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DTSTART;TZID=America/Chicago:20200314T060000
DTEND;TZID=America/Chicago:20200314T083000
DTSTAMP:20260518T064022
CREATED:20200304T211302Z
LAST-MODIFIED:20200313T175945Z
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SUMMARY:POSTPONED Exhibition Workshop: Generate
DESCRIPTION:** This event is postponed until further notice. \nThis workshop is held in conjunction with the “STUDIOS” exhibition on view in the Crosstown Arts East Gallery. \nUtilizing fabric\, paper\, paint\, and other provided materials\, participants will create art pieces inspired by Keiko Gonzalez’s abstractions on view in “STUDIOS.” These pieces will be showcased in a pop-up gallery at the end of the exhibition.
URL:https://crosstownarts.org/calendar/exhibition-workshop-generate/
LOCATION:Crosstown Arts East Atrium\, 1350 Concourse Avenue\, Memphis\, TN\, United States
CATEGORIES:East Atrium
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200316T140000
DTEND;TZID=America/Chicago:20200316T160000
DTSTAMP:20260518T064022
CREATED:20200310T214805Z
LAST-MODIFIED:20200313T214351Z
UID:10003245-1584367200-1584374400@crosstownarts.org
SUMMARY:POSTPONED MicroCinema: Best of Ottawa International Shorts
DESCRIPTION:** This event is postponed until further notice.\n\nMonthly short film screening series\, presented by Indie Memphis & Crosstown Arts.\nThis month: Best of Ottawa International Shorts \nBest of the 2019 Ottawa International shorts\, including films that defy logic\, defy physics\, defy convention\, and especially defy expectations. \nDoors at 6:30 pm | Screening at 7 pm. Admission is pay-what-you-can. \nScreening:\nBaby Baby | Aggelos Papantoniou & Nikhil Markale | Australia\nErodium Thunk | Winston Hacking | Canada\nGirl in the Hallway | Valerie Barnhart | Canada\nAlfred Fauchet\, Here and There (Alfred Fauchet\, à droite\, à gauche) | Mathieu Georis | Belgium\nTricky Women 2019 Trailer | Marta Pajek | Poland\nSlug Life | Sophie Gate | UK\nAcid Rain | Tomek Popakul | Poland\nGravedad | Matisse Gonzalez | Germany\nDONT KNOW WHAT | Thomas Renoldner | Austria
URL:https://crosstownarts.org/calendar/microcinema-best-of-ottawa-international-shorts/
LOCATION:TN
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200317T140000
DTEND;TZID=America/Chicago:20200317T160000
DTSTAMP:20260518T064023
CREATED:20200228T215143Z
LAST-MODIFIED:20200313T214422Z
UID:10003955-1584453600-1584460800@crosstownarts.org
SUMMARY:POSTPONED Spotlight Concert Series: Piano Quintets Lost in Time
DESCRIPTION:** This event is postponed until further notice.  \nJoin us in Crosstown Theater for the Spotlight Concert Series\, featuring piano quintets by composers Dora Pejacovic and Zdenek Fibich. \nThis special performance by Memphis Symphony Orchestra musicians Priscilla Tsai\, Jordan Musgrave\, Ruth Burgess\, Josh Muzzi\, and pianist Tingting Yao features a program of piano quintets “lost in time” by composers Dora Pejacovic and Zdenek Fibich. \nGeneral Admission $10 | $5 with student ID\nDoors at 6 pm | Performance at 7 pm \nViolinist Jordan Musgraves writes about the program:\n“We happened upon these pieces in a YouTube channel that features recordings of obscure pieces. These are two that really stand out\, not only because the quality is so good but because when you dig down into why they never became widely known\, it seems such a shame that we don’t know these composers today. \nZdenek Fibich was a contemporary of Smetana and Dvorak and actually the first to ever use Czech folk music in symphonic works (their use of folk song was inspired by Fibich). In his time\, he did have some acclaim\, though he was criticized for not being quite Czech nationalist enough and especially for composing operas in the Wagnerian style. Born of a Czech father\, a forestry official\, and a German-Viennese mother\, he was of mixed heritage and was boycotted by most of the Czech orchestras. His music only survives because of his students\, who championed it. \nDora Pejacovic\, a Hungarian-Croatian composer firmly in the Romantic era\, was slightly later in time. Her music did not reach wide acclaim\, but even in an era of music and society dominated by men\, she had a large output of composition\, starting at age 12. She was mostly a self-taught composer\, but luckily for us\, was encouraged by several other composers who saw her talent and advocated for her music. She might have composed much more but sadly passed away following childbirth at age 39. Today\, there is an ongoing effort to publish her music\, much of which remains unpublished.
URL:https://crosstownarts.org/calendar/spotlight-concert-series-piano-quintets-lost-in-time/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200317T143000
DTEND;TZID=America/Chicago:20200317T163000
DTSTAMP:20260518T064023
CREATED:20200217T195245Z
LAST-MODIFIED:20200313T223749Z
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SUMMARY:POSTPONED Lisa Nobumoto and Her Sizzling Six in The Green Room
DESCRIPTION:** This event is postponed until further notice.  \nVocalist Lisa Nobumoto and Her Sizzling Six perform the music and arrangements of tenor saxophonist Teddy Edwards in The Green Room at Crosstown Arts. \nTickets: $10\nDoors at 7 pm | Show at 7:30 pm \nThis especially unique sextet\, led by vocalist Lisa Nobumoto\, brings with it a star-studded cast to The Green Room at Crosstown Arts. The instrumentation includes Alvie Givhan (piano)\, Lance Williams (bass)\, Jim Pettit (drums)\, Sidney Ford (tenor sax)\, Nate Wilensky (trumpet)\, and Howard Lamb (trombone). \nFormidably\, a protégé of the late tenor saxophonist Teddy Edwards\, Lisa Nobumoto carries the lyrics to some of his most notable originals\, including “Sunset Eyes” and “Going Home\,” the former being the song that laid the groundwork for Clifford Brown’s first solo which gained him worldwide recognition. \nTeddy Edwards is a name well-known to serious be-bop fans. His style follows the true and authentic genre of jazz that heralded names like alto sax player Charlie Parker and the noted trumpeter Howard McGhee. \nIn fact\, it is said that when Charlie Parker left New York to record in Los Angeles\, he went to find Teddy Edwards. Teddy Edwards became the first tenor saxophonist in history to record a be-bop solo on tenor saxophone with “Up In Dodo’s Room” in 1946 on the Dial Label. \nThis exciting musical adventure into the music of Teddy Edwards will include a variety of his instrumentals and be-bop solos emoting from Memphis’ best jazz musicians.
URL:https://crosstownarts.org/calendar/lisa-nobumoto-and-her-sizzling-six-in-the-green-room/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200318T140000
DTEND;TZID=America/Chicago:20200318T160000
DTSTAMP:20260518T064023
CREATED:20200311T213233Z
LAST-MODIFIED:20200313T175056Z
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SUMMARY:POSTPONED Stax Listening Session: Do the Funky Chicken
DESCRIPTION:** This event is postponed until further notice. \nJoin us in The Green Room for a listening session and discussion of Rufus Thomas’ 1970 album\, Do the Funky Chicken. Moderated by Dr. Charles Hughes of Rhodes College and a special guest. \nOf all the landmark albums released by Stax Records in 1970\, “Do the Funky Chicken” by Rufus Thomas is in a class by itself. Thomas’ first LP in four years\, “Funky Chicken” highlighted a deep dose of Memphis funk combined with Thomas’ own sense of humor and creativity. Join Dr. Charles Hughes and a special guest for a discussion about the lasting significance of another Stax masterpiece. \nFree and open to the public
URL:https://crosstownarts.org/calendar/stax-listening-session-do-the-funky-chicken/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200319T130000
DTEND;TZID=America/Chicago:20200319T143000
DTSTAMP:20260518T064023
CREATED:20200304T210803Z
LAST-MODIFIED:20200313T180246Z
UID:10003961-1584622800-1584628200@crosstownarts.org
SUMMARY:POSTPONED Exhibition Workshop: The Truest Subversive Act
DESCRIPTION:** This event is postponed until further notice. \nThis workshop is held in conjunction with the “STUDIOS” exhibition on view in the Crosstown Arts East Gallery. \nUsing Keiko Gonzalez’s work in “STUDIOS” as inspiration\, participants will be encouraged to paint without a particular destination in mind. Drawing from Keiko’s style of “circular arguments that never seek literal translations\,” participants will broaden their minds and expand on their own internal philosophies through the medium of painting. These pieces will be showcased in a pop-up gallery at the end of the exhibition.
URL:https://crosstownarts.org/calendar/workshop-the-truest-subversive-act/
LOCATION:Crosstown Arts East Atrium\, 1350 Concourse Avenue\, Memphis\, TN\, United States
CATEGORIES:East Atrium
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200319T140000
DTEND;TZID=America/Chicago:20200319T170000
DTSTAMP:20260518T064023
CREATED:20200213T223757Z
LAST-MODIFIED:20200313T225434Z
UID:10003225-1584626400-1584637200@crosstownarts.org
SUMMARY:POSTPONED Dolla Black
DESCRIPTION:** The event is postponed until further notice. \nLive music by Dolla Black as part of the Rebirth 2020 Tour \nOrganized by the artist
URL:https://crosstownarts.org/calendar/dolla-black/
LOCATION:TN
CATEGORIES:430
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2020/02/Dolla-Black.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200319T143000
DTEND;TZID=America/Chicago:20200319T163000
DTSTAMP:20260518T064023
CREATED:20200310T163113Z
LAST-MODIFIED:20200313T223833Z
UID:10003968-1584628200-1584635400@crosstownarts.org
SUMMARY:POSTPONED Crosstown Arthouse presents Klute
DESCRIPTION:** The event is postponed until further notice. \nJane Fonda (Cat Ballou\, They Shoot Horses Don’t They?\, Barbarella) stars as a groovy call girl and wannabe actress who may or may not be connected to a dead john (who ran a chemical company by day). Donald Sutherland (MASH\,  The Kentucky Fried Movie) plays the title character Klute\, a detective brought in by a chemical company executive to find out what really happened. Co-starring Roy Scheider (Jaws\, Jaws II) as Jane Fonda’s pimp. Also co-starring the super-fun and sleazy NYC of the 1970s. Klute won a lot of Oscars\, but don’t hold that against it. IT IS A GREAT MOVIE ANYWAY!! \nAlan J. Pakula/1971/114 minutes \nThe Crosstown Arthouse Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground and documentary features. \nFilms begin at 7:30 pm sharp at Crosstown Theater\nTickets are $5 (at the door only)
URL:https://crosstownarts.org/calendar/crosstown-arthouse-presents-klute/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200320T143000
DTEND;TZID=America/Chicago:20200320T163000
DTSTAMP:20260518T064023
CREATED:20200108T194730Z
LAST-MODIFIED:20200313T181514Z
UID:10003912-1584714600-1584721800@crosstownarts.org
SUMMARY:POSTPONED The Cutaway Acoustic Guitar Series: Paul Asbell
DESCRIPTION:** This event is postponed until further notice.  \nCrosstown Arts presents The Cutaway Acoustic Guitar Series\, a monthly concert series showcasing internationally acclaimed guitarists in partnership with the Little Rock-based Argenta Acoustic Music Series. March’s performance features guitarist Paul Asbell in an intimate\, solo performance. \nTickets: $20\nDoors at 7 pm | Show at 7:30 pm \nFrom his early years playing blues on Chicago’s South Side to his present multi-faceted career based out of northern Vermont\, Paul Abell has earned an underground reputation as a true “musician’s musician.” He has played and recorded with Muddy Waters\, John Lee Hooker\, Howlin’ Wolf\, Lightnin’ Hopkins\, Otis Rush\, Magic Sam\, Earl Hooker\, Lightnin’ Slim\, Paul Butterfield\, Sam Lay\, Pops Staples\, Donny Hathaway\, and numerous others while in his hometown of Chicago\, Illinois. \nPaul moved to Vermont\, where he still lives\, in the heady “back-to-the-land” days of 1971. He soon started playing and recording with a head-spinningly diverse array of artists\, including Big Mama Thornton\, singer-songwriters Paul Siebel\, Jim Ringer\, Mary McCaslin\, and Rosalie Sorrells\, jazz greats Jon Hendricks\, Bobby McFerrin\, Sonny Stitt\, and Nick Brignola\, and many others. In 1978\, seeking an outlet for more personal musical visions\, he formed Kilimanjaro\, and recorded two award-winning albums for Philo Records. \nSoon after\, the band performed at the Kool Jazz Festival at SPAC\, the Atlanta Jazz Festival\, the Montreux Jazz Festival in Switzerland\, and numerous national tours and concert dates. Kilimanjaro served as backup band on lengthy national tours with Esther Satterfield\, and Paul Butterfield\, with whom they played the Montreal Jazz Festival\, and the Roskilde Festival in Copenhagen. \nIn 1981\, Paul and other members of Kilimanjaro joined forces with a legendary saxophonist and blues singer to form Big Joe Burrell and the Unknown Blues Band. Together\, they performed at many festivals\, including the Kool Jazz Festival\, toured Russia\, Holland\, and Canada\, and served as back-up band for Marva Wright\, Kenny Neal\, W.C. Clark\, and others. The UBB remained a Northeast regional favorite for over 20 years\, until Big Joe’s passing in 2005. \nPersonal performance credits in recent years include David Bromberg\, Betty Carter\, Joshua Redman\, James Carter\, Kermit Ruffins\, Michael Ray\, the Sun Ra Arkestra\, The Wild Magnolias\, John Stowell\, guitar wunderkind Julian Lage\, Dave Grippo\, and former students Trey Anastasio and Nick Cassarino. Paul has taught guitar for over 45 years. Private instruction remains a favored format\, but he has also taught for several decades on a university level\, including positions at Dartmouth College\, St. Michael’s College\, and presently at Middlebury College and the University Of Vermont.
URL:https://crosstownarts.org/calendar/the-cutaway-acoustic-guitar-series-paul-asbell/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200321T090000
DTEND;TZID=America/Chicago:20200321T120000
DTSTAMP:20260518T064023
CREATED:20200212T223314Z
LAST-MODIFIED:20200313T182000Z
UID:10003948-1584781200-1584792000@crosstownarts.org
SUMMARY:POSTPONED Central High School Art Showcase
DESCRIPTION:** This event is postponed until further notice.  \nExhibition of work by Central High School students
URL:https://crosstownarts.org/calendar/central-high-school-art-showcase/
LOCATION:TN
CATEGORIES:430
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200321T143000
DTEND;TZID=America/Chicago:20200321T163000
DTSTAMP:20260518T064023
CREATED:20200217T202811Z
LAST-MODIFIED:20200313T224836Z
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SUMMARY:POSTPONED The Adam Larson Band in The Green Room
DESCRIPTION:** This event is postponed until further notice.  \nJoin us in The Green Room at Crosstown Arts for a performance by The Adam Larson Band\, featuring tenor saxophonist Adam Larson with Michael Shults (alto sax)\, Joe Restivo (guitar)\, Carl Caspersen (bass)\, and James Sexton (drums). \nTickets: General Admission $10 | Student Admission $5 (with Student ID)\nDoors at 7pm | Performance at 7:30pm \nOriginally from Normal\, Illinois\, Adam Larson is an American saxophonist\, composer\, and author. Larson has been described by critic Howard Reich of The Chicago-Tribune as “a player for whom the word ‘prodigious’ was coined.” Peter Hum of the Ottawa Citizen called him “a saxophonist who brings Donny McCaslin and Mark Turner to mind\,” and Nate Chinen of The New York Times said he is “the sort of jazz musician who gets flagged early on as a promising talent and then hustles to meet every requirement for success.” Larson has garnered numerous awards that distinguish him as one of the most promising artists of his generation. \nAs a student\, Larson was a member of virtually every national program dedicated to showcasing excellence in young jazz talent\, including The Grammy Band\, Next Generation Jazz Orchestra\, Betty Carter Jazz Ahead\, YoungArts Jazz Fellows\, Telluride Student All-Stars\, and Jazz Band of America\, among others. Upon graduating from University High School in 2008\, Adam moved to New York City to pursue his BM and MM in Jazz Performance on full scholarship from The Manhattan School\, where he graduated with honors as a Master’s student and the recipient of the William H. Borden Award for Outstanding Performance in Jazz in 2014. \nLarson has released five albums: one for Ropeadope Records\, two under the Inner Circle Music label\, and two produced independently. Larson’s most recent recording “Second City” received a four-star rating from Downbeat magazine\, was listed as one of the best releases of 2017 in both Downbeat and Jazziz Magazine\, and was prominently featured in several publications. Larson’s fifth record\, “Listen With Your Eyes\,” was released on Ropeadope Records on September 6th\, 2019. \nLarson keeps an active schedule with his own groups and as a sideman\, having performed at several venues across the U.S.\, including The Jazz Standard\, Birdland\, The 55 Bar\, The Jazz Gallery\, The Blue Note\, The Village Vanguard\, Smalls\, Jazz at The Bistro\, The Jazz Estate\, The Jazz Showcase\, and several others. \nBeyond maintaining an active touring and recording schedule\, Larson continues to be a sought-after clinician and master class presenter at several high schools and universities across the country and beyond\, including appearances at HKU Conservatory-Utrecht\, University of Iowa\, Drake University\, University of Northern Iowa\, Temple University\, Yale\, Manhattan School of Music\, and University of North Texas among many others. Adam is currently on faculty at University of Missouri-Kansas City Conservatory\, where he teaches saxophone\, jazz pedagogy\, and music business.
URL:https://crosstownarts.org/calendar/the-adam-larson-band-in-the-green-room/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200321T150000
DTEND;TZID=America/Chicago:20200321T170000
DTSTAMP:20260518T064023
CREATED:20200123T222739Z
LAST-MODIFIED:20200313T224926Z
UID:10003208-1584802800-1584810000@crosstownarts.org
SUMMARY:POSTPONED Memphis Vs. New Orleans
DESCRIPTION:** This event is postponed until further notice. \nOut of concern regarding the COVID-19 coronavirus and concerns about health safety for its students\, families\, Trombone Shorty Foundation Academy students\, concertgoers\, and others\, the Stax Music Academy had decided to postpone its upcoming exchange with the Trombone Shorty Foundation\, including the planned March 21\, 2020 Memphis vs New Orleans concert at Crosstown Theater. The Stax Music Academy will announce updated plans when possible. We regret any inconvenience. \nJoin us at Crosstown Arts for Memphis vs New Orleans\, featuring The Stax Music Academy & Trombone Shorty Foundation with special guests. \nStax Music Academy’s 20th Anniversary celebration continues as The Stax Music Academy and Trombone Shorty Foundation join forces to celebrate the indigenous sounds of the world-renowned music cities of Memphis and New Orleans. Enjoy one night of Memphis soul battling it out with New Orleans’ funky jazz at Crosstown Theater. \nTickets: $20 General Admission | $10 Student Admission (at door only\, with Student ID)\nDoors at 7 pm | Show at 8 pm
URL:https://crosstownarts.org/calendar/memphis-vs-new-orleans/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200324T143000
DTEND;TZID=America/Chicago:20200324T163000
DTSTAMP:20260518T064023
CREATED:20200218T181830Z
LAST-MODIFIED:20200313T224955Z
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SUMMARY:POSTPONED Jaime Branch's "Fly Or Die" in The Green Room
DESCRIPTION:** This event is postponed until further notice. \nJoin us in The Green Room at Crosstown Arts for a performance of trumpeter Jamie Branch’s debut album\, “Fly or Die.” \nTickets: $15\nDoors at 7 pm | Show at 7:30 pm \nA mainstay of the Chicago jazz scene and an active recent addition to the New York scene\, Jaimie Branch is an avant-garde trumpeter known for her “ghostly sounds\,” says The New York Times\, and for “sucker punching” crowds straight from the jump off\, says Time Out. \nHer classical training and “unique voice capable of transforming every ensemble of which she is a part” (Jazz Right Now) has contributed to a wide range of projects not only in jazz but also punk\, noise\, indie rock\, electronic\, and hip-hop. Branch’s prolific as-of-yet underexposed work as a composer and a producer\, as well as a sideman for the likes of William Parker\, Matana Roberts\, TV on the Radio\, and Spoon\, is all on display in her debut record Fly or Die — a dynamic 35-minute ride that dares listeners to open their minds to music that knows no genre\, no gender\, no limits. \n 
URL:https://crosstownarts.org/calendar/jaime-branchs-fly-or-die-in-the-green-room/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200325T143000
DTEND;TZID=America/Chicago:20200325T163000
DTSTAMP:20260518T064023
CREATED:20200128T195427Z
LAST-MODIFIED:20200313T225037Z
UID:10003929-1585146600-1585153800@crosstownarts.org
SUMMARY:POSTPONED Music for Cello & Jazz Trio
DESCRIPTION:** This event is postponed until further notice.  \nJoin us in The Green Room at Crosstown Arts for Music for Cello and Jazz Trio\, including works by Claude Bolling\, David Baker\, and more. \nFeaturing Alisa Horn (cello)\, Maeve Brophy (piano)\, Tom Lonardo (drums)\, and Tim Goodwin (bass). \nTickets: $10\nDoors at 7pm | Performance at 7:30pm \nAbout the Performers:\nAlisa Horn is a freelance cellist and loves performing and teaching a wide variety of musical genres from classical to jazz to rock and beyond. Alisa studied with Professor Peter Spurbeck at the University of Memphis\, received her Bachelor of Music in Cello Performance from the University of Michigan with Anthony Elliott\, and her Master of Music in Cello Performance from Northwestern University with Hans Jensen. Along with jazz legends trumpeter Marvin Stamm and pianist Bill Mays\, Alisa is a member of The Inventions Trio which performs a fusion of jazz and classical repertoire. The Trio has toured and released three albums\, including the diverse works of Bill Evans\, Bill Mays\, Villa-Lobos\, and Miles Davis. On Broadway\, Alisa has performed in many shows including Sunday in the Park with George\, An American in Paris\, If/Then\, and Next to Normal. \nMaeve Brophy gave her first solo recital at age 9 and made her orchestral debut at age 15. She has a BA from the University of Alabama at Birmingham and a Master of Music in Piano Performance from Texas Christian University. Maeve has given solo and collaborative performances in Wells\, England\, the Amalfi Coast\, Kiev\, Ukraine\, New York\, San Francisco\, Seattle\, Aspen\, Nashville\, and Memphis. Maeve is former adjunct faculty of the Blair School of Music and Belmont University in Nashville and currently lives in Memphis where she works as a freelance collaborative pianist\, soloist\, and piano teacher. \nTom Lonardo grew up playing drums in his father’s dance band. He holds a MM from the University of Mississippi and attended the Berklee College of Music studying with Alan Dawson. He has played music all his life including gigs with Mose Allison\, Di Anne Price\, Joe Restivo 4\, 3rdMan\, and Dog Police. \nTim Goodwin is very active in the recording industry and performs across the United States as a bassist. He has performed with numerous jazz artists including Lee Konitz\, George Colemen\, Pepper Adams\, Art Farmer\, Michele LeGrand\, Jon Hendricks\, Phineas Newborn\, Mose Allison\, and many others. Mr. Goodwin was bassist of a trio which was selected to participate in the Kennedy Center “Jazz Ambassadors” program to present jazz performances and lectures around the world. He has served as an adjunct faculty member at the University of Miami and Miami-Dade Community College and joined the University of Memphis as a faculty member in 1984.
URL:https://crosstownarts.org/calendar/music-for-cello-jazz-trio/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200326T143000
DTEND;TZID=America/Chicago:20200326T163000
DTSTAMP:20260518T064023
CREATED:20200310T163736Z
LAST-MODIFIED:20200313T225121Z
UID:10003969-1585233000-1585240200@crosstownarts.org
SUMMARY:POSTPONED Crosstown Arthouse presents Tokyo Knights
DESCRIPTION:** This event is postponed until further notice. \nSeijun Suzuki was a journeyman director for Nikkatsu\, one of the oldest Japanese film production companies in existence. Suzuki eventually went from journeyman to auteur\, slipping weird elements into what should have been run-of-the-mill Yakuza fare. Finally Suzuki made the legendary Branded to Kill (R.I.P.\, Joe Shishido) for Nikkatsu and was fired! \nSuzuki persevered and made more films\, but Crosstown Arts is going back to his roots with a screening of Tokyo Knights. Pre-dating the idea of “millennials\,” Tokyo Knights  is about a boy named Koji who is good at\, well\, everything. Koji’s pop passes\, and Koji goes home to take over his family’s “construction business\,” crush it at school\, and get the truth as to what happened with his daddy. \nSeijun Suzuki/1961/82 minutes \nThe Crosstown Arthouse Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground and documentary features. \nFilms begin at 7:30 pm sharp at Crosstown Theater\nTickets are $5 (at the door only)
URL:https://crosstownarts.org/calendar/crosstown-arthouse-presents-tokyo-knights/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/png:https://crosstownarts.org/wp-content/uploads/2020/03/TOKYO-KNIGHTS-STILL-01.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200327T143000
DTEND;TZID=America/Chicago:20200327T163000
DTSTAMP:20260518T064023
CREATED:20200303T214850Z
LAST-MODIFIED:20200313T225150Z
UID:10003958-1585319400-1585326600@crosstownarts.org
SUMMARY:POSTPONED Tonya Dyson is Sarah Vaughan
DESCRIPTION:** This event is postponed until further notice. \nJoin us in The Green Room at Crosstown Arts for a special performance by Tonya Dyson in a tribute to the legendary Sarah Vaughan. \nTickets: $10\nDoors at 7pm | Show at 7:30pm \nTonya Dyson wears so many hats: non-profit arts executive\, music educator\, serial entrepreneur\, community leader\, and festival organizer. You name it. She’s also a beloved artist who has not only built a devoted following in a creative landscape of her own design but has helped develop and nurture that same environment for countless other Memphis artists. She’s the genuine article in Memphis’ new soul underground. Join Tonya as she pays tribute to one of her favorite artists\, the legendary Sarah Vaughan.
URL:https://crosstownarts.org/calendar/tonya-dyson-is-sarah-vaughan/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2020/03/tonya-dyson.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200328T060000
DTEND;TZID=America/Chicago:20200328T083000
DTSTAMP:20260518T064023
CREATED:20200304T210803Z
LAST-MODIFIED:20200313T180227Z
UID:10003962-1585375200-1585384200@crosstownarts.org
SUMMARY:POSTPONED Exhibition Workshop: The Truest Subversive Act
DESCRIPTION:** This event is postponed until further notice. \nThis workshop is held in conjunction with the “STUDIOS” exhibition on view in the Crosstown Arts East Gallery. \nUsing Keiko Gonzalez’s work in “STUDIOS” as inspiration\, participants will be encouraged to paint without a particular destination in mind. Drawing from Keiko’s style of “circular arguments that never seek literal translations\,” participants will broaden their minds and expand on their own internal philosophies through the medium of painting. These pieces will be showcased in a pop-up gallery at the end of the exhibition.
URL:https://crosstownarts.org/calendar/copy-of-workshop-the-truest-subversive-act/
LOCATION:Crosstown Arts East Atrium\, 1350 Concourse Avenue\, Memphis\, TN\, United States
CATEGORIES:East Atrium
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2020/03/IMG_0473.jpg
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Crosstown Arts East Atrium 1350 Concourse Avenue Memphis TN United States;X-APPLE-RADIUS=500;X-TITLE=1350 Concourse Avenue:geo:-90.0155942,35.1521433
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200402T143000
DTEND;TZID=America/Chicago:20200402T163000
DTSTAMP:20260518T064023
CREATED:20200310T175254Z
LAST-MODIFIED:20200327T160806Z
UID:10003970-1585837800-1585845000@crosstownarts.org
SUMMARY:POSTPONED Crosstown Arthouse presents Wild at Heart
DESCRIPTION:** This event is postponed until further notice. \nIt’s probably enough just to say “David Lynch\,” but let’s hit on some of Wild at Heart‘s high points\, like the stars of the movie: Laura Dern (Foxes; Ladies and Gentlemen\, The Fabulous Stains); Nicolas Cage (Valley Girl); Thrashers Powermad playing Elvis Presley; Diane Ladd (Laura Dern’s real-life mother) manically covering her face with lipstick; Crispin Glover (Friday the 13th: The Final Chapter\, River’s Edge) as Jingle Dale; Laura Dern’s cousin\, who wants Christmas to be all year long and puts cockroaches in his own underwear; Harry Dean Stanton (Alien\, Repo Man\, Red Dawn) as Diane Ladd’s pathetic lover; Sherilyn Fenn (The Wraith\, Two Moon Junction) in one the best and most traumatic Lynch car wreck scenes ever put to screen; Willem Dafoe (Streets of Fire\, The Last Temptation of Christ) as Bobby Peru; a cameo by Laura Palmer herself (Sheryl Lee) as the Good Witch from the Wizard of Oz; Koko Taylor singing a song written by Lynch and composed by longtime collaborator Angelo Badalamenti; and CJack Nance (Eraserhead!!) as a random crazy dude with an invisible dog in a trailer park. \nIf the last time you saw Wild at Heart was at the Fare Four\, you owe it to yourself to come see it again on the big screen at Crosstown Theater! \nDavid Lynch/1990/124 minutes \nThe Crosstown Arthouse Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground and documentary features. \nFilms begin at 7:30 pm sharp at Crosstown Theater\nTickets are $5 (at the door only)
URL:https://crosstownarts.org/calendar/crosstown-arthouse-presents-wild-at-heart/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2020/03/0_scxIJbBvEzOIuWFa.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200403T123000
DTEND;TZID=America/Chicago:20200403T150000
DTSTAMP:20260518T064023
CREATED:20200311T215126Z
LAST-MODIFIED:20200327T160958Z
UID:10003251-1585917000-1585926000@crosstownarts.org
SUMMARY:POSTPONED Bartlett High School Photography Show
DESCRIPTION:** This event is postponed until further notice. \nStudents from Bartlett High School will showcase their photography in a show and sale benefitting the high school’s photography program. \nPhotos will be available for sale for $20\, and all proceeds will be used to purchase new supplies for photography class. \nFree admission
URL:https://crosstownarts.org/calendar/bartlett-high-school-photography-show/
LOCATION:TN
CATEGORIES:430
ATTACH;FMTTYPE=image/png:https://crosstownarts.org/wp-content/uploads/2020/03/Bartlett-HS-photo-show.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200403T143000
DTEND;TZID=America/Chicago:20200403T163000
DTSTAMP:20260518T064023
CREATED:20200127T215859Z
LAST-MODIFIED:20200318T192830Z
UID:10003927-1585924200-1585931400@crosstownarts.org
SUMMARY:POSTPONED Women of Folk: Xaris Waltman Trio & Bailey Bigger Band in The Green Room
DESCRIPTION:** This event is postponed until further notice. \nThe Green Room at Crosstown Arts presents Women of Folk — performances by the Xaris Waltman Trio and Bailey Bigger Band. \nTickets: $10\nDoors at 7 pm | Show at 7:30 pm \nBorn and raised in small-town Arkansas\, just outside of the musically historic city of Memphis\, Tennessee\, Bailey has always had a passion for songwriting. She first picked up a guitar at only nine years old and began to write songs within the first week of playing. \nAt age 17\, Bailey won “Memphis’ Best Song Of 2017” for her original song\, “Wildflower.” Since then\, she has performed at many festivals and venues from Celebrate Memphis (being one of 4 headliners)\, AmericanaFest\, and many more. She has recorded at Dark Horse Studios\, Sun Studios\, and Ardent Studios. Bailey has also been recognized as a top ten up-and-coming Americana artist you should be listening to by Memphis Magazine. \nFollowing Bailey’s first record “Closer to Home\,” she released her second EP\, “Between The Pages.” This EP was engineered by Jessica Willis and released by the University of Memphis record label\, BlueTOMRecords. \nXaris Waltman’s mother claims she was humming tunes before she could talk. As a young child\, Xaris picked up her dad’s guitar and discovered a deep connection to folk songs. Xaris loved how the songs had lives of their own and have been telling the same stories for generations. Xaris still feels the same way. Relaying these stories to audiences during her shows makes her feel like she’s doing something bigger than herself. \nIn 2019\, at nineteen years old\, Xaris released an album of old-time songs titled “Under The Willow” with BigTone Records. Right out of high school\, Xaris began traveling the country solo; just a girl and her guitar. Playing listening rooms\, living rooms\, and festivals\, she has captured the people of small-town America’s ears with her melodious\, high-toned voice.
URL:https://crosstownarts.org/calendar/xaris-waltman-trio-bailey-bigger-band-in-the-green-room/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200404T060000
DTEND;TZID=America/Chicago:20200404T083000
DTSTAMP:20260518T064023
CREATED:20200304T211302Z
LAST-MODIFIED:20200327T161056Z
UID:10003964-1585980000-1585989000@crosstownarts.org
SUMMARY:POSTPONED Exhibition Workshop: Generate
DESCRIPTION:** This event is postponed until further notice. \nThis workshop is held in conjunction with the “STUDIOS” exhibition on view in the Crosstown Arts East Gallery. \nUtilizing fabric\, paper\, paint\, and other provided materials\, participants will create art pieces inspired by Keiko Gonzalez’s abstractions on view in “STUDIOS.” These pieces will be showcased in a pop-up gallery at the end of the exhibition.
URL:https://crosstownarts.org/calendar/exhibition-workshop-generate-2/
LOCATION:Crosstown Arts East Atrium\, 1350 Concourse Avenue\, Memphis\, TN\, United States
CATEGORIES:East Atrium
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2020/03/IMG_0481.jpg
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Crosstown Arts East Atrium 1350 Concourse Avenue Memphis TN United States;X-APPLE-RADIUS=500;X-TITLE=1350 Concourse Avenue:geo:-90.0155942,35.1521433
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200405T110000
DTEND;TZID=America/Chicago:20200405T123000
DTSTAMP:20260518T064023
CREATED:20200306T233600Z
LAST-MODIFIED:20200320T184428Z
UID:10003966-1586084400-1586089800@crosstownarts.org
SUMMARY:POSTPONED Kafé Kirk with special guest Dave Koz
DESCRIPTION:** This event is postponed until further notice. \nJoin Grammy-winning saxophonist Kirk Whalum for Kafé Kirk\, a monthly jazz series in Crosstown Theater featuring musical and spiritual collaborations with special guest artists. This month’s performance will feature saxophonist Dave Koz. \nThis show will feature two performances — a matinee at 4 pm and an evening show at 7 pm. VIP tickets will ONLY be available for the 4 pm performance. \nGeneral admission tickets\, 4 pm — $50\nVIP tickets (includes a meet-and-greet and free CD) — $70\nDoors open at 3 pm for VIP and 3:30 pm for general seating | Show at 4 pm\n*** VIP experience has been relocated to the black box of the theater. The VIP experience includes a signed copy of a Kirk Whalum CD and a meet-and-greet. \nGeneral admission tickets\, 7 pm — $50 \nAbout Kirk Whalum:\nSoulful\, passionate\, stirring … these are the words most often used to describe Kirk’s music. Forged from his Memphis gospel roots and his 1980s initiation into the thriving Houston nightclub scene\, Kirk’s big\, rich tenor sound is unmistakably his. The 80s were highlighted by Kirk’s stepping out of his blossoming sideman role and forming his own band. It was there that Kirk ultimately developed both his “voice” and songwriting in the crucible of the local club scene — especially at a rooftop club called Cody’s. It was also in Houston where jazz pianist Bob James “discovered” him and brought him on tour\, which led to five successful albums with Columbia Records\, including Cache\, Kirk’s first No. 1 album. Kirk and Bob also received a Grammy nomination for their collaboration album\, Joined at the Hip. \nAfter moving to Los Angeles\, Kirk became an in-demand session player for top artists like Barbara Streisand\, Al Jarreau\, Luther Vandross\, Larry Carlton\, Quincy Jones\, and\, most notably\, Whitney Houston\, amongst many others. It’s his sax heard on the mega-hit\, “I Will Always Love You.” Kirk soon followed that career high point with his phenomenal hit album released on Warner Bros. Records\, For You\, perhaps the most successful of over 25 solo recordings to date. Others include his eclectic\, and much-lauded\, Gospel According to Jazz series (Chapters 1\, 2\, 3 and 4). In addition to his many solo projects\, Kirk was also a member of the popular soul/jazz group\, BWB\, which features Kirk as the “W” of the group with Rick Braun (trumpet) and Norman Brown (guitar). \nAbout Dave Koz:\nIn a recording career that spans nearly three decades\, saxophonist Dave Koz has racked up an astoundingly impressive array of honors and achievements: nine GRAMMY® nominations\, 11 No. 1 albums on Billboard’s Current Contemporary Jazz Albums chart\, numerous world tours\, 13 sold-out Dave Koz & Friends At Sea cruises\, performances for multiple U.S. presidents\, a Star on the Hollywood Walk of Fame\, and appearances on a multitude of television shows\, including “Good Morning America\,” “The View\,” “The Tonight Show\,” “Entertainment Tonight\,” and more. A Platinum-selling artist\, Koz is also known as a humanitarian\, entrepreneur\, radio host\, and instrumental music advocate.
URL:https://crosstownarts.org/calendar/kafe-kirk-with-special-guest-dave-koz/2020-04-05/1/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2020/03/CafeKirk_FacebookBanner_820x360-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200405T140000
DTEND;TZID=America/Chicago:20200405T153000
DTSTAMP:20260518T064023
CREATED:20200306T233600Z
LAST-MODIFIED:20200320T184428Z
UID:10003967-1586095200-1586100600@crosstownarts.org
SUMMARY:POSTPONED Kafé Kirk with special guest Dave Koz
DESCRIPTION:** This event is postponed until further notice. \nJoin Grammy-winning saxophonist Kirk Whalum for Kafé Kirk\, a monthly jazz series in Crosstown Theater featuring musical and spiritual collaborations with special guest artists. This month’s performance will feature saxophonist Dave Koz. \nThis show will feature two performances — a matinee at 4 pm and an evening show at 7 pm. VIP tickets will ONLY be available for the 4 pm performance. \nGeneral admission tickets\, 4 pm — $50\nVIP tickets (includes a meet-and-greet and free CD) — $70\nDoors open at 3 pm for VIP and 3:30 pm for general seating | Show at 4 pm\n*** VIP experience has been relocated to the black box of the theater. The VIP experience includes a signed copy of a Kirk Whalum CD and a meet-and-greet. \nGeneral admission tickets\, 7 pm — $50 \nAbout Kirk Whalum:\nSoulful\, passionate\, stirring … these are the words most often used to describe Kirk’s music. Forged from his Memphis gospel roots and his 1980s initiation into the thriving Houston nightclub scene\, Kirk’s big\, rich tenor sound is unmistakably his. The 80s were highlighted by Kirk’s stepping out of his blossoming sideman role and forming his own band. It was there that Kirk ultimately developed both his “voice” and songwriting in the crucible of the local club scene — especially at a rooftop club called Cody’s. It was also in Houston where jazz pianist Bob James “discovered” him and brought him on tour\, which led to five successful albums with Columbia Records\, including Cache\, Kirk’s first No. 1 album. Kirk and Bob also received a Grammy nomination for their collaboration album\, Joined at the Hip. \nAfter moving to Los Angeles\, Kirk became an in-demand session player for top artists like Barbara Streisand\, Al Jarreau\, Luther Vandross\, Larry Carlton\, Quincy Jones\, and\, most notably\, Whitney Houston\, amongst many others. It’s his sax heard on the mega-hit\, “I Will Always Love You.” Kirk soon followed that career high point with his phenomenal hit album released on Warner Bros. Records\, For You\, perhaps the most successful of over 25 solo recordings to date. Others include his eclectic\, and much-lauded\, Gospel According to Jazz series (Chapters 1\, 2\, 3 and 4). In addition to his many solo projects\, Kirk was also a member of the popular soul/jazz group\, BWB\, which features Kirk as the “W” of the group with Rick Braun (trumpet) and Norman Brown (guitar). \nAbout Dave Koz:\nIn a recording career that spans nearly three decades\, saxophonist Dave Koz has racked up an astoundingly impressive array of honors and achievements: nine GRAMMY® nominations\, 11 No. 1 albums on Billboard’s Current Contemporary Jazz Albums chart\, numerous world tours\, 13 sold-out Dave Koz & Friends At Sea cruises\, performances for multiple U.S. presidents\, a Star on the Hollywood Walk of Fame\, and appearances on a multitude of television shows\, including “Good Morning America\,” “The View\,” “The Tonight Show\,” “Entertainment Tonight\,” and more. A Platinum-selling artist\, Koz is also known as a humanitarian\, entrepreneur\, radio host\, and instrumental music advocate.
URL:https://crosstownarts.org/calendar/kafe-kirk-with-special-guest-dave-koz/2020-04-05/2/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2020/03/CafeKirk_FacebookBanner_820x360-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200408T143000
DTEND;TZID=America/Chicago:20200408T163000
DTSTAMP:20260518T064023
CREATED:20200206T200941Z
LAST-MODIFIED:20200316T202052Z
UID:10003944-1586356200-1586363400@crosstownarts.org
SUMMARY:POSTPONED Lynn Cardona in The Green Room
DESCRIPTION:** This event is postponed until further notice. \nJoin us in The Green Room at Crosstown Arts for a performance by contemporary jazz and soul artist Lynn Cardona. \nLynn Cardona is a contemporary jazz and soul artist living in Los Angeles\, where she pens unguarded songs about love: the unrequited\, the returned and ecstatic\, the slow burn of longing and lust. \nTickets: $10\nDoors at 7pm | Performance at 7:30pm \nLynn Cardona is a contemporary jazz and soul artist living in Los Angeles\, where she pens unguarded songs about love: the unrequited\, the returned and ecstatic\, the slow burn of longing and lust. \nTickets: $10\nDoors at 7pm | Performance at 7:30pm \n“[Ophelia] features an absolutely gorgeous and moving vocal performance\, the best of this disc. “Don’t you know how far I’d go for love?”“\n– Michael Doherty\, Michael’s Music Log \n“If jazz songs can be likened to paintings\, then “Ophelia” is comprised of the most delicate execution of pointillism.”\n– Dodie Miller Gould\, Lemonwire \n“In only three compelling\, heart on her sleeve songs\, gossamer voiced soul-jazz singer songwriter invites us into a fascinating interior world\, where she’s unashamed to address suicidal thoughts and her slow emergence from a dark emotional time.”\n– Jonathan Widran\, JW Vibe \n“Lynn Cardona introduces us to her rich voice and accessible songwriting skills.. Her dainty voice works well on the upbeat “A Little Too Late” and she can get vulnerable on the title track.”\n– George Harris\, Jazz Weekly \n“Cardona drops an EP about various facets of love in the soul/jazz groove she’s been mining to good effect in the past. Her version of healing music\, perhaps it will shine a light for others in the same situation.”\n– Chris Spector\, Midwest Record \nIt’s Cardona’s voice—girlish\, dreamily viscous\, and reminiscent of Blossom Dearie—that first draws you in. But you soon find yourself saturated in her world\, one where nostalgia and desire fill the space like rising floodwaters. \nMuch of this is due to the poetry that patters through Cardona’s lyrics\, tugging you deeper and deeper out to sea. For example\, in her new EP\, Ophelia\, Cardona sings in the titular song\, “I’ve said this all before but now I swear it\, please dare it\, don’t you know how far I’d go for love….” She wrote the song in a single night during which she found herself wanting to end her life after the dissolution of her relationship with a long-time lover. Despite the heaviness of the subject matter\, “Ophelia” has a light-hearted feel\, conveying the haunting juxtaposition between what’s felt and what’s shown on the outside. \nFollowing the end of her relationship\, Cardona moved around the world to Seoul\, South Korea\, to escape her memories. The other two songs on Ophelia\, “A Little Too Late” and “Mother Earth” were written during this period of recovery. \n“A Little Too Late” is a tribute to a fleeting but life-changing love affair with a man named Joe\, whom she fell for shortly after her breakup and whom she credits as pulling her out of her dark depression. Cardona sings\, “In just autumn when the leaves all beg the trees to let them go… Maybe he loved me because he let me go\, but it’s a little too late\,” about her brave decision to leave Joe behind and travel alone to South Korea in search of healing. \n“Mother Earth” explores Cardona’s ambivalent feelings about the idea of becoming a mother. Ultimately\, the song celebrates the resilience and nurturing that both Mother Earth and women embody despite the abuses of mankind. \nBefore her musical career\, Cardona grew up in Cleveland\, Ohio\, and moved to Memphis\, Tennessee\, shortly after graduating high school. Over the following decade\, she cut her teeth performing in the southern city\, where she learned from Memphis’ incredible musicians and artists. Eventually\, after her stint in South Korea\, she made her way to Los Angeles. \nCardona enlisted some of the top talent in Southern California to help her with this project. Produced by guitarist DORI AMARILIO\, she’s backed by widely respected pianist and composer JOSH NELSON\, who is a recording artist\, composer\, and educator who has performed with some of the biggest names in jazz. He has recorded for countless albums\, films\, and T.V. shows\, as well as releasing seven CDs as a leader. She first heard Nelson on the radio shortly after moving to Los Angeles in 2012. “He let the music breathe\, and he added to it with such grace and elegance\,” says Cardona. “I was thrilled that Josh agreed to work with me. He was so incredibly busy\, that it took a full year of scheduling and rescheduling until we could nail down a rehearsal and a recording date. He was an absolute dream to work with\, and I would wait another year to do it again.” \nShe’s also backed by bass player DAVE ROBAIRE\, who is a professor of Jazz Studies at California State University\, Northridge’s prestigious music school and is the Manager of Music at Sam First\, one of Los Angeles’s most important venues for creative music. On drums is DAN SCHNELLE\, one of the busiest\, sought-after musicians in the Los Angeles area. Amarilio brought on board MICHAEL HUNTER to play flugelhorn. Hunter has performed with the likes of Stanley Clarke\, Kamasi Washington\, and Lenny Kravitz\, among many others. And guitarist NOZOMI YAMAGUCHI is a dear friend of Cardona. “He was an integral part of giving this record a sound all its own\, since he brings a more soulful rhythmic approach to these songs\,” says Cardona. \nHer upcoming EP\, Secret Crush\, reveals Cardona’s sexier side\, blending her contemporary jazz style with more pop and soul than her previous work. Secret Crush was produced by GRAMMY award winning producer SAM BARSH\, who’s written for and played piano on records by the likes of Aloe Black\, Kendrick Lamar and Anderson Paak. \nCardona wears her heart on her sleeve. Her emotions\, vulnerable and exposed\, flow through her music like a gentle stream. Her voice is sinuous and lyrical\, and the musicianship on these three tunes is superb. As Cardona puts it\, “I want my music to convey the nuances of the experiences I’ve had. I want listeners to feel that they can relate to me on the deepest level.”
URL:https://crosstownarts.org/calendar/lynn-cardona-at-crosstown-arts/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200409T140000
DTEND;TZID=America/Chicago:20200409T150000
DTSTAMP:20260518T064023
CREATED:20200203T190443Z
LAST-MODIFIED:20200327T161325Z
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SUMMARY:POSTPONED Pecha Kucha: Crosstown Arts Resident Artist Talk
DESCRIPTION:** This event is postponed until further notice. \nCrosstown Arts resident artists Brian Pera\, Lawrence Matthews\, Clare Johnson\, Khari Wynn\, Tadasuke Jinno\, and Johnathan Payne will discuss their work in a Pecha Kucha-style artist talk. \nThe Crosstown Arts residency program offers multidisciplinary residencies to visiting and Memphis-based artists and curators\, working in any creative discipline including visual and performing arts\, music\, film\, and writing in all genres. \nThe key to Pecha Kucha is the 20×20 format: all presenters show 20 slides for 20 seconds each\, making each presentation concise and dynamic. If you’re wondering what “Pecha Kucha” means\, it draws its name from the Japanese term for the sound of “chit chat.” \nPecha Kucha Nights began in Tokyo as an opportunity for artists\, designers and architects to show samples of their work through a concise\, timed presentation in a relaxed community setting. Over the past 10 years\, these events have expanded to hundreds of cities across the globe\, and often include a variety of community members sharing a wide array of interesting (and sometimes hilarious) topics.
URL:https://crosstownarts.org/calendar/pecha-kucha-crosstown-arts-resident-artist-talk-2/
LOCATION:Crosstown Arts East Atrium\, 1350 Concourse Avenue\, Memphis\, TN\, United States
CATEGORIES:East Atrium,Residency
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200409T140000
DTEND;TZID=America/Chicago:20200409T160000
DTSTAMP:20260518T064023
CREATED:20200217T204829Z
LAST-MODIFIED:20200327T161503Z
UID:10003233-1586440800-1586448000@crosstownarts.org
SUMMARY:POSTPONED An Evening with Cheley Tackett
DESCRIPTION:** This event is postponed until further notice. \nPerformance by singer-songwriter Cheley Tackett. \nTickets: $12\nDoors at 6:30 pm \nCheley Tackett is a MerleFest Chris Austin Songwriting Contest winner\, Kerrville Folk Festival New Folk winner\, Independent Acoustic Music Award finalist (Best Song & Female Vocalist Categories)\, JPF Song of the Year winner\, and 2018 International Songwriting Competition semi-finalist in the Americana Category. Maverick Magazine said\, “she writes with the deep confidence and total abandon that only a true artist is capable of … One of the most powerful\, soulful singers in the business.” \nOrganized by the artist
URL:https://crosstownarts.org/calendar/an-evening-with-cheley-tackett/
LOCATION:TN
CATEGORIES:430
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200409T143000
DTEND;TZID=America/Chicago:20200409T163000
DTSTAMP:20260518T064023
CREATED:20200310T181458Z
LAST-MODIFIED:20200327T160312Z
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SUMMARY:POSTPONED Crosstown Arthouse presents Paris is Burning
DESCRIPTION:** This event is postponed until further notice. \nJennie Livingston’s Paris is Burning documents African-American and Latinx drag culture in 1980s New York City. Focusing on ballroom competition culture\, Paris is Burning introduced the rest of America to voguing. Beautifully shot in 16mm\,  the film told the stories of gay and trans people of color and how\, after being rejected by their families and straight society\, they managed to find accepting family units and ways to survive (which sometimes included shoplifting and sex work). Paris is Burning was the inspiration for the television show Pose. \nJennie Livingston/1990/78 minutes \nThe Crosstown Arthouse Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground and documentary features. \nFilms begin at 7:30 pm sharp at Crosstown Theater\nTickets are $5 (at the door only)
URL:https://crosstownarts.org/calendar/crosstown-arthouse-presents-paris-is-burning/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200409T150000
DTEND;TZID=America/Chicago:20200409T170000
DTSTAMP:20260518T064023
CREATED:20200408T154616Z
LAST-MODIFIED:20200408T154616Z
UID:10003259-1586444400-1586451600@crosstownarts.org
SUMMARY:Shoot & Splice: Meet the Programmers
DESCRIPTION:While we all continue to practice social distancing\, Indie Memphis & Crosstown Arts are excited to bring the monthly filmmaker forum\, Shoot & Splice\, online! \nFor this month’s event\, please join us for a “Meet the Programmers” discussion and Q&A. Join Indie Memphis Artistic Director Miriam Bale\, Senior Programmer Brighid Wheeler\, and Programmer Kayla Myers as they discuss their programming values and style and what they look for from films and filmmakers. Filmmakers and programmers are still learning what the future holds in this new virtual film festival landscape. Come be a part of the conversation! \n**RSVP to the S&S Zoom video chat here: https://bit.ly/3bPCnDK \n— \nShoot & Splice is a FREE filmmaker forum presented monthly by Crosstown Arts and Indie Memphis.
URL:https://crosstownarts.org/calendar/shoot-splice-meet-the-programmers/
LOCATION:TN
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200416T143000
DTEND;TZID=America/Chicago:20200416T163000
DTSTAMP:20260518T064023
CREATED:20200310T183003Z
LAST-MODIFIED:20200327T160220Z
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SUMMARY:POSTPONED  Crosstown Arthouse presents Black Orpheus
DESCRIPTION:** This event is postponed until further notice. \nBlack Orpheus is a retelling of the Greek myth of Orpheus and Eurydice\, set in the streets of Rio during Carnival. When released in 1959\, Black Orpheus was an arthouse hit\, driven by incredible cinematography\, location\, and bossa nova music. \nOnly later\, people started to re-examine Black Orpheus\, its popularity\, and its audience — especially the idea of an all-black cast being shoehorned into a Greek myth through the lens of a white French director. Despite its complications and glossing-over of what life was like for the poor in Rio\, Black Orpheus is\, without doubt\, a cultural milestone and an influence on later works in film and music. Black Orpheus is another one of those award-winning films everyone is supposed to see\, but in this case\, seriously\, you should come see it! \nMarcel Camus/1959/107 minutes \nThe Crosstown Arthouse Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground and documentary features. \nFilms begin at 7:30 pm sharp at Crosstown Theater\nTickets are $5 (at the door only)
URL:https://crosstownarts.org/calendar/crosstown-arthouse-presents-black-orpheus/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20200417T143000
DTEND;TZID=America/Chicago:20200417T163000
DTSTAMP:20260518T064023
CREATED:20200108T200109Z
LAST-MODIFIED:20200327T162058Z
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SUMMARY:POSTPONED The Cutaway Acoustic Guitar Series: Peppino D'Agostino
DESCRIPTION:** This event is postponed until further notice. \nCrosstown Arts presents The Cutaway Acoustic Guitar Series\, a monthly concert series showcasing internationally acclaimed guitarists in partnership with the Little Rock-based Argenta Acoustic Music Series. April’s performance features guitarist Peppino D’Agostino in an intimate\, solo performance. \nTickets: $20\nDoors at 7 pm | Show at 7:30 pm \nD’Agostino has performed in more than 34 countries\, at prestigious international festivals and has played in some of the world’s most important theaters. He has shared the stage with Tommy Emmanuel\, Leo Kottke\, Laurindo Almeida\, Sergio Assad\, Larry Carlton\, and Eric Johnson\, to name a few. His solo recordings include high quality labels such as Favored Nations\, Mesa / Bluemoon\, and Acoustic Music Records. Recognized as “the guitarist’s guitarist” by Acoustic Guitar magazine and described as “a giant of the acoustic guitar” by the San Diego Reader\, in 2017 Guitar Player listed him as one of the 50 transcendent superheroes of all time. The CD “Every Step of The Way” was awarded by Acoustic Guitar’s People’s Choice Awards with a Bronze medal for Best Acoustic Album of All Time. His signature Seagull acoustic guitar has been voted among the ten best signature guitars by Guitar Player magazine.
URL:https://crosstownarts.org/calendar/the-cutaway-acoustic-guitar-series-peppino-dagostino/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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END:VCALENDAR