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DTSTART;VALUE=DATE:20180316
DTEND;VALUE=DATE:20180514
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SUMMARY:Ernest Withers: Goodnight My Love
DESCRIPTION:An exhibition of photographs from the Ernest Withers collection\, including works from Dr. Withers’ vast archive of more than one million negatives that have never been seen by the public. \nOn view: March 17-May 13\nOpening reception: Saturday\, March 17\, 6-8 pm \n\nAbout the artist:\nErnest Columbus Withers (1922-2007) was a freelance photojournalist in Memphis\, Tennessee and captured nearly 60 years of cultural history.  \nBorn and raised in Memphis to Arthur and Pearl Withers\, Ernest was the fifth of six children. Ernest Withers’ love of photography was sparked when he received his first camera\, a hand-me-down gift from his sister when he was a young boy. When Withers enlisted in the army in 1942\, he was trained as a military photographer and learned darkroom development while serving in the South Pacific during World War II. \n After returning home to Memphis\, Withers was one of the first nine African Americans appointed to the Memphis Police Department and was given a beat right on Beale Street. While working as a police officer\, Withers continued to pursue his career as a photographer and in the 1950s\, he helped spur the movement for equal rights with a self-published photo pamphlet on the Emmitt Till murder and trial. Unfortunately\, Withers’ popularity as a photographer compromised his position as a police officer and eventually led to him leaving the Memphis Police Department. \nWithers’ collection includes pictures of early performances of Elvis Presley\, B.B. King\, Ike and Tina Turner\, Ray Charles\, Aretha Franklin\, Isaac Hayes\, Howlin’ Wolf\, and the list goes on and on. Many locals knew of Ernest Withers as “The Picture Taker” because he never went anywhere without his camera. He photographed the day to day life\, backyard get-togethers\, family reunions\, weddings\, proms\, and much more. \nIn his more than 60-year career\, Withers accumulated a collection of an estimated 1.8 million photographs; his works appeared in The New York Times\, The Washington Post\, The TriState Defender\, the Pittsburgh Courier\, Jet\, Ebony\, Newsweek\, Life\, People\, and Time\, and have been featured in touring exhibits and shows around the world. The Smithsonian’s National Museum of African American History and Culture in Washington D.C. currently displays over 30 of Ernest C. Withers’ images.  \nFor his life’s work\, Withers was elected to the Black Press Hall of Fame and received an honorary doctorate from the Massachusetts College of Art. Withers had nine children and married his high school sweetheart\, Dorothy Curry. Ernest C. Withers passed away on Monday\, October 15\, 2007\, at the age of eighty-five. You can see his work at The Withers Collection Museum and Gallery in Memphis at 333 Beale Street.
URL:https://crosstownarts.org/calendar/goodnight-my-love/
LOCATION:Crosstown Arts\, East Gallery\, Crosstown Concourse\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
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DTSTART;TZID=America/Chicago:20180501T133000
DTEND;TZID=America/Chicago:20180501T160000
DTSTAMP:20260518T080159
CREATED:20180419T193801Z
LAST-MODIFIED:20180425T201702Z
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SUMMARY:Shoot & Splice: LensRentals.com Demo
DESCRIPTION:Monthly filmmaking forum hosted by Indie Memphis and Crosstown Arts. \nJoin Indie Memphis and Crosstown Arts as we welcome our friends from LensRentals.com. They will provide a camera and lens demonstration\, and they’ll showcase some of their latest gear. \nLensRentals.com is also a sponsor of the Indie Memphis IndieGrant program\, now entering its fifth year. The latest news on IndieGrants and call for submissions will also be announced soon. \nDoors at 6:30 pm | demo begins at 7 pm
URL:https://crosstownarts.org/calendar/shoot-splice-4/
LOCATION:Crosstown Arts\, East Atrium\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180502T140000
DTEND;TZID=America/Chicago:20180502T160000
DTSTAMP:20260518T080159
CREATED:20180419T193329Z
LAST-MODIFIED:20180419T193329Z
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SUMMARY:MicroCinema Club
DESCRIPTION:Monthly short film screening series\, presented by Indie Memphis & Crosstown Arts. \nThis month: Live From Memphis Retrospective\nAn homage of over 10+ years of films\, projects\, and events from Live From Memphis — a volunteer organization in support of music\, film\, and art from local creatives. This is a pay-what-you-can event\, with proceeds going to Sarah Fleming and Chris Reyes’ legal fund during their fight to save their home from the Aparium Hotel Group. \nDoors at 6:30 pm | Screening at 7 pm.\nAdmission is pay-what-you-can.
URL:https://crosstownarts.org/calendar/microcinema-club-17/
LOCATION:TN
CATEGORIES:430
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DTSTART;TZID=America/Chicago:20180503T133000
DTEND;TZID=America/Chicago:20180503T153000
DTSTAMP:20260518T080159
CREATED:20180417T171223Z
LAST-MODIFIED:20180419T163653Z
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SUMMARY:Voices Up! On Feminism & Respect
DESCRIPTION:Spoken word performance on theme of feminism and respect. Hosted by poets Janay Kelley and Nadifah Rasheed. \nRefreshments sold by So Nuts and Confections \nThirty spots available for performers. To sign up\, email jazmin@crosstownarts.org. \nPlease list “Voices Up!” in the subject line of your email\, plus your name\, age\, and title of the spoken word piece that you will perform. \nThe guidelines: \n\nSubject matter must pertain to feminism and/or respect.\nPerformers must be 13 and up.\nEach performance has a three-minute time limit.\nIndividual and group sign-ups are welcome. One group counts as one sign-up.\nThis event is not a competitive slam. Think “showcase.”\nThe first 30 individuals/groups to email jazmin@crosstownarts.org will be listed in the line-up. Fifteen spots are reserved for teens. A waiting list will be kept in case performers cancel.\nRemember that kids will be present. Chose your (strong) words wisely.
URL:https://crosstownarts.org/calendar/voices-up-on-feminism-respect/
LOCATION:Crosstown Concourse\, Big Stair\, 1350 Concourse Ave.\, 2nd floor Central Atrium\, Memphis\, TN\, 38104\, United States
CATEGORIES:Programs
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180503T140000
DTEND;TZID=America/Chicago:20180503T160000
DTSTAMP:20260518T080159
CREATED:20180315T190753Z
LAST-MODIFIED:20180315T190753Z
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SUMMARY:Raise Your Voice
DESCRIPTION:A Friendship Commanders Tour\nRock + Voter Registration \nFeaturing performances by Negro Terror\, Friendship Commanders\, and Blood Like Wine. \nAll ages welcome. Listen to music and register to vote. \n$7 cover
URL:https://crosstownarts.org/calendar/raise-your-voice/
LOCATION:TN
CATEGORIES:430
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180505T140000
DTEND;TZID=America/Chicago:20180505T160000
DTSTAMP:20260518T080159
CREATED:20180117T204820Z
LAST-MODIFIED:20180117T204820Z
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SUMMARY:Cahoots
DESCRIPTION:A collaborative exhibition of painters from the University of Memphis. \nFeaturing work by Trudy Blackwell Goff\, Megan Chen\, Ivy-Jade Edwards\, Robert Fairchild\, Cameron Mallory\, Travis Washington\, Ras Rossetti\, Stephanie Curry\, and Jeff Carter.
URL:https://crosstownarts.org/calendar/cahoots/
LOCATION:TN
CATEGORIES:430
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180508T130000
DTEND;TZID=America/Chicago:20180508T150000
DTSTAMP:20260518T080159
CREATED:20151215T182353Z
LAST-MODIFIED:20180425T151155Z
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SUMMARY:Open Crit
DESCRIPTION:Facilitator – Carrie Rubinstein\n\nPresenting Artists – Shabrika Randle\, Alzavier Brown\, Alex Paulus\, Joy Murray \n\n\n\n\n\n\n\n\nCrosstown Arts’ Open Crit series is a monthly critique event where visual artists are invited to bring new and/or in-progress studio work for critical feedback and group discussion particular to each artist’s practice. \nA dedicated facilitator with experience in a group critique setting will guide discussion for each critique event\, which will include up to 4 artists’ work\, with 15-25 minutes devoted to the work of each. \nAll visual artists and anyone interested in joining the discussion are welcome to participate regardless of their level of expertise\, prior professional art experience or background/education in fine art. Participation is free and open to the public. Input during the critiques from everyone in attendance is welcomed and encouraged. \nNo formal preparation is necessary for participating artists\, who will have an opportunity to introduce and contextualize their work on view at the beginning of each critique. Participating artists are only asked to be open to (and interested in) considering reactions to their work by the group\, which will always be done in a supportive\, constructive and casual environment\, but could at the same time be challenging. \nSpecial thanks to Art Center for donating a $25 gift certificate for each participating artist. \n\nTo participate\, artists can sign up here: \nOpen Crit Request form \n  \nContact Mary Jo at maryjo@crosstownarts.org with any questions!  \nArtists are asked to bring no more than 8 individual pieces (in any medium). Maximum run time for time-based work(s) is 10 minutes. \nParticipating artists are encouraged to invite friends\, peers and colleagues to the open crits\, both to see their work in progress and to give constructive feedback. \n 
URL:https://crosstownarts.org/calendar/open-crit-25/
LOCATION:TN
CATEGORIES:430,Programs
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180510T120000
DTEND;TZID=America/Chicago:20180510T140000
DTSTAMP:20260518T080159
CREATED:20180419T203855Z
LAST-MODIFIED:20180419T203855Z
UID:10003296-1525953600-1525960800@crosstownarts.org
SUMMARY:Goodnight My Love: Closing Reception
DESCRIPTION:Closing reception for Goodnight My Love\, an exhibition of photographs from the Ernest Withers collection\, including works from Dr. Withers’ vast archive of more than one million negatives that have never been seen by the public. \nBooks of photography from the exhibition will be sold at the closing reception. \n\nAbout the artist:\nErnest Columbus Withers (1922-2007) was a freelance photojournalist in Memphis\, Tennessee and captured nearly 60 years of cultural history. \nBorn and raised in Memphis to Arthur and Pearl Withers\, Ernest was the fifth of six children. Ernest Withers’ love of photography was sparked when he received his first camera\, a hand-me-down gift from his sister when he was a young boy. When Withers enlisted in the army in 1942\, he was trained as a military photographer and learned darkroom development while serving in the South Pacific during World War II. \nAfter returning home to Memphis\, Withers was one of the first nine African Americans appointed to the Memphis Police Department and was given a beat right on Beale Street. While working as a police officer\, Withers continued to pursue his career as a photographer and in the 1950s\, he helped spur the movement for equal rights with a self-published photo pamphlet on the Emmitt Till murder and trial. Unfortunately\, Withers’ popularity as a photographer compromised his position as a police officer and eventually led to him leaving the Memphis Police Department. \nWithers’ collection includes pictures of early performances of Elvis Presley\, B.B. King\, Ike and Tina Turner\, Ray Charles\, Aretha Franklin\, Isaac Hayes\, Howlin’ Wolf\, and the list goes on and on. Many locals knew of Ernest Withers as “The Picture Taker” because he never went anywhere without his camera. He photographed the day to day life\, backyard get-togethers\, family reunions\, weddings\, proms\, and much more. \nIn his more than 60-year career\, Withers accumulated a collection of an estimated 1.8 million photographs; his works appeared in The New York Times\, The Washington Post\, The TriState Defender\, the Pittsburgh Courier\, Jet\, Ebony\, Newsweek\, Life\, People\, and Time\, and have been featured in touring exhibits and shows around the world. The Smithsonian’s National Museum of African American History and Culture in Washington D.C. currently displays over 30 of Ernest C. Withers’ images. \nFor his life’s work\, Withers was elected to the Black Press Hall of Fame and received an honorary doctorate from the Massachusetts College of Art. Withers had nine children and married his high school sweetheart\, Dorothy Curry. Ernest C. Withers passed away on Monday\, October 15\, 2007\, at the age of eighty-five. You can see his work at The Withers Collection Museum and Gallery in Memphis at 333 Beale Street.
URL:https://crosstownarts.org/calendar/goodnight-my-love-closing-reception/
LOCATION:Crosstown Arts\, East Gallery\, Crosstown Concourse\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180511T143000
DTEND;TZID=America/Chicago:20180511T170000
DTSTAMP:20260518T080159
CREATED:20180423T190756Z
LAST-MODIFIED:20180423T191000Z
UID:10003298-1526049000-1526058000@crosstownarts.org
SUMMARY:Sound Observations: Maria Chavez & Christina Carter
DESCRIPTION:A musical performance and lecture series presented by Sonosphere in collaboration with Crosstown Arts \nMaria Chavez\, an abstract turntablist/sound artist/DJ of Lima\, Peru\, and vocalist/guitarist/pianist Christina Carter will collaborate on a performance. \nFree and open to the public (reserve free ticket on Eventbrite)\nDoors at 7:30 pm | concert at 8 pm \n\nAbout Sound Observations:\nIn this four-part series highlighting new explorations in sound\, musicians\, composers\, and scholars from across the country will showcase their unique talents through performances and lectures. Listen and experience sound as art through a variety of different approaches and mediums. \n\n\n\nAbout the artists:\nSound artist Maria Chavez utilizes accidents\, coincidence\, and failures to unite her sound sculptures\, installations\, and other works with her solo turntable performance practice. Routledge Press chose Maria to be on the cover of the latest edition of their Electronic and Experimental textbook that is distributed widely throughout academia. The book is used in universities and music programs all over the world as a first-year course for students interested in the world of avant garde and electronic sound practice. \nMaria wrote her first book on her unique approach to abstract turntablism in 2012 titled\, OF TECHNIQUE: Chance Procedures on Turntable (currently out of stock)\, a book of essays and illustrations that guide the novice turntablist to explore the world of needles and vinyl through the lens of deterioration\, destruction\, and the unexpected. \nMaria regularly teaches workshops introducing students to her turntable practice all over the world and has been a research fellow with the Sound Practice Research Department of Goldsmith’s University of London since 2015. \nShe presents lectures on sound art\, improvisation\, multi-channel speaker installation practice\, most recently for Rhode Island School of Design (RISD)\, Stony Brook University\, the Contemporary Arts Museum-Houston\, Berklee College-Valencia\, Spain and others later in the fall/winter season. \nChristina Carter was born in the bayou city of Houston\, Texas in November of 1968\, and co-founded the group Charalambides there in December of 1991. Ever since\, she has deeply mined her own vein of art-as-music with voice\, guitar\, and piano. For the past several years\, Christina has utilized extended improvisational guitar passages within and without song-medley structures\, and recently\, investigated ‘the song’ as a thing unto itself\, specifically concentrating on ‘the word’- both in her own lyric writing and her interpretations of the work of other lyricists. In addition to performing extensively in the US\, UK\, and Europe as a solo artist\, Christina has played and recorded in various groups and duos with Heather Leigh Murray (as Scorces)\, Maria Chavez\, Loren Connors\, Chris Corsano\, Dredd Foole\, Sandy Ewen\, Paul Flaherty and Thurston Moore. \n\nAbout Sonosphere:\nSonosphere is a Memphis-based podcast aimed at exploring sound in music and art movements through history and today. Past podcasts have featured ICEBERG New Music Collective\, John Cage\, Martin Heyne\, and Memphis Concrete\, among other artists and music events.
URL:https://crosstownarts.org/calendar/sound-observations-maria-chavez-christina-carter/
LOCATION:Crosstown Arts East Atrium\, 1350 Concourse Avenue\, Memphis\, TN\, United States
CATEGORIES:Programs
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180512T123000
DTEND;TZID=America/Chicago:20180512T160000
DTSTAMP:20260518T080159
CREATED:20180315T174722Z
LAST-MODIFIED:20180504T140129Z
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SUMMARY:The Music of Grant Green
DESCRIPTION:Free and open to the public (register here)\nDoors at 5:30 pm | performance at 6 pm \nJazz tribute to the music of Grant Green\, featuring Joe Restivo (guitar)\, Alvie Givhan (piano)\, Tim Goodwin (acoustic bass)\, and Pee Wee Jackson (drums). \nThe Crosstown Jazz Series\, presented by Strictly Jazz Entertainment in collaboration with Crosstown Arts\, is designed to salute classic jazz music as contemporary musicians perform the work of the legends. \nGrant Green was an American jazz guitarist and composer. Recording prolifically and mainly for Blue Note Records as both leader and sideman\, Green performed in the hard bop\, soul jazz\, bebop\, and Latin-tinged idioms throughout his career. \n\nAbout Joe Restivo:\nJoe Restivo is a guitar player with over 25 years of professional experience as a performer. He is a graduate of the prestigious Jazz and Contemporary Music Program at New School University. While in New York he performed and studied with such jazz luminaries as Jack Wilkins\, Junior Mance\, Cecil Bridgewater\, and Phil Markowitz. Heavily influenced and inspired by stylistically diverse soul and jazz guitarists such as Wes Montgomery\, Tal Farlow\, Steve Cropper\, and Reggie Young\, Joe has developed into a thoroughly in-demand guitarist and composer in Memphis. \n\n\n\nAbout Strictly Jazz Entertainment:\nStrictly Jazz Entertainment is committed to cultivating a growing community in the knowledge and appreciation of jazz. We facilitate dialogue and collaboration between the devoted supporters of jazz and the brand new constituents – those new to the genre – for the furthering of the jazz community. We provide a bridge between leading artists and a community that typically does not embrace jazz by promoting concerts in various venues to generate an atmosphere that is viable for the absorption of pure jazz.
URL:https://crosstownarts.org/calendar/the-music-of-grant-green/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2018/03/IMGL8148edit.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180516T140000
DTEND;TZID=America/Chicago:20180516T160000
DTSTAMP:20260518T080159
CREATED:20180419T195400Z
LAST-MODIFIED:20180419T195400Z
UID:10003292-1526479200-1526486400@crosstownarts.org
SUMMARY:Indie Wednesdays
DESCRIPTION:Weekly film screenings hosted by Indie Memphis. Films will screen at Crosstown Arts\, Malco’s Studio on the Square\, and Ridgeway Theatre on a rotating basis. \nThis week: Are We Not Cats — New Yorker Eli (Michael Patrick Nicholson) loses his girlfriend\, home\, and job in less than 24 hours. After landing a job transporting car parts upstate to make some quick cash\, he meets Anya (Chelsea Lopez)\, a young woman who shares his fetish for eating hair. In this gorgeously lensed oddball debut of Xander Robin\, expanded from his celebrated short film\, a slow building\, nerve-racking body horror plot is rapped in the concerns of indie rom coms\, with potentially grotesque situations giving way to oddly heartwarming moments of mutual appreciation among these two subterranean New York outliers. \nPreceded by the short film Lance Lizardi. \nAdmission is pay-what-you-can | Presented by Orion \n 
URL:https://crosstownarts.org/calendar/indie-wednesdays/
LOCATION:TN
CATEGORIES:430
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180517T140000
DTEND;TZID=America/Chicago:20180517T160000
DTSTAMP:20260518T080159
CREATED:20180405T200652Z
LAST-MODIFIED:20180405T200652Z
UID:10003277-1526565600-1526572800@crosstownarts.org
SUMMARY:Little Women
DESCRIPTION:An exhibition and performance by Nubia Yasin \nFeaturing Madaame Frankie\nCurated by Lawrence Matthews \nExhibition opens at 7 pm | performance at 8 pm \n\nExhibition Statement\nI’m a host of things\, but most inescapably\, I’m a black woman. Born of two black parents\, in a country like this one.  \nThe journey it takes to go from black girl to black woman is unlike any other coming of age story; it’s one that is more deeply rooted in trauma then I would like to admit. Before even realizing this fact\, I was writing about it. Writing poem after poem about girls learning silence from their mothers\, who learned it from their mothers. Generation after generation of women who grow smaller and smaller in the face of their demons. I wanted to make a body of work that gave these women (and myself) room to stretch\, to talk\, to release. Little Women is meant to “open the blinds” so to speak.  \nFeaturing the old family photos is meant to contrast the outward appearance of growing up\, which is fairly innocent\, with the reality of trauma. It’s set in a living room because\, often times\, that’s where the breaking of our women happens: in our own homes. Due to a constant cycle of shame and secrecy\, it’s an unfortunate truth that what happens in our homes stays in our homes for the most part.  \nEvery story in Little Women is a story about a girl who looks like me\, who is me. This isn’t just my story … it’s our story. \n\nArtist Statement\nMy work\, whether it be poetry\, film\, or photography\, is meant to give an honest and uncompromising glimpse into what it is to be black in America: the tragedy of it\, the triumph of it\, the nuance and layers. I think that too often\, black bodies are used to fill space\, to meet a quota\, to make a point. To write about two black people falling in love is immediately seen as radical or political\, never mind the fact that black people fall in love every day\, void of commentary. Every day\, black folk live their lives\, laugh\, cry\, fight\, and eat meals with one other without referencing the grand trauma of being Black in America\, without referencing the White Man.  \nThough I see the point in creating political work (and do so often)\, I feel it’s just as important to create work that simply speaks to the black existence without referencing whiteness at all. What I want to expose is the sociology of blackness\, the parts of us that make us beautifully\, agonizingly\, terrifyingly\, and gloriously human.
URL:https://crosstownarts.org/calendar/little-women/
LOCATION:Crosstown Arts\, Screening Room\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180517
DTEND;VALUE=DATE:20180519
DTSTAMP:20260518T080159
CREATED:20180329T192001Z
LAST-MODIFIED:20180404T201006Z
UID:10002801-1526583600-1526669999@crosstownarts.org
SUMMARY:Wish Book: Screening of James Benning's L. Cohen
DESCRIPTION:Screening of L. Cohen (2017) by artist James Benning. 45 minutes. \nThe film will screen at 1 pm\, 2 pm\, 3 pm\, 4 pm\, and 5 pm. \nSign up for a screening\n  \nCurated by Terri Phillips and Brian Pera \n\nThe Wish Book series is a triannual exhibition with a focus on artists’ films. Curators Brian Pera and Terri Phillips welcome internationally recognized artists\, filmmakers\, and critics to Memphis for this exciting new series\, which takes its name from the famed Sears Catalog and is hosted by Crosstown Arts at Crosstown Concourse\, itself once a major Sears distribution center. Drawing from a wide range of topics\, techniques\, and perspectives\, the films index the scope of work being done by artists in moving pictures. \n\nAbout the Artist:\nJames Benning has sometimes been referred to as a “filmmaker’s filmmaker”\, though he might prefer the more succinct “artist.” Alternately telescopic and microscopic\, his work often explores the American landscape and its social and environmental histories\, observing the movements and moments which characterize it in endlessly mutable patterns. \nEqually painterly\, sculptural\, and literate\, his films combine elements of sound and image in ways which invite interpretation through a uniquely cinematic immersion. Landscape is a function of time\, according to Benning\, and duration plays an important role in a viewer’s experience of his films\, endowing most of the work with distinctly cumulative effects. \nThe film’s narratives are generated by the highly subjective experience of prolonged observation. The rigorous formality of his approach generates meditations on place and memory\, prompting viewers to look more closely and differently at the spaces we inhabit. \nIn an environment increasingly mapped out by remote third party GPS systems\, Benning’s work reminds us what it is to see for ourselves. Benning began making films in the 1970s. Wish Book presents a selection of his most recent work\, much of which revisits and expands upon themes and motifs consistent throughout his oeuvre.
URL:https://crosstownarts.org/calendar/wish-book-screening-of-james-bennings-l-cohen/
LOCATION:Crosstown Arts\, Screening Room\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180517
DTEND;VALUE=DATE:20180521
DTSTAMP:20260518T080159
CREATED:20180329T191141Z
LAST-MODIFIED:20180404T200821Z
UID:10002797-1526583600-1526842799@crosstownarts.org
SUMMARY:Wish Book: James Benning
DESCRIPTION:Selected work by James Benning | Curated by Terri Phillips and Brian Pera \nLocations: Screening Room\, East Atrium\, & 430 gallery \nReception:\nSaturday\, May 19\, 7 pm — 430 N. Cleveland\nReception\, filmmaker Q&A\, and screening of measuring change (60 min)\, 2016\n \nScreening Times (Screening Room):\nFriday\, May 18 — L. Cohen (45 min)\, 2017 (sign up for a screening)\nSaturday\, May 19 —  Ash 01 (20 min)\, 2016 (sign up for a screening)\nSunday\, May 20 — READERS (108 min)\, 2017 (sign up for a screening) \nEast Atrium: \nScreenings of James Benning’s 52 Films project \n\n\nThe Wish Book series is a triannual exhibition with a focus on artists’ films. Curators Brian Pera and Terri Phillips welcome internationally recognized artists\, filmmakers\, and critics to Memphis for this exciting new series\, which takes its name from the famed Sears Catalog and is hosted by Crosstown Arts at Crosstown Concourse\, itself once a major Sears distribution center. Drawing from a wide range of topics\, techniques\, and perspectives\, the films index the scope of work being done by artists in moving pictures. \n\nAbout the Artist:\nJames Benning has sometimes been referred to as a “filmmaker’s filmmaker”\, though he might prefer the more succinct “artist.” Alternately telescopic and microscopic\, his work often explores the American landscape and its social and environmental histories\, observing the movements and moments which characterize it in endlessly mutable patterns. \nEqually painterly\, sculptural\, and literate\, his films combine elements of sound and image in ways which invite interpretation through a uniquely cinematic immersion. Landscape is a function of time\, according to Benning\, and duration plays an important role in a viewer’s experience of his films\, endowing most of the work with distinctly cumulative effects. \nThe film’s narratives are generated by the highly subjective experience of prolonged observation. The rigorous formality of his approach generates meditations on place and memory\, prompting viewers to look more closely and differently at the spaces we inhabit. \nIn an environment increasingly mapped out by remote third party GPS systems\, Benning’s work reminds us what it is to see for ourselves. Benning began making films in the 1970s. Wish Book presents a selection of his most recent work\, much of which revisits and expands upon themes and motifs consistent throughout his oeuvre.
URL:https://crosstownarts.org/calendar/wish-book-james-benning/
LOCATION:Crosstown Arts\, Screening Room\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180518
DTEND;VALUE=DATE:20180520
DTSTAMP:20260518T080159
CREATED:20180329T192344Z
LAST-MODIFIED:20180404T201203Z
UID:10002803-1526670000-1526756399@crosstownarts.org
SUMMARY:Wish Book: Screenings of James Benning's Ash 01
DESCRIPTION:Screenings of Ash 01 (2016) by artist James Benning. 20 minutes. \nThe film will screen at 1 pm\, 2 pm\,  3 pm\,  4 pm\, and 5 pm. \nSign up for a screening time\n  \nCurated by Terri Phillips and Brian Pera \n\nThe Wish Book series is a triannual exhibition with a focus on artists’ films. Curators Brian Pera and Terri Phillips welcome internationally recognized artists\, filmmakers\, and critics to Memphis for this exciting new series\, which takes its name from the famed Sears Catalog and is hosted by Crosstown Arts at Crosstown Concourse\, itself once a major Sears distribution center. Drawing from a wide range of topics\, techniques\, and perspectives\, the films index the scope of work being done by artists in moving pictures. \n\nAbout the Artist:\nJames Benning has sometimes been referred to as a “filmmaker’s filmmaker”\, though he might prefer the more succinct “artist.” Alternately telescopic and microscopic\, his work often explores the American landscape and its social and environmental histories\, observing the movements and moments which characterize it in endlessly mutable patterns. \nEqually painterly\, sculptural\, and literate\, his films combine elements of sound and image in ways which invite interpretation through a uniquely cinematic immersion. Landscape is a function of time\, according to Benning\, and duration plays an important role in a viewer’s experience of his films\, endowing most of the work with distinctly cumulative effects. \nThe film’s narratives are generated by the highly subjective experience of prolonged observation. The rigorous formality of his approach generates meditations on place and memory\, prompting viewers to look more closely and differently at the spaces we inhabit. \nIn an environment increasingly mapped out by remote third party GPS systems\, Benning’s work reminds us what it is to see for ourselves. Benning began making films in the 1970s. Wish Book presents a selection of his most recent work\, much of which revisits and expands upon themes and motifs consistent throughout his oeuvre.
URL:https://crosstownarts.org/calendar/wish-book-screenings-of-james-bennings-ash-01/
LOCATION:Crosstown Arts\, Screening Room\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
ATTACH;FMTTYPE=image/png:https://crosstownarts.org/wp-content/uploads/2018/03/Screen-Shot-2018-03-29-at-2.10.42-PM.png
GEO:35.1521433;-90.0155942
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180519T140000
DTEND;TZID=America/Chicago:20180519T160000
DTSTAMP:20260518T080159
CREATED:20180329T191630Z
LAST-MODIFIED:20180329T191630Z
UID:10002799-1526738400-1526745600@crosstownarts.org
SUMMARY:Wish Book: James Benning Reception & Screening
DESCRIPTION:Opening reception for selected work by James Benning | Curated by Terri Phillips and Brian Pera \nReception\, filmmaker Q&A\, and screening of measuring change (60 min)\, 2016 \n\nThe Wish Book series is a triannual exhibition with a focus on artists’ films. Curators Brian Pera and Terri Phillips welcome internationally recognized artists\, filmmakers\, and critics to Memphis for this exciting new series\, which takes its name from the famed Sears Catalog and is hosted by Crosstown Arts at Crosstown Concourse\, itself once a major Sears distribution center. Drawing from a wide range of topics\, techniques\, and perspectives\, the films index the scope of work being done by artists in moving pictures. \n\nAbout the Artist:\nJames Benning has sometimes been referred to as a “filmmaker’s filmmaker”\, though he might prefer the more succinct “artist.” Alternately telescopic and microscopic\, his work often explores the American landscape and its social and environmental histories\, observing the movements and moments which characterize it in endlessly mutable patterns. \nEqually painterly\, sculptural\, and literate\, his films combine elements of sound and image in ways which invite interpretation through a uniquely cinematic immersion. Landscape is a function of time\, according to Benning\, and duration plays an important role in a viewer’s experience of his films\, endowing most of the work with distinctly cumulative effects. \nThe film’s narratives are generated by the highly subjective experience of prolonged observation. The rigorous formality of his approach generates meditations on place and memory\, prompting viewers to look more closely and differently at the spaces we inhabit. \nIn an environment increasingly mapped out by remote third party GPS systems\, Benning’s work reminds us what it is to see for ourselves. Benning began making films in the 1970s. Wish Book presents a selection of his most recent work\, much of which revisits and expands upon themes and motifs consistent throughout his oeuvre.
URL:https://crosstownarts.org/calendar/wish-book-james-benning-reception-screening/
LOCATION:TN
CATEGORIES:430
ATTACH;FMTTYPE=image/png:https://crosstownarts.org/wp-content/uploads/2018/03/Screen-Shot-2018-03-29-at-2.10.42-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180519
DTEND;VALUE=DATE:20180521
DTSTAMP:20260518T080159
CREATED:20180329T192713Z
LAST-MODIFIED:20180404T200515Z
UID:10002805-1526756400-1526842799@crosstownarts.org
SUMMARY:Wish Book: Screening of James Benning's READERS
DESCRIPTION:Screenings of READERS (2017) by artist James Benning. 108 minutes. \nThe film will screen at 1 pm\, 3 pm\, and 5 pm. \nSign up for a screening time\n  \nCurated by Terri Phillips and Brian Pera \n\nThe Wish Book series is a triannual exhibition with a focus on artists’ films. Curators Brian Pera and Terri Phillips welcome internationally recognized artists\, filmmakers\, and critics to Memphis for this exciting new series\, which takes its name from the famed Sears Catalog and is hosted by Crosstown Arts at Crosstown Concourse\, itself once a major Sears distribution center. Drawing from a wide range of topics\, techniques\, and perspectives\, the films index the scope of work being done by artists in moving pictures. \n\nAbout the Artist:\nJames Benning has sometimes been referred to as a “filmmaker’s filmmaker”\, though he might prefer the more succinct “artist.” Alternately telescopic and microscopic\, his work often explores the American landscape and its social and environmental histories\, observing the movements and moments which characterize it in endlessly mutable patterns. \nEqually painterly\, sculptural\, and literate\, his films combine elements of sound and image in ways which invite interpretation through a uniquely cinematic immersion. Landscape is a function of time\, according to Benning\, and duration plays an important role in a viewer’s experience of his films\, endowing most of the work with distinctly cumulative effects. \nThe film’s narratives are generated by the highly subjective experience of prolonged observation. The rigorous formality of his approach generates meditations on place and memory\, prompting viewers to look more closely and differently at the spaces we inhabit. \nIn an environment increasingly mapped out by remote third party GPS systems\, Benning’s work reminds us what it is to see for ourselves. Benning began making films in the 1970s. Wish Book presents a selection of his most recent work\, much of which revisits and expands upon themes and motifs consistent throughout his oeuvre.
URL:https://crosstownarts.org/calendar/wish-book-screening-of-james-bennings-readers/
LOCATION:Crosstown Arts\, Screening Room\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
ATTACH;FMTTYPE=image/png:https://crosstownarts.org/wp-content/uploads/2018/03/Screen-Shot-2018-03-29-at-2.10.42-PM.png
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180522T070000
DTEND;TZID=America/Chicago:20180522T073000
DTSTAMP:20260518T080159
CREATED:20180509T165014Z
LAST-MODIFIED:20180509T165602Z
UID:10003310-1526972400-1526974200@crosstownarts.org
SUMMARY:The Moonpie Project Presents: Detour
DESCRIPTION:Artist Detour will present an artist talk at Food for Thought\, a weekly lecture series on the Crosstown Concourse Theater Stair. Detour is the latest Moonpie Project artist\, and he’ll be creating a mural in an alley across the street from Crosstown Concourse. \nMural location: Crosstown Arts alley between 430 & 438 N. Cleveland \n\n\nThe Moonpie Project is an ongoing\, rotating mural series curated by Michael Roy in memory of muralist Brad Wells \nOrganized in collaboration with Crosstown Arts \n\nAbout the artist:\nMy current art focus is all about connecting music and fine arts through traditional methods and technology. Accenting my focus\, the sights\, sounds\, and issues surrounding urban culture shape the way I approach the creation of concepts\, use of tools\, and overall execution of my work. \n\n\n\n\n\n\nMuch of my work consists of channeling concepts and issues about the urban arts culture through portraits of minority and urban subjects.  The portraits tackle issues ranging from the serious\, to the bastardization of a culture\, to the light-hearted\, to breakdancing.  Some portraits open a window into the inner workings of a certain community\, while other paintings simply try to enhance the audience’s experience. \n\n\n\n\n\n\n\n\n\n\n\n\nThe tools I use to develop my work are not limited to any one medium. My goal is to capture every sense of my audience\, thus breaking down barriers and making it easier to be engulfed in the canvas. I see these senses as building blocks for bridges between the viewer and the messages I’m communicating. The more blocks I use\, the better the viewer will receive the message.
URL:https://crosstownarts.org/calendar/the-moonpie-project-presents-detour/
LOCATION:Crosstown Concourse\, Big Stair\, 1350 Concourse Ave.\, 2nd floor Central Atrium\, Memphis\, TN\, 38104\, United States
CATEGORIES:Programs
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2018/05/Moonpie.jpg
GEO:35.1513162;-90.0147386
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Crosstown Concourse Big Stair 1350 Concourse Ave. 2nd floor Central Atrium Memphis TN 38104 United States;X-APPLE-RADIUS=500;X-TITLE=1350 Concourse Ave.\, 2nd floor Central Atrium:geo:-90.0147386,35.1513162
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180525T130000
DTEND;TZID=America/Chicago:20180526T160000
DTSTAMP:20260518T080159
CREATED:20180411T194618Z
LAST-MODIFIED:20180511T153721Z
UID:10003283-1527253200-1527350400@crosstownarts.org
SUMMARY:The Art of Kathryn James
DESCRIPTION:Exhibition of handmade items by Kathryn James | Curated by Jenna Fergus \nDonations accepted for Alzheimers and Dementia Services. \nDonna James Regel’s Mom\, Kathryn James\, has been practicing the craft of crochet since she was six years old. This exhibit of tablecloths\, bedspreads\, clothing\, doilies\, and other beautiful items of her life are a celebration of all she has made. Her intricate art works will be displayed as a labyrinth of comfort to exemplify the love Kathryn James showed to her family through her handicraft. This art exhibition supports the Alzheimer’s and Dementia Services of Memphis. \n 
URL:https://crosstownarts.org/calendar/the-art-of-katheryn-james/
LOCATION:TN
CATEGORIES:430
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2018/04/image001-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180525
DTEND;VALUE=DATE:20180704
DTSTAMP:20260518T080159
CREATED:20180419T160834Z
LAST-MODIFIED:20180628T183714Z
UID:10003288-1527274800-1530644399@crosstownarts.org
SUMMARY:Pinkney Herbert — Distilled: The Narrative Transformed
DESCRIPTION:A 30-year survey of Pinkney Herbert’s vibrant body of work.  \nThis exhibition tracks Herbert’s transition from his narrative beginnings through the development of a personal abstract vocabulary that both thrills and seduces the viewer. \nOpening reception: Saturday\, May 26\, 6-9 pm \nCurated by Sam Yates\, T. Michael Martin\, and David Lusk in collaboration with Crosstown Arts \n\nArtist Statement:\nSince 2008\, I have divided my time between Memphis and New York. Working in both cities has inspired a sense of exploration and a certain amount of nervous energy in my paintings and drawings. My intent is to allow for the funky\, raw history of Memphis to collide with the frenetic energy of New York City. This dichotomy fires my intuitive impulses\, allowing them to surface and meet head​-on in an ever-changing conflict​ between the emotional and the cerebral. The gestural marks I make attempt to bridge that gap. I am influenced by many other sources\, including the figure\, architecture\, maps\, water\, music\, urban imagery\, and digital technology. During the last few years\, my goal has been to expand my abstract language to question and illuminate the connections and contradictions between my interior world and the real world. \nAbout the Artist:\nPinkney Herbert was born in Charlotte\, NC in 1954. He received his BA from Rhodes College and his MFA from the University of Memphis. Herbert is the recipient of Fellowships from the National Endowment for the Arts\, the Tennessee Arts Commission\, and USIA-Arts  America. He is has exhibited throughout the US\, Europe\, Japan\, and Southeast Asia. His art is in numerous national and international collections and in the permanent collections of the New Orleans Museum of Art\, Ogden Museum of Southern Art\, Memphis Brooks Museum of Art\, and the Arkansas Arts Center\, among others. \nHerbert is represented by David Lusk Gallery\, Memphis\, TN; Sandler Hudson Gallery\, Atlanta\, GA; Boyd Satellite\, New Orleans\, LA; ADA Gallery\, Richmond\, VA; and Greg Thompson Fine Arts\, North Little Rock\, AR. He is a fellow and has served as trustee of the Virginia Center for the Creative Arts (VCCA)\, Amherst\, VA (2008-2017). He currently serves as president of VCCA-France\, a residency program in Auvillar\, France\, and has served on that board since 2009. He is also the founding director of Marshall Arts\, an alternative gallery\, performance\, and studio space he established in Memphis in 1992. For the past ten years\, he has divided his time equally between New York and Memphis. \nIn November 2015\, the Ewing Gallery of Art and Architecture at the University of Tennessee\, Knoxville mounted a 30-year survey of Herbert’s work entitled Distilled: The Narrative Transformed. In 2013-2014\, Herbert was awarded a year-long studio as part of the Marie Walsh Sharpe Foundation Space Program in Brooklyn\, NY. \nHerbert has taught painting and drawing at the University of Georgia Study Abroad Program in Cortona\, Italy\, and also at the Penland School of Crafts\, the Arrowmont School\, the Telluride School of Painting\, Rhodes College\, the University of Memphis\, and the Memphis College of Art. He has been a visiting artist at the University of Tennessee\, Knoxville\, TN; the Academy of Fine Arts\, Helsinki\, Finland; the Institute of Fine Arts\, Lahti\, Finland; the Academy of Fine Arts\, Prague\, Czech Republic; University of Fine Arts\, Hanoi\, Vietnam; and the Oberfalzer Kuntzlerhaus\, Schwandorf\, Germany.
URL:https://crosstownarts.org/calendar/pinkney-herbert-distilled-the-narrative-transformed/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2018/04/Pinkney-Herbert-Pollination-Celebration-pastel-mixed-media-on-paper-96x-110-in.-1993-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180526T130000
DTEND;TZID=America/Chicago:20180526T160000
DTSTAMP:20260518T080159
CREATED:20180419T161708Z
LAST-MODIFIED:20180628T183646Z
UID:10003289-1527339600-1527350400@crosstownarts.org
SUMMARY:Opening Reception — Distilled: The Narrative Transformed
DESCRIPTION:A 30-year survey of Pinkney Herbert’s vibrant body of work.  \nThis exhibition tracks Herbert’s transition from his narrative beginnings through the development of a personal abstract vocabulary that both thrills and seduces the viewer. \nOn view through through July 3 \nCurated by Sam Yates\, T. Michael Martin\, and David Lusk in collaboration with Crosstown Arts \n\nArtist Statement:\nSince 2008\, I have divided my time between Memphis and New York. Working in both cities has inspired a sense of exploration and a certain amount of nervous energy in my paintings and drawings. My intent is to allow for the funky\, raw history of Memphis to collide with the frenetic energy of New York City. This dichotomy fires my intuitive impulses\, allowing them to surface and meet head​-on in an ever-changing conflict​ between the emotional and the cerebral. The gestural marks I make attempt to bridge that gap. I am influenced by many other sources\, including the figure\, architecture\, maps\, water\, music\, urban imagery\, and digital technology. During the last few years\, my goal has been to expand my abstract language to question and illuminate the connections and contradictions between my interior world and the real world. \nAbout the Artist:\nPinkney Herbert was born in Charlotte\, NC in 1954. He received his BA from Rhodes College and his MFA from the University of Memphis. Herbert is the recipient of Fellowships from the National Endowment for the Arts\, the Tennessee Arts Commission\, and USIA-Arts  America. He is has exhibited throughout the US\, Europe\, Japan\, and Southeast Asia. His art is in numerous national and international collections and in the permanent collections of the New Orleans Museum of Art\, Ogden Museum of Southern Art\, Memphis Brooks Museum of Art\, and the Arkansas Arts Center\, among others. \nHerbert is represented by David Lusk Gallery\, Memphis\, TN; Sandler Hudson Gallery\, Atlanta\, GA; Boyd Satellite\, New Orleans\, LA; ADA Gallery\, Richmond\, VA; and Greg Thompson Fine Arts\, North Little Rock\, AR. He is a fellow and has served as trustee of the Virginia Center for the Creative Arts (VCCA)\, Amherst\, VA (2008-2017). He currently serves as president of VCCA-France\, a residency program in Auvillar\, France\, and has served on that board since 2009. He is also the founding director of Marshall Arts\, an alternative gallery\, performance\, and studio space he established in Memphis in 1992. For the past ten years\, he has divided his time equally between New York and Memphis. \nIn November 2015\, the Ewing Gallery of Art and Architecture at the University of Tennessee\, Knoxville mounted a 30-year survey of Herbert’s work entitled Distilled: The Narrative Transformed. In 2013-2014\, Herbert was awarded a year-long studio as part of the Marie Walsh Sharpe Foundation Space Program in Brooklyn\, NY. \nHerbert has taught painting and drawing at the University of Georgia Study Abroad Program in Cortona\, Italy\, and also at the Penland School of Crafts\, the Arrowmont School\, the Telluride School of Painting\, Rhodes College\, the University of Memphis\, and the Memphis College of Art. He has been a visiting artist at the University of Tennessee\, Knoxville\, TN; the Academy of Fine Arts\, Helsinki\, Finland; the Institute of Fine Arts\, Lahti\, Finland; the Academy of Fine Arts\, Prague\, Czech Republic; University of Fine Arts\, Hanoi\, Vietnam; and the Oberfalzer Kuntzlerhaus\, Schwandorf\, Germany.
URL:https://crosstownarts.org/calendar/opening-reception-distilled-the-narrative-transformed/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2018/04/Pinkney-Herbert-Pollination-Celebration-pastel-mixed-media-on-paper-96x-110-in.-1993-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20180530T140000
DTEND;TZID=America/Chicago:20180530T160000
DTSTAMP:20260518T080159
CREATED:20180419T200253Z
LAST-MODIFIED:20180419T200253Z
UID:10003294-1527688800-1527696000@crosstownarts.org
SUMMARY:Indie Wednesdays
DESCRIPTION:Weekly film screenings hosted by Indie Memphis. Films will screen at Crosstown Arts\, Malco’s Studio on the Square\, and Ridgeway Theatre on a rotating basis. \nThis week: Valerie & Her Week of Wonders (1970) — A girl on the verge of womanhood finds herself in a sensual fantasyland of vampires\, witchcraft\, and other threats in this eerie and mystical movie daydream. Valerie and Her Week of Wonders serves up an endlessly looping\, nonlinear fairy tale\, set in a quasi-medieval landscape. Ravishingly shot\, enchantingly scored\, and spilling over with surreal fancies\, this enticing phantasmagoria from director Jaromil Jireš is among the most beautiful oddities of the Czechoslovak New Wave. \nAdmission is pay-what-you-can | Presented by Orion\nIn conjunction with Memphis in May\, honoring the Czech Republic
URL:https://crosstownarts.org/calendar/indie-wednesdays-2/
LOCATION:TN
CATEGORIES:430
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2018/04/maxresdefault.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180530
DTEND;VALUE=DATE:20180603
DTSTAMP:20260518T080159
CREATED:20180117T212955Z
LAST-MODIFIED:20180508T165940Z
UID:10003219-1527706800-1527965999@crosstownarts.org
SUMMARY:The Battle for Cooper-Young
DESCRIPTION:Protest art by Nick Canterucci. \nOpening reception: Thursday\, May 31\, 6-9 pm \nOn view through June 2\nFree exhibit booklet while supplies last \n\nBack from a hiatus due to a heart attack \, outsider artist Nick Canterucci returns with his 15th exhibit “The Battle for Cooper-Young.” \nThe exhibit deals with the artist’s opposition on how the camera program\, as set up by the Cooper-Young Neighborhood Watch\, has been unfolding over the past two years. A coffee table booklet of the exhibit with essays on the posters\, will be given out for FREE\, while supplies last. \nA scintillating look at the new world order\, that is currently in VOGUE in Cooper -Young.
URL:https://crosstownarts.org/calendar/the-battle-for-cooper-young/
LOCATION:TN
CATEGORIES:430
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2018/01/Nick-Cant-May.jpg
END:VEVENT
END:VCALENDAR