson (drums). \nThe Crosstown Jazz Series\, presented by Strictly Jazz Entertainment in collaboration with Crosstown Arts\, is designed to salute classic jazz music as contemporary musicians perform the work of the legends. \nJohn William Coltrane was an American jazz saxophonist and composer. Working in the bebop and hard bop idioms early in his career\, Coltrane helped pioneer the use of modes in jazz and was later at the forefront of free jazz. He led at least fifty recording sessions during his career and appeared as a sideman on many albums by other musicians\, including trumpeter Miles Davis and pianist Thelonious Monk. \n \n\nAbout Arthur Edmaiston:\nSaxophonist Arthur Edmaiston was raised in the small town of Troy in Northwest Tennessee but came to Memphis to pursue a degree in Jazz Performance in 1990 and has called the Bluff City home since then. \nEarly in his search for musical information\, Art found a mentor in the great Lannie McMillan who offered guidance on stage and off for the budding saxophonist. Allen Rippe\, professor of saxophone at the University of Memphis\, also led Edmaiston toward higher levels of achievement through his masterful tutelage. \nCountless hours of practicing and late nights jamming with the finest musicians in Memphis and around the world has brought Edmaiston to where he is today; a Grammy-nominated\, seasoned professional of stage and studio with no sign of slowing down. \nOver the years\, Art has played for hundreds of thousands of tourists on world-famous Beale Street\, as well as having recorded and toured internationally with such artists as Gregg Allman\, Bobby “Blue” Bland\, JJ Grey & MOFRO\, and the International Jazz Master Dee Dee Bridgewater. New recording projects are due for release in 2018 with a varying array of artists: John Paul Keith\, the Love Light Orchestra\, Marcella & Her Lovers\, Scott Thompson’s Rescue Animals\, among others. \nEdmaiston has established himself as a leader in music in Memphis and is grateful to be sharing his gift with all who will listen. \n\n\n\n\n\n\n\n\nAbout Strictly Jazz Entertainment:\nStrictly Jazz Entertainment is committed to cultivating a growing community in the knowledge and appreciation of jazz. We facilitate dialogue and collaboration between the devoted supporters of jazz and the brand new constituents – those new to the genre – for the furthering of the jazz community. We provide a bridge between leading artists and a community that typically does not embrace jazz by promoting concerts in various venues to generate an atmosphere that is viable for the absorption of pure jazz.
URL:https://crosstownarts.org/calendar/the-music-of-john-coltrane/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2018/02/CROSSTOWN-COLTRANE-01-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180303T050000
DTEND;TZID=America/Chicago:20180303T060000
DTSTAMP:20260514T100213
CREATED:20180208T222506Z
LAST-MODIFIED:20180208T222506Z
UID:10003230-1520053200-1520056800@crosstownarts.org
SUMMARY:Artist Talk: Pam McDonnell
DESCRIPTION:Pam McDonnell discusses her work in “Material Equivalence.” \nOn view through March 11 \n\nArtist Statement:\nMaterial Equivalence is my exploration of the Spanish term “duende.” It describes the wordless reaction a person feels from experiencing the output of another person’s creativity. It can be seen in work that has a certain quality of passion and inspiration. Work with duende is said to have a soul\, be highly expressive\, and authentic. \nIn making this body of work\, I tried not to focus on whether a certain piece exhibited this\nheightened state of emotion because I wanted to leave that determination to the viewer. Instead\, I practiced noticing and trusting when I felt expressive and authentic and staying grounded in the assurance that the work was\, in a sense\, “making itself.” \nThis exhibition is titled “Material Equivalence” after a philosophical formula that sets out to prove an “if and only if” relationship. Here\, it would state that “the work has duende\, if\, and only if\, the viewer experiences the work as work with a soul and finds it full of passion and inspiration.” \n\nAbout the Artist:\nPam McDonnell earned her BFA from University of Memphis in 2005 and has exhibited her work at a number of local galleries and studios\, including David Lusk Gallery and Flicker Street Studio. Her work is displayed in public collections at Iberia Bank\, West Cancer Center\, and Le Bonheur Children’s Hospital.
URL:https://crosstownarts.org/calendar/artist-talk-pam-mcdonnell/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2017/12/USE-THIS-ONE-FOR-WEB-marketing-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180120T130000
DTEND;TZID=America/Chicago:20180120T150000
DTSTAMP:20260514T100213
CREATED:20171214T224822Z
LAST-MODIFIED:20180119T205535Z
UID:10003194-1516453200-1516460400@crosstownarts.org
SUMMARY:Wish Book: William E. Jones Artist Talk & Screening
DESCRIPTION:Locations: Screening Room & East Atrium \nEncore screening of William E. Jones’ Fall Into Ruin and artist talk by curator Brian Pera \n\nCurated by Terri Phillips and Brian Pera \nThe Wish Book series is a triannual exhibition with a focus on artists’ films. Curators Brian Pera and Terri Phillips welcome internationally recognized artists\, filmmakers\, and critics to Memphis for this exciting new series\, which takes its name from the famed Sears Catalog and is hosted by Crosstown Arts at Crosstown Concourse\, itself once a major Sears distribution center. Drawing from a wide range of topics\, techniques\, and perspectives\, the films index the scope of work being done by artists in moving pictures. \nAbout the Artist:\nWilliam E. Jones has made the films Massillon (1991) and Finished (1997)\, which won a Los Angeles Film Critics Association award\, the documentary Is It Really So Strange?  (2004)\, and many videos including The Fall of Communism as Seen in Gay Pornography (1998). His work was included in the 1993 and 2008 Whitney Biennials\, and he has had retrospectives at Tate Modern (2005)\, Anthology Film Archives (2010)\, and the Austrian Film Museum (2011). His books include “Killed”: Rejected Images of the Farm Security Administration (2010)\, Halsted Plays Himself (2011)\, and Imitation of Christ\, named one of the best photo books of 2013 by Time magazine.
URL:https://crosstownarts.org/calendar/wishbook-william-e-jones-screening/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
ATTACH;FMTTYPE=image/png:https://crosstownarts.org/wp-content/uploads/2017/12/Screen-Shot-2017-12-14-at-4.47.36-PM.png
END:VEVENT
END:VCALENDAR