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SUMMARY:Crosstown Arthouse presents The Muthers
DESCRIPTION:The Crosstown Arthouse Film Series presents Cirio Santiago’s The Muthers at Crosstown Theater. 1976/93 minutes/Rated R \nTickets: $5 at the door\nFilms begin at 7:30 pm (sharp!) \nWe can’t say it any better than the incredible American Genre Film Archive\, which is lovingly saving films like this for folks like us to show again in all their glory on a giant screen: “Sleaze ahoy! Directed by heroic smut merchant Cirio Santiago (TNT Jackson\, Vampire Hookers) and shot on-the-cheap in the Philippines\, The Muthers is like stepping into one of Martin Denny’s exotica LPs while it plays in Jess Franco’s living room. Filled with karate chops and epic psychedelic-funk jams\, this is the story of two pirates (Jeanne Bell and Rosanne Katon) who rob and loot on the China Seas\, get sent to a women’s prison presided over by a sadistic warden\, then revolt and turn the sky black with the smoke from their machine guns. In other words\, this is the only revolutionary-pirate-women-in-prison movie that you’ll ever need. Restored from the original negative for maximum savagery!” \n\n\n\n\n\n\n\n\n\n\nThe Crosstown Arthouse Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground and documentary features.
URL:https://crosstownarts.org/calendar/crosstown-arthouse-presents-the-muthers-2/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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DTSTART;TZID=America/Chicago:20210917T143000
DTEND;TZID=America/Chicago:20210917T160000
DTSTAMP:20260518T060418
CREATED:20210818T165522Z
LAST-MODIFIED:20210818T165550Z
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SUMMARY:Duet for Theremin and Lap Steel + Dinosauria at Crosstown Arts
DESCRIPTION:Crosstown Arts presents Atlanta-based Duet for Theremin and Lap Steel in The Green Room. \nDoors at 7 pm | Show at 7:30 pm \nTickets: $10 advance | $15 day of show \nOpening performance by Dinosauria \nDinosauria is the brainchild of Malcolm Wright\, a Memphis area native who has been recording and performing music since he was 16 years old. Inspired by post-rock and shoegaze artists\, Malcolm uses Dinosauria to craft complex soundscapes using a guitar\, effects pedals\, a loop machine\, and some improvisation in Malcolm’s unique fashion. \nDUET FOR THEREMIN AND LAP STEEL \nBased in Atlanta\, Duet for Theremin and Lap Steel has been recording and performing since 2006 and consists of Scott Burland on theremin and Frank Schultz on lap steel guitar. \nTheir music is improvised and has been described as “experimental by nature\, but easy on the ears.” \nTheir latest offering “ ‘Oumuamua” is inspired by asteroids and comets and is available now at http://dftals.bandcamp.com. Their website is http://duetonline.net \n“The name of this Atlanta duo implies a proper classical recital\, a rigid formality. But Scott Burland (theremin) and Frank Schultz (lap steel) don’t do scripted\, improvising not-so-much distinct sounds as evolving eddies of sound\, vapors of tones that develop and transform gracefully. Hypnotic pulses and dreamy drones weave together to form a kaleidoscope of sounds and moods\, ambient clouds\, and swooning collages that are as much about texture as they are timbre\, like a long-lost soundtrack to a deep-sea documentary.” – P. Wall\, Columbia Free Times \n“It occurred to me\, listening to their work\, that it represented a “Guide to Good Drone Music”: \n– It changes; \n– It isn’t pushy\, but it pulls you along; \n– It isn’t showy\, but it shows you things; \n– It surprises; \n– The edges meet but don’t crowd the middle; \n– It creates mental and temporal space for the listener. \nAtlanta is really lucky to have this duo\, and that they continue\, \nyear-after-year\, to plumb their craft.” – Jon Ciliberto \n“Undulating soundscapes rise and fall\, reaching slowly swelling crescendos of sensory overload\, drifting in a balance of beauty and tension. Their shared instincts create an invisible structure that transcend more traditional drone music to achieve its own rhythm and tonal logic.” – Chad Radford \n“Duet for Theremin and Lap Steel dream up clouds\, aurora\, sunspots\, storm fronts. They make weather overhead. Listening to compositions like these – music these musicians made up\, in studio\, somewhere far away – I am struck by what a gift they have. Not just that they can make weather\, summoning it from nothing\, but that they can bottle it – like springwater or earth. Sending spring or summer up from Georgia\, to where we shiver in the cold.’ – Sean Michaels\, Said the Gramophone
URL:https://crosstownarts.org/calendar/duet-for-theremin-and-lap-steel-dinosauria-at-crosstown-arts/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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DTSTART;TZID=America/Chicago:20210922T143000
DTEND;TZID=America/Chicago:20210922T160000
DTSTAMP:20260518T060418
CREATED:20210729T215300Z
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SUMMARY:Blato Zlato at Crosstown Arts
DESCRIPTION:Crosstown Arts presents New Orleans-based Balkan band Blato Zlato in The Green Room. \nDoors at 7 pm | Show at 7:30 pm \nTickets: $15 \nBlato Zlato is a New Orleans-based Balkan band that puts a contemporary Louisiana twist on traditional folk music from Eastern Europe. The band performs dark\, improvisational arrangements with particular focus on Bulgarian folk songs\, three-part vocal harmonies\, and driving\, odd-metered rhythms. Hailed as a band with “galactic ambitions” by The New Orleans Advocate\, Blato Zlato features musicians from Europe and the United States with a collective goal to produce meaningful cultural and musical bridges between the two continents. In 2019\, Blato Zlato released their anticipated sophomore album\, In The Wake\, following their acclaimed 2017 releases of their debut album Swamp Gold and the limited-edition EP Voyage. They have toured both within the U.S. on the East and West Coasts as well as in Europe. This is their first time performing in Memphis.
URL:https://crosstownarts.org/calendar/blato-zlato-at-crosstown-arts/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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DTSTART;TZID=America/Chicago:20210923T143000
DTEND;TZID=America/Chicago:20210923T160000
DTSTAMP:20260518T060418
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LAST-MODIFIED:20210817T162020Z
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SUMMARY:Tony Dickerson & The Essential Band at Crosstown Arts
DESCRIPTION:Crosstown Arts presents singer-songwriter Tony Dickerson & The Essential Band with musical guests in The Green Room. \nDoors at 7 pm | Show at 7:30 pm \nTickets: $15 advance | $20 day of show \nPassionate music teacher\, inventive songwriter\, and “a being himself on stage kind of entertainer” are just a few phrases that describe one of inspirational music’s premiere musicians. Influenced by crossover inspirational artists such as Andrae Crouch\, The Edwin Hawkins Singers\, and Thomas Whitfield\, as well as soul\, funk and R&B artists Sly and the Family Stone\, Curtis Mayfield\, and Earth Wind & Fire\, Tony B. Dickerson knows how to fuse traditional and contemporary flavors to form his own signature sound and distinct musical style. \nAs an accomplished songwriter\, Tony released his first single in 2008\, titled “I Need Him.” Since then\, he’s written\, recorded\, and released many songs for himself and for other artists. To date\, his compositions have become known throughout the United States and other parts of the world\, even garnering placement on the Billboard charts. He has become a sought-out name for songwriting\, as well as for forming groups\, choirs\, and bands\, instructing them musically\, vocally\, and artistically\, while emphasizing structure and technique. He is the visionary founder\, CEO\, and band leader of Tony Dickerson & The Essential Band. \nEstablished in 2004\, Tony Dickerson & The Essential Band are a group of creatives determined to make a positive impact on lives by performing songs of love\, hope\, inspiration\, and strength. The band has performed for various occasions and in many diverse settings\, along with being featured in performances and recordings with other notable singers and bands. Tony Dickerson & The Essential Band operates in two different capacities: As professional recording artists\, performing and recording original songs\, primarily written by Tony Dickerson (TonyToons) and as a service network\, providing what’s needed musically for performances\, recordings\, marriage proposals\, parties\, banquets\, weddings\, receptions\, and various other occasions\, and events.
URL:https://crosstownarts.org/calendar/tony-dickerson-the-essential-band-at-crosstown-arts/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20210923T143000
DTEND;TZID=America/Chicago:20210923T163000
DTSTAMP:20260518T060418
CREATED:20210909T173248Z
LAST-MODIFIED:20210909T173248Z
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SUMMARY:Crosstown Arthouse presents All the Streets Are Silent
DESCRIPTION:The Crosstown Arthouse Film Series presents Jeremy Elkin’s All the Streets Are Silent at Crosstown Theater. 2021/89 minutes/Rated M \nTickets: $5 at the door\nFilms begin at 7:30 pm (sharp!) \nIn the late 80s and early 90s\, the streets of downtown Manhattan were the site of a collision between two vibrant subcultures: skateboarding and hip hop. Narrated by Zoo York co-founder Eli Gesner\, with an original score by legendary hip-hop producer Large Professor (Nas\, A Tribe Called Quest)\, All the Streets Are Silent brings to life the magic of the time period and the convergence that created a style and visual language with an outsized cultural effect. \n\n\n\n\n\n\n\nThe Crosstown Arthouse Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground and documentary features.
URL:https://crosstownarts.org/calendar/crosstown-arthouse-presents-all-the-streets-are-silent/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20210924T143000
DTEND;TZID=America/Chicago:20210924T160000
DTSTAMP:20260518T060418
CREATED:20210908T215744Z
LAST-MODIFIED:20210908T220019Z
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SUMMARY:Black Cream
DESCRIPTION:Crosstown Arts presents Memphis-based soul group Black Cream in The Green Room. \nDoors at 7 pm | Show at 7:30 pm\nTickets: $10 advance | $15 day of show \nBlack Cream is a conglomerate of some of Memphis’ musical prodigies. Lead guitarist and good soul TO Crivens flies high with his attention to detail during his solos. The band is anchored by bassist Dr. Derek Brassel\, the coolest cat in every room and the unofficially certified groove doctor. His bass lines are spellbinding. On drums and vocals\, Courtney Barnes displays jaw-dropping skill and vocal finesse\, often harmonizing with his brother\, Chris Barnes\, who rounds out the Black Cream team on vocals and percussion. Chris Barnes has the charismatic presence of a Baptist preacher and the vocal abilities of your favorite soul crooner.
URL:https://crosstownarts.org/calendar/black-cream/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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DTSTART;TZID=America/Chicago:20210925T140000
DTEND;TZID=America/Chicago:20210925T160000
DTSTAMP:20260518T060418
CREATED:20210913T214417Z
LAST-MODIFIED:20210914T173619Z
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SUMMARY:WLOK Black Film Festival Presents Amazing Grace
DESCRIPTION:Memphis radio station WLOK will present a screening of Amazing Grace in Crosstown Theater as part of its annual Black Film Festival.  \nDoors at 6 pm | Film begins at 7 pm \nThe film documents Aretha Franklin’s recording sessions for a live album of the same name. As Rolling Stone put it\, “a film crew was there to catch the Queen of Soul blow the roof off the place. Not to get closer to the Lord — surely He was already listening — but to testify to his glory with the black church music that helped form her and fired her faith.” \nSee the full film festival line-up HERE. \nTicket price is $10 for each film event. Tickets can be bought at WLOK Radio\, 363 S. Second St.\, or at the door.
URL:https://crosstownarts.org/calendar/wlok-black-film-festival-presents-amazing-grace/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20210925T150000
DTEND;TZID=America/Chicago:20210925T170000
DTSTAMP:20260518T060418
CREATED:20210825T202122Z
LAST-MODIFIED:20210914T213139Z
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SUMMARY:bodywerk presented by habibibeats
DESCRIPTION:habibibeats presents bodywerk\, an elevated experience embodying dance culture in Memphis. \nDoors at 7:30 pm | Show at 8 pm \nTickets: $10 \nOur aim is to provide an inclusive setting dedicated to the free expression of self through dance. We will achieve this aim through the intentional showcase of Black dance music\, both old and new\, spun by DJs that reflect the diversity of our city. \nFeaturing DJs Qemist\, DJ Chandlerblingg\, moonchildsteph b2b DJ Rmzi.
URL:https://crosstownarts.org/calendar/bodywerk-presented-by-habibibeats/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20210927T143000
DTEND;TZID=America/Chicago:20210927T160000
DTSTAMP:20260518T060418
CREATED:20210827T185259Z
LAST-MODIFIED:20210827T185344Z
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SUMMARY:Evan Williams + Blueshift Ensemble at Crosstown Arts
DESCRIPTION:Crosstown Arts presents a performance by Blueshift Ensemble\, curated by composer and conductor Evan Williams.\n\n\n\n\n\n\n\n\n\nDoors at 7 pm | Show at 7:30 pm \nTickets: $15 ($5 with student ID\, limited availability) \nStudents tickets may be purchased at the door or in advance by emailing jenny@crosstownarts.org. \nBlueshift Ensemble performs a program of chamber music curated by composer and conductor Evan Williams featuring works by Williams and his musical mentors\, friends\, and colleagues in Crosstown Theater. The program includes works by Jennifer Jolley\, Caroline Shaw\, and Michael Fiday. \nThe music of Evan Williams has been performed across the country and internationally by members of the Detroit Symphony Orchestra\, the Seattle Symphony Orchestra\, the International Contemporary Ensemble\, QuinceEnsemble\, Fifth House Ensemble\, and at festivals such as SEAMUS\, the New Music Gathering\, the Electroacoustic Barn Dance\, and the New York City Electronic Music Festival. He has been commissioned by notable performers and ensembles including the Cincinnati Symphony Orchestra and Urban Playground Chamber Orchestra. His work can be found on recordings by The Namaste Ensemble’s “No Borders Quartet” and Levels. Williams has received a number of awards and honors\, including serving as the Detroit Symphony Orchestra’s inaugural Classical Roots Composer-in-Residence in 2018. Williams holds a DMA in Composition with a cognate in Orchestral Conducting from the College-Conservatory of Music at the University of Cincinnati\, where he also served as a teaching assistant in electronic music. He also holds degrees from Bowling Green State University and Lawrence University. Williams serves as Assistant Professor of Music and Director of Instrumental Activities at Rhodes College\, where he teaches composition\, music technology\, and leads the Rhodes Orchestra. He previously held teaching positions at Lawrence University\, Bennington College\, and at the Walden School. \nJennifer Jolley is a composer\, blogger\, and professor person. She is also a cat lover and part-time creative opera producer. Jennifer’s work draws toward subjects that are political and even provocative. Her collaboration with librettist Kendall A\, Prisoner of Conscience\, has been described as “the ideal soundtrack and perhaps balm for our current ‘toxic’…times” by Frank J. Oteri of NewMusicBox. Her piece Blue Glacier Decoy\, written as a musical response to the Olympic National Park\, depicts the melting glaciers of the Pacific Northwest. Her partnership with writer Scott Woods\, You Are Not Alone\, evokes the fallout of the #MeToo Movement. Jennifer’s works have been performed by ensembles worldwide. She has received commissions from the National Endowment for the Arts\, the MidAmerican Center for Contemporary Music\, the Left Coast Chamber Ensemble\, Quince Ensemble\, and many others. \nCaroline Shaw is a New York-based musician — vocalist\, violinist\, composer\, and producer — who performs in solo and collaborative projects. She was the youngest recipient of the Pulitzer Prize for Music in 2013 for Partita for 8 Voices\, written for the Grammy-winning Roomful of Teeth\, of which she is a member. Caroline’s film scores include Erica Fae’s To Keep the Light and Josephine Decker’s Madeline’s Madeline as well as the upcoming short 8th Year of the Emergency by Maureen Towey. She has produced for Kanye West (The Life of Pablo; Ye) and Nas (NASIR)\, and has contributed to records by The National\, and by Arcade Fire’s Richard Reed Parry. \nDescribed as “clearly structured\, colorful and unflaggingly compelling work” (Philadelphia Inquirer) and “a precise appeal to an inner ear beyond the mind” (Gramophone Magazine)\, the music of Michael Fiday is known for its expressive directness\, inventive sound world\, gradually unfolding dramatic narratives\, and distinctive rhythmic energy. His work has been commissioned and performed internationally by a broad range of renowned performers spanning the worlds of classical and contemporary music\, including Atlanta Symphony\, Cincinnati Symphony Orchestra\, American Composers Orchestra\, Oakland East Bay Symphony\, Orquestra Sinfonica de Guanajuato\, Percussion Ensemble of The Hague\, Mantra Percussion\, Percussion Group Cincinnati\, Duo Damiana (flutist Molly Barth\, guitarist Dieter Hennings)\, pianists Marc-Andre Hamelin and James Tocco\, violinists Carla Kihlstedt and Graeme Jennings\, and electric guitarists Seth Josel\, Derek Johnson and Taylor Levine.
URL:https://crosstownarts.org/calendar/evan-williams-blueshift-ensemble-at-crosstown-arts/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20210930T143000
DTEND;TZID=America/Chicago:20210930T160000
DTSTAMP:20260518T060418
CREATED:20210820T203827Z
LAST-MODIFIED:20210820T203827Z
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SUMMARY:SpiralPhonics
DESCRIPTION:Crosstown Arts presents SpiralPhonics in The Green Room. \nDoors at 7 pm | Show at 7:30 pm \nTickets: $10 \nOriginal compositions and improvisations woven together using the energy of the moment. The music made by this trio is ever-changing because that is the nature of the Universe. By closely listening to each other\, these three musicians speak from their instruments as if from one mind. \nPerforming this “Music of the Spirit” is a noble endeavor because SpiralPhonics walk the edge of the unknown to create aural images that elevate the listener to a higher plane of consciousness. \nInspiration – Vibrations – Reflections – Intention \nFeaturing Art Edmaiston (saxophone)\, Logan Hanna (guitar)\, and Terence Clark – (drums and cymbals)
URL:https://crosstownarts.org/calendar/spiralphonics/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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DTSTART;TZID=America/Chicago:20210930T143000
DTEND;TZID=America/Chicago:20210930T163000
DTSTAMP:20260518T060418
CREATED:20210909T174717Z
LAST-MODIFIED:20210909T174717Z
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SUMMARY:Crosstown Arthouse presents Woodlands Dark and Days Bewitched: A History of Folk Horror
DESCRIPTION:The Crosstown Arthouse Film Series presents Kier-La Janisse’s Woodlands Dark and Days Bewitched: A History of Folk Horror at Crosstown Theater. 2021/193 minutes/Rated R \nTickets: $5 at the door\nFilms begin at 7:30 pm (sharp!) \nWoodlands Dark and Days Bewitched: A History of Folk Horror explores the folk horror phenomenon from its beginnings in a trilogy of films – Michael Reeves’ Witchfinder General (1968)\, Piers Haggard’s Blood on Satan’s Claw (1971) and Robin Hardy’s The Wicker Man (1973) – through its proliferation on British television in the 1970s and its culturally specific manifestations in American\, Asian\, Australian\, and European horror\, to the genre’s revival over the last decade. Touching on over 200 films and featuring over 50 interviewees\, Woodlands Dark and Days Bewitched investigates the many ways that we alternately celebrate\, conceal\, and manipulate our own histories in an attempt to find spiritual resonance in our surroundings. \n\n\n\n\n\n\n\nThe Crosstown Arthouse Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground and documentary features.
URL:https://crosstownarts.org/calendar/crosstown-arthouse-presents-woodlands-dark-and-days-bewitched-a-history-of-folk-horror/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20211001T143000
DTEND;TZID=America/Chicago:20211001T160000
DTSTAMP:20260518T060418
CREATED:20210916T170121Z
LAST-MODIFIED:20210916T170121Z
UID:10003303-1633098600-1633104000@crosstownarts.org
SUMMARY:Hermon Mehari and Peter Schlamb
DESCRIPTION:Join Hermon Mehari\, an award-winning jazz trumpeter based in Paris\, France\, and Kansas City-based vibraphonist and pianist Peter Schlamb for a special performance in The Green Room at Crosstown Arts. \nTickets: $15\nStudent tickets: $5 (limited availability\, available at the door with student ID) \nHermon Mehari’s sophomore album as a leader\, “A Change For the Dreamlike\,” takes on a more personal tone. Written and recorded in a barn in the French countryside during le confinement\, it shows only hints at the aesthetic set by his debut album. The songs play like personal journal entries\, versions and visions of wishes\, fantasies\, and memories. Together they create a kind of modern mixtape of dreams\, in every sense of the word\, in which the trumpet is a vulnerable presence. The project features a number of incredible musicians: Tony Tixier\, Peter Schlamb\, Ryan J. Lee\, Kae Dilla\, DeAndre Manning\, Hugo LX\, Karl McComas-Reichl\, Jeff Hill\, and Zach Morrow. \nMehari was also the winner of the 2008 National Trumpet Competition and placed 2nd in the International Trumpet Guild competition in Sydney\, Australia. As a founding member of Diverse\, whose eponymous debut album on Seattle-based Origin Records reached the Top 40 on the Jazzweek Radio Charts\, he has performed professionally with noted saxophonists Jaleel Shaw\, Logan Richardson\, Bobby Watson\, Ben Van Gelder\, and Tivon Pennicott. He has also performed with Aaron Parks\, Joe Sanders\, Hubert Laws\, Randy Brecker\, Tony Tixier\, Dave Pietro\, Clay Jenkins\, and many other great musicians. \nPeter Schlamb is a vibraphonist and pianist based in Kansas City\, MO. He recently released a second album \,“Electric Tinks\,” and maintains a busy schedule performing locally\, nationally\, and internationally. Peter spent several years in New York\, where he attended and graduated from New School University. During his time in New York\, he recorded and performed with artists including Logan Richardson\, David Binney\, Mike Moreno\, and Ben van Gelder. Peter currently leads the group Electric Tinks and is a member of Logan Richardson’s Blues People\, as well as frequently performing with several other ensembles around the world.
URL:https://crosstownarts.org/calendar/hermon-mehari-and-peter-schlamb/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20211002T090000
DTEND;TZID=America/Chicago:20211002T110000
DTSTAMP:20260518T060418
CREATED:20210917T201613Z
LAST-MODIFIED:20210917T210856Z
UID:10003305-1633165200-1633172400@crosstownarts.org
SUMMARY:Fright-tober at Crosstown Theater: The Watcher in the Woods
DESCRIPTION:Crosstown Concourse presents a matinee screening of Watcher in the Woods at Crosstown Theater. \n\n\n\n\n\n\nThroughout the month of October\, Crosstown Concourse presents Fright-tober at Crosstown Theater! Join us every Saturday in October for spooky\, kid-friendly matinees (2 pm) and even spookier adult-themed horror films in the evenings (7 pm). Films programmed by Crosstown Arts. Tickets are free\, but capacity is limited so registration is required. \nRegister here \n\n\nWatcher in the Woods (1980\, Rated PG)\nWhen a family moves to a country home\, the young girls experience strange happenings that have a link to an occult event years past. \nDirectors: John Hough\, Vincent McEveety\nStarring Bette Davis\, Lynn-Holly Johnson\, Kyle Richards
URL:https://crosstownarts.org/calendar/fright-tober-at-crosstown-theater-the-watcher-in-the-woods/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2021/09/WATCHER-IN-THE-WOODS-02-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20211002T140000
DTEND;TZID=America/Chicago:20211002T160000
DTSTAMP:20260518T060418
CREATED:20210917T203929Z
LAST-MODIFIED:20210917T211211Z
UID:10003306-1633183200-1633190400@crosstownarts.org
SUMMARY:Fright-tober at Crosstown Theater: Eve's Bayou
DESCRIPTION:Crosstown Concourse presents a screening of Eve’s Bayou at Crosstown Theater. \n\n\n\n\n\n\nThroughout the month of October\, Crosstown Concourse presents Fright-tober at Crosstown Theater! Join us every Saturday in October for spooky\, kid-friendly matinees (2 pm) and even spookier adult-themed horror films in the evenings (7 pm). Films programmed by Crosstown Arts. Tickets are free\, but capacity is limited so registration is required. \nRegister here \nEve’s Bayou (1997\, Rated R)\nWhat did little Eve see — and how will it haunt her? Husband\, father\, and womanizer Louis Batiste is the head of an affluent family\, but it’s the women who rule this gothic world of secrets\, lies\, and mystic forces. \nDirected by Kasi Lemmons\nStarring Samuel L. Jackson\, Jurnee Smollett\, and Meagan Good
URL:https://crosstownarts.org/calendar/fright-tober-at-crosstown-theater-eves-bayou/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20211002T143000
DTEND;TZID=America/Chicago:20211002T160000
DTSTAMP:20260518T060418
CREATED:20210909T205535Z
LAST-MODIFIED:20210927T191311Z
UID:10004021-1633185000-1633190400@crosstownarts.org
SUMMARY:Rachel Maxann
DESCRIPTION:Crosstown Arts presents Rachel Maxann in the Green Room at Crosstown Arts. \nTickets: $10 \nDoors 7pm | Show 7:30pm \nRachel Maxann is a performer who loves to bend genres with her style. In the last decade\, she has moved from Cincinnati\, New Orleans\, and Los Angeles\, and she’s travelled around the world to perform. Each new place has helped her to grow as she experimented with different musical styles specific to regional cultures. Rachel was happy to lay down her roots in Memphis\, and she is now joined by a group of acclaimed musicians who share her love of vintage indie rock and post-modern folklore music. You can follow Rachel at www.rachelmaxann.com.
URL:https://crosstownarts.org/calendar/alice-hasen-rachel-maxann/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20211007T143000
DTEND;TZID=America/Chicago:20211007T163000
DTSTAMP:20260518T060418
CREATED:20210909T175555Z
LAST-MODIFIED:20210909T175555Z
UID:10004015-1633617000-1633624200@crosstownarts.org
SUMMARY:Crosstown Arthouse presents Def by Temptation
DESCRIPTION:The Crosstown Arthouse Film Series presents James Bond III’s Def by Temptation at Crosstown Theater. 1990/95 minutes/Rated R \nTickets: $5 at the door\nFilms begin at 7:30 pm (sharp!) \nFrom American Genre Film Archive: Joel grew up in the church but has recently started questioning his beliefs. After sensing a supernatural presence from his deceased father\, Joel becomes compelled to visit his cousin in New York. But shortly after arriving\, they become embroiled in a series of mysterious homicides of local men\, all of whom were last seen in the company of a mysterious and beautiful woman. Beautifully photographed by Ernest Dickerson (Do the Right Thing) and starring Kadeem Hardison (I’m Gonna Git You Sucka)\, and Samuel L. Jackson (Pulp Fiction)\, this sole directorial effort from child actor James Bond III is a macabre\, neon-tinged portrait of late 1980s Brooklyn. The movie blends supernatural horror and religious mysticism\, punctuated by an electrifying hip hop and R&B soundtrack. Newly restored from the original 35mm camera negative! \n\n\n\n\n\n\n\nThe Crosstown Arthouse Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground and documentary features.
URL:https://crosstownarts.org/calendar/crosstown-arthouse-presents-def-by-temptation/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20211008T143000
DTEND;TZID=America/Chicago:20211008T160000
DTSTAMP:20260518T060418
CREATED:20210909T211039Z
LAST-MODIFIED:20210909T211057Z
UID:10004022-1633703400-1633708800@crosstownarts.org
SUMMARY:makro
DESCRIPTION:Crosstown Arts presents makro live in the Green Room. \n\n\n\n\n\n\n$15 advance | $20 at the door\nDoors 7 pm | Show 7:30 pm \n\n\n*The artist has requested proof of vaccination or a negative Covid test for this event. Please be prepared to present your vaccination card or a negative Covid test taken within 72 hours at check-in. \nmakro is a duo of Filipino-American cousins based in Memphis\, featuring producer/instrumentalist Eric Makapugay\,and singer/songwriter Kristoffer Ruaro. Their sound is heavily influenced by R&B and soul but incorporates all types of genres. Find out more about the band at makromusicofficial.com\, or follow them on social media @makromusicofficial.
URL:https://crosstownarts.org/calendar/makro/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20211008T143000
DTEND;TZID=America/Chicago:20211008T163000
DTSTAMP:20260518T060418
CREATED:20210917T192355Z
LAST-MODIFIED:20210917T195552Z
UID:10003304-1633703400-1633710600@crosstownarts.org
SUMMARY:Tell Me a Memory
DESCRIPTION:Film screening of Tell Me a Memory\, followed by a panel discussion with filmmaker Jon Bryant Crawford. \nDoors at 7 pm | Screening at 7:30 pm \nView the trailer \n\nFree and open to the public. Capacity is limited\, and registration is required. \nRegister here \nIn 2018\, filmmaker Jon Bryant Crawford was a Crosstown Arts resident artist. Jon used his time at Crosstown Arts to film interviews with anyone in the Queer community in Memphis willing to sit down and talk. Tell Me a Memory is the result of those sessions. Join Crosstown Arts and filmmaker Jon Bryant Crawford for a screening of Tell Me a Memory at Crosstown Theater. The screening will be followed with a panel discussion with Mr. Crawford. \nFROM THE FILMMAKER: “I fell in love with a man in my early twenties who was older than I. His family had a history of dementia and Alzheimers. We were closeted\, and I worried what would happen to our love story if he lost his memory. No one knew about us\, and I wanted some marker of it in the world. Even if it was found years later\, it would be something. I made a short film about that fear\, and when the short played at festivals\, other gay men told me their stories. I wanted a place to keep some of these memories\, little things that might be overlooked\, but are poetic and meaningful nonetheless\, those little things I hear from other Queer folks I run into out in the world. When I had the opportunity to spend some time in Memphis\, I wanted to try and capture stories from the community in a very undisrupted style\, with us all just sharing\, and place them in one place as a document for future generations.” \nABOUT JON BRYANT CRAWFORD is a filmmaker\, writer\, and photographer exploring the loneliness of American masculinity and the celebration of Queer resilience through the perspective of a gay\, mixed-race Southerner. He studied experimental film at the SFAI before earning his MFA from the UCLA School of Theatre\, Film\, and Television.
URL:https://crosstownarts.org/calendar/tell-me-a-memory/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2021/09/Screen-Shot-2021-09-17-at-2.23.22-PM.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20211009T090000
DTEND;TZID=America/Chicago:20211009T110000
DTSTAMP:20260518T060418
CREATED:20210917T210138Z
LAST-MODIFIED:20210917T211422Z
UID:10003307-1633770000-1633777200@crosstownarts.org
SUMMARY:Fright-tober at Crosstown Theater: Beetlejuice
DESCRIPTION:Crosstown Concourse presents a screening of Beetlejuice at Crosstown Theater. \n\n\n\n\n\n\n\n\nThroughout the month of October\, Crosstown Concourse presents Fright-tober at Crosstown Theater! Join us every Saturday in October for spooky\, kid-friendly matinees (2 pm) and even spookier adult-themed horror films in the evenings (7 pm). Films programmed by Crosstown Arts. Tickets are free\, but capacity is limited so registration is required. \nRegister here \nBeetlejuice (1988\, Rated PG)\nThe spirits of a deceased couple are harassed by an unbearable family that has moved into their home\, and hire a malicious spirit to drive them out. \nDirector: Tim Burton\nStarring Alec Baldwin\, Geena Davis\, Michael Keaton\, Winona Ryder\, & Caterhine O’Hara
URL:https://crosstownarts.org/calendar/fright-tober-at-crosstown-theater-beetlejuice/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2021/09/BEETLEJUICE-01-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20211009T140000
DTEND;TZID=America/Chicago:20211009T160000
DTSTAMP:20260518T060418
CREATED:20210922T210711Z
LAST-MODIFIED:20210922T210852Z
UID:10004023-1633788000-1633795200@crosstownarts.org
SUMMARY:Fright-tober at Crosstown Theater: Night of the Living Dead
DESCRIPTION:Crosstown Concourse presents a screening of Night of the Living Dead at Crosstown Theater. \nThroughout the month of October\, Crosstown Concourse presents Fright-tober at Crosstown Theater! Join us every Saturday in October for spooky\, kid-friendly matinees (2 pm) and even spookier adult-themed horror films in the evenings (7 pm). Films programmed by Crosstown Arts. Tickets are free\, but capacity is limited so registration is required. \nRegister here \nNight of the Living Dead (1968\, Rated R)\nA ragtag group of Pennsylvanians barricade themselves in an old farmhouse to remain safe from a horde of flesh-eating ghouls that are ravaging the East Coast of the United States. \nDirector: George A. Romero\nStarring Duane Jones\, Judith O’Dea\, and Karl Hardman
URL:https://crosstownarts.org/calendar/fright-tober-at-crosstown-theater-night-of-the-living-dead/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2021/09/Screen-Shot-2021-09-22-at-4.08.20-PM.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20211009T143000
DTEND;TZID=America/Chicago:20211009T163000
DTSTAMP:20260518T060418
CREATED:20210723T221213Z
LAST-MODIFIED:20211005T170251Z
UID:10003269-1633789800-1633797000@crosstownarts.org
SUMMARY:R.L. Boyce with Ryan Lee Crosby & Shaun Marsh at Crosstown Arts
DESCRIPTION:Crosstown Arts presents blues musician R.L. Boyce with Ryan Lee Crosby and Shaun Marsh in The Green Room. \n\n\nDoors at 7 pm | Show at 7:30 pm \nTickets: $15 \n\n\nR.L. Boyce is a Grammy-nominated American blues singer\, songwriter\, and guitarist born and raised in Como\, Mississippi\, United States. He is a protege of Hill country blues musicians\, including R L Burnside\, and Mississippi Fred McDowell. \nBoyce began his career in the early 1960s playing drums for his uncle\, the fife and drum performer Othar Turner. Later\, he was the drummer for Jessie Mae Hemphill and is featured on her 1990 album Feelin’ Good. \nHis debut full-length album\, entitled Ain’t the Man’s Alright\, was released when he was 52 years old and featured musicians including Cedric Burnside\, Luther Dickinson\, and Calvin Jackson. \nHis second album release\, Roll and Tumble\, was released on September 8\, 2017 on Waxploitation Records. The album included the father and son double drumming team of Cedric Burnside (R.L. Burnside’s drummer and grandson) and Calvin Jackson. The album was produced by Luther Dickinson (of The Black Crowes and North Mississippi Allstars fame) and David Katznelson. \n\n\nRyan Lee Crosby is a Boston-based singer/songwriter\, guitarist\, and music teacher. His sound pays tribute to the Bentonia and North Mississippi blues traditions\, centered in 12 string guitar\, lap style dobro\, dynamic vocals\, and a driving foot stomp. \n\n\nFor six years\, Crosby toured Europe annually\, developing his sound before making the pilgrimage to Mississippi to meet Jimmy “Duck” Holmes in 2019. Since that first meeting\, Crosby has returned to Bentonia four times to learn about the style directly from Holmes at the Blue Front Cafe and to perform at the Bentonia Blues Festival. Crosby recently recorded a new album\, Winter Hill Blues\, with renowned producer Bruce Watson (Fat Possum/Big Legal Mess Records) at his Memphis studio\, Delta-Sonic Sound. \n\nThrough music\, Crosby hopes to inspire peace\, openness\, and respect for tradition\, for culture\, for each other\, and for one’s self.\n\n\n\nFrom an early age growing up in the south of England\, Shaun Marsh learned the power and potential of music through his mother\, a performing artist and soul singer in the sixties and seventies. Being introduced to early pop\, rock & roll\, R&B\, and soul had a profound inspiration on him. It wasn’t until he reached his forties that Shaun began to look back at the origins and true roots of the music that he’d been listening to most of his life.\n\nLate one night while tuning in to John Peel on the radio\, he heard Hell Hound On My Trail by Robert Johnson. The raw emotion of that recording compelled him to immerse himself in the early pre-war blues. He began to develop the techniques for playing finger picking-style country and Delta blues from the recordings of the early pioneering musicians who paved the way. It was these rich and lonesome strands of storytelling that brought him to Memphis\, where he continues to study in the shadow of this powerful music that defines this city. His repertoire on solo acoustic guitar ranges from Robert Johnson and Charley Patton to Skip James and Big Bill Broonzy. Following the threads of the blues from Memphis\, he also gets inspiration from such greats as Johnny Cash\, Magic Sam\, and Otis Redding.
URL:https://crosstownarts.org/calendar/jimmy-duck-holmes-and-ryan-lee-crosby-at-crosstown-arts/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20211014T143000
DTEND;TZID=America/Chicago:20211014T163000
DTSTAMP:20260518T060418
CREATED:20210909T182402Z
LAST-MODIFIED:20210909T182402Z
UID:10004016-1634221800-1634229000@crosstownarts.org
SUMMARY:Crosstown Arthouse presents Possession
DESCRIPTION:The Crosstown Arthouse Film Series presents Andrzej Żuławski’s Possession at Crosstown Theater. 1981/124 minutes/Rated R \nTickets: $5 at the door\nFilms begin at 7:30 pm (sharp!) \nFrom Metrograph: Banned upon its original release in 1981\, Andrzej Żuławski’s stunningly choreographed nightmare of a marriage unraveling is an experience unlike any other. Professional spy Mark (Neill) returns to his West Berlin home to find his wife Anna (Isabelle Adjani\, in a role that earned her Best Actress at Cannes) insistent on a divorce. As Anna’s frenzied behavior becomes ever more alarming\, Mark discovers a truth far more sinister than his wildest suspicions. With its pulsating score\, visceral imagery\, and some of the most haunting performances ever captured on screen\, Possession is cinematic delirium at its most intoxicating. \n\n\n\n\n\n\n\nThe Crosstown Arthouse Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground and documentary features.
URL:https://crosstownarts.org/calendar/crosstown-arthouse-presents-possession/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2021/09/POSSESSION-STILL-05-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20211015T143000
DTEND;TZID=America/Chicago:20211015T160000
DTSTAMP:20260518T060418
CREATED:20210909T220634Z
LAST-MODIFIED:20210909T220634Z
UID:10003293-1634308200-1634313600@crosstownarts.org
SUMMARY:Jed Zimmerman Record Release Show with Mark Edgar Stuart & Special Guests
DESCRIPTION:Crosstown Arts with Madjack Records presents a special record release show with Jed Zimmerman\, Mark Edgar Stuart\, and other special guests. \nTickets $10 \nDoors at 7 pm | Show at 7:30 pm \n“Jed Zimmerman’s music travels through many currents. He speaks to bikers\, cowboys \,and cosmopolitans. His songwriting and deep reflective voice carry a conversational thread that always offers a rich\, colorful story…” – WILL SEXTON \nOriginally from Memphis\, Jed began playing music and found his mentor\, Keith Sykes. For a number of years\, Zimmerman and Kelley Mickwee played music and toured together. Sykes was instrumental in recording their music\, and the two released three records while they were the duo Jed and Kelley. Eventually he landed in Texas where he got to personally hear and meet the likes of Guy Clark\, Joe Ely\, Rodney Crowell\, and John Prine\, all of which are major influences on his songwriting to this day. Jed then spent a good period of time living in Taos and Red River\, New Mexico\, where his songwriting was heavily influenced from the people and landscape of the southwest. \nJed will celebrate the release of his new album “Below The Blooms” with an intimate acoustic set in his former hometown of Memphis.
URL:https://crosstownarts.org/calendar/jed-zimmerman-record-release-show-with-mark-edgar-stuart-special-guests/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2021/09/Screen-Shot-2021-09-09-at-5.05.52-PM.jpg
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Crosstown Arts The Green Room 1350 Concourse Ave. Suite 280 Memphis TN 38104 United States;X-APPLE-RADIUS=500;X-TITLE=1350 Concourse Ave.\, Suite 280:geo:-90.0155942,35.1521433
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20211016T090000
DTEND;TZID=America/Chicago:20211016T110000
DTSTAMP:20260518T060418
CREATED:20210922T211955Z
LAST-MODIFIED:20210922T211955Z
UID:10004024-1634374800-1634382000@crosstownarts.org
SUMMARY:Fright-tober at Crosstown Theater: Coco
DESCRIPTION:Crosstown Concourse presents a screening of Coco at Crosstown Theater. \nThroughout the month of October\, Crosstown Concourse presents Fright-tober at Crosstown Theater! Join us every Saturday in October for spooky\, kid-friendly matinees (2 pm) and even spookier adult-themed horror films in the evenings (7 pm). Films programmed by Crosstown Arts. Tickets are free\, but capacity is limited so registration is required. \nRegister here \nCoco (2017\, Rated PG)\nAspiring musician Miguel\, confronted with his family’s ancestral ban on music\, enters the Land of the Dead to find his great-great-grandfather\, a legendary singer. \nDirectors: Lee Unkrich\, Adrian Molina\nStarring: Anthony Gonzalez\, Gael García Bernal\, and Benjamin Bratt
URL:https://crosstownarts.org/calendar/fright-tober-at-crosstown-theater-coco/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2021/09/COCO-01-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20211016T120000
DTEND;TZID=America/Chicago:20211016T150000
DTSTAMP:20260518T060418
CREATED:20210929T195228Z
LAST-MODIFIED:20211001T185712Z
UID:10004031-1634385600-1634396400@crosstownarts.org
SUMMARY:Day of the Dead at Crosstown Concourse
DESCRIPTION:In partnership with Cazateatro\, Crosstown Concourse presents a Day of the Dead celebration with music\, folklore\, dancers\, altars\, and crafts. Featuring performances by Cazateatro Catrinas/Catrines\, Ballet Meztli\, Danza Azteca Xochitquetzal\, Mariachi Guadalajara\, Tropical Fusion Latin Band\, DJ Alexis White\, and more! Milis Flowers and Gift flower cart will be on-site. And don’t miss a special FREE matinee screening of Coco in Crosstown Theater at 2 pm (register for Coco here). \nFree and open to the public \nDía de Muertos takes place on November 1st and 2nd each year in Mexico. It’s a time when families gather to honor and remember deceased loved ones. It is believed that the souls of the dead return to visit the living families in homes and cemeteries. This is a joyful festivity for families and the community. The Aztec honored their dead with fiestas and rituals during the harvest season. They viewed death as the beginning of the cycle of seasons and life.
URL:https://crosstownarts.org/calendar/day-of-the-dead-at-crosstown-concourse/
LOCATION:Crosstown Concourse\, Central Atrium\, 1350 Concourse Ave.\, Memphis\, TN
CATEGORIES:Central Atrium
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2021/09/Day-of-the-Dead-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20211016T140000
DTEND;TZID=America/Chicago:20211016T160000
DTSTAMP:20260518T060418
CREATED:20210923T215154Z
LAST-MODIFIED:20210923T215319Z
UID:10004026-1634392800-1634400000@crosstownarts.org
SUMMARY:Fright-tober at Crosstown Theater: A Vampire in Brooklyn
DESCRIPTION:Crosstown Concourse presents a screening of A Vampire in Brooklyn at Crosstown Theater. \nThroughout the month of October\, Crosstown Concourse presents Fright-tober at Crosstown Theater! Join us every Saturday in October for spooky\, kid-friendly matinees (2 pm) and even spookier adult-themed horror films in the evenings (7 pm). Films programmed by Crosstown Arts. Tickets are free\, but capacity is limited so registration is required. \nRegister here \nA Vampire in Brooklyn (1995\, Rated R)\nA ship docks in Brooklyn with all its crew dead\, but someone gets off\, and the killing continues on land. A Caribbean vampire is searching for a specific woman\, half-human/half-vampire. Rita is the detective investigating the many killings. \nDirector: Wes Craven\nStarring: Eddie Murphy\, Angela Bassett\, and Allen Payne
URL:https://crosstownarts.org/calendar/fright-tober-at-crosstown-theater-a-vampire-in-brooklyn/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20211016T143000
DTEND;TZID=America/Chicago:20211016T160000
DTSTAMP:20260518T060418
CREATED:20210915T215658Z
LAST-MODIFIED:20210915T215658Z
UID:10003299-1634394600-1634400000@crosstownarts.org
SUMMARY:Adam Larson Quintet
DESCRIPTION:Crosstown Arts presents the Adam Larson Quintet in The Green Room. \nTickets: $10 \nDoors 7 pm | Show 7:30 pm \nOriginally from Normal\, IL\, Adam Larson is an American saxophonist\, composer\, and author. An endorsed artist for P. Mauriat saxophones\, Boston Sax Shop “Heritage” necks and Vandoren reeds\, mouthpieces\, and ligatures\, Adam began playing saxophone at the age of 11. \nDescribed by critic Howard Reich of The Chicago-Tribune as “a player for whom the word ‘prodigious’ was coined”\, by Peter Hum of the Ottawa Citizen as “a saxophonist who brings Donny McCaslin and Mark Turner to mind”\, and by Nate Chinen of The New York Times as “the sort of jazz musician who gets flagged early on as a promising talent and then hustles to meet every requirement for success”\, Larson has garnered numerous awards that distinguish him as one of the most promising artists of his generation. As a student\, Larson was a member of virtually every national program dedicated to showcasing excellence in young jazz talent including The Grammy Band\, Next Generation Jazz Orchestra\, Betty Carter Jazz Ahead\, YoungArts Jazz Fellows\, Telluride Student All-Stars\, and Jazz Band of America\, among others. Upon graduating from University High School in 2008\, Adam moved to New York City to pursue his BM and MM in Jazz Performance on full scholarship from The Manhattan School\, where he graduated with honors as a Master’s student as the recipient of the William H. Borden Award for Outstanding performance in Jazz in 2014. \nLarson has released five albums: one for Ropeadope Records\, two under the Inner Circle Music label and two produced independently. Larson’s most recent recording\, “Second City\,” received a four-star rating from Downbeat Magazine\, was listed as one of the best releases of 2017 in both Downbeat and Jazziz Magazine\, and was prominently featured in several publications. Larson’s fifth record “Listen With Your Eyes\,” was released on Ropeadope Records on September 6th\, 2019. Larson keeps an active schedule with his own groups and as a sideman\, having performed at several venues across the U.S.\, including The Jazz Standard\, Birdland\, The 55 Bar\, The Jazz Gallery\, The Blue Note\, The Village Vanguard\, Smalls\, Jazz at The Bistro\, The Jazz Estate\, The Jazz Showcase\, and several others. \nLarson continues to perform in NYC with some of the greatest musicians in the genre. \nAs a guest artist\, Larson has been invited to present masterclasses on music business\, improvisation\, and composition at more than fifty universities across the globe. \nAdam has recorded five albums and maintains an active touring schedule year-round playing his original music.
URL:https://crosstownarts.org/calendar/adam-larson-quintet/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20211017T123000
DTEND;TZID=America/Chicago:20211017T140000
DTSTAMP:20260518T060418
CREATED:20211008T170732Z
LAST-MODIFIED:20211011T201538Z
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SUMMARY:Dubois-Yao Duo: Adoration - Music of the Americas
DESCRIPTION:Crosstown Arts presents the Dubois-Yao Duo for a performance titled Adoration – Music of The Americas. \nDoors at 5 pm | Show at 5:30 pm\nTickets: $10 general admission | $5 student tickets available with student ID) \nFeaturing works for viola and piano by Florence Price\, Samuel Coleridge Taylor\, Astor Piazzolla\, and more. The program features works from Dubois-Yao Duo’s new album “Adoration – Music of the Americas\,” which will be released on October 20 on Spice Classical Records\, Boston. \n—- \nPraised for having such a powerful and yet welcoming\, warm sound\, Brazilian violist Amaro Dubois has approached his unique playing in many areas of the classical music industry by placing an emphasis on expanding the repertoire for the viola through collaborative projects in Brazil and North America. An avid performer\, Amaro has performed in several professional ensembles\, including the Chattanooga Symphony Orchestra\, the Tuscaloosa Symphony Orchestra\, the Paducah Symphony Orchestra\, the Mobile Symphony Orchestra\, the Pensacola Symphony Orchestra\, as well as other orchestras and chamber groups. Additionally\, Amaro was awarded the Iris Orchestra Fellowship under the guidance and mentorship of music director and conductor Michael Stern for the ’19-’21 seasons. He is a recording artist for Breve Classics Records where he debuted his first album\, Preludes by Bach\, a complete album of preludes from the Cello Suites of J.S. Bach\, as well as Spice Records where he will be debuting his latest album\, Adoration. He recently founded the Yao-Dubois Duo with the marvelous collaborative pianist Tingting Yao. Their mission is to share compositions by underrepresented composers\, including African American\, Latin American\, and women composers. Their first album\, Adoration\, is scheduled to be released in mid-October 2021 and features a diverse program of composers\, including Florence Price\, Guerra Peixe\, Villa-Lobos\, and Rebecca Clarke\, among other wonderful artists. \n—- \nTingting Yao is active as a collaborative pianist and chamber musician with singers and instrumentalists throughout North America\, the U.K.\, and China. Since moving to the U.S. in 2016\, she has performed in the Mid-South Flute Festival (UofM)\, Mid-South Horn Workshop (UCA)\, and NASA Regional IV (OSU). She has also worked as a collaborative pianist at the Interlochen Center of the Arts\, Blue Lake Fine Arts Camp. Festivals include SongFest (LA)\, Oxford International Piano Festival (UK)\, Cadenza International Summer Music School (UK)\, Lake District Summer Music International Festival (UK). She is joining Collaborative Piano Institute and Pittsburg Festival Opera in summer 2019 as a collaborative pianist. \nWhile in the U.K.\, Tingting was flourishing as a collaborative pianist when studying at Birmingham Conservatoire. Competition awards as an accompanist include Ambache Prize Performance of Music by Women Composers\, Delia Hall Accompanist Prize for Pianists\, Andrew Downes Performance Prize\, Winfred Micklam Prize\, BC String Prize\, and BC Percussion Prize. Soloist awards include Beryl Chempin Beethoven Prize for Pianists and Renna Kellaway Piano Recital Prize.
URL:https://crosstownarts.org/calendar/dubois-yao-duo-adoration-music-of-the-americas/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20211022T143000
DTEND;TZID=America/Chicago:20211022T160000
DTSTAMP:20260518T060418
CREATED:20210923T203423Z
LAST-MODIFIED:20210923T203628Z
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SUMMARY:ONE NIGHT ONLY: Don Bryant & The Bo-Keys Live with Chamber Orchestra
DESCRIPTION:Hear Don Bryant & The Bo-Keys in a very special\, one-night-only performance with members of the Memphis Symphony Orchestra. The orchestra will also be performing music from Craig Brewer’s 2019 film Dolemite Is My Name (music written by Scott Bomar of the Bo-Keys). \nDoors at 6:30 pm | Show at 7:30 pm \nTickets: $35 first-level seating | $25 balcony seating \nYou know that old song that O. V. Wright did so well in 1971 that no one can ever do that song again — “Nickel and a Nail”? O. V. Wright has held tight to that song and rightfully so. But not no mo. Not to take anything from O.V.— but after nearly half a century\, now you gotta step aside. Don Bryant is here. \nThough it ain’t like he just showed up. The roots of this record are in the Memphis church\, where Don Bryant began singing when he was 5. He joined his father’s family vocal group\, then formed a gospel quartet for a high school radio gig. Broadcasting broadened the audience and they went secular\, singing pop at WLOK on Dick “Cane” Cole’s popular show. After parting with the DJ\, they took a very real step toward careers when\, as the Four Kings\, they began fronting Willie Mitchell’s band. \nWillie Mitchell led the swingingest\, groovin’est band in the Memphis-Mississippi-Arkansas area — the American music floodplain. Willie’s band was known for instrumental records\, but when they’d play at Danny’s in West Memphis\, Don’s group fronted them. But the group broke up and Willie\, who was touring concert venues and dance halls\, needed a vocalist who could play with his supple\, slinky funky beats\, and anointed Don Bryant as his leading man. \nDon could also write songs. He was still in his teens when\, in 1960\, Willie was producing the 5 Royales\, and Don handed him “I Got To Know.” The 5 Royales put it on wax. Don was hot in the spotlight and in the writer’s room. \nAs Willie Mitchell carved out his place at Hi Records\, Don was close by. Don cut songs at Hi under the Four Kings moniker (“That Driving Beat”) and as a solo artist (“Don’t Turn Your Back On Me”). He wrote material for other Hi artists\, including Janet & the Jays and Norman West. In 1969\, still in the age of 7” singles\, Don was popular enough to release an album — though the big breakout hit stayed elusive. \nAround 1970\, Willie put Don with the Hi label’s newest act\, Ann Peebles\, who burst on the scene with “Part Time Love.” Don looked at this slight young lady and penned “99 Lbs” for her: “You wouldn’t know what I’m talking ’bout/ If you never had a love like this/… 99 lbs of natural born goodness/99 lbs of soul.” The relationship warmed\, they co-wrote the hit “I Can’t Stand the Rain” in 1973 and were married the following year. Ann’s performing career continued\, as did Don’s writing\, and they began raising a family. Occasionally\, Don returned to the microphone\, dueting with his wife\, sometimes releasing gospel material. Always\, he continued to write songs. \nAnd all the while\, that voice was maturing\, mellowing\, until these recordings that find him\, at age 74\, in peak form and taking O. V.’s song. The band is a mix of lifelong cohorts and upstart stalwarts. They understand where he’s been and where he wants to go\, making his song “How Do I Get There\,” a rhetorical question\, because they have clearly found the way. –Robert Gordon\, Memphis\, 2017 \n— \nThrough three critically acclaimed albums\, as well as international appearances at major festivals and clubs\, the Bo-Keys have kept the spirit of classic Memphis music alive while also writing a vital new chapter for the sound and style that’s etched into the fiber of American consciousness. The Bo-Keys performed on the score for Hustle & Flow and appear in the film Soul Men\, performing on-screen with stars Samuel L. Jackson and Bernie Mac. They also appear on three songs Bomar produced for the film’s soundtrack\, including“Soul Music” by Anthony Hamilton\, which was nominated for a Grammy in2010. The Bo-Keys can also be heard performing the song\, “Kick It” in the film and soundtrack for the Paramount animated feature\, Barnyard. The Bo-Keys have also had songs featured in 2013 De Niro/Stallone comedy Grudge Match. the Showtime Series TheChi\, AMC’s Dietland\, the ABC TV series Scandal\, and the CBS TV series Scorpion. \n— \nScott Bomar is a Memphis-based musician\, Emmy Award-winning film/TV composer and producer\, songwriter\, and engineer of multiple Grammy-winning and nominated recordings. Projects include the films Dolemite is My Name\, Hustle & Flow\, Black Snake Moan\, Mississippi Grind\, and Soul Men. Bomar produced and engineered Cyndi Lauper’s Grammy-nominated album Memphis Blues at his Electraphonic Recording Studio and co-wrote the song\, “The House Always Wins” on William Bell’s 2016 Grammy-winning album\, This is Where I Live. \nIn high school\, he began performing with groups at Memphis-area clubs and formed the group Impala. With their ‘60s instrumental sound\, the group toured and released five albums. Impala’s version of the Henry Mancini theme “Experiment in Terror” is featured in George Clooney’s directorial debut\, Confessions of a Dangerous Mind. In 2018\, Impala released a new album\, In the Late Hours\, which was described by Rolling Stone as “…combines surf-guitar nostalgia with a minor-key\, spy-movie-worthy riffage.” \nIn 2005\, Bomar composed the score for Craig Brewer’s award-winning film Hustle & Flow\, for which Bomar has received much critical acclaim for his Memphis soul meets hip hop score. Bomar returned in 2006 to collaborate with the filmmakers of Hustle & Flow as Executive Music Producer and composer of the film Black Snake Moan. He worked with film’s stars Samuel L. Jackson and Christina Ricci in the studio to record songs for the film\, which are performed on-screen. He also composed the original score utilizing musicians harmonica legend Charlie Musselwhite and Rolling Stones and Ry Cooder sideman\, Jim Dickinson. \nBomar is also the leader of The Bo-Keys\, a Memphis soul group featuring legendary Stax and Hi Records session players.
URL:https://crosstownarts.org/calendar/one-night-only-don-bryant-the-bo-keys-live-with-chamber-orchestra/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2021/09/Screen-Shot-2021-09-23-at-3.04.52-PM.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20211023T090000
DTEND;TZID=America/Chicago:20211023T110000
DTSTAMP:20260518T060418
CREATED:20210923T221151Z
LAST-MODIFIED:20210923T221151Z
UID:10004027-1634979600-1634986800@crosstownarts.org
SUMMARY:Fright-tober at Crosstown Theater: The Nightmare Before Christmas
DESCRIPTION:Crosstown Concourse presents a screening of The Nightmare Before Christmas at Crosstown Theater. \nThroughout the month of October\, Crosstown Concourse presents Fright-tober at Crosstown Theater! Join us every Saturday in October for spooky\, kid-friendly matinees (2 pm) and even spookier adult-themed horror films in the evenings (7 pm). Films programmed by Crosstown Arts. Tickets are free\, but capacity is limited so registration is required. \nRegister here \nThe Nightmare Before Christmas (1993\, Rated PG)\nJack Skellington\, king of Halloween Town\, discovers Christmas Town\, but his attempts to bring Christmas to his home causes confusion. \nDirector: Henry Selick\nStarring: Danny Elfman\, Chris Sarandon\, and Catherine O’Hara
URL:https://crosstownarts.org/calendar/fright-tober-at-crosstown-theater-the-nightmare-before-christmas/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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