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SUMMARY:*SOLD OUT* Patrice Williamson\, Jenna McLean\, and Deborah Swiney
DESCRIPTION:Crosstown Arts presents Patrice Williamson\, Jenna McLean\, and Deborah Swiney with the Michael Shults Quartet in the Green Room. \nThe Green Room at Crosstown Arts\nFriday\, March 3\, 2023\nDoors open at 7 pm | Show begins at 7:30 pm\nTickets: $15 in advance | $20 at the door | $10 student tickets available \nPURCHASE TICKETS HERE \nThree of the most legendary women in jazz unite for one special performance\, backed up by the Michael Shults Quartet. \nPATRICE WILLIAMSON \nJazz Times magazine states that “Patrice Williamson isn’t a singer\, she’s a one-woman jazz sampler. –­ She is a woman of many voices\, each distinctly intriguing all distinctly her own.” \nPatrice Williamson’s childhood home in Memphis\, Tennessee\, was filled with song. Her late father\, Webster Williamson\, an avid amateur singer\, choir director\, and pillar of the St. Stephen’s Baptist Church music ministry\, introduced his children to both sacred music and the secular styles of greats like Louis Armstrong\, Nat King Cole\, and Lena Horne. With the encouragement of her mother\, Lillie Rivers Williamson\, Patrice followed in the footsteps of her elder sister\, Denise\, taking up the violin and making her debut at age four. From then on\, she was hooked on music and performing. \nA favorite of the Boston music scene\, Patrice’s sensitive ballad work and fluent scat style have garnered invitations to perform at the famed Blue Note Jazz club in New York City\, and with many well-known instrumentalists such as Danilo Perez\, Joe Lovano and Terri Lyne Carrington. As a Professor of Voice at Berklee College of Music\, her work has taken her to Perugia\, Italy\, Seoul\, South Korea\, Peru and India\, where she performed with saxophonist Donald Harrison in the New Delhi Jazz Festival. \nHer independent recordings\, My Shining Hour and Free to Dream\, have received high praise from jazz critics around the country. In 2014 Patrice started The Ella Project\, a multi-faceted tribute leading up to Ella Fitzgerald’s 100th birthday\, including a concert series\, biographical performance\, and recordings\, including Comes Love\, an album celebrating the collaboration between Fitzgerald and legendary guitarist Joe Pass. \nJENNA MCLEAN \nJenna McLean is a jazz vocalist and Lecturer in Music and Entertainment at the University of Memphis Lambuth in Jackson\, Tennessee. As an accomplished performer\, vocal technician\, songwriter\, and educator\, she finds her artistic drive in bringing new twists to timeless standards of the Great American Songbook as well as pop\, funk\, and soul tunes. With a love and devotion for jazz\, opera\, R&B\, and folk music\, she maintains the belief that all music is good music as long as it speaks to the soul and grooves. \nJenna was the 2019 winner of the Downbeat Student Music Awards Graduate Vocal Soloist Category\, and a 2019 recent recipient of the Pathways to Jazz Grant. She performs regularly at renowned Colorado Jazz Venues including Dazzle and Nocturne\, and has performed and presented multiple times at the Jazz Education Network conference and the Five Points Jazz Festival in Denver. She has had the pleasure of performing alongside renowned musicians such as Bobby McFerrin\, Aubrey Logan and the New York Voices\, and also performs regularly with incredible Denver-based jazz musicians such as Steve Kovalcheck\, Ben Markley\, Eric Gunnison\, Tom Amend\, Dawn Clement\, Annie Booth and others. \nDEBORAH SWINEY \nDeborah Swiney has definitely earned the title of a true chanteuse. Throughout her performance\, you get to enjoy a trip back to Harlem to experience the iconic era of Billie Holiday\, Ella Fitzgerald\, and Sarah Vaughn; you get to dance across the Great American Songbook; and you get to take a flight to Rio where you could close your eyes and imagine relaxing on a Copacabana or Ipanema beach. Being a Memphis native\, you might even get a splash of blues. \nIn a city that loves its blues\, rock\, jazz\, and gospel\, Deborah has carved out a niche uniquely her own. This is evident with her highly praised co-produced debut album\, I Remember Rio\, a Brazilian-inspired album with “Memphis-Soul seasoning” (All about Jazz). I Remember Rio is filled with classic Bossa Nova standards and tunes written by the legendary Antonio Carlos Jobim as well as Deborah Swiney’s “Bossa Nova Casanova” and guitarist\, Ed Finney’s title song\, “I Remember Rio”. Jazz Weekly describes her as bringing “ a strong and Sarah Vaughan-esque voice to deliver soulful reads of Brazilian…” Transcending the standard definition of a Jazz songstress\, her melodic and sultry approach to Bossa Nova and other Brazilian stylings are natural without betraying her Bluff City roots.
URL:https://crosstownarts.org/calendar/patrice-williamson-jenna-mclean-and-deborah-swiney/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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SUMMARY:Jazz Month Kick Off with Central High School Big Band
DESCRIPTION:The Central Atrium\nFriday\, March 3\, 2023\nShow begins at 6 pm\nTickets: Free \nFounded in 1909 and known as “THEE” high school because Central was the first High School in Memphis\, the band program was vital to the school culture from its inception. The award-winning Memphis Central High School Jazz Band has been in existence for many years and has produced many talented musicians such as pianist James Williams\, saxophonist Gary Topper\, pianist Dr. Ashley Davis. The band has been the winner of the University of Memphis Jazz Band festival as well as Jazz Festivals in St. Louis; Mobile\, AL; in Disney World; and others around the mid-South. Central High SchoolJazz Band students are routinely members of the West Tennessee School Band and Orchestra Association’s All-West Jazz Band as well as Tennessee’s All-State Jazz Band. The Jazz Band was selected\, through a blind peer review process as a finalist for the 2014\, 2015\, 2017\, and 2019 Savannah Swing Central National Jazz Band Competition in Savannah\, GA. The band won the Jean Faircloth award and first place in 2019. In 2020\, The Memphis Central High School Jazz band was named finalist for the 25 th and 26 th Annual Essentially Ellington Competition and Festival. More recently\, the jazzband was selected and performed at the 2022 Tennessee Music Educators State Conference and the 2023 Jazz Education Network International Conference. The Jazz band is one of several performing ensembles in the Central High band program which includes marching band\, wind ensemble\, symphonic band\, concert band\, pep band\, percussion ensemble\, as well as other small chamber ensembles.
URL:https://crosstownarts.org/calendar/jazz-month-kick-off-with-central-high-school-big-band/
LOCATION:Central Atrium\, Crosstown Concourse\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Central Atrium
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SUMMARY:Crosstown Arts Film Series presents WINGS OF DESIRE
DESCRIPTION:The Crosstown Arts Film Series presents WINGS OF DESIRE at Crosstown Theater. \nWIM WENDERS / 1987 / 128 minutes / PG-13\nTickets: $5 at the door\nDoors at 6:30 p.m. | Films begin at 7:00 p.m. (sharp!) at Crosstown Theater \nWings of Desire is one of cinema’s loveliest city symphonies. Bruno Ganz is Damiel\, an angel perched atop buildings high over Berlin who can hear the thoughts — fears\, hopes\, dreams — of all the people living below. But when he falls in love with a beautiful trapeze artist\, he is willing to give up his immortality and come back to earth to be with her. Made not long before the fall of the Berlin wall\, this stunning tapestry of sounds and images\, shot in black and white and color by the legendary Henri Alekan\, is movie poetry. And it forever made the name Wim Wenders synonymous with film art. \nThe Crosstown Arts Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground\, and documentary features.
URL:https://crosstownarts.org/calendar/crosstown-arts-film-series-presents-wings-of-desire/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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SUMMARY:Crosstown Arts Resident Artist Talks
DESCRIPTION:The Green Room at Crosstown Arts\nThursday\, March 2\, 2023\nTalks begin at 6 pm\nTickets: Free \nCrosstown Arts resident artists will give presentations about their work in the Green Room at Crosstown Arts. The event is free and open to the public. \nSu-Yee Lin writes stories and poetry that grapple with issues of identity\, memory\, environment\, and mythology. Her work often lies on the border between the real and the strange\, and she is interested in the intersections between the surreal and the natural world. She was a Fulbright Fellow to China and has had work published in the Pushcart Prize anthology\, Tor.com\, Electric Literature\, Bennington Review\, Day One\, Nashville Review\, The Offing\, and other literary journals\, and short stories translated into Italian and Chinese. \nKeith S. Wilson is an Affrilachian Poet and a Cave Canem fellow. He is a recipient of an NEA Fellowship\, an Elizabeth George Foundation Grant\, and an Illinois Arts Council Agency Award\, and has received both a Kenyon Review Fellowship and a Stegner Fellowship. His book\, Fieldnotes on Ordinary Love (Copper Canyon)\, was recognized by the New York Times as a best new book of poetry. \nEdo Rosenblith (B. 1988 Tel Aviv\, Israel) received a BFA in painting in 2011 at the Rhode Island School of Design and an MFA in Visual Art at Washington University-St. Louis in 2017. Edo is a compulsive draftsman who works in a variety of mediums: murals\, painting\, drawing\, printmaking\, and book arts. \nKelsey Harrison’s sculptural work has been shown in institutions nationally including The Jewish Museum\, Abrons Art Center\, and The Knockdown Center in New York\, SOMArts in San Francisco\, The Sullivan Galleries in Chicago\, The College of William and Mary in Virginia\, and the Utah Museum of Contemporary Art and the Utah Museum of Fine Art in Salt Lake City. Harrison received her BFA in Sculpture from Purchase College\, State University of New York and her MFA in Sculpture at the School of the Art Institute of Chicago. She is Assistant Professor of Sculpture at the University of Memphis. \nBrittney Boyd Bullock\, an artist working in fiber\, mixed-media\, and abstraction\, explores the tension between searching and finding\, obsession and order\, and lightness and darkness through two- and three-dimensional forms. Contemplative and personal\, the process-driven works interrogate anxiety and wonder using materials in a new way\, forcing her to make meaning in the arbitrary jumble. \nJennifer Sargent makes intricate drawings and handwoven tapestries. As an artist weaver she considers herself both a contemporary practitioner and a part of a longer continuum that is thousands of years old. This idea is both a comfort and a challenge. One of two elements is always present in Sargent’s work\, either story telling or the natural world (whether wild or domesticated). Sargent creates an abstracted sense of these ideas or experiences through the layering of pattern and color.
URL:https://crosstownarts.org/calendar/crosstown-arts-resident-artist-talks-3/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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SUMMARY:The Freedom Affair
DESCRIPTION:Crosstown Arts presents The Freedom Affair in The Green Room. \nThe Green Room at Crosstown Arts\nTuesday\, February 28\, 2023\nDoors at 7 pm | Show at 7:30 pm\nTickets: $20 | $15 in advance \nPURCHASE TICKETS HERE \n“The vibe is very early ’70s soul flirting with both gospel and a few psychedelic R&B touches\, and their choir of voices should appeal to both the dusty soul junkie and the choral aficionado who deeply appreciates group singing.” – TANKBOY \nThe Freedom Affair is a 9-piece soul juggernaut from Kansas City\, MO. The band formed in 2017 with a vision to write original soul music inspired by the traditions of the genre’s past with a universal message looking toward the future. \nWith their debut album Freedom Is Love\, The Freedom Affair has received critical acclaim and have established themselves as a force in the soul music scene across the states and abroad. Keep your eyes and ears open for their songs and album art featured in the series Bel-Air\, an Apple commercial\, a Netflix series\, etc… This band is just getting started. \nThe Freedom Affair’s live shows have proven to be soul-stirring\, transformative events moving audiences both physically and emotionally to joy\, tears\, and elation. Crowds rave about the fireworks these folks bring to the stage. Run\, don’t walk\, to catch one of this band’s live shows.
URL:https://crosstownarts.org/calendar/the-freedom-affair/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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DTEND;TZID=America/Chicago:20230226T133000
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SUMMARY:Mahogany Chamber Music Series: “Vocal Juggernauts”
DESCRIPTION:Crosstown Arts presents the Mahogany Chamber Music Series: “Vocal Juggernauts” at Crosstown Theater. \nCrosstown Theater\nSunday\, February 26\, 2023\nDoors at 5:30 pm | Concert at 6 pm\nTickets: $20 | $5 students \nPURCHASE TICKETS HERE  \nThe Mahogany Chamber Music Series is a series of three chamber music concerts curated by Dr. Artina McCain\, spotlighting Black and other underrepresented composers and performers. \nFeaturing: \nAngela Yoon\, soprano \nPaulina Villareal\, mezzo soprano \nMarcus King\, tenor \nJason Terry\, piano \nArtina McCain\, piano \nAngela Yoon\, soprano \nColoratura soprano Angela Yoon is known for her delightful and beautifully expansive voice and her ability to deliver texts through music. As a soprano soloist\, she has been named as a winner and finalist in various competitions and has performed solos\, recitals\, and concerts as a guest artist throughout the United States\, South Korea\, Germany\, Canada\, and France. Her performances include a wide range of genres. She has been featured on radio broadcasts and recordings such as National Public Radio (NPR) and appeared as the soloist and principal artist in oratorios\, cantatas\, and operas including Poulenc’s Gloria\, Phan’s Vietnamese Requiem\, Orff’s Carmina Burana\, Handel’s Esther\, Haydn’s Nelson Mass and Missa Brevis St. Joannis de Deo\, Willcock’s Magnificat\, Allegri’s Miserere\, Bach’s St. John’s Passion\, and Perez-Velazquez’s Ídolos del Sueño. Her roles have included Kitty (The Last Savage)\, Thi Mao (The Tale of Lady Thị Kính)\, La fée (Cendrillon)\, Madame Goldentrill (Impresario)\, Sandman (Hansel and Gretel)\, the Plaintiff (Trial by Jury)\, and Mabel (The Pirates of Penzance). \nShe is interested in creating interdisciplinary musical experiences for her audiences through collaborating with other fields such as visual art\, science\, social justice\, history\, and even political science. Her current performance programs include WWI program Broken Harmony: Reconstructing Art\, diversity concert program Colorful Harmony: Melodies from Near and Far\, and a social justice concert program on refugee\, human trafficking\, marginalized youth\, and undocumented immigrants entitled Songs of Hope: Unveiling Darkness. Songs of Hope will be premiered at Birmingham Museum of Art in the fall of 2022 followed by performances at Johns Hopkins University and Carnegie Hall. \nShe serves on the voice faculty at Belmont University\, and prior to Belmont she was on the faculty at Samford University and Baylor University. As an educator\, Yoon has had diverse experiences with musicians and non-musicians alike. Her voice and musical theatre major students have been accepted to music schools in the U.S. and abroad as well as professional opera houses\, theaters\, and cruise lines. Non-musicians\, too\, have benefited from her expertise in vocal pedagogy and voice therapy\, helping to place them in nationally-syndicated broadcasting companies. \nPaulina Villareal\, mezzo soprano \nMexican mezzo-soprano Paulina Villarreal is a prominent recitalist\, cabaret\, operatic\, and musical theater singer around the United States and Mexico. A graduate of the Cincinnati College-Conservatory of Music\, Dr. Villarreal has been a soloist and resident artist in important companies and orchestras around the United States like Opera Saratoga\, Cincinnati opera\, Opera Fusion: New Works\, the prestigious Tanglewood Music Center\, the Boston Pops (Boston\, MA)\, Opera Memphis\, Opera Steamboat\, Princeton Symphony Orchestra\, Cincinnati Symphony Orchestra\, Kentucky Symphony Orchestra\, Appalachian Symphony Orchestra and the Decatur Millikin Symphony Orchestra. In the entrepreneurship and administrative world\, Dr. Villarreal is the founder and artistic director of the annual concert series “Cantos para Hermanar al Mundo”\, devoted to the promotion of classical vocal genres hosted in Northern Mexico. She is currently a professor of voice at the University of Memphis Rudi E. Scheidt School of Music\, and the Young Singer Program Director at the Hawaii Performing Arts Festival\, a prestigious summer training program in the United States. \nTrained as a classical vocalist\, Villarreal is now in demand for her singing versatility in musical theater\, and commercial music genres. An advocate of new music and crossover works\, she has closely collaborated with contemporary American composers like William Bolcom\, Laura Kaminsky\, Ricky Ian Gordon and Derek Bremel\, and recognized by important foundations like the Kurt Weill Foundation in New York\, and the Comic Opera Guild in Michigan for performing a wide variety of vocal genres. \nRecent performance credits and career highlights include the world premiere of Mango Suite with the Princeton Symphony\, Simply Sondheim: Stephen Sondheim’s 85th Birthday Celebration with the Boston POPS\, Sondheim vs Webber with the Kentucky Symphony Orchestra\, Macy’s ArtWave Sampler with the Cincinnati Symphony Orchestra\, Alma de España with Cincinnati Song Initiative\, featured performances with the Wagner Society of Cincinnati\, HPAF’s Hollywood Hits season opener at the Big Island of Hawaii\, a tour of William Bolcom’s Complete Cabaret Songs (Die Neue Galerie\, NYC; National Women Museum of Arts\, Washington DC\, Cohen Studio Theater\, Cincinnati) and multiple recitals promoting her extensive research on Mexican composer Maria Grever. \nMarcus King\, tenor  \nMarcus King is a graduate of the University of Memphis with a bachelor’s degree in music education\, cum laude\, and a master’s in vocal performance. In the summer of 2009\, he premiered the John Baur opera Magdala at the Chautauqua Institute in Chautauqua\, NY\, in the role of St. Peter. During the summer of 2008\, he attended the International Institute of the Vocal Arts program in Chiari\, Italy\, studying with Mrs. Mignon Dunn. His home voice teacher is Pamela Gaston of the University of Memphis. He is the 2010 first-place winner of the Memphis Beethoven Club Competition\, district winner of the Metropolitan Opera National Council auditions (2008 and 2009) and first-place winner of the N.A.T.S competition district level in Memphis\, TN. He also participated in the AIMS program in Graz Austria\, where he made it to the finals of the annual Aims Meistersinger Competition. In 2013 he made his European debut in Norfolk\, England\, as Demetrius in the Yorke Trust Summer Opera production of Britten’s Midsummer Night’s Dream and in 2014 rejoined the company as Ubalde in Gluck’s Armide. In December of 2014\, he traveled to Japan as a soloist in the New York-based professional touring group\, D&P Joubert LLC/ The Glory Gospel Singers. He has been a young artist for the Utah Festival Opera as well as The Charlottesville Opera\, formerly known as Ash Lawn Opera. For Charlottesville Opera\, he played the role of Monterone in Verdi’s Rigoletto. For Opera Memphis\, he has had many solo roles\, such as Mr. Gobineau in The Medium\, Aeneas in Dido and Aeneas\, Samuel in Pirates of Penzance\, Joe Harland in Later the Same Evening\, and the doctor in La Traviata. In the Spring of 2018\, he played the role of Erminio in The Triumph of Honor for Opera Memphis’ Midtown Opera Festival. Soon after\, he debuted at Opera on the Rock in Little Rock Arkansas\, in a new work entitled Troubled Island \nJason Terry\, piano \nPraised for his “passion and commitment” at the keyboard\, Jason Terry has given performances throughout North America\, Asia\, and Europe as both a soloist and collaborative pianist. His performances have been broadcast on NPR stations from border to border. During the 2022—23 season\, he will appear throughout the U.S. including Carnegie Hall\, the Peabody Institute\, and the National World War I Museum. In addition to live performances\, he was recently invited to serve as a recording artist for Steinway’s Spirio piano and is a recording artist for a forthcoming music theory textbook which promotes diverse examples of literature. An artist-teacher\, he continues to serve as a piano faculty member for the world-renowned Interlochen Arts Camp and has been on faculty for the Beijing International Music Festival as a master teacher. He is an enthusiast of arts advocacy\, especially in matters of social and cultural diplomacy. Since 2017\, he has been affiliated with the NGO American Voices and has traveled to teach and perform throughout the Middle East. Moreover\, recent grants have supported his work using art to fight against social injustices such as human trafficking. \nAside from teaching and performing\, Terry is interdisciplinary in his research. Since 2020\, he has worked with physical therapist Dana Daniel Blake (DPT) to create resources for pianists to better understand the musculoskeletal system and how it most efficiently operates while sitting at the piano. So unique is this research that it was selected for presentation at the 2021 national conference of the American Physical Therapy Association and the 2022 Performing Arts Medicine Association’s International Symposium. Moreover\, this research earned him the 2022 Innovator of the Year national award from Physical Therapy Learning Institute. Alongside his interest in the physical requirements needed to play the piano is his work with the physical instrument itself. Since 2020\, Terry has been an apprentice in the piano technology field and is currently working towards earning the Registered Piano Technician (RPT) credential. Merging physical performance techniques and a comprehension of the mechanics of the instrument is the basis for a graduate piano pedagogy course he has developed. \nJason remains active as a music researcher and writer and continues to present and publish throughout the world. During this past year\, he has received invitations to present and perform on a range of diverse topics such as “Genderism & the Arts” (University of Gothenburg-Sweden)\, “Music & Cultural Diplomacy” (Tampa\, FL)\, and “The Solo Piano Literature of Hazel Scott” (University of Arizona). Since 2018\, Jason has authored and published biographies for Steinway & Sons’ Immortal Artists. His scholarship in the field of piano performance history is extensive\, and portions were recently included in the Carnegie Hall archives. Furthermore\, his investigation on the origin of the plagal-amen cadence has been accepted for presentation at several prestigious institutions around the world including Oxford University. \nDr. Jason Terry is currently Assistant Professor of Piano at Samford University where he serves as Director of Keyboard Studies. \nArtina McCain\, piano \nDescribed as a pianist with “power and finesse”\, “beautiful and fiery” (KMFA Austin) and having a “sense of color\, balance and texture” (Austin Chamber Music Center) Artina McCain\, has built a three-fold career as a performer\, educator and speaker. As a recitalist\, her credits include performances at Wigmore Hall and Barbican Centre in London\, Weill Hall at Carnegie and Merkin Hall in New York City and more. Other highlights include guest appearances with the Dallas Symphony Orchestra\, Memphis Symphony Orchestra and Fox Valley Symphony Orchestra. \nDedicated to promoting the works of Black and other underrepresented composers\, McCain curates Underrepresented Composers Concerts for multiple arts organizations. She is an American Prize winner for her solo piano recordings of these works and won a Gold Global Music Award for her recent album project Heritage. In 2021\, Hal Leonard published her transcriptions of Twenty-Four Traditional African American Folk Songs. In 2022\, she was the mistress of ceremony for the Van Cliburn International Piano Competition. \nMcCain was a featured inspirational leader in the award-winning PBS documentary series Roadtrip Nation: Degree of Impact in an episode exploring the real-world impact of professionals with doctoral degrees in and outside of academia. \nMcCain’s performances have been heard on Radio Television Hong Kong (RTHK)\, Germany’s WDR and television appearances including features on CSPAN for the MLK 50 Commemoration. McCain is a three-time Global Music Awards winner including collaborative projects I\, Too (Naxos)\, with soprano Icy Monroe\, focused on African American Spirituals and Art Songs and Shades\, a collaboration with her husband and duo partner Martin McCain. \nAfter not performing for 6 years while battling a performance injury\, she now enjoys a prolific concert career with more than 10 years of full injury recovery. She uses her recovery to serve as an advocate of musicians’ wellness–curating articles\, lectures\, and forums to educate teachers and students. Her article on performance injury and Muscle Activation Techniques was published in the Piano Magazine. McCain has presented on wellness and other topics at Universities and the Music Teachers National Association Conference and the National Conference of Keyboard Pedagogy. \nMcCain graduated cum laude from Southern Methodist University. She received her Master of Music from Cleveland Institute of Music and holds a doctoral degree from the University of Texas at Austin. Currently\, she is Associate Professor of Piano and Coordinator of the Keyboard Area at the Rudi E. Scheidt School of Music at the University of Memphis and Co-Founder/Director of the Memphis International Piano Festival and Competition. \nIn her spare time\, Artina enjoys boutique shopping\, traveling internationally and is an avid tea aficionado. \nArtina McCain is a Yamaha Artist.
URL:https://crosstownarts.org/calendar/mahogany-chamber-music-series-vocal-juggernauts-at-crosstown-arts/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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SUMMARY:Artist Talk: Sarah Elizabeth Cornejo and Katrina Perdue
DESCRIPTION:Crosstown Arts presents an Artist Talk with Sarah Elizabeth Cornejo and Katrina Perdue in the East and West Galleries. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nThe Galleries at Crosstown Arts\nSunday\, February 26\, 2023\nTalks: 2-4 pm\nTickets: Free and open to the public \nCurrent exhibiting artists Sarah Elizabeth Cornejo and Katrina Perdue will discuss their work\, processes\, and influences. It’s a chance to get a special glimpse behind the curtain and better understand the art and the artists. The talks will be presented in each gallery\, with each artist speaking in the gallery where their work is on view. Sarah Elizabeth Cornejo will speak first\, and Katrina Perdue will speak second. The event is free and open to the public. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSarah Elizabeth Cornejo is an interdisciplinary artist based in Memphis\, Tennessee. She is a co-founder of BASEMENT\, a provisional artist-run space in Chapel Hill\, North Carolina\, where she was also a co-curator from 2019-2022. Her work has been shown throughout the eastern United States and internationally including the Mint Museum\, Ackland Art Museum\, Duke University\, and Field Projects among others. She received her MFA in Interdisciplinary Studio from The University of North Carolina at Chapel Hill\, and her BA in Studio Art and English Literature from Davidson College. \nShe was a 10-month artist-in-residence at Crosstown Arts (2021) and is an upcoming artist-in-residence at the McColl Center (2023). She was a 2021 New Public Sculpture Fellow with the UrbanArts Commission in Memphis\, and a 2021 recipient of TriStar Arts’ inaugural Current Art Fund project grant. She was awarded the 2022 Tennessee State Fellowship through the Southern Prize and State Fellowship Program\, and was the finalist for the Southern Prize. \nKatrina Perdue is a textile artist and educator living and working in Memphis\, Tennessee. Her love for hand stitching has grown over the past twenty years from first learning machine sewing\, quickly followed by hand knitting\, and most recently to a full time studio practice focusing on the art and impact of mending and repair. She was selected to be a textile studio assistant at Penland School of Craft for a summer 2019 mending workshop\, a 2020 Arts Memphis ArtsAccelerator Grantee\, and an adjunct instructor of Textiles at the University of Memphis. \nKatrina was born and raised in the Midwest\, spent several years living in the Mid-Atlantic\, and now calls Memphis — the heart of the Mid-South — home.
URL:https://crosstownarts.org/calendar/artist-talk-sarah-elizabeth-cornejo-and-katrina-perdue/
LOCATION:TN
CATEGORIES:East Gallery,West Gallery
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230224T133000
DTEND;TZID=America/Chicago:20230224T160000
DTSTAMP:20260429T034644
CREATED:20230102T211108Z
LAST-MODIFIED:20230102T211306Z
UID:10004265-1677245400-1677254400@crosstownarts.org
SUMMARY:Jim Snidero Quartet
DESCRIPTION:Crosstown Arts presents the Jim Snidero Quartet in The Green Room. \nThe Green Room at Crosstown Arts\nFriday\, February 24\, 2023\nDoors at 7 pm | Show at 7:30 pm\nTickets: $15 in advance | $20 at the door | $10 student tickets available \nPURCHASE TICKETS HERE \nDescribed in a recent 5-star review in DownBeat magazine as having “incredible prowess and tender musicality\,” New York saxophonist and composer Jim Snidero encapsulates what is both unique and compelling about jazz\, reflected in over 10 million plays on Spotify. Hailed as having a sound “at the highest level among his fellow alto saxophonists of the 21st century” (All About Jazz)\, and improvisation that is “mind-boggling and\, at the same time\, hugely enjoyable” (The Guardian)\, Snidero is a veteran recording artist placing in both DownBeat critic and reader polls (EMI\, Milestone\, Savant …) and sideman (Mingus big band\, Jack McDuff\, Eddie Palmieri\, Frank Sinatra …) who can truly say “been there\, done that.” \nThe players:\nJim Snidero – alto saxophone\nAlvie Givhan – piano\nLiam O’Dell – bass\nJames Sexton – drums
URL:https://crosstownarts.org/calendar/jim-snidero-quartet/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230224T123000
DTEND;TZID=America/Chicago:20230224T143000
DTSTAMP:20260429T034644
CREATED:20220705T231807Z
LAST-MODIFIED:20230217T200008Z
UID:10003473-1677241800-1677249000@crosstownarts.org
SUMMARY:Memphis Symphony Orchestra: SERENADE AND SONG - THE MSO STRINGS
DESCRIPTION:Paul and Linnea Bert Classic Accents · 2\nSERENADE AND SONG – THE MSO STRINGS\nFriday\, February 24\, 2023 · 6:30 pm\nCrosstown Theater \nPurchase tickets here \nKalena Bovell\, conductor \nMarcus King\, baritone \nSTILL Danzas de Panamá \nTCHAIKOVSKY  Serenade for Strings \nRAVEL Mother Goose Suite \nCOPLAND Old American Songs \nKalena Bovell and the MSO Strings plumb the musical depths of the music for strings.
URL:https://crosstownarts.org/calendar/memphis-symphony-orchestra-dark-with-excessive-bright-the-mso-strings/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230223T133000
DTEND;TZID=America/Chicago:20230223T150000
DTSTAMP:20260429T034644
CREATED:20230119T175551Z
LAST-MODIFIED:20230119T175551Z
UID:10004284-1677159000-1677164400@crosstownarts.org
SUMMARY:Making Movies
DESCRIPTION:Crosstown Arts presents Making Movies in The Green Room. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nThe Green Room at Crosstown Arts\nThursday\, February 23\, 2023\nDoors open at 7 pm | Show begins at 7:30 pm\nTickets: $20 \nPURCHASE TICKETS HERE \nBio: English (Spanish below) \nMaking Movies is a psychedelic Panamanian band that makes American music with an asterisk: because Making Movies’ sound encompasses the entirety of the Americas. It’s through this broader perspective that Making Movies crunches classic rock into Latin American rhythms — African-derived percussion and styles like rumba\, merengue\, mambo and cumbia — in a way that feels oddly familiar\, yet delivers the invigorating chills of hearing something singularly special. \nOver the course of their career\, the quartet has turned heads as a Tiny Desk newcomer (with “A La Deriva”)\, a voice for immigrant rights (with “I Am Another You” which reached #3 on Billboard‘s Latin Pop Album chart)\, and as a co-writer alongside salsa icon Rubén Blades (with Latin GRAMMY nominated song “No Te Calles”). \nMaking Movies has toured extensively\, appearing with the likes of Arcade Fire\, Rubén Blades\, Los Lobos\, Hurray For the Riff Raff\, Bomba Estereo\, Galactic\, Flor De Toloache\, and Thievery Corporation. The band’s fourth album XOPA was just released on L.A.-based label Cósmica Artists. \n\n\n\n\n\n\n\nen Español: \nYa sea que canten en inglés o en español\, o que toquen guitarras eléctricas o instrumentos autóctonos\, Making Movies está causand un revuelo por su sonido original descrito por Rolling Stone como “una mezcla ecléctica de percusión de rumbero\, órganos delicados y rock grunge distorsionado.” \nDurante el transcurso de su carrera\, el cuarteto ha llamado la atención como debutante en Tiny Desk (con “A La Deriva”)\, como voz en pro de los derechos de inmigrantes (con “I Am Another You”\, que llegó al n.° 3 en la lista de álbumes de Pop Latino de Billboard)\, y como coautores con el ícono de la salsa Rubén Blades (con el tema “No Te Calles” nominado a un GRAMMY Latino). \nLa banda emplea un complemento normal rock de guitarra/bajo/batería/percusión\, pero sus miembros incorporan sintetizadores\, efectos e instrumentos autóctonos de América Latina a su música. Entretejen estilos tan diversos como la cumbia y el blues\, la salsa y el soul\, el son cubano y el rock’n’roll — todo combinado para formar su propio sonido original. \nMaking Movies ha realizado muchas giras\, presentándose con figuras tales como Arcade Fire\, Rubén Blades\, Los Lobos\, Hurray For the Riff Raff\, Bomba Estéreo\, Galactic\, Flor de Toloache y Thievery Corporation. El cuarto álbum de la banda se lanzará durante el verano del 2022\, bajo el sello Cósmica Artists de Los Ángeles. \n“por su contenido y sonido\, uno de los mejores albums del año” – National Public Radio \n“(Making Movies)\, íconos del movimiento pro-inmigrante” – Chicago Tribune \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n 
URL:https://crosstownarts.org/calendar/making-movies/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230223T130000
DTEND;TZID=America/Chicago:20230223T150000
DTSTAMP:20260429T034644
CREATED:20221220T232315Z
LAST-MODIFIED:20221220T232644Z
UID:10004263-1677157200-1677164400@crosstownarts.org
SUMMARY:The Crosstown Arts Film Series presents GHOST DOG: THE WAY OF THE SAMURAI
DESCRIPTION:The Crosstown Arts Film Series presents GHOST DOG: THE WAY OF THE SAMURAI at Crosstown Theater. \nJim Jarmusch / 1999 / 116 minutes / R \nThursday\, February 23\, 2023\nTickets: $5 at the door\nDoors at 6:30 p.m. | Films begin at 7:00 p.m. (sharp!) at Crosstown Theater \nJim Jarmusch combined his love for the ice-cool crime dramas of Jean-Pierre Melville and Seijun Suzuki with the philosophical dimensions of samurai mythology for an eccentrically postmodern take on the hit-man thriller. In one of his defining roles\, Forest Whitaker brings a commanding serenity to his portrayal of a Zen contract killer working for a bumbling mob outfit\, a modern man who adheres steadfastly to the ideals of the Japanese warrior code even as chaos and violence spiral around him. Featuring moody cinematography by the great Robby Müller\, a sublime score by the Wu-Tang Clan’s RZA\, and a host of colorful character actors (including a memorably stone-faced Henry Silva)\, Ghost Dog: The Way of the Samurai plays like a pop-culture-sampling cinematic mixtape built around a one-of-a-kind tragic hero. \nThe Crosstown Arts Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground\, and documentary features.
URL:https://crosstownarts.org/calendar/the-crosstown-arts-film-series-presents-ghost-dog-the-way-of-the-samurai/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230221T133000
DTEND;TZID=America/Chicago:20230221T160000
DTSTAMP:20260429T034644
CREATED:20230102T212957Z
LAST-MODIFIED:20230102T212957Z
UID:10004266-1676986200-1676995200@crosstownarts.org
SUMMARY:The Project H
DESCRIPTION:The Green Room at Crosstown Arts\nTuesday\, February 21\, 2023\nDoors at 7 pm | Show at 7:30 pm\nTickets: $15 in advance | $20 at the door \nPURCHASE TICKETS HERE \nThe Project H has become one of the most recognizable acts within the Kansas City music scene. This 7-piece instrumental group has shared the stage with Snarky Puppy\, The Bad Plus\, The Rebirth Brass Band\, Here Come the Mummies\, and the Mark Lettieri Trio. Their relatable brand of crossover jazz has landed them spots at regional festivals such as The Middle of the Map Festival\, Boulevardia\, Plaza Art Fair\, Porchfest\, and the Prairie Village Jazz Festival. The Project H also played opening day and playoff games for the Kansas City Royals\, as well as the opening of the Streetcar in Kansas City. They have travelled to Austin\, Texas\, to take part in Nextbop’s “Jazz for the Masses” party\, as well as the Midcoast Takeover the last two of the last three years. In 2014\, The Project H won the Pitch Music Award for “Best Jazz Ensemble.” Their record\, We Live Among the Lines was named the second-best Kansas City release of any genre by The Deli magazine in 2014. Their fourth record of original music\, Everyday\, Forever\, reached #7 on iTunes in March of 2018.
URL:https://crosstownarts.org/calendar/the-project-h/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230218T133000
DTEND;TZID=America/Chicago:20230218T160000
DTSTAMP:20260429T034644
CREATED:20230106T222708Z
LAST-MODIFIED:20230106T222708Z
UID:10004277-1676727000-1676736000@crosstownarts.org
SUMMARY:Sound Fuzion
DESCRIPTION:Crosstown Arts presents Sound Fuzion in The Green Room. \nThe Green Room at Crosstown Arts\nSaturday\, February 18\, 2023\nDoors at open 7 pm | Show begins at 7:30 pm\nTickets: $10 GA (Free for U of M students\, faculty\, and staff) \nPURCHASE TICKETS HERE \nSound Fuzion is a sixteen-piece commercial band that was formed and founded at the University of Memphis. Founded in 1988\, the vision/ goal for the premiere commercial ensemble is to prepare students for the professional world of touring and performing. Over the years\, Sound Fuzion has helped enhance and cultivate artists including Jordan Occasionally\, Kyndle Wylde\, The PRVLG\, Jessica Ray\, and The Band Camino. With high enrollment and determined students\, Sound Fuzion equips and develops students to prepare them for the music industry and the world.
URL:https://crosstownarts.org/calendar/sound-fuzion-2/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230217T133000
DTEND;TZID=America/Chicago:20230217T160000
DTSTAMP:20260429T034644
CREATED:20221212T182844Z
LAST-MODIFIED:20221212T183338Z
UID:10003532-1676640600-1676649600@crosstownarts.org
SUMMARY:Leyla McCalla
DESCRIPTION:Crosstown Arts presents Leyla McCalla at Crosstown Theater. \nCrosstown Theater\nFriday\, February 17\, 2023\nDoors 6:30 pm | Show 7:30 pm\nTickets: $30 \nPURCHASE TICKETS HERE \nLeyla McCalla finds inspiration from her past and present\, whether it is her Haitian heritage or her adopted home of New Orleans\, she — a bilingual multi-instrumentalist\, and alumna of Grammy award-winning African-American string band\, the Carolina Chocolate Drops — has risen to produce a distinctive sound that reflects the union of her roots and experience. McCalla’s music is at once earthy\, elegant\, soulful and witty — it vibrates with three centuries of history\, yet also feels strikingly fresh\, distinctive and contemporary\, sonically blending New Orleans influences and Haitian rhythms\, with lyrics sung in English\, French and Haitian Creole. \nMcCalla’s widely-acclaimed collaborative project\, Songs of Our Native Daughters (Rhiannon Giddens\, Amythyst Kiah\, Leyla McCalla\, and Allison Russell)\, released via Smithsonian Folkways in 2019. The album pulled influence from past sources to create a reinvented slave narrative\, confronting sanitized views about America’s history of slavery\, racism\, and misogyny from a powerful\, modern Black female perspective.
URL:https://crosstownarts.org/calendar/leyla-mccalla/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230216T130000
DTEND;TZID=America/Chicago:20230216T150000
DTSTAMP:20260429T034644
CREATED:20221220T224933Z
LAST-MODIFIED:20221220T224933Z
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SUMMARY:The Crosstown Arts Film Series presents COOLEY HIGH
DESCRIPTION:The Crosstown Arts Film Series presents COOLEY HIGH at Crosstown Theater. \nMichael Shultz / 1975 / 107 minutes / PG \nThursday\, February 16\, 2023\nTickets: $5 at the door\nDoors at 6:30 p.m. | Films begin at 7:00 p.m. (sharp!) at Crosstown Theater \nMichael Schultz directed this deeply felt recollection of adolescent life on Chicago’s near North Side in 1964. Like American Graffiti\, Cooley High deals with girl\, school\, and police troubles as a group of high school seniors prepare for post-high-school life. The chums are Glynn Turman as “Preach\,” who loves to read poetry and history and wants to become a Hollywood screenwriter\, but who has the worst grades in the school; and Lawrence Hilton-Jacobs as Cochise\, the high school basketball star and suave lady-killer. Preach has to contend with love problems in the form of Brenda (Cynthia Davis)\, school problems with emphatic teacher Mr. Mason (Garrett Morris)\, and law problems with street toughs Stone (Shermann Smith) and Robert (Norman Gibson). \nThe Crosstown Arts Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground\, and documentary features.
URL:https://crosstownarts.org/calendar/the-crosstown-arts-film-series-presents-cooley-high/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2022/12/Cooleyhigh.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230215T130000
DTEND;TZID=America/Chicago:20230215T143000
DTSTAMP:20260429T034644
CREATED:20230206T183554Z
LAST-MODIFIED:20230206T183554Z
UID:10004296-1676466000-1676471400@crosstownarts.org
SUMMARY:Microcinema: 60th Ann Arbor Film Festival Shorts Tour
DESCRIPTION:Indie Memphis and Crosstown Arts present Microcinema: 60th Ann Arbor Film Festival Shorts Tour in Crosstown Theater. \nCrosstown Theater\nWednesday\, February 15\, 2023\nDoors open at 6:30 pm | Show begins at 7 pm\nTickets: Pay What You Can \nIndie Memphis and Crosstown Arts are honored to start off Microcinema this year with a program of shorts from the Ann Arbor Film Festival\, the oldest avant-garde and experimental film festival in North America! This program of shorts features fascinating works from filmmakers from around the world who employ an array of approaches — an absurdist music video\, a mediation on physical and mental spaces within the African Diaspora\, and a video essay exploring the innocence and role of bags in post-revolution Iranian cinema.
URL:https://crosstownarts.org/calendar/microcinema-60th-ann-arbor-film-festival-shorts-tour/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2023/02/1674839948208458582f5cc5e7a1f5a9c.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230212T123000
DTEND;TZID=America/Chicago:20230212T150000
DTSTAMP:20260429T034644
CREATED:20230104T220127Z
LAST-MODIFIED:20230115T015453Z
UID:10004272-1676205000-1676214000@crosstownarts.org
SUMMARY:Modern Masters Jazz Series: Khari Allen Lee
DESCRIPTION:Crosstown Arts presents the Modern Masters Jazz Series: Khari Allen Lee with the Ted Ludwig Trio in The Green Room. \nThe Green Room at Crosstown Arts\nSunday\, February 12\, 2023\nDoors: 6:00 pm | Show begins at: 6:30 pm\nTickets: $20 in advance | $25 at the door | $10 student tickets at the door \nPURCHASE TICKETS HERE \nKhari Allen Lee has arisen as one of the most in-demand saxophonists\, educators\, composers\, and multi-instrumentalists of his generation. He has performed and recorded with such luminaries as Alvin Batiste\, Ellis Marsalis\, Edward ‘Kidd’ Jordan\, Aretha Franklin\, Dr. John\, Branford Marsalis\, Terence Blanchard\, DeeDee Bridgewater\, Stevie Wonder\, Raphael Saadiq\, the Treme Brass Band\, Herlin Riley\, Nicholas Payton\, the Astral Project\, Shannon Powell\, Wes ‘Warmdaddy’ Anderson\, Jason Marsalis\, Bill Summers\, Jeff ‘Tain’ Watts\, Ravi Coltrane\, Kenny Barron & more. In addition to his own the group\, the New Creative Collective\, he is lead saxophonist & touring member of Delfeayo Marsalis’ Uptown Jazz Orchestra\, Sextets & Quintets\, former lead saxophonist of the New Orleans Jazz Orchestra directed by Adonis Rose\, and was a faculty member at the University of New Orleans & Loyola University\, following his extended tenure at the prestigious New Orleans Center for the Creative Arts (NOCCA). He was recently chosen to become the Auburn University Daniel F. Breeden Eminent Scholar in Residence for the Arts & Humanities. \nAs leader\, Khari Allen Lee & the New Creative Collective has released three albums\, Conscious Evolution (2012)\, Our Great Awakening (2014) & A New Earth (2016)\, all to enthusiastic praise. In 2015\, he was chosen as newest artist endorser of the family of Jody Jazz Mouthpieces\, & in 2017 was chosen as newest artist ambassador for the family of Rovner Ligatures. \nHe is featured on recordings with Grammy & Tony-winner DeeDee Bridgewater & The New Orleans Jazz Orchestra (DeeDee’s Feathers\, 2015)\, New Orleans legend Dr. John (Ske-Dat-De-Dat\, The Spirit of Satch\, 2014)\, The Treme Brass Band (New Orleans Music\, 2008)\, & recently released albums by octogenarian blues man\, Bobby Rush (Porcupine Meat [2017 Grammy Award for Best Traditional Blues Album])\, multi Grammy-winning trumpeter & composer Terence Blanchard (The Comedian [Original Motion Picture Sountrack]\, 2017)\, & NEA Jazz Master Delfeayo Marsalis & the Uptown Jazz Orchestra (Jazz Party\, 2019). He was also featured in the Oscar-winning film Green Book (2018). \nAs an educator\, Lee has served as Director of Music at the International School Moshi\, Tanzania\, East Afrika at the foot of Mt. Kilimanjaro\, and as a clinician nationally and internationally. In addition to his current faculty appointment at Auburn University as Daniel F. Breeden Eminent Scholar in Residence for the Arts & Humanities\, he has served as faculty at Loyola University\, the University of New Orleans & Tulane University\, as well as a decade’s long appointment at the New Orleans Center for the Creative Arts (NOCCA). \nHe earned his Bachelors of Science in Music Education from Auburn University\, attended the Berklee College of Music as a scholarship recipient\, graduating with an Artist Diploma in Professional Music\, & earned his Masters of Music from the University of New Orleans as a member of the Louis Armstrong Quintet.
URL:https://crosstownarts.org/calendar/khari-allen-lee-with-the-ted-ludwig-trio/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230212T090000
DTEND;TZID=America/Chicago:20230212T110000
DTSTAMP:20260429T034644
CREATED:20230102T214708Z
LAST-MODIFIED:20230102T215317Z
UID:10004267-1676192400-1676199600@crosstownarts.org
SUMMARY:Juilliard String Quartet
DESCRIPTION:Concerts International and The Memphis Chamber Music Society present the Juilliard String Quartet at Crosstown Theater in collaboration with Crosstown Arts. \nCrosstown Theater\nSunday\, February 12\, 2023\nShow at 3 pm\nTickets: $55 General Admission | $10 student tickets \nPURCHASE TICKETS HERE \nProgram:\nBeethoven\, String Quartet No. 16 in F\, Op. 135\nRavel\, Quartet in F Major\nDvořák\, String Quartet No. 14 in A-flat Major\, Op. 105 \n“The Juilliard String Quartet can plausibly be called the most important American quartet in history. … Some groups seem to wrestle with their past and legacy; the Juilliard seems completely revitalized. … It may be just hitting its stride.” — The Boston Globe  \nWith unparalleled artistry and enduring vigor\, the Juilliard String Quartet (JSQ) continues to inspire audiences around the world. Founded in 1946 and hailed by The Boston Globe as “the most important American quartet in history\,” the ensemble draws on a deep and vital engagement to the classics\, while embracing the mission of championing new works\, a vibrant combination of the familiar and the daring. Each performance of the Juilliard String Quartet is a unique experience\, bringing together the four members’ profound understanding\, total commitment\, and unceasing curiosity in sharing the wonders of the string quartet literature. \nMolly Carr joins the JSQ as violist in May 2022 — following in the footsteps of her late mentor\, Roger Tapping — to close out the 2021-22 season\, which marks the Juilliard String Quartet’s 75th anniversary. Performances of the season include cities such as New York\, San Francisco\, and Detroit as well as a European tour including stops in Berlin\, Dresden\, and Essen. A special highlight of the upcoming 2022-23 season is the premiere of two string quartets by celebrated German composer Jörg Widmann to perform alongside late quartets by Beethoven. \nAdding to its celebrated discography\, an album of works by Beethoven\, Bartók\, and Dvořák was released by Sony Classical in April 2021 to critical acclaim. Additionally\, Sony Masterworks released a JSQ catalog release (The Early Juilliard Recordings) in June 2021. In the fall of 2018\, the JSQ released an album on Sony featuring the world premiere recording of Mario Davidovsky’s Fragments (2016)\, together with Beethoven’s Quartet Op. 95 and Bartók’s Quartet No. 1. Additionally\, Sony Classical’s 2014 reissue of the Juilliard Quartet’s landmark recordings of the first four Elliott Carter String Quartets along with the 2013 recording of Carter’s fifth quartet traces a remarkable period in the evolution of both the composer and the ensemble. The quartet’s recordings of the Bartók and Schoenberg Quartets\, as well as those of Debussy\, Ravel and Beethoven\, have won Grammy Awards\, and in 2011 the JSQ became the first classical music ensemble to receive a lifetime achievement award from the National Academy of Recording Arts and Sciences. \nDevoted master teachers\, the members of the Juilliard String Quartet offer classes and open rehearsals when on tour. The JSQ is string quartet in residence at The Juilliard School and its members are all sought-after teachers on the string and chamber music faculties. Each May\, they host the five-day internationally recognized Juilliard String Quartet Seminar. During the summer\, the JSQ works closely on string quartet repertoire with Fellows at the Tanglewood Music Center. \nAbout the Artists: \nAreta Zhulla | 1st Violin\nPraised by the critics for her “rare emotional sensitivity and internal articulation\,” Greek violinist Areta Zhulla has gained recognition as a passionate and poetic artist. She has been recently named “Young Artist of the Year” by the National Critics Association in Greece and is a recipient of the prestigious Triandi Career Grant as well as the Tassos Prassopoulos Foundation Award. In 2018\, Ms. Zhulla joined the Juilliard String Quartet as their first violinist and serves on the violin and chamber music faculties at The Juilliard School. \nMs. Zhulla has appeared as soloist\, recitalist\, and chamber musician throughout the United States\, Europe\, Canada\, and Asia\, at venues such as Carnegie Hall\, Auditorium du Louvre in Paris\, Alice Tully Hall\, Kennedy Center\, Metropolitan Museum of Art\, and National Arts Centre of Canada. Ms. Zhulla was a member of Chamber Music Society Two of Lincoln Center\, where she performed and toured regularly with some of today’s most acclaimed artists. Memorable collaborations include performances with Itzhak Perlman at Carnegie Hall\, Metropolitan Museum of Art\, and the Rose Theater at Lincoln Center\, as well as collaborations with legendary conductor Michel Plasson\, Pinchas Zukerman\, Gary Hoffman\, Gilbert Kalish\, Colin Carr\, and members of the Cleveland\, Emerson\, and Cavani String Quartets. Her performances have been broadcast on PBS “Live from Lincoln Center\,” The Kennedy Center Honors\, and on WQXR\, among other radio stations throughout the world. \nA passionate educator\, Ms. Zhulla has served as teaching assistant to Itzhak Perlman at Juilliard for the past two years. She is on the violin and chamber music faculties at Juilliard’s Pre-College division\, and serves as chamber music faculty at the prestigious Perlman Music Program\, of which she is an alumna. Ms. Zhulla is Artistic Director of the newly formed Perlman-Genesis Violin Project\, a series of workshops at the Tel-Aviv Conservatory in Israel. \nMs. Zhulla holds Bachelor’s and Master’s degrees from The Juilliard School in New York City\, where she studied with Itzhak Perlman and Catherine Cho\, and was a recipient of the Vergotis Scholarship. Other teachers include Pinchas Zukerman\, Patinka Kopec\, and her father\, Lefter Zhulla. \nRonald Copes | Violin\nPraised by audiences and critics alike for his insightful artistry\, violinist Ronald Copes has received international acclaim as concerto soloist\, recitalist\, and chamber musician. Having appeared as a featured performer in the Marlboro\, Tanglewood\, Bermuda\, Cheltenham\, Colorado and Olympic music festivals\, Mr. Copes has toured extensively with Music From Marlboro ensembles\, the Los Angeles and Dunsmuir Piano Quartets\, and\, since 1997\, with the Juilliard String Quartet in concerts throughout Europe\, Asia\, Australia and North America. During the 2011-13 seasons\, he and Seymour Lipkin performed cycles of the complete Beethoven Sonatas for Piano and Violin at the Kneisel Hall Chamber Music Festival and the Juilliard School. \nHe has recorded numerous solo and chamber music works for radio and television broadcast as well as for labels including Sony Classical\, Orion\, CRI\, Klavier\, Bridge\, New World Records\, ECM and the Musical Heritage Society. Devoting considerable energy to the development and presentation of contemporary string literature\, he has worked closely with composers including Stephen Hartke and Donald Crockett\, and has given the first performances of solo and chamber works by Stephen Dembski and Robert Kraft\, among others. With the New York New Music Ensemble\, he recorded Ralph Shapey’s Three for Six\, and was presented in solo recital by the International Society of Contemporary Music in New York. \nMr. Copes has garnered prizes in several national and international competitions including the Artists’ Advisory Council International Competition\, the Merriweather Post Competition and the Concours International d’Exécution Musicale in Geneva. For two decades\, he served as Professor of Violin at the University of California\, Santa Barbara\, and\, in 1997\, joined the faculty of The Juilliard School\, where he serves as chair of the violin department. With the JSQ and individually\, Mr. Copes has coached string quartets and given master classes at Juilliard\, Tanglewood and on tour. During the summer he is on the artist-faculty of the Kneisel Hall Chamber Music Festival. \nMolly Carr | Viola\nViolist Molly Carr enjoys a diverse musical career as recitalist\, chamber musician\, educator\, and artistic director. Hailed as “one of the most interesting interpreters of the viola today” (Codalario Spain) and praised for her “intoxicating” (The New York Times) and “ravishing” (The Strad) performances\, she has been the recipient of numerous international awards\, including the Primrose International Viola Competition\, Chamber Music America\, ProMusicis Foundation\, and the Davidson Institute. In 2018\, she was honored at the United Nations for her work with refugees\, named by the Sandi Klein Show as one of America’s leading “Creative Women\,” and awarded the ProMusicis International Father Eugène Merlet Award for Community Service for her work in prisons as the Founding Director for Project: Music Heals Us\, a non-profit which brings free chamber music performances and interactive programming to marginalized populations with limited ability to access the Arts themselves. Her performances have taken her across North America\, Europe\, the Middle East\, and Asia and been featured in The New York Times\, Forbes\, and The Wall Street Journal\, as well as on PBS\, CNN\, NPR\, and BBC World News. She is the violist of the Juilliard String Quartet and the Carr-Petrova Duo\, and serves on the faculties of The Juilliard School\, Manhattan School of Music\, and Bard College Conservatory. \nAstrid Schween | Cello\nCellist Astrid Schween has gained a rich following and enjoys a varied career as a soloist\, chamber artist and teacher. Since joining the Juilliard String Quartet in 2016\, she has appeared at Amsterdam’s Concertgebouw\, the Musikverein in Vienna\, the Berlin Konzerthaus\, London’s Wigmore Hall\, Yamaha Hall in Tokyo\, and in Hong Kong\, Singapore\, Greece\, China\, Spain\, Scandinavia and throughout the US\, with concerts at the Lincoln Center Chamber Music Society\, New York’s 92nd Street Y\, Ravinia\, Tanglewood and the Kennedy Center. With degrees from the Juilliard School\, Astrid Schween received her training under the guidance of Leonard Rose\, Harvey Shapiro\, Bernard Greenhouse\, Ardyth Alton and Dr. H.T. Ma\, and was mentored as a young cellist by Jacqueline Du Pré and Zubin Mehta. She participated in the Marlboro Music Festival\, the William Pleeth Cello Master Classes in Aldeburgh and made her debut at the age of 16 with the New York Philharmonic. \nThis season\, Astrid Schween will appear as soloist-special guest artist at the Violoncello Society of New York\, Seattle Chamber Music Festival\, Cleveland Cello Society\, Gather NYC\, Aronson Cello Festival and in Minneapolis at the 20th Biennial Suzuki Association of the Americas Conference. In the spring\, she will host a special event in honor of the Guarneri String Quartet at the Metropolitan Museum of Art. Other recent solo engagements have taken her around the US\, with a performance of the Elgar Concerto in Boulder\, CO last season and performances with the Memphis Symphony and at the Peninsula\, Interlochen and Sewanee festivals. Astrid Schween was recently featured in Strings and Strad magazines\, on various NPR programs\, and was a guest speaker on Women in Music at the Library of Congress. She also appears on classical music internet platforms such as “Living the Classical Life\,” The Violin Channel and CelloBello. Her current collaborations include frequent appearances at the Seattle Chamber Music Festival\, recitals with pianists Victor Asuncion\, Randall Hodgkinson and a soon-to-be-released CD of Romantic cello sonatas with pianist Michael Gurt. Recent collaborative releases appear on the Sony\, Centaur and JRI labels. \nAstrid Schween is a member of the cello faculty at Juilliard and the Perlman Music Program on Shelter Island. She was for many years\, senior cello faculty at Interlochen\, the University of Massachusetts Amherst and Mount Holyoke College. She was also cellist of the Boston Trio\, a frequent guest with the Boston Chamber Music Society and a longtime member of the Lark Quartet\, with whom she earned the Naumburg Chamber Music Award\, appeared at Carnegie Hall\, Lockenhaus\, the Schleswig-Holstein Festival and other prestigious venues. Additional recordings appear on the Arabesque\, Decca/Argo\, New World\, CRI and Point labels. She is represented by Thomas Gallant of General Arts Touring.
URL:https://crosstownarts.org/calendar/juilliard-string-quartet/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230210T133000
DTEND;TZID=America/Chicago:20230210T160000
DTSTAMP:20260429T034644
CREATED:20230106T213209Z
LAST-MODIFIED:20230106T213209Z
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SUMMARY:The Black Opry Revue
DESCRIPTION:The Green Room at Crosstown Arts\nFriday\, February 10\, 2023\nDoors open at 7 pm | Show begins at 7:30 pm\nTickets: $20 \nPURCHASE TICKETS HERE \nBlack Opry is a home for Black artists and Black fans of country\, blues\, folk\, and Americana music. Country music has been made by and loved by Black people since its conception. For just as long\, we have been overlooked and disregarded in the genre by fans and executives. Black Opry wants to change that. We invite you to discover\, support and enjoy the Black artists that make magic in this space. One of the most valuable aspects of country music is its versatility and diversity in sound. Country\, blues\, folk\, and Americana music often overlap or weave together — these artists explore all of those sounds and intersections. The Black Opry Revue showcases the diversity in sound and stories that Black artists offer to these genres. \nTae Lewis \nThe emerging country singer/songwriter Tae Lewis doesn’t sell short when it comes to his creation of country music. The North Carolina native started his roots by singing in his grandfather’s church at the age of 5. In 2016 he began to emerge in his own element of what he wanted to create for his audience as a country artist with one of his first singles “Good Luvin”. \n“Good Luvin” brought success in being placed in the hit sitcom Shameless\, which brought his artistry to a whole new level of people acknowledging who he really is. Now\, a Nashville native\, he’s been able to write with some amazing songwriters as well as being able to be an opener for some incredible artists this summer. \nTwitter: @Taelewis_ Instagram: @TaeLewisMusic_ \nTylar Bryant \nTylar Bryant is a soulful country recording artist whose path took him on a journey to take the stage in the country music arena. Championing the challenge\, where no one saw him coming\, Tylar is a new contender who’s in it to win it. \nThe former MMA fighter changed his career path to pursue a passion that caught him completely by surprise. He laid down his gloves to pick up a songwriter’s pen and a guitar. In a courageous leap of faith to chase his dream\, Tylar moved to Nashville in 2019. \nKnown for his charismatic stage presence\, electric live performances\, and infamous beer showers among his audiences\, onlookers would never expect Tylar Bryant to be anything but a country music entertainer. \nTylar grew up listening to an array of music from rap (Zro\, Tupac\, Biggie\, Hawk\, Pimp C) and the tunes that echoed in the background at his grand mom’s home (Al Green\, Luther Vandross\, The Temptations\, Diana Ross). \nThe Texas native prides himself in his authenticity and ability to infuse a mix of styles and sounds. Influenced by some of country music’s greatest voices and performers (such as Jim Reeves\, Randy Travis and Chris Young)\, Bryant marries modern and traditional country sounds with rock and R&B grooves for an added twist. \nPlaying more than 80 shows a year\, Tylar’s canvassed the Lone Star State. In 2017\, Tylar recorded his debut EP\, titled Don’t Let Go\, in Nashville co-producing the project that features all original tunes. \nTwitter: @TylarBryant Instagram: @TylarBryantMusic \nLayna \nLAYNA is a singer\, songwriter\, producer from Northeast Ohio. Inspired by Tracy Chapman\, Ella Fitzgerald\, Aretha Franklin\, Stevie Nicks\, Dolly Parton\, and more; and she believes ‘Communication\,’ as well as the legendary voices mentioned before\, are what helped her find her sound. \nInstagram: @LaynaOfficial
URL:https://crosstownarts.org/calendar/the-black-opry-revue/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230209T133000
DTEND;TZID=America/Chicago:20230209T153000
DTSTAMP:20260429T034644
CREATED:20221004T195036Z
LAST-MODIFIED:20221012T151100Z
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SUMMARY:Iris Collective: Intersections
DESCRIPTION:Crosstown Theater\nThursday\, February 9\, 2023\nDoors at 6:30 p.m. | Show begins at 7:30 p.m.\nTickets: $35 | $30 in advance \nPURCHASE TICKETS HERE \nIn partnership with Iris Collective\, Avery Fisher Career Grant winner Randall Goosby and New York Times “Best of 2021” pianist Zhu Wang will perform with Iris musicians celebrating music’s capacity to connect us to our past and families. This chamber concert will feature music by Black and living Chinese composers. \nhttps://iriscollective.org/intersections
URL:https://crosstownarts.org/calendar/iris-collective-intersections/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230208T113000
DTEND;TZID=America/Chicago:20230208T130000
DTSTAMP:20260429T034644
CREATED:20230127T213844Z
LAST-MODIFIED:20230208T234121Z
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SUMMARY:Meet & Greet with Randall Goosby and Zhu Wang
DESCRIPTION:The Green Room at Crosstown Arts\nWednesday\, February 8\, 2023\n5:30 pm\nFree \nHear from Randall and Zhu about their backgrounds\, listen to a short performance\, and ask questions to learn more about them.
URL:https://crosstownarts.org/calendar/meet-greet-with-randall-goosby-and-zhu-wang/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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DTSTART;TZID=America/Chicago:20230207T130000
DTEND;TZID=America/Chicago:20230207T143000
DTSTAMP:20260429T034644
CREATED:20230206T182341Z
LAST-MODIFIED:20230206T182341Z
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SUMMARY:Shoot & Splice: Short Film Case Studies
DESCRIPTION:Indie Memphis and Crosstown Arts present Shoot & Splice: Short Film Case Studies in Crosstown Theater. \nCrosstown Theater\nTuesday\, February 7\, 2023\nDoors open at 6:30 pm | Show begins at 7 pm \nIndie Memphis & Crosstown Arts are excited to present a case study of the 2022 Indie Memphis Film Festival Hometowner award-winning short films\, “Nordo” (Best Narrative Short) and “What We’ll Never Know” (Best Documentary Short). Directors Kyle Taubken (Nordo) and Lauren Ready (What We’ll Never Know) will share insights and stories from each stage of the production process — from early development to production and into festival distribution. \nThe case studies will also feature screenings of both short films. \nShoot & Splice is a FREE filmmaker forum presented by Crosstown Arts and Indie Memphis\, featuring a wide variety of technical\, educational\, and unique topics of interest to the Memphis filmmaking community.
URL:https://crosstownarts.org/calendar/shoot-splice-short-film-case-studies/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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DTSTART;TZID=America/Chicago:20230205T133000
DTEND;TZID=America/Chicago:20230205T153000
DTSTAMP:20260429T034644
CREATED:20221207T000813Z
LAST-MODIFIED:20221216T234629Z
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SUMMARY:Jake Blount presented by Folk All Y’all and Crosstown Arts
DESCRIPTION:The Green Room at Crosstown Arts\nSunday\, February 5\, 2023\nDoors open at 7pm | Show begins at 7:30pm\nTickets: $20 (purchase tickets here) \nJake Blount’s music is rooted in care and confrontation. He is a scholar of Black American music\, speaking ardently about the African roots of the banjo and the subtle\, yet profound ways African Americans have shaped and defined the amorphous categories of roots music and Americana. His 2020 album Spider Tales (named one of the year’s best albums by NPR and The New Yorker\, earned a perfect 5-star review from The Guardian) highlighted the Black and Indigenous histories of popular American folk tunes\, as well as revived songs unjustly forgotten in the whitewashing of the canon. Each song Blount plays is chosen for a reason – because it highlights important elements about the stories we tell ourselves of our shared history and our endlessly complicated present moment. The more we learn about where we’ve been\, the better equipped we are to face the future – a future imagined by connecting Black tradition with the environmental crisis\, centering the questions\, “What would Black music sound like after climate change renders most of the world uninhabitable? What gods would this community praise\, and what stories would they tell?” The answers come through the bedrock of Blount’s voice\, channeling the ragged triumph of a people still standing after centuries of continuous confrontations with Death. \nMinimum ticket price is $20 but you can name-your-own price above that if you’re feeling it. 100% of ticket revenue goes to our artists (you can see where any fees go in the check-out breakdown). Yep\, all of it. Folk All Y’all is volunteer-run and subscriber-supported. Shows are presented in partnership with Crosstown Arts at The Green Room in Crosstown Concourse. \nAbout The Green Room: Operated by Crosstown Arts\, The Green Room is committed to providing the best possible environment for the two most important components of a musical performance: the artists’ work and the audience’s listening experience. \nAbout Folk All Y’all: Intimate\, attentive performances by exceptional singer-songwriters\, proudly presented in Memphis\, Folk All Y’all is a public\, nonprofit listening room series supported by our pledges from our community.
URL:https://crosstownarts.org/calendar/jake-blount-presented-by-folk-all-yall-crosstown-arts/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230204T133000
DTEND;TZID=America/Chicago:20230204T153000
DTSTAMP:20260429T034644
CREATED:20230113T215039Z
LAST-MODIFIED:20230113T215039Z
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SUMMARY:TANGELA “Splendid Mind Series ii”\, featuring Spek (Was Here) and DJ set by STH MEMPHIS JEFF
DESCRIPTION:Crosstown Arts presents TANGELA “Splendid Mind Series ii”\, featuring Spek (Was Here) and DJ set by STH MEMPHIS JEFF in the Green Room. \nThe Green Room at Crosstown Arts\nSaturday\, February 4\, 2023\nDoors open at 7 pm | Show begins at 7:30 pm\nTickets: $15 advance | $20 at the door \nPURCHASE TICKETS HERE \nTANGELA is the glittery finish to a masterfully crafted collage. She glows\, sparkles\, and shines wherever she is present. A fusion of love and artistic vision\, TANGELA has dibble-dabbled in The Arts since she was a toddler — weaving in and out of painting classes\, bands\, theatrical outfits and dance troupes\, intent on discovering her most magical talents. \nMemphis music legends baptized and verified TANGELA at a young age\, as she studied under the tutelage of soul music icons at the city’s STAX Academy of Music. The spirit of Memphis — the tension\, hustle\, grind\, grit\, and flair — are evident in the Berklee College of Music graduate’s products. \nFor more information about TANGELA: \nVisit @PUSSII_DUSSE on Instagram \nEmail tangelamgmtco@gmail.com \nStream “SPLENDID MIND EP” on your music listening platform of choice
URL:https://crosstownarts.org/calendar/tangela-splendid-mind-series-ii-featuring-spek-was-here-and-dj-set-by-sth-memphis-jeff/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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DTSTART;TZID=America/Chicago:20230204T050000
DTEND;TZID=America/Chicago:20230204T110000
DTSTAMP:20260429T034644
CREATED:20230112T233300Z
LAST-MODIFIED:20230201T191941Z
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SUMMARY:Literature is Liberating Fest
DESCRIPTION:Crosstown Concourse\nSaturday\, February 4\, 2023\n11 am-5 pm\nFree and open to the public \nPresented by Crosstown Concourse and Cafe Noir\, Literature is Liberating Fest is a free and open to the community literary festival celebrating Black authors and African American literature that includes vendors\, author discussions\, book signings\, literary panels\, writing workshops for kids and adults\, a youth story hour\, crafts\, and more! \nIndie Memphis will collaborate with Crosstown Arts to screen some of the James Baldwin shorts from JAMES BALDWIN ABROAD. And a performer from Hattiloo Theatre will do a pop-up performance inside the Central Atrium at 1:30 pm. \nSchedule  \nCentral Atrium\, 1st floor \n11 am – 5 pm — Vendors\, free crafts\, and DJ Alpha Whiskey throughout the day on the first floor of the Central Atrium \n1:30 pm — Pop-up performance by Hattiloo Theater. From Shakin the Mess Outta Misery. \n1:30-2:30 pm — Youth veggie/herb planting activity with Ali Manning \nCentral Atrium\, 2nd floor \n12:15-1:15 pm —  Youth Reading Hour with Ali Manning (Big Stairs) \n1:30-2:30 pm —  Youth Writing Workshop with Ali Manning \nEast Atrium \n11:15 am-12:15 pm — Dr. Jacqueline Trimble\, Dr. Shelby Crosby\, and Dr. Terrence Tucker – African American literary panel discussion \n3-4 pm Michelle Duster book discussion/signing \n4:15-5 pm Nubia Yasin spoken word/book signing \nCrosstown Theater \n12 pm — Theater doors open \n12:30-12:42 pm — JAMES BALDWIN FROM ANOTHER PLACE (1973) 12 min \n12:47-1:13 pm — MEETING THE MAN: JAMES BALDWIN IN PARIS (1970) 26 minutes \n1:30 pm — FACING DOWN STORMS: MEMPHIS AND THE MAKING OF IDA B. WELLS 88 minutes \nFilmmaker Dr. Daphene R. McFerren will be present and will moderate for the Michelle Duster talk on the East Atrium stage right after the screening.  \n  \nMichelle Duster is an author\, speaker\, public historian\, professor\, and champion of racial and gender equity. She has written\, edited\, or contributed to several dozen articles and over 20 books. Her most recent\, released January 4\, 2022\, is Ida B. Wells\, Voice of Truth (Henry Holt & Co). And a year before\, her book Ida B. the Queen: The Extraordinary Life and Legacy of Ida B. Wells was published (Atria/One Signal Publishers). \nShe also co-wrote the popular children’s history book\, Tate and His Historic Dream; co-edited Impact: Personal Portraits of Activism; Shifts: An Anthology of Women’s Growth Through Change; Michelle Obama’s Impact on African American Women and Girls; and edited two books that include the writings of her paternal great-grandmother\, Ida B. Wells. She has contributed to several anthologies and written articles for Ms. Magazine\,TIME\, Essence\, HuffPost\, Teen Vogue\, Refinery29\, The Hill\, Daily Beast\, and The North Star. She also was involved in the development of the Ida B. Wells doll\, released January 2022\, which is part of Mattel’s Inspiring Women Barbie doll series. She has appeared on television programs on MSNBC\, CNN\, WTTW\, CBS & CW as well as numerous radio shows. Her advocacy has led to multiple public history projects that include street names\, monuments\, historical markers\, murals\, and documentary films that highlight women and African Americans\, including Wells. \nHer many awards include the 2022 Ripple Effect Award from Public Narratives\, 2019 Multi-Generational Activist Award from the Illinois Human Rights Commission\, and the 2019 Martin Luther King Jr. Social Justice Award from Dartmouth College. \n  \nDr. Jacqueline Trimble lives and writes in Montgomery\, Alabama\, where she is  a professor of English and chairs the Department of Languages and Literatures at Alabama State University. Her work has appeared in various online and print publications including Poetry Magazine\, Poet Lore\, The Offing\, The Louisville Review\, and Blue Lake Review. American Happiness (2016)\, her first collection\, published by New South Books\, won the Balcones Poetry Prize. How to Survive the Apocalypse was released in August 2022. \n  \nAli Manning is a food scientist\, food educator\, author\, and founder of Umami Food Consulting. With over ten years in the food industry\, she utilizes her passion for food\, science\, and community to help food entrepreneurs tackle the issues beyond the kitchen. Ali is the Program Consultant for Project Green Fork and the creator of Food Science 4 Kids\, a program that teaches grade-school children food science. She recently published her first children’s book\, entitled Can I Play with my Food?\, a book that explores food and science through the eyes of two sisters\, Nema and Lexi. Ali is a graduate of Alabama A&M University and a Huntsville\, Alabama\, native\, but after being a transplant for nearly twelve years\, she truly considers Memphis her home. \n  \nNubia Yasin is a screenwriter\, poet\, and multidisciplinary artist born in Memphis\, Tennessee. She uses her craft to explore themes around shame\, sex\, love\, and family\, with an acute focus on the Black Femme experience. She often pulls from her family history as a first generation Somali-American living in the south to tell stories about Black womanhood and Black motherhood. Her work is imbued with a sense of spirituality\, incorporating elements of Islam and Southern American Hoodoo. The Blood and Body (2022) is her debut collection of poetry. \n  \nDr. Terrence Tucker is an associate professor and chair of African American literature in the Department of English at the University of Memphis. He is the author of Furiously Funny: Comic Rage from Ralph Ellison to Chris Rock (University Press of Florida\, 2018). He has also published essays on topics ranging from race and pedagogy to Ernest Gaines to African-American superheroes and in journals from Pedagogy\, Southern Literary Journal\, and College Language Association Journal. He is finishing work on his second book project\, The Rise of the Afristocracy: Portraits of the Black Elite in Contemporary African American Literature contracted with University Press of Florida. This book traces the representation of the Black elite in African-American literature from the lives of free Blacks during slavery to rising Black middle and upper classes in the twenty-first century. \n  \nDr. Shelby Crosby’s research spans mid-nineteenth century to the early twentieth century African American literature\, representations of womanhood (particularly Black womanhood)\, and critical race theory. It threads together critical race\, Black feminism\, and literary historical frameworks to interrogate an American national story. Dr. Crosby is currently working on a book manuscript that examines the pervasive derogatory ideologies of Black womanhood. Using Black feminist theory to ground the text\, she will examine such authors as Frederick Douglass\, Williams Wells Brown\, and Martin Delany\, arguing that\, through their adoption of traditional demarcations of white womanhood\, Black women are further pushed to the margins of American society.
URL:https://crosstownarts.org/calendar/literature-is-liberating-fest/
LOCATION:Crosstown Concourse\, 1350 Concourse Ave.\, Memphis\, TN\, 38104
CATEGORIES:Central Atrium,East Atrium
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230203T133000
DTEND;TZID=America/Chicago:20230203T160000
DTSTAMP:20260429T034644
CREATED:20230111T192923Z
LAST-MODIFIED:20230111T192923Z
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SUMMARY:Tonya Dyson & the Ainitmanes
DESCRIPTION:Crosstown Arts presents Tonya Dyson & the Ainitmanes in The Green Room. \nThe Green Room at Crosstown Arts\nFriday\, February 3\, 2023\nDoors open at 7 pm | Show starts at 7:30 pm\nTickets: $15 in advance | $20 at the door \nPURCHASE TICKETS HERE \nTonya Dyson wears so many hats: non-profit arts executive\, music educator\, serial entrepreneur\, community leader\, and festival organizer. You name it. She’s also a beloved artist who has not only built a devoted following in a creative landscape of her own design but has helped develop and nurture that same environment for countless other Memphis artists. She’s the genuine article in Memphis’ new soul underground.
URL:https://crosstownarts.org/calendar/tonya-dyson-the-ainitmanes-2/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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DTSTART;TZID=America/Chicago:20230202T130000
DTEND;TZID=America/Chicago:20230202T150000
DTSTAMP:20260429T034644
CREATED:20221220T222438Z
LAST-MODIFIED:20221220T222438Z
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SUMMARY:The Crosstown Arts Film Series presents ALMA’S RAINBOW
DESCRIPTION:The Crosstown Arts Film Series presents ALMA’S RAINBOW at Crosstown Theater. \nAyoka Chenzira / 1994 / 85 minutes / Not Rated \nThursday\, February 2\, 2023\nTickets: $5 at the door\nDoors at 6:30 p.m. | Films begin at 7:00 p.m. (sharp!) at Crosstown Theater \nAlmas’s Rainbow is a coming-of-age comedy/drama about three Black women living in Brooklyn. Ayoka Chenzira’s feature film explores the life of teenager Rainbow Gold (Victoria Gabrielle Platt) who is entering womanhood and navigating conversations and experiences around standards of beauty\, self-image\, and the rights of Black women have over their bodies. Rainbow attends a strict parochial school\, studies dance\, and is just becoming aware of boys. She lives with her strait-laced mother Alma Gold ( Kim Weston-Moran)\, who runs a hair salon in the parlor of their home.  When Alma’s free-spirited sister Ruby (Mizan Kirby) arrives from Paris after a 10-year absence\, the sisters clash over what constitutes the “proper” direction Rainbow’s life should take. Alma has fooled herself into believing she has no need of male companionship and advises her to daughter to follow her example. Ruby encourages both her niece and her sister to embrace life — and love — fully and joyfully. Almas’s Rainbow highlights a multi-layered Black women’s world where characters live\, love\, and wrestle with what it means to exercise and exert their agency. \nThe Crosstown Arts Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground\, and documentary features.
URL:https://crosstownarts.org/calendar/the-crosstown-arts-film-series-presents-almas-rainbow/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230131T133000
DTEND;TZID=America/Chicago:20230131T150000
DTSTAMP:20260429T034644
CREATED:20230102T202904Z
LAST-MODIFIED:20230131T180750Z
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SUMMARY:(POSTPONED) Roosevelt Collier\, with Yella P.
DESCRIPTION:Crosstown Arts presents Roosevelt Collier\, with opener Yella P.\, in The Green Room. \nThe Green Room at Crosstown Arts\nTuesday\, January 31\, 2023\nDoors at 7 pm | Show at 7:30 pm\nTickets: $20 advance | $25 day of the show \nPURCHASE TICKETS HERE \nPedal and lap steel guitar ace Roosevelt Collier\, so proficient he’s affectionately known as “The Dr\,” released his solo debut\, Exit 16\, on GroundUP Music. It’s a potent mix of blues\, gospel\, rock\, and\, in his words\, “dirty funk swampy grime\,” as overseen by producer and Bokanté bandmate Michael League (from the Grammy-winning Snarky Puppy). \nBrought up in the House of God Church in Perrine\, Florida\, Roosevelt built his “sacred steel” guitar prowess alongside his uncles and cousins in The Lee Boys\, known for their spirited\, soul-shaking live performances. On his own\, Collier’s become a sought-after talent both on record and on stage; at festivals\, he is a regular “Artist at Large\,” performing alongside musical luminaries in the fields of rock\, blues and pop\, including the Allman Brothers\, The String Cheese Incident\, Buddy Guy\, Umphrey’s McGee\, Los Lobos\, Robert Randolph\, the Tedeschi-Trucks Band\, and the Del McCoury Band. \nDamion Kereem Pearson\, aka Yella P.\, is a multifaceted artist from Memphis creating a sound rooted in the Delta blues with shades of soul\, gospel\, and hip-hop. Mostly self-taught\, Damion began playing harmonica at age 13\, saving up his lunch money for a month to purchase the instrument. Adding to his arsenal\, Damion later learned to play the guitar\, saxophone\, trombone\, and piano. He got his start on Beale Street playing with “Big” Jerry Parnell.
URL:https://crosstownarts.org/calendar/roosevelt-collier/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230128T133000
DTEND;TZID=America/Chicago:20230128T153000
DTSTAMP:20260429T034644
CREATED:20221012T221522Z
LAST-MODIFIED:20221012T221535Z
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SUMMARY:Dream Crusher Hope Smasher
DESCRIPTION:Crosstown Arts presents Dream Crusher Hope Smasher in The Green Room. \nThe Green Room at Crosstown Arts\nSaturday\, January 28\, 2023\nDoors 7 p.m. / Show 7:30 p.m.\nTickets: $20 | $15 in advance \nPURCHASE TICKETS HERE \nDream Crusher Hope Smasher has always been driven by an innate sense of creativity and innovation. Their passion shines through in every note\, drawing in fans from across the universe. Though little is known about the early days of the band\, what is clear is that it was formed long before the rise of the third and fourth dimensions. What we do know is that their music touches people in a way that nothing else can\, with full consent of course. \nSpeaking to a bouncer at a small club at a rare show in Memphis\, Tennessee\, famous old lady Betty Bamboozle\, asking of DCHS’s music\, “What is that?” The bouncer’s response was immediate and clear\, unmasked fear in his voice\, “I don’t know lady. It’s dark\, it’s light\, it’s beautiful\, and it’s horrifying all at the same time.” \nEven less is known of the fans of Dream Crusher Hope Smasher. They are a secret society. An elite club in which membership is granted only to those who truly appreciate the music or pay a small fee or take the band to dinner. However\, the members of the band keep a low profile to avoid being discovered by people from “lesser” dimensions who just wouldn’t understand their genius. \nFrom the depths of the underworld to the farthest reaches of space\, Dream Crusher Hope Smasher has always been one step ahead of the zeitgeist. Their legendary live shows and groundbreaking albums have them cemented as an iconic band in every sense imaginable—just not in your reality.
URL:https://crosstownarts.org/calendar/dream-crusher-hope-smasher/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230126T133000
DTEND;TZID=America/Chicago:20230126T160000
DTSTAMP:20260429T034644
CREATED:20221212T230140Z
LAST-MODIFIED:20221212T230338Z
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SUMMARY:Iris Collective: “Spacetime”
DESCRIPTION:Crosstown Arts presents Iris Collective: “Spacetime” in The Green Room. \nThe Green Room at Crosstown Arts\nThursday\, January 26\, 2023\nDoors at 7 pm | Show at 7:30 pm\nTickets: $15 | $5 students \nPURCHASE TICKETS HERE \nThe Iris Collective presents “Spacetime\,” a curation of pieces that focus on the expansion of time and exploration of space. The program features works written by Fazil Say\, Dmitri Kourliandski\, Dosia McKay\, Claudio Santoro\, and Johan Halvorsen. \nProgram: \nBroken Memory pour piano\, violon et violoncelle by Dmitri Kourliandski \nDanse Macabre by Dosia McKay \nTrio para violino\, violoncelo e piano by Claudio Santoro \nPassacaglia for Violin and Cello by George Frederic Handel/Johan Halvorsen \nSpace Jump by Fazil Say
URL:https://crosstownarts.org/calendar/iris-collective-spacetime/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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