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DTSTART;TZID=America/Chicago:20190723T130000
DTEND;TZID=America/Chicago:20190723T140000
DTSTAMP:20260518T181027
CREATED:20190607T164600Z
LAST-MODIFIED:20190718T193148Z
UID:10003028-1563886800-1563890400@crosstownarts.org
SUMMARY:Pecha Kucha: Resident Artist Talk
DESCRIPTION:Crosstown Arts summer session resident artists Dehanza Rogers\, Tom Cho\, and Marcus Tate\, Aubree Penney\, Baishui Gan\, and Melanie Manos will present artist talks in the Pecha Kucha style. \nThe key to Pecha Kucha is the 20×20 format: all presenters show 20 slides for 20 seconds each\, making each presentation concise and dynamic. If you’re wondering what “Pecha Kucha” means\, it draws its name from the Japanese term for the sound of “chit chat.” \nPecha Kucha Nights began in Tokyo as an opportunity for artists\, designers and architects to show samples of their work through a concise\, timed presentation in a relaxed community setting. Over the past 10 years\, these events have expanded to hundreds of cities across the globe\, and often include a variety of community members sharing a wide array of interesting (and sometimes hilarious) topics.
URL:https://crosstownarts.org/calendar/pecha-kucha-resident-artist-talk-4/
LOCATION:Crosstown Arts\, East Atrium\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, United States
CATEGORIES:East Atrium,Residency
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DTSTART;VALUE=DATE:20190725
DTEND;VALUE=DATE:20190826
DTSTAMP:20260518T181027
CREATED:20190724T165757Z
LAST-MODIFIED:20190724T165858Z
UID:10003057-1564012800-1566777599@crosstownarts.org
SUMMARY:Negative Space
DESCRIPTION:Exhibition of works in the miniscule spaces around the first and second floor of Crosstown Concourse in the Central and East Atria. Curated by Crosstown Arts resident artist Aubree Penney. \nFeatured artists: Sully Allen\, Jesse Butcher\, Zahria Cook\, Dehanza\, Mulanre “Eddie” Gan\, Mary Jo Karimnia\, Melanie Manos\, Jeremiah Matthews and Kayla Selby\, Natalie Minik\, Alex Paulus\, Cat Peña\, Nick Peña\, Terri Phillips\, Corkey Sinks\, Joey Slaughter\, Jessica Weaver\, Terri Weaver\, and Tad Lauritzen Wright. \nEngaging with the architecture and history of Crosstown and the residues of both its predecessor Sears and its subsequent transformation\, group exhibition Negative Space operates within unused miniscule spaces in public areas of Crosstown Concourse. Numerous holes\, nails\, and small architectural elements pockmark walls and columns\, bearing evidence of past usage. Negative Space invites current Artists in Residence at Crosstown Arts as well as local community artists to embrace these underutilized spaces for art display. Negative Space offers artists and audience members an opportunity both to explore the Concourse and to consider scale and intimacy in public art display.
URL:https://crosstownarts.org/calendar/negative-space/
LOCATION:Central Atrium\, Crosstown Concourse\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190725T130000
DTEND;TZID=America/Chicago:20190725T160000
DTSTAMP:20260518T181027
CREATED:20190719T185622Z
LAST-MODIFIED:20190725T191852Z
UID:10003055-1564059600-1564070400@crosstownarts.org
SUMMARY:Crosstown Arts Resident Artist Showcase
DESCRIPTION:Join us for a multidisciplinary art showcase featuring work by Crosstown Arts resident artists. Free and open to the public. \nSchedule of events:\n* 6-9 pm — Opening reception for Negative Space\, an art show featuring works in holes and on hooks and architecture shelves on 1st & 2nd floor of Central & East Atria. Curated by resident Aubree Penney. \n* 6-7 pm — Open studio for Joey Slaughter in Studio 104 in Shared Art Making \n* 7-7:30 pm — Film screening of #Blackgirlhood by Dehanza Rogers on East Atrium stage \n* 7:30-8 pm — Performance piece by Melanie Manos on second floor of Central Atrium \n* 7 pm through the evening — Work by Natalie Minik projected on column in the East Atrium \n* 8 pm — Collaborative performance by Eden Wiseman\, Ori Dvir\, and Baishui with an installation by Eden Wiseman and Nick Peña in The Green Room \n* 8:40 pm — Theatrical performance by Valerie Houston \n* 9 pm — Performance by Melanie Manos in The Green Room
URL:https://crosstownarts.org/calendar/crosstown-arts-resident-artist-showcase/
LOCATION:Crosstown Arts at Crosstown Concourse\, 1350 Concourse Avenue\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Residency
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190725T130000
DTEND;TZID=America/Chicago:20190725T160000
DTSTAMP:20260518T181027
CREATED:20190724T170025Z
LAST-MODIFIED:20190725T192024Z
UID:10003059-1564059600-1564070400@crosstownarts.org
SUMMARY:Opening Reception for Negative Space
DESCRIPTION:Exhibition of works in the miniscule spaces around the first and second floor of Crosstown Concourse in the Central and East Atria. Curated by Crosstown Arts resident artist Aubree Penney. On view through August 25. \nFeatured artists: Sully Allen\, Jesse Butcher\, Zahria Cook\, Dehanza\, Mulanre “Eddie” Gan\, Mary Jo Karimnia\, Melanie Manos\, Jeremiah Matthews and Kayla Selby\, Natalie Minik\, Alex Paulus\, Cat Peña\, Nick Peña\, Terri Phillips\, Corkey Sinks\, Joey Slaughter\, Jessica Weaver\, Terri Weaver\, and Tad Lauritzen Wright. \nEngaging with the architecture and history of Crosstown and the residues of both its predecessor Sears and its subsequent transformation\, group exhibition Negative Space operates within unused miniscule spaces in public areas of Crosstown Concourse. Numerous holes\, nails\, and small architectural elements pockmark walls and columns\, bearing evidence of past usage. Negative Space invites current Artists in Residence at Crosstown Arts as well as local community artists to embrace these underutilized spaces for art display. Negative Space offers artists and audience members an opportunity both to explore the Concourse and to consider scale and intimacy in public art display. \nThis opening event is part of the Crosstown Arts Resident Artist Showcase on Thursday\, July 25 from 6-9 pm. \nSchedule of events:\n* 6-9 pm — Opening reception for Negative Space\, an art show featuring works in holes and on hooks and architecture shelves on 1st & 2nd floor of Central & East Atria. Curated by resident Aubree Penney. \n* 6-7 pm — Open studio for Joey Slaughter in Studio 104 in Shared Art Making \n* 7-7:30 pm — A work-in-progress screening for #BlackGirlhood by Dehanza Rogers on East Atrium stage \n* 7:30-8 pm — Performance piece by Melanie Manos on second floor of Central Atrium \n* 7 pm through the evening — Work by Natalie Minik projected on column in the East Atrium \n* 8 pm — Collaborative performance by Eden Wiseman\, Ori Dvir\, Baishui\, and Sarah Ledbetter with an installation by Eden Wiseman and Nick Peña in The Green Room \n* 8:40 pm — Theatrical performance by Valerie Houston \n* 9 pm — Performance by Melanie Manos in The Green Room
URL:https://crosstownarts.org/calendar/opening-reception-for-negative-space/
LOCATION:Central Atrium\, Crosstown Concourse\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190725T143000
DTEND;TZID=America/Chicago:20190725T163000
DTSTAMP:20260518T181027
CREATED:20190627T193125Z
LAST-MODIFIED:20190722T190238Z
UID:10003043-1564065000-1564072200@crosstownarts.org
SUMMARY:Crosstown Arthouse Presents Delinquency in Cinema: FREDERICK WISEMAN’S JUVENILE COURT
DESCRIPTION:The Crosstown Arthouse Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground and documentary features. This week: JUVENILE COURT \nFilms begin at 7:30 pm sharp.\nTickets are $5 (at the door only) \nOriginally released in 1973 and made by acclaimed documentary film maker Frederick Wiseman\, JUVENILE COURT shows the complex variety of cases before the Memphis Juvenile Court: foster home placement\, drug abuse\, armed robbery\, child abuse\, and sexual offenses. The sequences illustrate such issues as community protection vs. the desire for rehabilitation\, the range and the limits of the choices available to the court\, the psychology of the offender\, and the constitutional and procedural questions involved in administering a juvenile court. Come see how horrible the Memphis juvenile “justice” system was in the 1970s\, and then lament how absolutely nothing has changed! \nFilm makers Joann Self Selvidge and Sarah Fleming will be at the screening to share information about their currently in-production documentary Juvenile\, which tells the stories of people who’s lives have been touched by the juvenile justice system. Learn more: juvenilefilm.com
URL:https://crosstownarts.org/calendar/crosstown-arthouse-presents-delinquency-in-cinema-frederick-wisemans-juvenile-court/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2019/06/JUVENILE-COURT-02.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190727T140000
DTEND;TZID=America/Chicago:20190727T160000
DTSTAMP:20260518T181027
CREATED:20190625T214138Z
LAST-MODIFIED:20190709T205232Z
UID:10003715-1564236000-1564243200@crosstownarts.org
SUMMARY:The Music of Dexter Gordon
DESCRIPTION:Tribute to jazz saxophonist Dexter Gordon featuring Art Edmaiston (tenor sax)\, Patrick Fusco (piano)\, Neal Bowen (acoustic bass)\, and Jeff Burch (drums). \nTickets: $15\nDoors at 6:30 pm | performance at 7 pm\nLocation: Crosstown Arts East Atrium \nThe Crosstown Jazz Series\, presented by Strictly Jazz Entertainment in collaboration with Crosstown Arts\, is designed to salute classic jazz music as contemporary musicians perform the work of the legends. \n\n \nAbout Arthur Edmaiston:\nSaxophonist Arthur Edmaiston was raised in Northwest TN and came to Memphis to pursue a degree in Jazz Performance in 1990. The Bluff City has been his home since then. \nSoon after settling in\, Art found guidance in two teachers who would direct his career path and help develop his personal understanding of the saxophone. Allen Rippe\, Professor of Saxophone at the University of Memphis and the legendary musician and teacher Lannie McMillan mentored Edmaiston through the early ’90s\, providing chances to grow and offering support when needed. \n\nCountless hours of practice and late nights jamming with the finest musicians in Memphis and around the world has brought Edmaiston to where he is today — a Grammy-nominated seasoned professional of stage and studio. Over the years\, Art has played for thousands of tourists on world-famous Beale Street\, backing up Preston Shannon\, FreeWorld\, Ruby Wilson and more recently\, Susan Marshall and John Paul Keith. Edmaiston has recorded and toured internationally with such artists as Gregg Allman\, Al Green\, Bobby “Blue” Bland and the International Jazz Master Dee Dee Bridgewater\, as well as performing on-stage with some of the biggest names in the entertainment world\, such as Stevie Wonder\, Dr. John\, Ray Parker Jr. and Justin Timberlake. \nAlways active in the studio\, there are several new recording projects featuring Art coming soon from the Joe Restivo 4\, the Love Light Orchestra\, Marc Edgar Stuart\, Marcella & Her Lovers\, and others. Arthur Edmaiston has established himself as a leader in music in Memphis and is grateful to be sharing his gift with all who will listen. \n\n\nAbout Strictly Jazz:\nStrictly Jazz Entertainment is committed to cultivating a growing community in the knowledge and appreciation of jazz. We facilitate dialogue and collaboration between the devoted supporters of jazz and the brand new constituents – those new to the genre – for the furthering of the jazz community. We provide a bridge between leading artists and a community that typically does not embrace jazz by promoting concerts in various venues to generate an atmosphere that is viable for the absorption of pure jazz.
URL:https://crosstownarts.org/calendar/the-music-of-dexter-gordon/
LOCATION:Crosstown Arts\, East Atrium\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, United States
CATEGORIES:East Atrium
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190727T150000
DTEND;TZID=America/Chicago:20190727T170000
DTSTAMP:20260518T181027
CREATED:20190621T201533Z
LAST-MODIFIED:20190726T162738Z
UID:10003701-1564239600-1564246800@crosstownarts.org
SUMMARY:Sparkle City Disco at The Green Room
DESCRIPTION:Join us for an evening of classic disco hits spun by the DJs of Sparkle City Disco. The Rolling Wheels of Memphis skate group will be there\, turning the party into a roller disco as they skate to classic disco tunes. \nAll vinyl. All disco. Lust and dust. Sparkle City Disco’s monthly residency at The Basement in Nashville has set the city back decades. They rocked Bonnaroo Music & Arts Festival in Manchester\, Tennessee\, earlier this month\, and now they’ve set their sights on Memphis. \nTickets: $5\nDoors 7:30 pm | Show at 8 pm
URL:https://crosstownarts.org/calendar/sparkle-city-disco/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2019/06/SparkleCityDisco_07_27_19_11x17.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190728T080000
DTEND;TZID=America/Chicago:20190728T100000
DTSTAMP:20260518T181027
CREATED:20190711T210829Z
LAST-MODIFIED:20190711T210829Z
UID:10003736-1564300800-1564308000@crosstownarts.org
SUMMARY:Stitched Finale
DESCRIPTION:Join us on July 28 from 1-3 pm to celebrate the STITCHED exhibitions at Crosstown Arts. This will be the last time you’ll be able to see the shows. We’re going to announce the viewer’s choice awards\, debut the community quilt made during Maria Shell’s workshop in June\, and acknowledge all of the artists and volunteers who made these shows a reality. \nAnnouncement of the Viewer’s Choice awards will be at 2pm. We will be asking artists to take their quilts down during the celebration. Artists are encouraged to take pictures of your quilt and post them on the Stitched2019 Facebook page as a remembrance of the events. If you will be picking up a quilt for another person you will need to have written permission from that person. \nBLUE show posters will be available at the event. \nIf you have a quilt in the show and are unable to attend the event\, your quilt will be available for pick up from July 29-August 2 from 12-4pm\, Tuesday through Friday at Crosstown Arts. Note that the galleries are closed on Monday.
URL:https://crosstownarts.org/calendar/stitched-finale/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2019/07/Stitched_Finale.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190730T130000
DTEND;TZID=America/Chicago:20190730T140000
DTSTAMP:20260518T181027
CREATED:20190313T212220Z
LAST-MODIFIED:20190501T164226Z
UID:10003556-1564491600-1564495200@crosstownarts.org
SUMMARY:The Mystic
DESCRIPTION:On the last Tuesday of each month join Crosstown Concourse neighbors and friends for The Mystic. \nThe Mystic is a time set aside each month to experience the undefinable together through music\, dialogue and silence.  The Mystic is not affiliated with any defined belief system\, but is a shared listening experience intended to deepen our understand of one another. \nThe Mystic is hosted by a rotated panel including Rabbi Micah Greenstein\, Chris Miner\, Dr. Scott Morris\, Dr. Sonia Walker\, and Kirk Whalum\, with a variety of musical guests.
URL:https://crosstownarts.org/calendar/the-mystic-8/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2019/03/The-Mystic.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190730T140000
DTEND;TZID=America/Chicago:20190730T160000
DTSTAMP:20260518T181027
CREATED:20190627T215404Z
LAST-MODIFIED:20190627T215404Z
UID:10003722-1564495200-1564502400@crosstownarts.org
SUMMARY:MicroCinema: 2019 Sundance Film Festival Short Film Tour
DESCRIPTION:Indie Memphis and Crosstown Arts present MicroCinema Club\, a monthly screening of short films. This month: 2019 Sundance Film Festival Short Film Tour. \nThe 2019 Sundance Film Festival Short Film Tour is a 96-minute theatrical program of seven short films selected from this year’s festival\, widely considered the premier showcase for short films and the launchpad for many now-prominent independent filmmakers for more than 30 years. Including fiction\, documentary and animation from around the world\, the 2019 program offers new audiences a taste of what the Festival offers\, from sharply-written comedy and drama to edgy genre and an intimate family saga. \nPay-What-You-Can at the door. No ticket required.
URL:https://crosstownarts.org/calendar/microcinema-2019-sundance-film-festival-short-film-tour/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:430
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2019/06/96-og.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190730T140000
DTEND;TZID=America/Chicago:20190730T170000
DTSTAMP:20260518T181027
CREATED:20190606T195738Z
LAST-MODIFIED:20190606T195738Z
UID:10003667-1564495200-1564506000@crosstownarts.org
SUMMARY:Playing the Angel
DESCRIPTION:Show and sale of paintings and prints by Sami Roth. \nOrganized by the artist
URL:https://crosstownarts.org/calendar/playing-the-angel/
LOCATION:TN
CATEGORIES:430
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2019/06/IMG_1153.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190731T143000
DTEND;TZID=America/Chicago:20190731T163000
DTSTAMP:20260518T181027
CREATED:20190716T213338Z
LAST-MODIFIED:20190716T213338Z
UID:10003052-1564583400-1564590600@crosstownarts.org
SUMMARY:LIVE from THE GREEN ROOM with Tia Henderson
DESCRIPTION:Join us for LIVE from THE GREEN ROOM with Memphis-based singer-songwriter Tia Henderson. \nThe LIVE from THE GREEN ROOM music series offers an intimate experience featuring some the best up and coming artists in the region. Every month will feature performances in the premier listening environment “The GreenRoom“\, the brand new venue for live music at Crosstown Arts. Enjoy an inviting lounge setting highlighting an array of up-and-coming artists\, some you’ll know and others you’ll discover. \nTickets: Advance $10 | Door $15\nDoors at 7 pm | Show at 7:30 pm \n\nAbout Tia Henderson:\nTia Henderson is a singer-songwriter based in Memphis\, TN. This Stax Academy Alum’s voice and melodic style are warm and soulful with gospel and blues influences. She’s performed all over the world and is currently on tour with Tank and the Bangas. For fans of Aretha Franklin\, Jazmine Sullivan\, Lalah Hathaway\, Tia is sure to bring something both fresh and familiar.
URL:https://crosstownarts.org/calendar/live-from-the-green-room-with-tia-henderson/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190801T130000
DTEND;TZID=America/Chicago:20190801T160000
DTSTAMP:20260518T181027
CREATED:20190624T164846Z
LAST-MODIFIED:20190624T164846Z
UID:10003708-1564664400-1564675200@crosstownarts.org
SUMMARY:Kinfolk
DESCRIPTION:A show by Janay Kelley. Featuring work by Raegan Anderson\, Deja Brooks\, Lauren McNealy\, and Vincent Burns. \nExhibition at 6 pm | show at 7 pm \nOrganized by the artist
URL:https://crosstownarts.org/calendar/kinfolk/
LOCATION:TN
CATEGORIES:430
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2019/06/KINFOLK-3.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190801T143000
DTEND;TZID=America/Chicago:20190801T163000
DTSTAMP:20260518T181027
CREATED:20190627T194502Z
LAST-MODIFIED:20190627T194502Z
UID:10003044-1564669800-1564677000@crosstownarts.org
SUMMARY:Crosstown Arthouse Presents Contemporary Classics: PARIS\, TEXAS
DESCRIPTION:The Crosstown Arthouse Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground and documentary features. This week: PARIS\, TEXAS \nFilms begin at 7:30 pm sharp.\nTickets are $5 (at the door only) \nAnother Wim Wenders road movie\, PARIS\, TEXAS is the story of an amnesiac named Travis Henderson who wanders out of the desert and only remembers one thing — his brother’s telephone number.  Walt Henderson\, Travis’ brother\, agrees to come get Travis. Travis has no idea that his son\, Hunter\, has been adopted by Walt and his wife Anne.  Also Travis has a missing wife\, Jane. Jane is not too missing however\, because she makes regular deposits of money in a bank account set aside for Hunter.  When Travis discovers where Jane may be\, Travis and Hunter take a road trip to find her.  Alcoholism\, abuse\, mom’s in a strip club\, child abandonment\, PARIS\, TEXAS HAS IT ALL!  With HARRY DEAN STANTON (AVENGE ME!)\, DEAN STOCKWELL (QUANTUM LEAP!!) AND STAR OF CAT PEOPLE NASTASSJA KINSKI!!
URL:https://crosstownarts.org/calendar/crosstown-arthouse-presents-contemporary-classics-paris-texas/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2019/06/PARIS-TEXAS-02.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190801T150000
DTEND;TZID=America/Chicago:20190801T170000
DTSTAMP:20260518T181027
CREATED:20190621T194846Z
LAST-MODIFIED:20190621T194846Z
UID:10003699-1564671600-1564678800@crosstownarts.org
SUMMARY:Joe Restivo at The Green Room
DESCRIPTION:Join us in The Green Room for an album release concert with Memphis’ own Joe Restivo\, a member of the Bo-Keys. \n“One of the city’s truly special Memphis music experiences.” – Bob Mehr\, Memphis Commercial Appeal \nTickets: $10\nDoors 7:30 pm | show at 8 pm \n\nAbout Joe Restivo:\nMemphis’ Joe Restivo – member of beloved soul band the Bo-Keys – will release ‘Where’s Joe?\,’ his debut album\, July 12 on Blue Barrel Records (the non-profit label arm of Archer Records). The album crystalizes his interest in Memphis jazz music made at the intersection of jump blues\, rhythm & blues\, and jazz. This is swinging\, fun music\, jazz for hipster cocktail parties\, which Restivo has been refining with his weekly residency at Lafeyette’s over four years. \nRestivo began playing clubs in the transitional period of the 1990s\, when the blues\, jazz\, and rhythm & blues masters could still be found on Beale Street and elsewhere in Memphis. Restivo would play regularly with organ master Charlie Wood and piano great Mose Vinson and would see Newborn play every week. “He had that bebop element but it was also kind of dangerous and had a rock and roll thing\, too. It wasn’t purely serious. But he was also playing sophisticated music\,” remembers Restivo\, recalling that he also used to see old-school\, jazz-based Beale Street players like saxophonists Fats Sonny and Fred Ford\, organist Honeymoon Gardner\, and trumpet player Noki Taylor\, play live frequently. “You don’t hear anyone make the guitar growl a little bit in jazz. These sounds from that era are brackish water. Is Tiny Grimes a rock and roll artist or is he a jazz artist or is he jump blues?\,” he asks\, rhetorically. Taking these influences and making them his own\, Restivo’s masterful guitar work also recalls national greats such as Oscar Moore (Nat King Cole)\, Loman Pauling (The 5 Royales)\, Tal Farlow\, and Hank Garland. \nYet the album is no revival\, mostly fueled by original compositions. Take\, for example\, the film noir-inspired “Last Starlight Motel” or the ballad “Thelma.” He recalls\, “’Thelma’ I named after my grandmother because it reminded me of being in her kitchen\, with her smoking cigarettes.” Even the covers are done in a new style. Restivo adds\, “We played Bill Jennings and Tiny Grimes but we found our own way with them.” The standard “House of the Rising Sun” shows up in 3:4 time. Then there’s the raunchy Memphis instrumental bonus track\, which recalls music from Sun Studio. \nRestivo calls upon bassist Tim Goodwin and drummer Tom Lonardo\, a Memphis rhythm section that’s worked together and apart for over forty years\, playing behind every major touring jazz artist. Lonardo is recipient of a Lifetime Achievement Award from the Memphis Musical Heritage Foundation and has worked with who’s who\, such as Mose Allison\, the Duke Ellington Orchestra\, Bo Diddley\, The Charlie Wood Trio\, Jim Dickinson\, and Calvin Newborn. Art Edmaiston\, a veteran of Gregg Allman and Bobby “Blue” Bland’s bands\, adds his saxophone. \nWith the Bo-Keys\, Restivo has performed in venues and festivals all over the world including Lincoln Center\, London’s O2 Stadium\, Hardly Strictly Bluegrass Festival\, as well as shared stages with luminaries in soul\, jazz and blues including Syl Johnson\, Newborn\, Bobby Rush\, and Carla Thomas. A graduate of the Jazz and Contemporary Music Program at New School University in NYC\, Restivo has also played with rising soul singer Robert Finley. He spins Memphis jazz as a DJ on his weekly radio show on WEVL. \nRestivo plays a late 1940s Epiphone Zephyr Deluxe. “I don’t have any proof but this guitar was supposedly played by a guy who played with Bob Wills\,” says Restivo with a smile\, though he later found some evidence online to support the claim. \n‘Where’s Joe?’ was recorded at Archer Record’s Music+Arts Studio in Memphis\, TN to analog tape with no overdubs.
URL:https://crosstownarts.org/calendar/joe-restivo-at-the-green-room/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190802T143000
DTEND;TZID=America/Chicago:20190802T163000
DTSTAMP:20260518T181027
CREATED:20190717T165621Z
LAST-MODIFIED:20190717T165909Z
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SUMMARY:Rob Jungklas at The Green Room
DESCRIPTION:Join us as Rob Jungklas performs new songs from his forthcoming project\, Gone To Water. Opening act: Jana Misener. \nTickets: $10\nDoors at 7 pm | Show at 7:30 pm \nAbout Rob Jungklas:\nRob Jungklas came roaring back into the Memphis music psyche with 3 new critically acclaimed recordings in a few short years: Arkadelphia\, Gully\, and Mapping The Wreckage. Ever prolific\, he has released four more since his reemergence. The Spirit and The Spine\, Nothing To Fade\, and Blackbirds on Madjack Records\, and 7 Sisters. \nHe issued his debut LP\, Closer to the Flame\, in 1987 on Manhattan Records. On the strength of an MTV video aired for the single “Boys Town\,” the record garnered airplay and modest chart success for his effort\, while creating the iconic regional anthem “Memphis Thing.” \nThe more reflective Work Songs for a New Moon\, that followed two years later on RCA\, showcased Jungklas’ nuanced blend of pop songwriting and Memphis style R&B. \nLee Froelich calls Rob’s songs “profane and poetic\, haunted by ghost and damnation” and the sentiments are echoed by the likes of Rolling Stones’ David Fricke who describes the sounds as “bloodied bottleneck guitar and choked prayer.”
URL:https://crosstownarts.org/calendar/rob-jungklas-at-the-green-room/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190806T140000
DTEND;TZID=America/Chicago:20190806T160000
DTSTAMP:20260518T181027
CREATED:20190801T165718Z
LAST-MODIFIED:20190801T165718Z
UID:10003746-1565100000-1565107200@crosstownarts.org
SUMMARY:Shoot & Splice: Filmmaker Opportunities
DESCRIPTION:Join Indie Memphis and Crosstown Arts on the Kemmons Wilson Family Stage at Crosstown Theater for a panel discussion on various filmmaker opportunities\, including grants\, residencies\, and other supporting services. \nPanelists include Indie Memphis’ Artist Services Director Joseph Carr to discuss the IndieGrant program\, Crosstown Arts Residency Manager Mary Jo Karimnia to provide information on filmmaker residencies opportunities\, and filmmaker Joann Self Selvidge will give tips\, insights\, and strategies for writing and applying for film grants. \nWhether you are seeking funding for your next film project or need dedicated time and resources to commit to your filmmaking career\, you won’t want to miss this talk. \nShoot & Splice is a monthly filmmaker forum presented collaboratively by Indie Memphis and Crosstown Arts. \nFree and open to the public\nDoors at 6:30 pm | Presentation at 7 pm
URL:https://crosstownarts.org/calendar/shoot-splice-filmmaker-opportunities/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190808T133000
DTEND;TZID=America/Chicago:20190808T163000
DTSTAMP:20260518T181027
CREATED:20190624T185304Z
LAST-MODIFIED:20190703T154723Z
UID:10003710-1565271000-1565281800@crosstownarts.org
SUMMARY:The Last Pig Documentary Screening
DESCRIPTION:Presented by Pigtopia and Vegfund \nThrough this personal journey\, The Last Pig raises crucial questions about equality\, the value of compassion\, and the sanctity of life. Comis’ soul-bearing narrative carries us through his final year of farming pigs\, the struggle to reinvent his life\, and the ghosts that will haunt him forever. \nTickets are $5
URL:https://crosstownarts.org/calendar/the-last-pig-documentary-screening/
LOCATION:TN
CATEGORIES:430
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190808T143000
DTEND;TZID=America/Chicago:20190808T163000
DTSTAMP:20260518T181027
CREATED:20190627T195236Z
LAST-MODIFIED:20190627T195236Z
UID:10003045-1565274600-1565281800@crosstownarts.org
SUMMARY:Crosstown Arthouse Presents Anniversary Screenings: 30th Anniversary of DO THE RIGHT THING
DESCRIPTION:The Crosstown Arthouse Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground and documentary features. This week: DO THE RIGHT THING \nFilms begin at 7:30 pm sharp.\nTickets are $5 (at the door only) \nCome celebrate the 30th Anniversary of Spike Lee’s powerful DO THE RIGHT THING at Crosstown Theater. Mookie is the pizza delivery man for Salvatore. Salvatore has owned his pizzeria for 25 years and seen a change from being a neighborhood made of Italian immigrants to one mostly inhabited by African American and Puerto Rican residents.  Salvatore loves the community but is rooted in his own traditions. The pizzeria features a Wall of Fame that only highlights Italians. The film really begins when neighborhood activist Buggin’ Out questions Salvatore as to why there are no pictures of black celebrities in a neighborhood made up almost entirely of black and brown people. Often cited as one of the greatest films ever made\, preserved by the Library of Congress in the National Film Registry\, DO THE RIGHT THING features Spike Lee himself as Mookie\, Rosie Perez\, Danny Aiello\, John Turturro\, and OSSIE DAVIS AND RUBY DEE!
URL:https://crosstownarts.org/calendar/crosstown-arthouse-presents-anniversary-screenings-30th-anniversary-of-do-the-right-thing/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190810T143000
DTEND;TZID=America/Chicago:20190810T163000
DTSTAMP:20260518T181027
CREATED:20190725T202641Z
LAST-MODIFIED:20190725T202641Z
UID:10003740-1565447400-1565454600@crosstownarts.org
SUMMARY:Larry Springfield at The Green Room
DESCRIPTION:Join us at The Green Room at Crosstown Arts for a soulful performance by Memphis Native Larry Springfield. \n\n\n\n\n\n\n\n\n\nTickets: $15 advance/$20 at the door\nDoors 7pm | Show Begins 7:30pm \nLarry Springfield is a singer-songwriter whose voice is vibrant and full of soul. He’s written and produced music for artists such as Gerald Levert\, Chante Moore\, and Wayne Brady. He’s also toured the U.S. with Keith Sweat\, Al Green\, Chante Moore\, Barry White\, and B.B. King. Larry’s live performances are fun and exciting\, and he’ll be bringing that energy to The Green Room on Saturday\, August 10! \n 
URL:https://crosstownarts.org/calendar/larry-springfield-at-the-green-room/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190810T150000
DTEND;TZID=America/Chicago:20190810T170000
DTSTAMP:20260518T181027
CREATED:20190708T194639Z
LAST-MODIFIED:20190729T192629Z
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SUMMARY:Amy LaVere Album Release Show at Crosstown Theater
DESCRIPTION:Join us as Memphis-based singer-songwriter Amy LaVere performs on the Kemmons Wilson Family Stage at Crosstown Theater in anticipation of her new album release. Painting Blue is due out on August 16th on Nine Mile Records. \nTickets: $20\nDoors at 7 pm | show at 8 pm \n\nAbout Amy LaVere:\nThere’s something uniquely fun about Amy LaVere\, even when she’s breaking your heart. \n\nShe is well known among songwriters and critics alike. NPR’s Robert Siegel says she“specializes in lyrics that are more barbed than her sweet soprano prepares you for.” Her growing catalogue of material and steady critical acclaim suggest a first-tier presence on the Americana and indie-folk/punk circuits. Her latest album Painting Blue comes out August 16th on Nine Mile Records (Glorietta\, David Wax Museum\, Carson McHone\, Patrick Sweany\, Greyhounds). \nAmy’s live performances are anything but predictable. She might appear on stage with a full band\, sporting a mask and pink wig\, or simply be a natural in blue jeans and sandals\, but her upright bass and clever song delivery are constants. Her voice is at once the bully and the victim. She’s performed in venues as wide-ranging as St. Andrew’s Hall in London and Memphis’ famed dive bar Earnestine and Hazel’s. There’s no room she can’t find an audience in and charm it to pieces. \nBorn in Shreveport\, Louisiana\, this future bard moved continuously throughout childhood due to her father’s job. She spent notable parts of her life in Canada\, Texas\, Maryland\, Illinois\, Ohio and Michigan. Outside of Detroit and only just entering high school\, Amy formed her first band and began writing and performing.  Music fans first discovered this “sweet soprano” on This World is Not My Home in 2005\, but it was her Jim Dickinson-produced breakout album Anchors & Anvils two years later that put Amy LaVere on the map. Stranger Me\, the 2011 release on Archer Records\, was called “the break-up album of the year” by Spin. Paste said it was “among the year’s best\,” and it earned a first listen feature from NPR’s All Things Considered. She followed it in 2014 with another critical smash: Runaway’s Diary\, a concept album based on her own experience as a teenage runaway\, produced by Luther Dickinson (North Mississippi Allstars).  American Songwriter called it “boundary pushing… heartfelt\, reflective\, challenging and consistently compelling.” NPR Music’s Robert Christgau said it was her best yet.  Of Hallelujah I’m A Dreamer (Archer Records\, 2015) No Depression said simply: “pure bliss.” \nIn addition to her solo records and a tireless touring schedule\, Amy enjoys working with otherartists. In 2012 she joined an all-star collaboration called The Wandering\, composed of Amy\, Luther Dickinson\, Shannon McNally\, Sharde Thomas and Valerie June. They released Go On Now\, You Can’t Stay Here (Songs Of The South\, 2012) to critical acclaim and sold-out shows. \nIn the afterglow of The Wandering\, Amy and Shannon McNally hit the road together and released an EP titled Chasing the Ghost\, The Rehearsal Sessions (Archer Records\, 2012)\,  featuring songs from both artists recorded live during rehearsals for the tour. Amy next paired up with noted Memphis rocker John Paul Keith to create Motel Mirrors. Their styles clearly complemented one another\, which made for magic on stage and in the recording studio. Their eponymous vinyl EP release was named one of the “10 Essential Albums of 2013” by No Depression. In 2017 Motel Mirrors released a full length effort\, In the Meantime; this record had the addition of some Will Sexton co-writes and his powerful guitar work throughout. Motel Mirrors later released a live recording\, Gotta Lotta Rhythm\, on the Italian label Wild Honey. \nPainting Blue\, produced by her husband Will Sexton\, captures perfectly the moment that Amy is in. Will Sexton’s masterful production and Amy’s soft\, clarinet-like vocal pour over you\, pushing and pulling\, stirring and calming.  As we’ve come to expect\, this record is honest\, revealing and sounds uniquely like no one else.
URL:https://crosstownarts.org/calendar/amy-lavere-album-release-show-at-crosstown-theater/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190811T130000
DTEND;TZID=America/Chicago:20190811T160000
DTSTAMP:20260518T181027
CREATED:20190625T210606Z
LAST-MODIFIED:20190701T185953Z
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SUMMARY:Kafé Kirk with special guest Michael Lington
DESCRIPTION:Join Grammy-winning saxophonist Kirk Whalum for Kafé Kirk\, a monthly jazz series in Crosstown Theater featuring musical and spiritual collaborations with special guest artists. This month’s guest:  contemporary soul/jazz saxophonist Michael Lington. \nDoors at 5 pm | performance at 6 pm \nGeneral admission tickets — $45\nVIP tickets (includes a meet-and-greet and free CD) — $60 \nAbout Kirk Whalum:\nSoulful\, passionate\, stirring … these are the words most often used to describe Kirk’s music. Forged from his Memphis gospel roots and his 1980s initiation into the thriving Houston nightclub scene\, Kirk’s big\, rich tenor sound is unmistakably his.The 80s were highlighted by Kirk’s stepping out of his blossoming sideman role and forming his own band. It was there that Kirk ultimately developed both his “voice” and songwriting in the crucible of the local club scene — especially at a rooftop club called Cody’s. It was also in Houston where jazz pianist Bob James “discovered” him and brought him on tour\, which led to five successful albums with Columbia Records\, including Cache\, Kirk’s first No. 1 album. Kirk and Bob also received a Grammy nomination for their collaboration album\, Joined at the Hip. \nAfter moving to Los Angeles\, Kirk became an in-demand session player for top artists like Barbara Streisand\, Al Jarreau\, Luther Vandross\, Larry Carlton\, Quincy Jones\, and\, most notably\, Whitney Houston\, amongst many others. It’s his sax heard on the mega-hit\, “I Will Always Love You.” Kirk soon followed that career high point with his phenomenal hit album released on Warner Bros. Records\, For You\, perhaps the most successful of over 25 solo recordings to date. Others include his eclectic\, and much-lauded\, Gospel According to Jazz series\, (Chapters 1\, 2\, 3 and 4). In addition to his many solo projects\, Kirk was also a member of the popular soul/jazz group\, BWB\, which features Kirk as the “W” of the group with Rick Braun (trumpet) and Norman Brown (guitar). \nAbout Michael Lington:\nGrowing up in Copenhagen\, Michael Lington remembers the precise moment he decided he needed to move to America if he was going to seriously pursue a career in music. He was still a budding musician at the time\, who loved several different genres: jazz\, pop\, R&B\, and more — as a young boy he’d even met the American swing legend Benny Goodman. But it wasn’t until he was on the verge of turning 20 that Lington—now recognized as one of the most creative and successful contemporary soul and jazz saxophonists in the world—made his fateful decision. \nImmersing himself in his favorite music — David Sanborn\, Michael Brecker\, King Curtis\, Hank Crawford\, Cannonball Adderley\, and Grover Washington — Michael started out on clarinet but soon found his true calling\, the saxophone. Already established in his homeland\, he made the move to the U.S. and began to grab a foothold in the music industry there. Eventually\, after much hard work\, his place within the American and international music scene came to him naturally. \nMichael Lington is releasing Silver Lining\, his 10th solo album\, the followup to 2016’s critically acclaimed Second Nature. Silver Lining features mostly original compositions by Lington and producer/co-arranger/keyboardist Barry Eastmond\, as well as a pair of stunning\, choice covers. \nSilver Lining begins with “City Life\,” one of three consecutives Eastmond/Lington compositions at the top of the track list. It features guitar from the legendary Dave Stewart of Eurythmics. Following the next two originals\, “Break the Ice” and “Déjà Vu\,” arrives the first interpretative piece on Silver Lining\, Curtis Mayfield’s classic\, timeless ballad “People Get Ready\,” which the late R&B icon recorded with the Impressions in 1965. To sing the song\, Lington recruited 2017 Grammy winner William Bell\, himself a soul legend who recorded for Memphis’ Stax Records back in its heyday. \nLington has learned much about business as his musical career progresses\, eventually leading him and his business partner\, Roy McClurg\, to launch his own record label\, Copenhagen Music\, in 2014. Lington is also an entrepreneur outside of music\, operating his own wine and cigar companies. He continues to tour\, performing as many as 80 concerts per year\, and has played in more than 40 countries\, working many of the world’s most prestigious venues. He’s even performed for a U.S. President.
URL:https://crosstownarts.org/calendar/kafe-kirk-with-special-guest-michael-lington/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190813T130000
DTEND;TZID=America/Chicago:20190813T150000
DTSTAMP:20260518T181027
CREATED:20151215T182353Z
LAST-MODIFIED:20190812T183836Z
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SUMMARY:Open Crit
DESCRIPTION:Crosstown Arts’ Open Crit series is a monthly critique event where visual artists are invited to bring new and/or in-progress studio work for critical feedback and group discussion particular to each artist’s practice. \n\n\nFacilitators: Kimberly Jacobs\n\n\nPresenting artists: Ziggy Mack\, Cameron Long\, Joshua Asante \nA dedicated facilitator with experience in a group critique setting will guide discussion for each critique event\, which will include up to 4 artists’ work\, with 15-25 minutes devoted to the work of each. \nAll visual artists and anyone interested in joining the discussion are welcome to participate regardless of their level of expertise\, prior professional art experience or background/education in fine art. Participation is free and open to the public. Input during the critiques from everyone in attendance is welcomed and encouraged. \nNo formal preparation is necessary for participating artists\, who will have an opportunity to introduce and contextualize their work on view at the beginning of each critique. Participating artists are only asked to be open to (and interested in) considering reactions to their work by the group\, which will always be done in a supportive\, constructive and casual environment\, but could at the same time be challenging. \nSpecial thanks to Art Center Supply Store for donating a $25 gift certificate for each participating artist. \n\nTo participate\, artists can sign up here: \nOpen Crit Request form \n  \nContact Mary Jo at maryjo@crosstownarts.org with any questions!  \nArtists are asked to bring no more than 8 individual pieces (in any medium). Maximum run time for time-based work(s) is 10 minutes. \nParticipating artists are encouraged to invite friends\, peers and colleagues to the open crits\, both to see their work in progress and to give constructive feedback.
URL:https://crosstownarts.org/calendar/open-crit-39/
LOCATION:TN
CATEGORIES:430,Programs
ATTACH;FMTTYPE=image/png:https://crosstownarts.org/wp-content/uploads/2015/05/CXA_Open-Crit.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190815T143000
DTEND;TZID=America/Chicago:20190815T163000
DTSTAMP:20260518T181027
CREATED:20190627T200055Z
LAST-MODIFIED:20190627T200055Z
UID:10003046-1565879400-1565886600@crosstownarts.org
SUMMARY:Crosstown Arthouse Presents Women Pioneers of Cinema — BE NATURAL: THE UNTOLD STORY OF ALICE GUY-BLACHÉ
DESCRIPTION:The Crosstown Arthouse Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground and documentary features. This week: BE NATURAL: THE UNTOLD STORY OF ALICE GUY-BLACHÉ  \nFilms begin at 7:30 pm sharp.\nTickets are $5 (at the door only) \nNarrated by Jodie Foster\, BE NATURAL: THE UNTOLD STORY OF ALICE GUY-BLACHÉ is a documentary about the first female filmmaker\, Alice Guy-Blaché\, which explores the heights of fame and financial success she achieved before she was shut out from the very industry she helped create. \nGuy-Blaché started her career as a secretary to Léon Gaumont and\, at 23\, was inspired to make her own film called La Fée aux Choux (The Cabbage Fairy)\, one of the first narrative films ever made. After her filmmaking career at Gaumont (1896-1907)\, she had a second decade-long career in the U.S.\, where she built and ran her own studio in Fort Lee\, N.J. \nOver the span of her career\, she wrote\, produced\, or directed 1\,000 films\, including 150 with synchronized sound during the silent film era. Her work includes comedies\, westerns\, and dramas\, as well as films with groundbreaking subject matter such as child abuse\, immigration\, Planned Parenthood\, and female empowerment. She also etched a place in history by making the earliest known surviving narrative film with an all-black cast. \nGreen has dedicated more than eight years of research in order to discover the real story of Alice Guy-Blaché (1873-1968)\, not only highlighting her pioneering contributions to the birth of cinema but also her acclaim as a creative force and entrepreneur in the earliest years of movie-making. Green interviewed Patty Jenkins\, Diablo Cody\, Ben Kingsley\, Geena Davis\, Ava DuVernay\, Michel Hazanavicius\, and Julie Delpy  to name a few. Green discovered rare footage of televised interviews and long-archived audio interviews which can be heard for the first time in Be Natural\, which affords Alice Guy-Blaché to tell her own story.
URL:https://crosstownarts.org/calendar/crosstown-arthouse-presents-women-pioneers-of-cinema-be-natural-the-untold-story-of-alice-guy-blache/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2019/06/BeNatural_photo_PlayingWithFire_1916.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190815T150000
DTEND;TZID=America/Chicago:20190815T163000
DTSTAMP:20260518T181027
CREATED:20190812T202041Z
LAST-MODIFIED:20190812T202041Z
UID:10003770-1565881200-1565886600@crosstownarts.org
SUMMARY:Blueshift Ensemble & Iceberg New Music: Continuum Festival Pre-Show
DESCRIPTION:Join us as we kick off the 2019 Continuum Music Festival with a FREE pre-festival concert at the Crosstown Brewing Company! \nThe festival features exciting collaborations among musicians and other artists from Memphis and beyond\, including a collaboration between Memphis-based Blueshift Ensemble and NYC-based composer collective Iceberg New Music. \nThe program features a wide variety of pieces by Max Grafe\, Drake Andersen\, Yu-Chun Chien\, Stephanie Ann Boyd\, and Victor Baez. Performers include Delara Hashemi\, Bill Shaltis\, Catherine Lee\, Jenny Davis\, Priscilla Tsai\, Jennifer Puckett\, and Jonathan Kirkscey. \nThe rest of the festival’s genres span from\nclassical to electro funk to experimental rock to neo-soul\, hip-hop\, and more. Friday\, August 16 & Saturday\, August 17 at Crosstown Arts. More info at Continuum Music Festival.
URL:https://crosstownarts.org/calendar/blueshift-ensemble-iceberg-new-music-continuum-festival-pre-show/
LOCATION:Crosstown Brewing Co.\, 1264 Concourse Ave.\, Memphis TN 38104
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2019/08/Blueshift.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190816
DTEND;VALUE=DATE:20190818
DTSTAMP:20260518T181027
CREATED:20190723T164725Z
LAST-MODIFIED:20190813T205557Z
UID:10003056-1565913600-1566086399@crosstownarts.org
SUMMARY:Continuum Music Festival
DESCRIPTION:A festival of collaborations among musicians and artists of diverse genres from Memphis and beyond\, bringing to life unique performances and workshops in the award-winning Crosstown Concourse. Now in its third year\, this festival for the adventurous listener will include performances at Crosstown Theater\, The Green Room\, East Atrium Stage\, and a special collaboration with Opera Memphis.\n\n\n\n\n\n\n\n\n\nA free festival kick-off performance featuring Blueshift Ensemble and ICEBERG New Music will be held at Crosstown Brewing Company on Thursday\, August 15. \nTime: Friday 6pm-10pm / Saturday 10am – 11pm\nTickets: $30/day & $55/weekend pass \n\nPerformances:\n‘As One’\, a chamber opera created by Laura Kaminsky\, Mark Campbell\, and Kimberly Reed and presented by Opera Memphis\nProject Logic with DJ Logic\, MonoNeon\, Vernon Reid and Daru Jones\nDuet for Theremin and Lap Steel\nBlueshift Ensemble performs ICEBERG New Music\nTwo Way Street performs Sarah Hennies’ ‘The Reinvention of Romance’\nNew Memphis Colorways\n& more \nInteractive Workshops & Talks:\nSweet Soul Restorative – Yoga with Live Music\nThe Quest for the Perfect Pop Song\nThe Metaphysics of Sound\nSheltering Voices: Impactful Community Storytelling\nBreaking Boundaries: The Music of ShoutHouse\nThe Sounds of ‘Starry Night:’ Writing Music to Van Gogh’s Masterpiece \nFilm:\n‘Prodigal Sons’ with filmmaker Kimberly Reed\nCrosstown Arthouse Presents Women Pioneers of Cinema — BE NATURAL: THE UNTOLD STORY OF ALICE GUY-BLACHÉ (free with festival pass) \n\nSchedule of events:  \nFriday 8/16 \n5:00 – 5:20pm Welcome and opening performance – CENTRAL ATRIUM \n5:30pm Film: Prodigal Sons: A Kimberly Reed Film – CROSSTOWN THEATER\nReturning home to a small town in Montana for her high school reunion\, filmmaker Kimberly Reed hopes for reconciliation with her long-estranged adopted brother\, Marc. But along the way she uncovers stunning revelations\, including a surprise relationship to Orson Welles and Rita Hayworth\, intense sibling rivalries and unforeseeable twists of plot and gender that force them to face challenges no one could imagine. \nWinner of the FIPRESCI Prize at the Thessaloniki Documentary Film Festival\, Best Documentary Jury Prize at NewFest\, and Special Jury Prizes for Fearless Filmmaking at the Florida Film Festival and Bravery in Storytelling at the Nashville Film Festival\, Prodigal Sons is a raw and provocative examination of one family’s struggle to come to terms with its past and present. \n6:50 – 7:30pm Presentation: “Sheltering Voices: Impactful Community Storytelling”\, Stephanie Ann Boyd – BIG STAIR\nIn Sheltering Voices: Impactful Community Storytelling\, Stephanie Ann Boyd delves into the story behind Eureka Ensemble’s work with women’s shelters in Boston\, and how it inspired her contemporary mass whose performance went viral and changed lives. Stephanie Ann Boyd is a composer based in New York City and is a member of the ICEBERG New Music collective. \n8:00pm Performance: Opera Memphis presents ‘As One’\, a chamber opera created by Laura Kaminsky\, Mark Campbell and Kimberly Reed. Featuring Blythe Gaissert\, Michael Kelly and Blueshift Ensemble string quartet. – CROSSTOWN THEATER\nThe most produced new American opera in North America\, As One is a chamber opera in which two voices—Hannah after (Blythe Gaissert\, mezzo-soprano) and Hannah before (Michael Kelly\, baritone)—share the part of a sole transgender protagonist. Fifteen songs comprise the three-part narrative; with empathy and humor\, they trace Hannah’s experiences from her youth in a small town to her college years—and finally traveling alone to a different country\, where she realizes some truths about herself. Created by Laura Kaminsky\, Kimberly Reed\, and Mark Campbell. Produced by Opera Memphis. \n  \nSaturday 8/17 \n10:00-11:00am Sweet Soul Restorative\, yoga and live music presented by Sean Murphy and Anne J. Froning – STUDIO 208\nTreat yourself to the gift of Restorative Yoga with Live Music! This workshop focuses on the breath\, supported yoga poses\, and gentle somatic movements. Live music\, vibrational sound\, and healing touch will sustain and deepen your experience. A wide range of ancient instruments from around the world combined with modern looping technology are used to weave an atmospheric soundscape. The music works twofold: first\, it gives the mind a place to focus as the body begins to relax and open; second\, the vibratory nature of this music is very balancing. \n12:00am – 12:30pm Presentation: “A Brief Metaphysics of Sound”\, Jonathan Russ – EAST ATRIUM\nIn “A Brief Metaphysics Of Sound”\, Jonathan Russ uses the properties of sound waves and the basics of musical cognition as a jumping-off point for a wider discussion of what music is\, how it is written\, and what role it can play in our lives. Jonathan Russ is a composer based in New York City and a member of ICEBERG New Music. \n12:40 – 1:30pm Presentation: “The Sounds of ‘Starry Night’: Writing Music to Van Gogh’s Masterpiece”\, Derek Cooper – EAST ATRIUM\nIn “The Sounds of ‘Starry Night\,'” Derek Cooper explores the setting of Van Gogh’s Starry Night and the way that it inspired the sounds and atmospheres of his new composition for chamber orchestra. Derek Cooper is a composer based in New York City and a member of ICEBERG New Music. \n1:30 – 2:00pm Performance: Spottswood Flute & Guitar Duo (Kelly Herrmann and Ben Minden-Birkenmaier) – CENTRAL ATRIUM\nFlutist Kelly Herrmann and guitarist Ben Minden-Birkenmaier perform works by . Jacques Ibert\, Heitor Villa-Lobos\, and Máximo Diego Pujol. \n1:30 – 2:20pm Presentation: “The Quest for the Perfect Pop Song”\, Alex Burtzos – EAST ATRIUM\nIn “The Quest for the Perfect Pop Song”\, Alex Burtzos explores attributes that tie together great songs from different eras\, searching for constants that will illuminate why we like the songs we do\, and how we can create great songs going forward. Alex Burtzos is a composer based in New York City and Orlando\, FL. He is the founder and director of ICEBERG New Music. \n2:30 – 3:00pm Performance: Michael Shults\, saxophone & Alvie Givhan\, piano – EAST ATRIUM\nSaxophonist Michael Shults has been praised for his “strong\, imaginative” improvisations (Downbeat Magazine) and “fresh and intelligent musical ideas” (The Pitch). A first-call musician on the Kansas City jazz scene for nearly a decade\, Shults remains an active performer in the Fountain City and beyond\, and has twice appeared as a sideman on the Jazzweek National Radio Airplay Charts. Michael is Assistant Professor of Saxophone at the University of Memphis. Prior to Memphis\, he taught for four years at the University of Wisconsin-Eau Claire. He is a Yamaha and D’Addario performing artist and performs on their instruments and reeds exclusively. \nAlvie Givhan has played with numerous pop\, jazz and classical artists including Wayne Newton\, Marvin Stamm\, Mable John\, Bill Easley\, Slide Hampton\, Joe Lovano\, Roseanna Vitro\, Luis Bonilla\, Kathy Kosins\, Mika Nakashima\, Kirk Whalum\, Kallen Esperian\, Calvin Newborn\, and Joyce Cobb. He has worked with the Jackson\, Tupelo\, and Memphis Symphony Orchestras and has been featured at the IAJE Conference in New Orleans. \n2:30 – 4:30pm Performance: Opera Memphis presents ‘As One’\, a chamber opera created by Laura Kaminsky\, Mark Campbell and Kimberly Reed. Featuring Blythe Gaissert\, Michael Kelly and Blueshift Ensemble string quartet. – CROSSTOWN THEATER\nThe most produced new American opera in North America\, As One is a chamber opera in which two voices—Hannah after (Blythe Gaissert\, mezzo-soprano) and Hannah before (Michael Kelly\, baritone)—share the part of a sole transgender protagonist. Fifteen songs comprise the three-part narrative; with empathy and humor\, they trace Hannah’s experiences from her youth in a small town to her college years—and finally traveling alone to a different country\, where she realizes some truths about herself. Created by Laura Kaminsky\, Kimberly Reed\, and Mark Campbell. Produced by Opera Memphis. \n4:30 – 5:00pm Presentation: “Breaking Boundaries: The Music of ShoutHouse”\, Will Healy – EAST ATRIUM\nIn “Breaking Boundaries”\, Will Healy discusses what it’s like to compose for MCs and pop musicians alongside classical instrumentalists\, and shares excerpts from NYC ensembles ShoutHouse’s latest record. Will Healy is a composer based in New York City and a member of ICEBERG New Music. \n5:00 – 5:30pm Panel with ‘As One’ opera creators Laura Kaminksy\, Kimberly Reed\, and Mark Campbell – THEATER STAIRS \n5:00 – 6:30pm Performance: Two-Way Street performs Sarah Hennies’ ‘The Reinvention of Romance’ – STUDIO 208\n“The Reinvention of Romance” by Sarah Hennies is a new work for percussion and cello that examines the care and empathy that emerge when two lives share space. Over 90 minutes\, a series of repeating patterns creates a peculiar kind of harmony in which two musicians are rarely “playing together” but are nonetheless intimately bonded. The Knoxville-based duo Two-Way Street (Ashlee Booth and Adam Lion) commissioned Hennies to compose “a very long piece;” for this performance they step into its two intertwining roles. \n6:30 – 7:15pm Performance: Duet for Theremin and Lap Steel – GREEN ROOM\n“The name of this Atlanta duo implies a proper classical recital\, a rigid formality. But Scott Burland (theremin) and Frank Schultz (lap steel) don’t do scripted\, improvising not so much distinct sounds as evolving eddies of sound\, vapors of tones that develop and transform gracefully. Hypnotic pulses and dreamy drones weave together to form a kaleidoscope of sounds and moods\, ambient clouds and swooning collages that are as much about texture as they are timbre\, like a long-lost soundtrack to a deep-sea documentary.” -P. Wall\, Columbia Free Times \n7:20 – 8:00pm Performance: New Memphis Colorways – EAST ATRIUM\nOne of the best kept secrets from Memphis\, yet well respected by those who know of him outside of the city= multi ­instrumentalist\, singer/songwriter and producer\, Paul “Snowflake” Taylor has been writing and recording his own material as a one man band since very early childhood and working as a professional musician since he was 14 years old. With 3 solo releases under his belt – “Open Closed” (2007) & “Share It” (2009) both on Makeshift Records\, and self released The Old Forest Trail EP (2015)\, Paul has now embarked on a new project called New Memphis Colorways and released a new EP\, Old Forest Loop\, which embodies wide ranging influences from his storied career as a Memphis musician. \n8:15 – 9:15pm Performance: Blueshift Ensemble performs ICEBERG New Music – GREEN ROOM\nBlueshift is a Memphis­ based contemporary chamber music ensemble dedicated to bringing artists and audiences together through artistic collaboration. By programming both new and existing classical repertoire alongside multi­-genre collaborations\, Blueshift aims to connect a wider audience to today’s classical music. The ensemble draws upon Memphis’s uniquely diverse musical heritage by combining classical music with popular music genres such as rock\, blues\, soul\, and hip hop and featuring local musicians\, visual artists\, and composers. \nThis performance features works composed by ICEBERG New Music composers Alex Burtzos\, Will Healy\, Jonathan Russ\, Harry Stafylakis\, and Derek Cooper. \n9:15 pm Project Logic with MonoNeon\, Vernon Reid and Daru Jones Official – CROSSTOWN THEATER\nThe theorem of turntablist as musician has been long proven in the capable hands of DJ Logic\, whom with jazz as his foundation has become a wax innovator by crossing genres and mixing his sound across the map. As one of the world’s most accomplished turntablists\, DJ Logic is widely credited for introducing jazz into the hip–hop realms and is considered by most as a highly-respected session musician and an innovative bandleader. \nDywane Thomas\, Jr. also known as MonoNeon\, is an American bassist and experimental musician. He is known for his presence on YouTube playing bass guitar and known for being one of the last people to work with Prince. Thomas also played with Grammy Award-winning R&B artist\, Ne-Yo\, on his fourth studio album. He is a native of Memphis\, Tennessee. \nAs the lead guitarist of Living Colour and a co-founder of the Black Rock Coalition\, Vernon Reid has done a great deal to undermine stereotypical expectations of what music black artists ought to play; his rampant eclecticism encompasses everything from hard rock and punk to funk\, R&B and avant-garde jazz\, and his anarchic\, lightning-fast solos have become something of a hallmark as well. \nDaru Jones is one of the most respected drummers of his generation. Born to two professional musicians\, he began playing the drums at the age of four. Though he got his start in the church\, Jones has been influenced by musicians from a wide range of genres. These eclectic musical tastes have carried over into his own career as he has recorded\, performed\, and toured with renowned artists and producers such as: Jack White\, Slum Village\, Talib Kweli\, Black Milk\, Dwight Yoakam\, Jamie Lidell\, Pete Rock\, Salaam Remi\, Gloria Gaynor\, Kim Burrell\, Rance Allen\, Black Violin\, Ski Beatz & The Sensei’s\, Lorenzo Jovanotti and Jon B and more.
URL:https://crosstownarts.org/calendar/continuum-music-festival-3/
LOCATION:Crosstown Arts at Crosstown Concourse\, 1350 Concourse Avenue\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater,East Atrium,The Green Room
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DTSTART;TZID=America/Chicago:20190817T050000
DTEND;TZID=America/Chicago:20190817T120000
DTSTAMP:20260518T181027
CREATED:20190624T164114Z
LAST-MODIFIED:20190711T165704Z
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SUMMARY:The Perfect Summer Pop-Up Market
DESCRIPTION:Shop from original artworks by members of the Memphis Arts Collective. \nOrganized by the artists \nLearn more about Memphis Arts Collective on their website or follow them on Facebook\, Instagram\, or Twitter.
URL:https://crosstownarts.org/calendar/the-perfect-summer-pop-up-market/
LOCATION:TN
CATEGORIES:430
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DTSTART;TZID=America/Chicago:20190820T140000
DTEND;TZID=America/Chicago:20190820T160000
DTSTAMP:20260518T181027
CREATED:20190819T220713Z
LAST-MODIFIED:20190819T220731Z
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SUMMARY:MicroCinema: Best of Ottawa International 2018
DESCRIPTION:MicroCinema is a monthly screening of short films presented by Indie Memphis and Crosstown Arts. Pay what you can. \nBest of the 2018 Ottawa International short films\, from cutting-edge to quirky\, the largest animation event in North America. \n\n\nScreening:\nFEST\n2018 | NIKITA DIAKUR | GERMANY | 2:55\n*CRAFT AWARD FOR BEST TECHNIQUE*\nDrone. Stunt. Rave.\n\n  \nFACING IT\n2018 | SAM GAINSBOROUGH | UK | 7:32\n*PUBLIC PRIZE*\nAs Sean anxiously awaits a meeting in the local pub\, he is forced to explore his own unhappy memories and relationships in an evening that will that will leave him changed forever. \nHEDGE\n2018 | AMANDA BONAIUTO | USA | 6:01\n*AWARD FOR BEST STUDENT ANIMATION*\nA family visits a funeral home. \nBIRD MILK\n2018 | CHRISTOPHER STRICKLER | CANADA | 4:33\n*CANADIAN STUDENT COMPETITION AWARD WINNER*\nUsing a macro lens\, the artist focuses on the magni ed details of inks\, stencils\, and printed media. Traditional media is brought together with chaotic digital music to create an immersive audio-visual experience. \nKENSINGTON MARKET\n2017 | BRUCE ALCOCK | CANADA | 1:00\n*AWARD FOR BEST COMMISSIONED ANIMATION*\nKENSINGTON MARKET depicts the evolution of a small shop within a vibrant community as new arrivals make their home in Canada. This is the 88th short in the Heritage Minute series and the rst to be fully animated. \nIII\n2018 | MARTA PAJEK | POLAND | 12:00\nA Man and a Woman meet in a waiting room and immediately get closer to each other. They commence a game that gradually gets more and more ferocious. Their faces resemble masks while shapes slowly lose their integrity. III is a portrait of a woman in an exhausting relationship with a man\, which allures and repulses at the same time. The lm is the third part of the triptych\, IMPOSSIBLE FIGURES AND OTHER STORIES II. \nMY DEAD DAD’S PORNO TAPES\n2018 | CHARLIE TYRELL | CANADA | 13:38\n*VIMEO AWARD WINNER*\n*BEST CANADIAN ANIMATION AWARD WINNER*\nFilmmaker Charlie Tyrell seeks to better understand his emotionally distant late-father through the personal belongings he left behind… including a stack of VHS dirty movies. Narrated by David Wain. \nSOLAR WALK\n2018 | RÉKA BUCSI | DENMARK | 20:51\n*NELVANA GRAND PRIZE FOR SHORT ANIMATION WINNER*\nThe journey of individuals and their creations through time and space. Any meaning of action is only existent from the perspective of the individual\, but never mandatory when looking at it from the perspective of a solar system. It’s about the melancholy of accepting chaos as beautiful and cosmic.
URL:https://crosstownarts.org/calendar/microcinema-best-of-ottawa-international-2018/
LOCATION:TN
CATEGORIES:430
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DTSTART;TZID=America/Chicago:20190820T143000
DTEND;TZID=America/Chicago:20190820T163000
DTSTAMP:20260518T181027
CREATED:20190812T184635Z
LAST-MODIFIED:20190812T184635Z
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SUMMARY:Spotlight Concert Series: Lenore McIntyre\, Shelly Sublet\, and Tingting Yao
DESCRIPTION:Join us in The Green Room at Crosstown Arts for a special performance of the Spotlight Concert Series\, featuring Lenore McIntyre\, Shelly Sublet\, and Tingting Yao of the Memphis Symphony Orchestra. \n\n\nDoors 7pm | Performance 7:30pm\nAdmission $10 (or $5 w/ student ID) \n\n\n\n\n\n\n\n\n\nThe Spotlight Concert Series showcases members of the Memphis Symphony Orchestra in the intimate Green Room at Crosstown Arts. The series provides the Memphis community the opportunity to get to know and learn more about the talented musicians that make up the Memphis Symphony Orchestra. Each month will feature a different musician or small chamber group as soloist or featured ensemble. \nProgram:\nJ.S. Bach: Concerto for Oboe and Violin in C minor BWV 1060\nBrahms: Sonata No. 1 for Violin and Piano\nRachmaninoff: Vocalise Opus \nAbout the artists :\nLenore McIntyre has been a core member of the Memphis Symphony Orchestra Violin section since 2005 and will celebrate her 15th Season in 2020 as Assistant Principal Second Violin of the MSO. As a celebrated violinist in the United States and Canada\, she has brought exceptional musicianship and virtuosity to many Solo and Chamber Music performances. Lenore is enthusiastic about performing the Classical repertoire as well as modern day compositions. She has performed on stage for world premieres of some very relevant compositions by modern composers Jennifer Higdon\, Mason Bates\, D.J. Sparr and John Corigliano. \nTingting Yao is currently Staff Pianist at the University of Memphis Rudi E. Scheidt School of Music. Before joining the staff of the University of Memphis\, she was a freelance pianist in Oklahoma City area\, the University of Oklahoma\, and University of Central Oklahoma. \nShelly Sublett has been Solo English horn and assistant principal oboewith the Memphis Symphony Orchestra since 1985. She has also held theposition of second oboe and English horn with the American Sinfonietta andthe Tennessee Summer Symphony. Her recordings are available on the Pro Organo label.
URL:https://crosstownarts.org/calendar/spotlight-concert-series-lenore-mcintyre-shelly-sublet-and-tingting-yao/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190822T130000
DTEND;TZID=America/Chicago:20190822T160000
DTSTAMP:20260518T181027
CREATED:20190624T163510Z
LAST-MODIFIED:20190624T163510Z
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SUMMARY:Hopeless Fashion Show
DESCRIPTION:Debut fashion show with music and an art showcase. \nDoors open at 6 pm | show starts at 6:30 pm \nOrganized by the artist
URL:https://crosstownarts.org/calendar/hopeless-fashion-show/
LOCATION:TN
CATEGORIES:430
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