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DTSTART;TZID=America/Chicago:20230728T080000
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DTSTAMP:20260428T010957
CREATED:20230724T210303Z
LAST-MODIFIED:20230725T171318Z
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SUMMARY:HerView: Sears Memphis by Melanie Manos
DESCRIPTION:Crosstown Arts presents HerView: Sears Memphis by Melanie Manos in the Central Atrium. \nThe Central Atrium at Crosstown Concourse\nFriday\, July 28\, 2023\nPerformance: 1-2 pm\nTickets: Free and open to the public \nHerView: Sears Memphis depicts women’s labor in the 20th century department store and is based on locally sourced history.  Manos will ride on an original freight cart used in the Sears Memphis warehouse while typing on a vintage typewriter\, and will hand routing slips to Crosstown Concourse visitors.  HerView is part of a larger project Manos is spearheading\, Visualizing Women’s Work\, which confronts gender bias in monuments and other historical markers through novel forms of publicly visible women’s history\, including popup performances and webAR* animations.\n*Augmented Reality via smartphone/device (no app required)\n\n\nManos is creating the performance while a 2023 Crosstown Arts Artist-in-Residence.\nMemphis-based artist Karl Erickson also performs in a supporting role.
URL:https://crosstownarts.org/calendar/herview-sears-memphis-by-melanie-manor/
LOCATION:Crosstown Concourse\, Central Atrium\, 1350 Concourse Ave.\, Memphis\, TN
CATEGORIES:Central Atrium
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DTSTART;TZID=America/Chicago:20230727T140000
DTEND;TZID=America/Chicago:20230727T160000
DTSTAMP:20260428T010957
CREATED:20230622T223344Z
LAST-MODIFIED:20230622T223344Z
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SUMMARY:The Crosstown Arts Film Series presents: CHAMELEON STREET
DESCRIPTION:The Crosstown Arts Film Series presents Chameleon Street at Crosstown Theater. \nWendell B. Harris Jr. / 1990 / 94 minutes / Rated R\nTickets: $5 at the door\nDoors at 6:30 p.m. | Films begin at 7:00 p.m. (sharp!) at Crosstown Theater \nWinner of the Grand Jury Prize at the 1990 Sundance Film Festival — yet criminally under-seen for over three decades — Chameleon Street recounts the improbable but true story of Michigan con man Douglas Street\, the titular “chameleon” who successfully impersonated his way up the socioeconomic ladder by posing as a magazine reporter\, an Ivy League student\, a respected surgeon\, and a corporate lawyer. Elevated by a dexterous performance and daring direction from multi-hyphenate actor-writer-director Wendell B. Harris Jr.\, the film pins a lens on race\, class and performance in American identity\, which has lost none of its relevance. At once piercingly funny and aesthetically mischievous\, Chameleon Street is a “lost masterpiece of Black American cinema” (BFI) long overdue to take its rightful place in the independent film canon. \nThe Crosstown Arts Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground\, and documentary features.
URL:https://crosstownarts.org/calendar/the-crosstown-arts-film-series-presents-chameleon-street/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230723T100000
DTEND;TZID=America/Chicago:20230729T140000
DTSTAMP:20260428T010957
CREATED:20230724T210330Z
LAST-MODIFIED:20230724T210342Z
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SUMMARY:Kai Pa Ti by the MengCheng Collective
DESCRIPTION:Crosstown Arts presents Kai Pa Ti by the MengCheng Collective. \nThe Second Floor Studios at Crosstown Arts\nSunday\, July 23-Saturday\, July 29\, 2023\nTimes: 3-7 pm or by appointment\nTickets: Free and open to the public \nJoin the MengCheng Collective for their week-long exhibition Kai Pa Ti. They will showcase collective works made during their two month long Crosstown Arts residency that were inspired by conversations from their weekly potlucks. \nExhibition hours will be July 23-29\, 3-7 pm or by appointment. Appointments can be made by emailing mengcheng.tn@gmail.com. \nWhat is MengCheng 梦城团 Collective? \nAs artists and makers who grew up in Memphis\, Thandi Cai\, Neena Wang\, Yidan Zeng\, and LiLi Nacht formed this collective to challenge the way our cultural histories have been gathered\, disseminated\, or made invisible. \nMengCheng 梦城 “City of Dreams” is inspired by the Chinese phonetic name for Memphis\, or mèng fēi sī. The MengCheng 梦城团 Collective is an invitation into intergenerational dialogue\, communal healing\, and empowerment by sharing the Chinese diasporic experience of living in the American South. \nFollow us on Instagram @mengcheng.tn!
URL:https://crosstownarts.org/calendar/16293/
LOCATION:Crosstown Arts Studio Residency\, 424 N. Cleveland - Back Entrance\, Memphis\, TN\, 38104\, United States
CATEGORIES:East Atrium
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230720T140000
DTEND;TZID=America/Chicago:20230720T160000
DTSTAMP:20260428T010957
CREATED:20230622T222445Z
LAST-MODIFIED:20230628T212457Z
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SUMMARY:The Crosstown Arts Film Series presents: FEMALE TROUBLE
DESCRIPTION:The Crosstown Arts Film Series presents Female Trouble at Crosstown Theater. \nJohn Waters / 1974 / 97 minutes / Rated R\nTickets: $5 at the door\nDoors at 6:30 p.m. | Films begin at 7:00 p.m. (sharp!) at Crosstown Theater \nGlamour has never been more grotesque than in Female Trouble\, which injects the Hollywood melodrama with anarchic decadence. Divine\, director John Waters’ larger-than-life muse\, engulfs the screen with charisma as Dawn Davenport\, the living embodiment of the film’s lurid mantra\, “Crime is beauty\,” who progresses from a teenage nightmare hell-bent on getting cha-cha heels for Christmas to a fame monster whose egomaniacal impulses land her in the electric chair. Shot in Waters’ native Baltimore on 16 mm\, with a cast drawn from his beloved troupe of regulars\, the Dreamlanders (including Mink Stole\, David Lochary\, Mary Vivian Pearce\, Edith Massey\, and Cookie Mueller)\, this film­—the director’s favorite of his work with Divine — comes to life through the tinsel-toned vision of production designer Vincent Peranio and costume designer/makeup artist Van Smith. An endlessly quotable fan favorite\, Female Trouble offers up perverse pleasures that never fail to satisfy. \nThe Crosstown Arts Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground\, and documentary features.
URL:https://crosstownarts.org/calendar/the-crosstown-arts-film-series-presents-female-trouble/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2023/06/Female-Trouble.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230720T130000
DTEND;TZID=America/Chicago:20230720T150000
DTSTAMP:20260428T010957
CREATED:20230705T223922Z
LAST-MODIFIED:20230706T200326Z
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SUMMARY:Crosstown Arts Resident Artist Talks
DESCRIPTION:Crosstown Arts presents the Resident Artist Talks in The Green Room. \nThe Green Room at Crosstown Arts\nThursday\, July 20\, 2023\nDoors open at 5:30 pm | Show begins at 6 pm\nTickets: Free and open to the public \nCrosstown Arts Summer 2023 resident artists will present artist talks. \nThe presenters will include:\nMelissa Leandro\nTaylor Crawford\nMelanie Manos\nartbully\nMengCheng Collective: Neena Wang\, Lili Nacht\, Yidan Zeng and Thandi Cai \nThis event is free and open to the public.
URL:https://crosstownarts.org/calendar/crosstown-arts-resident-artist-talks-5/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230719T140000
DTEND;TZID=America/Chicago:20230719T160000
DTSTAMP:20260428T010957
CREATED:20230626T201941Z
LAST-MODIFIED:20230626T201941Z
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SUMMARY:MicroCinema: Selections from the Odù Film Festival
DESCRIPTION:Indie Memphis and Crosstown Arts present MicroCinema: Selections from the Odù Film Festival in Crosstown Theater. \nCrosstown Theater at Crosstown Arts\nWednesday\, July 19\, 2023\nDoors open at 6:30 pm | Show begins at 7 pm\nTickets: Pay-What-You-Can \nPURCHASE TICKETS HERE \nIndie Memphis and Crosstown Arts are excited to present a program in partnership with Black Freedom Fellowship and their Odù Film Festival! \nExperience a transformative selection of Black\, Indigenous\, and Queer voices from Bahia\, Brazil\, through this MicroCinema event curated by the Black Freedom Fellowship’s Odù Film Festival. These films intertwine the preservation of our planet\, ancestral heritage\, and queer identity to craft an action-inspiring path toward a future vital to our collective survival. This Indie Memphis x Black Freedom Fellowship MicroCinema event happens two days before the in-person “Odù Film Festival” takes place in Salvador\, Bahia\, Brazil\, featuring two days of film screenings from all over the world as well as art exhibitions\, art markets\, and music concerts.  \nThe films in this program will also be available to watch for a week virtually following the in-person screening on July 19. \nwww.blackfreedomfellowship.com/odu  \nwww.patreon.com/BlackFreedomFellowship
URL:https://crosstownarts.org/calendar/microcinema-selections-from-the-odu-film-festival/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2023/06/Jono-Lena-scaled.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230716T130000
DTEND;TZID=America/Chicago:20230716T160000
DTSTAMP:20260428T010957
CREATED:20230623T214919Z
LAST-MODIFIED:20230626T170813Z
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SUMMARY:Artist Trading Card Event
DESCRIPTION:Crosstown Arts presents an Artist Trading Card Event in the Art Bar. \nArt Bar at Crosstown Arts\nSunday\, July 16\, 2023\nTime: 6-9 pm\nTickets: Free \nA group of Memphis artists are selling limited-edition art cards. Some artists will have individual cards for sale from $10-40\, some will have packs of cards that are a surprise — three for $40. Packages also come with a chance that they contain a “golden ticket” which can be exchanged for a larger piece of artwork.\n\n\nAny artist in the community is welcome to trade their own cards for the last hour\, from 8 to 9 pm. \nArtists include Mary Jo Karimnia\, Alex Paulus (a past Crosstown Arts Artist in Residence)\, Sara Moseley\, Nick Peña (a past Crosstown Arts Artist in Residence)\, Tad Lauritzen-Wright (a past Crosstown Arts Artist in Residence)\, and Michelle Fair. 
URL:https://crosstownarts.org/calendar/artist-trading-card-event/
LOCATION:Crosstown Arts\, Art Bar\, 1350 Concourse Ave\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Art Bar
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2023/06/IMG_6483-scaled.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230716T130000
DTEND;TZID=America/Chicago:20230716T143000
DTSTAMP:20260428T010957
CREATED:20230525T171144Z
LAST-MODIFIED:20230712T165130Z
UID:10004334-1689512400-1689517800@crosstownarts.org
SUMMARY:Kafé Kirk: The Gospel According to Jazz Edition (SOLD OUT)
DESCRIPTION:Crosstown Arts presents Kafe Kirk: The Gospel According to Jazz Edition featuring Kirk Whalum\, Kevin Whalum\, and Keia Johnson. \nSunday\, July 16\, 2023\nCrosstown Theater\nBox office opens at 5 pm | Doors open at 5:30 pm\nShow begins at 6 pm\nTickets: SOLD OUT \nJoin Grammy-winning saxophonist Kirk Whalum for Kafé Kirk\, an ongoing jazz series in Crosstown Theater featuring musical and spiritual collaborations with special guest artists. This iteration’s performance will feature Keia Johnson and Kevin Whalum. \nKEIA JOHNSON \n With over a decade of experience in the entertainment field; Keia has made a name for herself as the multifaceted artist that attacks each opportunity with gusto and her signature smile. Keia was born in San Antonio\, Texas but grew up all over the world in a military family. She listened to a wide range of artists growing up\, but it was the move to Memphis that helped her establish her sound and performance style. She has performed on some of the most iconic stages in Memphis (The Orpheum\, Cannon Center\, and festivals) and with some of the best talent Memphis has to offer\, like Justin Timberlake\, Wendy Moten\, The Bar-Kays\, and David Porter of Stax Records. Years later\, It was American Idol that served as the true catalyst for Keia to recognize who she was as an artist; the talent competition led her to Hollywood where “Miss Congeniality” wowed the judges for two seasons. Her audition performance of Celine Dion’s vocally rigorous “My Heart Will Go On” prompted guest judge and musical role model Mary J. Blige to simply declare: “She can sing!” In 2016\, the world seemed to open up for Keia as she travelled for three years with the BB King Allstar band on Holland America Cruise lines singing blues\, rock-and-roll\, jazz\, classic R&B\, and soul. She officially launched KJ Management\, an Entertainment Agency in 2021\, under which she had developed exclusive Memphis soul and jazz shows for riverboats. She gives private Vocal lessons to Artists & Students as well as artist development. She is currently writing/producing shows and musicals for regional theaters and stages. Make sure to keep up with her at XperiencEntertainment.com. \nKEVIN WHALUM \nKevin Whalum is best known for his stellar work with Kirk on his brother’s gospel series entitled\, Kirk Whalum\, The Gospel According To Jazz\, Chapters 1-4. \nChapter One was released in 1998 to critical acclaim\, and it put Kevin on everyone’s radar with his medley take on the Negro spirituals\, Wade In The Water/Motherless Child. It broke new ground in gospel. No one had tried anything that daring vocally in the genre previously. When he and Kirk performed the song later that year on the Stellar Awards broadcast\, the audience gave them a standing ovation. That was a pivotal moment. “Yeah\, that was special. I knew I was in front of some gospel purists who believe gospel should be one thing and one thing only\, but I reject the notion that praise for the Almighty has anything to do with a certain group of chords\, \nor a certain rhythmic pattern. Gospel is defined as the good news\, and as long as that is what fills my heart as I perform\, that is what will exude from me as I stand before God’s children anywhere in the world; in churches or nightclubs. They will feel me if they allow themselves to\, and aren’t too busy judging me because I sound a little different than what they consider gospel. If you love Jesus as I do\, you will feel me.”If Chapter 1 was Kevin’s introduction to gospel music fans\, then\, Chapter 2 was the \nsolidification of his presence. That release spawned the remake of an old Johnny “Guitar” Watson classic called\, I Wanna TaTa Ya\, Baby from the 1970s. Kirk has always left Kevin alone to choose the songs he wanted to record on each volume. “Kirk trusts me to provide him with solid ideas for covers\, so I said we should take that song and rename it I Wanna TaTa Ya\, Jesus. Our ‘thing’ is to take established hits from artists who didn’t necessarily write them for a gospel audience\, and flip them on their heads\, so I rewrote the lyric to change TaTa\, Ya to mean Thank Ya\, and boom…people loved it. That song was released in 2003\, and yet it is still requested everywhere from Dallas to Tokyo\, and from Stockholm to Cape Town.”Chapter 3 is responsible for bringing in the R&B fans among the Whalum brothers’ audience. For this live recording\, Kevin chose a song by the late Luther Vandross called\, Make Me A Believer. He would be joined on it by the now three-time Grammy winner\, Lalah Hathaway. The song was a runaway hit\, and was nominated for a Stellar Award for best video in 2008. Again\, Kevin rewrote the original lyric to suit its new purpose\, and found massive critical and commercial success. “Lalah and I are good friends\, and we had an absolute blast singing together. She’s such a singular talent. I knew it would do well\, although I had no idea it would do \nwhat it eventually did.”Chapter 4 is the latest installment in the series\, and it promises to be as noteworthy as the previous three. Kevin now has three solo albums under his belt: the self-produced solo debut\, Timetable (2002); the George Duke-produced\, One Life To Love (2008); and the new self-produced\, I Live For You (2016). Although Kevin eschews any effort to force him into a category or genre’\, he freely admits to defining himself as “primarily a jazz vocalist who just happens to be a Christian.” He exhorts\, “I hope I never agree to be just one thing. A true artist never wants that. I have been—and will remain—free to explore the musical universe. There’s too much out here to stay locked into one soundscape forever. Music is big\, but Jesus is infinitely bigger. I want to touch his face with everything he puts in my heart to do. I hope people find my new record\, I Live For You\, refreshing\, and dare I say it\, groundbreaking.” \nKIRK WHALUM \nSoulful\, passionate\, stirring…these are the words most often used to describe Kirk’s music. Forged from his Memphis (Tennessee) gospel roots and his 1980‘s initiation into the thriving Houston\, Texas nightclub scene\, Kirk’s big\, rich tenor sound is unmistakably his. The ’80s were highlighted by Kirk’s stepping out of his blossoming sideman role and forming his own band. It was there that Kirk ultimately developed both his “voice” and songwriting in the crucible of the local club scene––especially at a rooftop club called Cody’s. It was also in Houston where jazz pianist Bob James “discovered” him and brought him on tour\, which led to five successful albums with Columbia Records\, including Cache\, Kirk’s first #1 album. As well\, Kirk and Bob received a Grammy nomination for their collaboration album\, Joined at the Hip. After moving to Los Angeles\, Kirk became an in demand session player for top artists like\, Barbara Streisand\, Al Jarreau\, Luther Vandross\, Larry Carlton\, Quincy Jones and most notably\, Whitney Houston\, amongst many others. It’s his sax heard on the mega-hit\, “I Will Always Love You.” Kirk soon followed that career high point with his phenomenal hit album released on Warner Bros. Records\, For You\, perhaps the most successful of over 25 solo recordings to date; others include his eclectic\, and much lauded\, Gospel According to Jazz series\, (Chapters 1\, 2\, 3 and 4). In addition to his many solo projects\, Kirk was also a member of the popular soul/jazz group\, BWB\, which features Kirk as the “W” of the group with Rick Braun (trumpet) and Norman Brown (guitar).Kirk is the recipient of numerous awards and acknowledgements for his musical excellence including three Dove Award nominations\, an NAACP Image Award nomination and has won two Stellar Awards- Gospel music’s highest honor. A twelve time Grammy nominee\, Kirk won his first Grammy award (2011) for Best Gospel Song (“It’s What I Do”––featuring Lalah Hathaway) alongside life-long friend and gifted songwriter\, Jerry Peters.
URL:https://crosstownarts.org/calendar/kafe-kirk-the-gospel-according-to-jazz-edition/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230715T110000
DTEND;TZID=America/Chicago:20230715T133000
DTSTAMP:20260428T010957
CREATED:20230710T213736Z
LAST-MODIFIED:20230710T213923Z
UID:10003637-1689418800-1689427800@crosstownarts.org
SUMMARY:Ukuleles in the Heartland: The Webb-Tigert Ukulele Duo\, Ray Cygrymus\, and Kirk Jones
DESCRIPTION:The Central Atrium\nSaturday\, July 15\, 2023\nShow begins at 4 pm\nTickets: Free and open to the public \nThe Ukuleles in the Heartland series visits the Crosstown Concourse\, featuring the Nashville-based Webb-Tigert Ukulele duo\, Ray Cygrymus (veteran of Pittsburgh bands Maxwell Switch\, Tangent\, and the Ukuholicks)\, and Huntsville\, Alabama\, ukulele performer and teacher Kirk Jones (also known by his adorable stage alias/YouTube handle\, “Orangutan Or Lion”).
URL:https://crosstownarts.org/calendar/ukuleles-in-the-heartland-the-webb-tigert-ukulele-duo-ray-cygrymus-and-kirk-jones/
LOCATION:Crosstown Concourse\, Central Atrium\, 1350 Concourse Ave.\, Memphis\, TN
CATEGORIES:Central Atrium
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2023/07/Webb-Tigert-Spring-2023.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230714T143000
DTEND;TZID=America/Chicago:20230714T163000
DTSTAMP:20260428T010957
CREATED:20230518T230349Z
LAST-MODIFIED:20230712T165205Z
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SUMMARY:Flamenco Memphis: Noche Flamenca (SOLD OUT)
DESCRIPTION:The Green Room at Crosstown Arts\nFriday\, July 14\, 2023\nDoors at 7pm | Performance at 7:30pm\nTickets: SOLD OUT \nCrosstown Arts presents Flamenco Memphis: Noche Flamenca\, an evening of flamenco music and dance. Barcelona native dancer and choreographer\, Noelia Garcia Carmona\, along with guitarist Roy Brewer combine their years of experience and love of Flamenco in a night of Spanish magic and “duende!” The ensemble also includes visual artist and singer Melanie Pyron and flutist Mari Kamikura\, who will blend their melodies with the rhythms of the guitar and dance. \nThis captivating “tablao” style concert presents a variety of “palos” – from the nobel Seguiriyas to playful fiesta songs. The newly created ensemble\, Flamenco Memphis\, will share the beauty\, energy and passion of flamenco in this exciting Spanish night of culture and art. \nCome and join us in this Summer Noche Flamenca! \nThe Ensemble: \nRoy Brewer is a freelance musician and arranger in Memphis. He plays violin\, mandolin and various styles of guitar. Roy has been studying Flamenco guitar since 1980. \nNoelia Garcia Carmona is a performer\, choreographer and dance educator. She teaches ballet and Spanish dance and flamenco to students from early childhood to senior citizens. She is the co-founder of Flamenco Memphis with Roy Brewer. \nMelanie Pyron\, originally from El Dorado\, Arkansas\, studied fine arts in Louisiana\, London\, Germany\, and Barcelona. Annual travels to Mexico as a child stimulated her lifelong passion for the Spanish language and the music from all Hispanic cultures. While in Barcelona\, she witnessed live flamenco performances and is deeply moved by its unique and passionate expression. \nMari Kamikura is a Japanese flutist residing in Memphis. Mari completed a master’s degree in flute performance at the University of Memphis in 2021 and is currently working on an artist diploma certificate. She has appeared as a substitute 2nd and 3rd flute in Memphis Symphony Orchestra in 22-23 season. She is also an artist fellow at Memphis Music Initiative where she helps the middle school band program in MSCS. She performed with Flamenco Memphis in their most recent performance at the Jay Etkin Gallery. \nFlamenco Memphis is working on bringing awareness and expansion of Flamenco Art and Spanish culture in the Memphis area and the Midsouth through dance classes\, lectures\, culture and performances.
URL:https://crosstownarts.org/calendar/16024/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230713T140000
DTEND;TZID=America/Chicago:20230713T160000
DTSTAMP:20260428T010957
CREATED:20230622T221919Z
LAST-MODIFIED:20230622T221919Z
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SUMMARY:The Crosstown Arts Film Series presents: THE MARRIAGE OF MARIA BRAUN
DESCRIPTION:The Crosstown Arts Film Series presents The Marriage of Maria Braun at Crosstown Theater. \nRainer Werner Fassbinder / 1979 / 120 minutes / Rated R\nTickets: $5 at the door\nDoors at 6:30 p.m. | Films begin at 7:00 p.m. (sharp!) at Crosstown Theater \nMaria (Hanna Schygulla) marries Hermann Braun in the last days of World War II\, only to have him disappear in the war. Alone\, Maria uses her beauty and ambition to prosper in Germany’s “economic miracle” of the 1950s. Fassbinder’s biggest international box-office success and the first part of his “postwar trilogy\,” The Marriage of Maria Braun is a heartbreaking study of a woman picking herself up from the ruins of her own life\, as well as a pointed metaphorical attack on a society determined to forget its past. \nThe Crosstown Arts Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground\, and documentary features.
URL:https://crosstownarts.org/calendar/the-crosstown-arts-film-series-presents-the-marriage-of-maria-braun/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2023/06/Themarriageofmariabraun.jpg
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DTSTART;TZID=America/Chicago:20230712T143000
DTEND;TZID=America/Chicago:20230712T163000
DTSTAMP:20260428T010957
CREATED:20230622T214205Z
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SUMMARY:Folk All Y’all: Mary Gauthier with Jamiee Harris
DESCRIPTION:Crosstown Arts + Folk All Y’all present Mary Gauthier with special guest Jamiee Harris in The Green Room. \nThe Green Room at Crosstown Arts\nWednesday\, July 12\, 2023\nDoors open at 7 pm | Show begins at 7:30 pm\nTickets: $25 \nPURCHASE TICKETS HERE \n“With songwriting as powerful as hers\, there’s no need to go looking for qualifiers. She’s a unique\, intrinsically valuable musical voice. And there’s never a surplus of those.” – Randy Lewis\, Los Angeles Times \n“Mary’s songwriting speaks to the tender aspects of our humanness. We need her voice in times like these more than we ever have.” – Brandi Carlisle \n“one of the best songwriters of her generation” – Associated Press \nAs she has so eloquently accomplished over the past 25 years\, acclaimed singer-songwriter Mary Gauthier has used her art once again to traverse the uncharted waters of the past few years. Her eleventh album\, the first record in over 8 years consisting of all her own songs\, Dark Enough to See the Stars\, follows the profound antidote to trauma\, Rifles & Rosary Beads\, her 2018 collaborative work with wounded Iraq war veterans. It garnered a Grammy nomination for Best Folk Album\, as well as a nomination for Album of the Year by the Americana Music Association. Publication of her first book\, the illuminating Saved by a Song: The Art and Healing Power of Songwriting\, in 2021\, amplified the specific yet relatable world view that makes her work beloved. \nMary’s songs have been recorded by dozens of artists\, including Jimmy Buffett\, Dolly Parton\, Boy George\, Blake Shelton\, Tim McGraw\, Bettye Lavette\, Mike Farris\, Kathy Mattea\, Bobby Bare\, Amy Helm and Candi Staton and have appeared extensively in Film and Television\, most recently on HBO TV’s Yellowstone. \nMary Gauthier will be joined by special guest Jaimee Harris. No Depression wrote of her latest release: “Harris’ emotionally expansive vocals ring with a crystal clarity and pull from her cinematic songwriting a poignant core of feeling that reverberates with every note.” \nShow is at 7:30 pm with doors opening at 7pm. Minimum ticket price is $25 but you can name-your-own price above that if you’re feeling it or donate a ticket to someone who isn’t in a position to buy one. 100% of ticket revenue goes to our artists (you can see where any fees go in the check-out breakdown). Yep\, all of it. Folk All Y’all is volunteer-run and subscriber-supported.
URL:https://crosstownarts.org/calendar/folk-all-yall-mary-gauthier-with-jamie-harris/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230711T143000
DTEND;TZID=America/Chicago:20230711T170000
DTSTAMP:20260428T010957
CREATED:20230103T205053Z
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SUMMARY:Modern Masters Jazz Series: Pat Bianchi
DESCRIPTION:Crosstown Arts presents the Modern Masters Jazz Series: Pat Bianchi with the Ted Ludwig Trio in The Green Room. \nThe Green Room at Crosstown Arts\nTuesday\, July 11\, 2023\nDoors open at 7 pm | Show begins at 7:30 pm\nTickets: $20 in advance | $25 at the door | $10 student tickets at the door \nPURCHASE TICKETS HERE \nGrammy-nominated organist\, winner of DownBeat magazine’s 2016 rising star poll and Hot Housemagazine’s 2019 poll\, Pat Bianchi has established himself as one of the premier organists on the international scene today. His command of the instrument\, harmonic prowess\, rhythmic intensity and versatility are rivaled by few. Bianchi has had the honor of being a longtime member of jazz guitar icon Pat Martino’s trio and also performed with NEA Jazz Master and saxophone legend Lou Donaldson’s quartet for a number of years as well. \nHe has released eight CDs as a leader and is also a featured artist on over 30 recordings. Building on the success of his 2015 recording A Higher Standard\, his 2019 release In The Moment rose to #1 on the Jazzweek Radio Charts and features an array of guests including Pat Martino\, Kevin Mahogany\, Joe Locke\, Peter Bernstein\, Paul Bollenback\, Byron Landham\, Carmen Intorre Jr. Bianchi briefly steps away from his straight-ahead roots on his newest release (2021) Something To Say. \nBianchi\, who comes from a musically gifted family\, began playing organ at the age of 7\, after receiving a Farfisa Compact Duo organ as a Christmas gift. His grandfathers (Pat Bianchi – Saxophone\, and Richard Zona – Trumpet) along with his father (Nick Bianchi – Drums) all working musicians\, provided a great deal of support and guidance early in his musical development. Recognizing Pat’s continuing affinity for music\, his parents enrolled him in classical piano study. While still maintaining a strong interest in organ\, he was playing his first professional gigs by the age of 11\, eventually performing with dance bands around his hometown of Rochester\, NY. Bianchi’s interest shifted in his high school years as he began to also focus more on jazz piano. Enrolling in The Eastman School of Music’s preparatory program for piano and music theory\, Pat was also mentored by numerous musicians in the Rochester jazz scene\, eventually choosing to continue his studies at Berklee College of Music in Boston. Bianchi never lost sight of his love of Jazz Organ and since a B3 was still out of his reach\, he began spending more time on a smaller version of the famed instrument called a Hammond M100. With his passion and dedication\, (also not being able to play left hand bass on a Spinet organ) Bianchi taught himself to play bass lines solely with his foot pedals. It was shortly after this time that Bianchi had a chance encounter with his hero (and soon to be mentor) Joey DeFrancesco. This was the moment Pat knew that in time he would leave the piano behind for the Hammond B3. After graduating Berklee cum laude\, Bianchi secured the position as the house pianist at the famous El Chapultepec club in Denver\, CO. The Pec (as it is known to locals) often brought in guest artists giving Pat the opportunity to play with such greats as Red Holloway\, Dakota Staton\, Carl Fontana\, Javon Jackson\, Mark Elf\, Bud Shank\, Brad Leali\, Pete Christlieb\, and Conte Candoli. After being at the Pec for six nights a week for almost three years\, Pat became an important fixture on the Denver jazz scene. \nAt this time\, Bianchi decided to focus exclusively on the organ making his national debut as an organist\, appearing on two recordings as a member the Denver based organ trio\, 3osity. The national release of Art of The Jazz Organ Trio and the subsequent recording Tri-O-City brought Bianchi wider recognition and onto a larger stage as a rising star of the organ. \nMoving to NYC\, Bianchi quickly established himself in the competitive New York scene. At this time\, legendary saxophonist Lou Donaldson immediately took notice of the young organist. Bianchi then joined the faculty of the University of Colorado at Boulder Jazz Studies Program teaching piano\, theory\, and ensembles to undergraduate\, masters\, and doctoral students. During this time he recorded his first album as a leader\, East Coast Roots\, which features Mark Whitfield on guitar and Byron Landham on drums. At the same time\, Bianchi began working closely with drummer Ralph Peterson Jr. on collaborative projects\, including and co-leading The Unity Project (a tribute to organist Larry Young and his album Unity). \nUpon returning to New York City in June of 2008\, Pat officially joined The Lou Donaldson’s quartet in 2009. Continuing to play with Lou\, Bianchi also joined Pat Martino’s working trio in 2011 while taking on the responsibilities as musical director. Bianchi is featured on numerous recordings such as Tim Warfield’s Sentimental Journey\, a follow up to Warfield’s recording One For Shirley (on which he also appears) as well as guitarist Chuck Loeb’s release\, Plain and Simple. At this time Bianchi also continued to perform with drummer Ralph Peterson Jr.\, forging ahead with The Unity Project. Bianchi was featured\, recording much of this material on Peterson’s CD Outer Reaches. Soon after Bianchi released his second recording as a leader\, Back Home. This recording features Terell Stafford\, Ralph Peterson Jr.\, Wayne Escoffery\, Carmen Intorre Jr. and Gilad Hekselman. \nBianchi not only continues to collaborate\, tour and record with many well known musicians\, he is also very active in the educational front. Pat has been on faculty at Temple University (Philadelphia\, PA) and Queens College (NYC)\, and is currently on faculty at Berklee College of Music (Boston\, MA).
URL:https://crosstownarts.org/calendar/pat-bianchi-with-the-ted-ludwig-trio/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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DTSTART;TZID=America/Chicago:20230711T140000
DTEND;TZID=America/Chicago:20230711T160000
DTSTAMP:20260428T010957
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SUMMARY:Shoot & Splice: Screen Acting
DESCRIPTION:Indie Memphis and Crosstown Arts present Shoot & Splice: Screen Acting in Crosstown Theater. \nCrosstown Theater at Crosstown Arts\nTuesday\, July 11\, 2023\nDoors open at 6:30 pm | Show begins at 7 pm\nTickets: Free and open to the public \nIndie Memphis & Crosstown Arts are excited to present our next Shoot & Splice: Screen Acting hosted by Akono Dixon. Akono will lead a presentation and discussion on the craft of acting; from building a character and working with a director\, to script analysis\, auditioning technique\, and more. A Memphis native\, Akono is a rising filmmaker with credits including DOLEMITE IS MY NAME\, EUPHORIA\, and the lead role in the upcoming Hallmark film\, SPRING BREAKTHROUGH directed by Mykelti Williamson.\n\n\n*Complimentary beverages provided by Crosstown Arts \nShoot & Splice is a FREE filmmaker forum presented by Crosstown Arts and Indie Memphis\, featuring a wide variety of technical\, educational\, and unique topics of interest to the Memphis filmmaking community.
URL:https://crosstownarts.org/calendar/shoot-splice-screen-acting/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230708T143000
DTEND;TZID=America/Chicago:20230708T160000
DTSTAMP:20260428T010957
CREATED:20230613T204957Z
LAST-MODIFIED:20230613T204957Z
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SUMMARY:Anthony Q
DESCRIPTION:Crosstown Arts presents Anthony Q in The Green Room. \nThe Green Room at Crosstown Arts\nSaturday\, July 8\, 2023\nDoors open at 7 pm | Show begins at 7:30 pm\nTickets: $15 in advance | $20 day of the show \nPURCHASE TICKETS HERE \nBorn and raised in the vibrant city of Memphis during the ’80s\, Anthony Q’s musical journey was shaped by the rich and diverse sounds of the era. Growing up\, he was surrounded by the influence of his father\, a talented background singer who toured with the legendary Prince during his World Tour. These early experiences ignited Anthony Q’s passion for music and set him on a path toward creating his unique sound. \nInspired by the soulful harmonies of the boy band era in the ’90s\, with artists like H-Town\, Silk\, and Jagged Edge resonating deeply with him\, Anthony Q discovered his love for R&B and hip-hop. He honed his vocal skills and developed a distinctive style that blended the smoothness of R&B with the raw energy of hip-hop\, creating a sound that captured the essence of both genres. \nAt the start of his career\, Anthony Q joined a singing group that toured extensively across Tennessee\, showcasing their talents and captivating audiences with their performances. With the support of his brother Vincent Jr.\, a prominent promoter in Tennessee\, Anthony Q gained exposure and established a name for himself in the local music scene. \nAfter a brief hiatus\, Anthony Q returned to the music scene with renewed purpose. Determined to share authentic and meaningful music with him and the culture he represents\, he set out to create a body of work that speaks to real-life experiences. His lyrics delve into the complexities of hardship\, love\, friendship\, and the joys and challenges of fatherhood\, resonating with listeners on a deeply personal level. \nIn 2022\, Anthony Q released his highly anticipated singles\, “Cut Ties” and “No Handouts.” The singles showcased his growth as an artist and received widespread praise for his honesty\, vulnerability\, and artistic merit. With its soulful melodies\, thought-provoking lyrics\, and impeccable production\, “Cut Ties” and “No Handouts” solidified Anthony Q’s position as a rising star in the R&B/hip-hop landscape as he became a viral sensation overnight. \nWith a bright future ahead\, Anthony Q represents the present and future of R&B and hip-hop. His music transcends boundaries\, touching the hearts of listeners from all walks of life. As he continues to create and share his art\, Anthony Q’s dedication to authenticity and ability to connect with audiences profoundly will undoubtedly propel him to even greater heights in the music industry.
URL:https://crosstownarts.org/calendar/anthony-q/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230707T143000
DTEND;TZID=America/Chicago:20230707T163000
DTSTAMP:20260428T010957
CREATED:20230512T170828Z
LAST-MODIFIED:20230627T200941Z
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SUMMARY:IN THE ROUND with Mark Edgar Stuart\, Keith Sykes\, and Jimmy Davis (SOLD OUT)
DESCRIPTION:The Green Room at Crosstown Arts\nFriday\, July 7\, 2023\nDoors open at 7pm | Show begins at 7:30pm\nTickets: SOLD OUT \nJoin Mark Edgar Stuart\, Keith Sykes\, and Jimmy Davis for an old-fashioned song swap in the Green Room at Crosstown Arts! \nMark Edgar Stuart \nMark Edgar Stuart has toured and played on dozens of critically-acclaimed records including an appearance on “The Late Show with David Letterman.” With little fuss or fanfare he became the go-to bass player for an elite group of record producers and artists. His no-nonsense style always played a supporting role that was close to the spotlight\, but not too close… Cancer changes things\, and so does losing your father. When all of these things happened in rapid succession Mark took some time to heal\, and reevaluate. In 2010 He put down his bass\, picked up a guitar\, and started writing songs he never thought anybody outside his family would ever hear. It’s possible nobody ever would have heard them either\, if not for the encouragement of his colleagues. His debut album earned him “Record Of The Year” by the Memphis Flyer. Soon he was opening for all his heroes including Leon Russell\, Tony Joe White\, Levon Helm\, and Billy Joe Shaver. Grammy-winning music writer/director Robert Gordon is a big fan\, often spinning Mark’s tracks on his weekly radio show\, and other critics agree: “His acerbic wit is reminiscent of John Prine and Randy Newman” (No Depression); “His wry\, cutting view of the world makes something old new again” (Paste); “Always maintaining a tender demeanor\, his songwriting is smart as it is sincere” (Pop Matters). Quick-witted\, empathetic\, and self-deprecating\, aloof but probably alert of the room tone\, most folks will find themselves compatible with Mark Edgar Stuart\, whose complementary musicality and contagiously honest voice showcase a resilient and relaxed artist\, both sage and seasoned. \nYou’ll have a tough time finding a more widely-embraced modern singer-songwriter in Memphis \nKeith Sykes \nOnce upon a time in the summer of 1967\, Keith Sykes hitchhiked to the Newport Folk Festival and saw Arlo Guthrie perform “Alice’s Restaurant.” In the fall of that year he got a copy of the album\, learned the whole song and sang it at a Holiday Inn in Charleston\, South Carolina. They hired him on the spot for a regular gig playing music in the hotel. It’s pretty perfect that such a rambling tale should be at the start of Keith’s own rambling tale – in the more than 40 years that followed\, he would become a troubadour and storyteller\, a massively successful songwriter with more than 100 songs recorded by artists as diverse as Rosanne Cash and George Thorogood. He would tour every corner of America and play in just about every conceivable kind of venue\, appear on Saturday Night Live and Austin City Limits\, and host songwriter nights on Memphis’ legendary Beale Street with many of music’s most talented songwriters. He would join Jimmy Buffett’s Coral Reefer Band\, tour the country and record the Volcano album – the title track for which he co-wrote with Jimmy. To date\, recordings of Keith’s songs have sold more than 25 million copies worldwide. With 13 full-length albums released – and great success with his own publishing company\, credited with signing John Kilzer to Geffen Records and the discovery of Todd Snider – Keith Sykes has proven to be nothing short of prolific. \nJimmy Davis \nJimmy Davis’ songs have been recorded by Martina McBride\, Restless Heart\, Tommy Alverson\, Reba Russell\, Walt Wilkins\, as well as a myriad of other recording artists. As a backing vocalist\, Jimmy has lent his extensive vocal talents to projects by numerous recording artists including\, The North Mississippi Allstars\, Jim Dickinson\, Johnny Lang\, Bernie Leadon\, Keith Sykes\, Michael Hearne\, Toy Caldwell\, Susan Marshall\, Mark Collie and William Lee Golden. It’s Jimmy’s warmth\, charisma and talent as a writer – performer that endear him to his well known peers. In the early 1980’s Jimmy began touring with the country recording artist\, Charly McClain\, as a rhythm guitar player and backing vocalist. In 1987\, Jimmy Davis & Junction signed with MTV’s QMI/MCA record label. The band’s first release “Kick the Wall” yielded a top 40 AOR hit and a hit MTV Video. Junction was renowned for their live performances\, and their songs took the band on a wild\, rock and roll ride around the world. Aching to get back to his roots\, Jimmy\, headed back to Memphis in 1995 and had the pleasure of hooking up with some of his old buddies\, The Riverbluff Clan\, a rocking bluegrass outfit from the 70’s. With Jimmy on lead vocals and guitar\, the band released two critically-acclaimed independent albums\, in 1996\, “One Night In A Month of Sunday’s” and 1998\, “Two Quarts Low” an Americana Top 20 record. Jimmy was named “Premier Male Vocalist” five times by the Memphis chapter of the National Academy of Recording Arts & Sciences and was well loved by local audiences. \nRefund policy: \nTickets may be refunded up to 72 hours in advance. \nTickets for shows that are cancelled will be refunded. \nIn the case of a postponed show\, tickets will be refunded upon request\, otherwise tickets will automatically be transferred to the new date.
URL:https://crosstownarts.org/calendar/in-the-round-with-mark-edgar-stuart-keith-sykes-and-jimmy-davis/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230629T140000
DTEND;TZID=America/Chicago:20230629T160000
DTSTAMP:20260428T010957
CREATED:20230622T221112Z
LAST-MODIFIED:20230622T221112Z
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SUMMARY:The Crosstown Arts Film Series presents: PARIS IS BURNING
DESCRIPTION:The Crosstown Arts Film Series presents Paris Is Burning at Crosstown Theater. \nJennie Livingston / 1990 / 76 minutes / Not Rated\nTickets: $5 at the door\nDoors at 6:30 p.m. | Films begin at 7:00 p.m. (sharp!) at Crosstown Theater \nWhere does voguing come from\, and what\, exactly\, is throwing shade? This landmark documentary provides a vibrant snapshot of the 1980s through the eyes of New York City’s African American and Latinx Harlem drag ball scene. Made over seven years\, Paris Is Burning offers an intimate portrait of rival fashion “houses\,” from fierce contests for trophies\, to house mothers offering sustenance in a world rampant with homophobia and transphobia\, racism\, AIDS\, and poverty. Featuring legendary voguers\, drag queens\, and trans women — including Willi Ninja\, Pepper LaBeija\, Dorian Corey\, and Venus Xtravaganza — Paris Is Burning brings it\, celebrating the joy of movement\, the force of eloquence\, and the draw of community \nThe Crosstown Arts Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground\, and documentary features.
URL:https://crosstownarts.org/calendar/the-crosstown-arts-film-series-presents-paris-is-burning/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230622T140000
DTEND;TZID=America/Chicago:20230622T160000
DTSTAMP:20260428T010957
CREATED:20230620T230926Z
LAST-MODIFIED:20230620T230926Z
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SUMMARY:The Crosstown Arts Film Series presents: HAPPY TOGETHER
DESCRIPTION:The Crosstown Arts Film Series presents Happy Together at Crosstown Theater. \nWong Kar Wai / 1997 / 96 minutes / Rated R\nTickets: $5 at the door\nDoors at 6:30 p.m. | Films begin at 7:00 p.m. (sharp!) at Crosstown Theater \nOne of the most searing romances of the 1990s\, Wong Kar Wai’s emotionally raw\, lushly stylized portrait of a relationship in breakdown casts Hong Kong superstars Tony Leung and Leslie Cheung as a couple traveling through Argentina and locked in a turbulent cycle of infatuation and destructive jealousy as they break up\, make up\, and fall apart again and again. \nThe Crosstown Arts Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground\, and documentary features.
URL:https://crosstownarts.org/calendar/the-crosstown-arts-film-series-presents-happy-together/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230622T130000
DTEND;TZID=America/Chicago:20230622T150000
DTSTAMP:20260428T010957
CREATED:20230614T221215Z
LAST-MODIFIED:20230614T221215Z
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SUMMARY:Crosstown Arts Residency Application Workshop
DESCRIPTION:Glassroom Classroom\nThursday\, June 22\, 2023\n6-8 pm\nTickets: Free \nThese in-person workshops with Residency staff will highlight the Crosstown Arts application and will give tips for any residency application. ⁠\n⁠\nThe dates are:⁠\n• Thursday\, June 22: 6 to 8 pm ⁠\n⁠\nGlassroom Classroom at Crosstown Arts (next to Farmburger)⁠
URL:https://crosstownarts.org/calendar/crosstown-arts-residency-application-workshop-2/
LOCATION:Classroom Glass Room\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230621T143000
DTEND;TZID=America/Chicago:20230621T160000
DTSTAMP:20260428T010957
CREATED:20230327T172244Z
LAST-MODIFIED:20230601T202658Z
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SUMMARY:Peter Janson
DESCRIPTION:Crosstown Arts presents Peter Janson in The Green Room. \nThe Green Room at Crosstown Arts\nWednesday\, June 21\, 2023\nDoors open at 7 pm | Show begins at 7:30 pm\nTickets: $15 in advance | $20 at the door \nPURCHASE TICKETS HERE \nGrowing up in Boston Massachusetts\, Peter Janson listened to his father\, an accomplished amateur guitarist\, play solo guitar every day. Peter started playing by the age of seven\, and starting doing pop gigs at age 15. For the last twenty-five years he has performed in venues large and small\, much as a touring studio guitarist would – in a variety of styles; pop\, rock\, fusion\, folk\, Celtic\, classical\, and jazz. His sound is a melding of all these\, and it presents as crossover jazz fusion. \nHis newest release\, Getting To Here\, is an album of deft arrangements and nuanced improvisations that come from his soul. The music is a triumph in the face of the pandemic lockdown when the isolation had such a negative impact on him he nearly quit playing. Now growing in international recognition\, Peter signed a worldwide sub-publishing deal with SUPREME SONGS Limited (UK based) in October 2022. \nCome to a concert. Listen to his music. Hear Peter Janson\, a musician who couldn’t quit his love of music\, performing solo jazz guitar songs inspired by guitar legends like Joe Pass\, Earl Klugh\, and Jim Hall as well as contemporary players like Pat Metheny\, Kurt Rosenwinkel\, and Wolfgang Muthspiel.
URL:https://crosstownarts.org/calendar/peter-janson/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230620T130000
DTEND;TZID=America/Chicago:20230620T150000
DTSTAMP:20260428T010957
CREATED:20230616T175421Z
LAST-MODIFIED:20230616T182439Z
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SUMMARY:Crosstown Arts Resident Artist Talks
DESCRIPTION:Crosstown Arts presents the Resident Artist Talks in The Green Room. \nThe Green Room at Crosstown Arts\nTuesday\, June 20\, 2023\nDoors open at 5:30 pm | Show begins at 6 pm\nTickets: Free and open to the public \nCrosstown Arts Summer 2023 resident artists Thandi Cai\, Neena Wang\, Yidan Zeng\, LiLi Nacht\, and Josh Ice will present artist talks. \nFree and open to the public.
URL:https://crosstownarts.org/calendar/crosstown-arts-resident-artist-talks-4/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230617T140000
DTEND;TZID=America/Chicago:20230617T153000
DTSTAMP:20260428T010957
CREATED:20230606T220103Z
LAST-MODIFIED:20230606T220103Z
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SUMMARY:PRIZM Ensemble presents A Juneteenth Celebration
DESCRIPTION:Crosstown Theater\nSaturday\, June 17\, 2023\nDoors open at 6:30 pm | Event begins at 7 pm\nTickets: Free \nRESERVE YOUR SEAT \nJoin PRIZM Ensemble for a free concert celebrating Juneteenth with wonderful choral\, chamber\, and orchestral music\, featuring the Sensational Barnes Brothers. \nCelebrating Black composers such as Valerie Coleman\, Jessie Montgomery\, and Ken Burton\, PRIZM musicians and students will be joined by the Celebration Chorus to commemorate the emancipation of enslaved African Americans.
URL:https://crosstownarts.org/calendar/prizm-ensemble-presents-a-juneteenth-celebration/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230617T103000
DTEND;TZID=America/Chicago:20230618T160000
DTSTAMP:20260428T010957
CREATED:20230515T011149Z
LAST-MODIFIED:20230515T011149Z
UID:10003617-1686997800-1687104000@crosstownarts.org
SUMMARY:2023 Memphis Concrète Festival
DESCRIPTION:Experimental music festival presented by Memphis Concrète in collaboration with Crosstown Arts. \nThe Green Room at Crosstown Arts\nSaturday\, June 17\, 2023 (3:30-10pm) & Sunday\, June 18\, 2023 (3:30-9pm) \nTickets: $20 single day pass or $35 2-day pass\n(Thursday live score tickets sold at the door only – $10) \nPURCHASE TICKETS HERE \n\n\nTHURSDAY\, JUNE 15\, 2023 | Crosstown Theater\n\nCrosstown Arts Film Series: Halloween III: Season of the Witch with live score accompaniment by Natalie Hoffmann\, Revenge Body\, and Robert Traxler \nDoors at 6:30pm | Show starts at 7pm\nTICKETS AT THE DOOR ONLY – $10 per entry (cash or card accepted) \n\nSATURDAY\, JUNE 17\, 2023 | The Green Room at Crosstown Arts\n\nMemphis Concrète Festival Day 1\nDoors at 3pm | Sets from 3:30-10pm (detailed schedule below) \n\nSUNDAY\, JUNE 18\, 2023 | The Green Room at Crosstown Arts\n\nMemphis Concrète Festival Day 2\nDoors at 3pm | Sets from 3:30-9pm (detailed schedule below) \n \nFESTIVAL LINEUP \nSaturday\, June 17th \nPanic Signals 3:30 – 4:00pm \nGODBODYJONES 4:15 – 4:45pm \nStupid Lepton 5:00 – 5:30pm \nkavotaman 5:45 – 6:15pm \nSlow Blink 6:30 – 7:00pm \nCEL SHADE 7:15 – 7:45pm \nChelsea Bridge 8:00 – 8:30pm \nXAMBUCA 8:45 – 9:15pm \nGeneral Labor 9:30 – 10:00pm \nSunday\, June 18th \nLeolin 3:30 – 4:00pm \nBerkay Tok 4:15 – 4:45pm \nW1ND0W 5:00 – 5:30pm \nDinosauria 5:45 – 6:15pm \nComposer 4 6:30 – 7:00pm \nDisaster Trees 7:15 – 7:45pm \nElectroacoustic Performance (featuring the works of Milton Babbitt\, Olly Wilson\, Luzilei Aliel\, and Indigo Knecht) 8:00 – 9:00pm
URL:https://crosstownarts.org/calendar/2023-memphis-concrete-festival/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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DTSTART;TZID=America/Chicago:20230616T143000
DTEND;TZID=America/Chicago:20230616T160000
DTSTAMP:20260428T010957
CREATED:20230502T171409Z
LAST-MODIFIED:20230606T194822Z
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SUMMARY:Darrius Strong: “The Artist”
DESCRIPTION:Crosstown Arts presents Darrius Strong: “The Artist” in The Green Room. \nThe Green Room at Crosstown Arts\nFriday\, June 16\, 2023\nDoors open at 7 pm | Show begins at 7:30 pm\nTickets: Free \n\n“The Artist” is a solo showcase performed by artistic director/choreographer Darrius Strong\, in which he touches on layers and humanity of the person behind the artist. For Strong\, movement is real and it acts as a language and sometimes as a therapeutic device. Overlapped with movement phrases\, “The Artist” will also showcase other routine devices he uses throughout his day that tie to the continuous work he does to heal trauma in his body — aspects of the work that are very much read\, true\, and relatable to the human experience for many. We are not just one-sides\, but we have many layers and dimensions to our identity. \nThis piece is a work in progress that Strong plans to explore and evolve throughout the year. \nDarrius Strong is a McKnight Fellow in residency at Crosstown Arts. He is a Twin Cities-based dancer\, choreographer\, and instructor. His dance company\, STRONGmovement\, uses the universal language of dance\, blending styles such as hip hop\, ballet\, modern\, and West African to tell stories related to society and humanity. Strong is a graduate of the University of Minnesota (BFA 2015) and is currently faculty at St. Paul Conservatory Performing Arts High School and director of the hip hop program at Eleve Performing Arts Center\, where he focuses on teaching dancers how to connect their identity to movement. His creative work has been chosen for the Walker Art Center’s Choreographers Evening\, and Rhythmically Speaking.  \nThis residency is supported by Artist Communities Alliance’s (ACA) McKnight Artist Residencies Consortium. This partnership between ACA and the McKnight Foundation supports selected residency program partners in developing fair and just policies\, and provides McKnight Artist Fellows with residency opportunities at these partner programs. This consortium aims to support the development of residency environments where any artist can thrive.
URL:https://crosstownarts.org/calendar/darrius-strong-the-artist/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230615T143000
DTEND;TZID=America/Chicago:20230615T163000
DTSTAMP:20260428T010957
CREATED:20230514T204710Z
LAST-MODIFIED:20230514T204823Z
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SUMMARY:Willie Farmer / Ryan Lee Crosby & Grant Smith / Shaun Marsh & Lynn Greer
DESCRIPTION:The Green Room at Crosstown Arts\nThursday\, June 15\, 2023\nDoors at 7pm | Show at 7:30\nTickets: $15 advance | $20 at the door \nPURCHASE TICKETS HERE \nJoin Willie Farmer\, Ryan Lee Crosby & Grant Smith\, and Shaun Marsh & Lynn Greer for a special performance featuring the blues across time and space – music that crosses generations\, cultures\, and continents. \nWILLIE FARMER is living proof that Mississippi continues to produce deep blues. The 65-year-old guitarist is neither a soul modernist nor revivalist\, but simply a small town auto mechanic who’s never shaken his love for old school legends like Muddy\, Wolf and Lightnin’. \nA lifelong resident of tiny Duck Hill\, located in the hills east of the Delta\, Farmer grew up on the family farm. He first took up the acoustic guitar in his early teens\, and through picking cotton soon saved up enough money to buy an electric instrument. \nHe played for audiences at home and at school events\, and learned about blues and R&B mostly through listening to a powerful station out of Nashville. In his early ‘20s Farmer joined a loose knit band that played at juke joints across the area—in Duck Hill\, Grenada\, Kilmichael\, and down in the Delta in Greenwood and Charleston. He eventually tired\, though\, of the rough-and-tumble clubs where “people liked to fight like crazy.” \nFarmer eventually decided he wanted to get back into blues actively. In 2003 he helped found the annual Grassroots Blues Festival\, staged in a meadow outside Duck Hill. Through the event\, he befriended downhome blues players from across the state including Willie King and Leo Welch. \n“The Man From the Hill” marks the first time that he’s spent serious time in the studio. Recorded over multiple sessions at producer Bruce Watson’s Memphis based Delta-Sonic Sound\, Farmer enjoyed working in a North Mississippi Hill Country vein with Jimbo Mathus and session drummer George Sluppick. He even dipped back into gospel\, singing harmony together with Memphis’ Barnes Brothers. \nFor the past thirty years Farmer has run his own auto repair shop\, and hopes that the release of this record and associated touring will allow him to retire. “I’m trying to get out of that shop\, I’m tired of messing with those cars. It’s been a long time.” \nRYAN LEE CROSBY \nThe fingerstyle guitar maven\, songwriter and powerfully emotional performer blends echoes of traditional music from Mississippi\, Mali\, and India into compelling songs that speak from—and to—the heart. His music captures the timeless power of music from the Mississippi Delta\, refracted by influences of Hindustani slide guitar and Crosby’s own unique approach to the style. His songs resonate with a sound and spirit forged from his life as a traveling musician and his studies with masters of the Delta and Indian traditions. \n“Of all the world’s musical traditions\, the one that speaks to me most directly is the Bentonia style of Delta blues\,” Crosby relates. “Something I love about the blues is its timeless ability to express the entire range of the human experience: its brightest joys\, deepest sorrows and everything in between. By listening to the blues\, we can learn how to have compassion for ourselves and others. Its lessons are endless.” \n“With a riveting singing style and the compositional chops to pull off such searing sagas “Institution Blues” and “Down So Long” plus add new lyrics to the 19th century “Was It The Devil\,” Ryan Lee is the real deal. Recorded in Memphis by Bruce Watson of Fat Possum—the label famous for RL Burnside and Junior Kimbrough—it sounds unique\, proudly independent and like a relic from another time.” Mike Greenblatt – GOLDMINE Magazine \nSHAUN MARSH with LYNN GREER \nFrom an early age growing up in the south of England\, Shaun Marsh learned the power and potential of music through his mother\, a performing artist and soul singer in the sixties and seventies. Being introduced to early pop\, rock & roll\, R&B and soul had a profound inspiration on him. It wasn’t until he reached his forties that Shaun began to look back at the origins and true roots of the music that he’d been listening to most of his life. Late one night while tuning in to John Peel on the radio\, he heard “Hellhound On My Trail\,” by Robert Johnson. The raw emotion of that recording compelled him to immerse himself in the early pre war Blues. He began to develop the techniques for playing finger picking style Country and Delta blues from the recordings of the early pioneering musicians who paved the way. It was these rich and lonesome strands of storytelling that brought him to Memphis\, where he continues to study in the shadow of this powerful music that defines this city. His repertoire on solo acoustic guitar ranges from Robert Johnson to Charley Patton\, from Skip James to Big Bill Broonzy. Following the threads of the blues from Memphis he also gets inspiration from such greats as Johnny Cash\, Magic Sam & Otis Redding. His performances create an atmosphere of true emotion\, telling the stories in song of this great music that changed the sound of popular music throughout the world. \nRefund policy: \nTickets may be refunded up to 72 hours in advance. \nTickets for shows that are cancelled will be refunded. \nIn the case of a postponed show\, tickets will be refunded upon request\, otherwise tickets will automatically be transferred to the new date.
URL:https://crosstownarts.org/calendar/16009/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230615T140000
DTEND;TZID=America/Chicago:20230615T160000
DTSTAMP:20260428T010957
CREATED:20230605T211740Z
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SUMMARY:Halloween lll: Season of the Witch (1982)
DESCRIPTION:The Crosstown Arts Film Series presents Halloween III: Season of the Witch with a live score by Robert Traxler\, Natalie Hoffmann\, and Revenge Body in collaboration with Memphis Concréte Festival at Crosstown Theater. \nTommy Lee Wallace / 1982 / 98 minutes / Rated R\nTickets: $10 at the door\nDoors at 6:30 p.m. | Films begin at 7:00 p.m. (sharp!) at Crosstown Theater \nHospital emergency room Dr. Daniel “Dan” Challis (Tom Atkins) and Ellie Grimbridge (Stacey Nelkin)\, the daughter of a murder victim\, uncover a terrible plot by small-town mask maker Conal Cochran (Dan O’Herlihy)\, a madman who’s planning a Halloween mass murder utilizing an ancient Celtic ritual. The ritual involves a boulder stolen from Stonehenge\, the use of Silver Shamrock masks\, and a triggering device contained in a television commercial — all designed to kill millions of children. \nPerformance by Robert Traxler\, Natalie Hoffmann\, and Revenge Body.   \nThe Crosstown Arts Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground\, and documentary features.
URL:https://crosstownarts.org/calendar/halloween-lll-season-of-the-witch-1982/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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DTSTART;TZID=America/Chicago:20230615T130000
DTEND;TZID=America/Chicago:20230615T150000
DTSTAMP:20260428T010957
CREATED:20230614T221037Z
LAST-MODIFIED:20230614T221037Z
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SUMMARY:Crosstown Arts Residency Application Workshop
DESCRIPTION:Glassroom Classroom\nThursday\, June 15\, 2023\n6-8 pm\nTickets: Free \nThese in-person workshops with Residency staff will highlight the Crosstown Arts application and will give tips for any residency application. ⁠\n⁠\nThe dates are:⁠\n• Thursday\, June 15: 6 to 8 pm⁠ (video and videographers)\n• Thursday\, June 22: 6 to 8 pm ⁠\n⁠\nGlassroom Classroom at Crosstown Arts (next to Farmburger)⁠
URL:https://crosstownarts.org/calendar/crosstown-arts-residency-application-workshop/
LOCATION:Classroom Glass Room\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
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DTSTART;TZID=America/Chicago:20230614T143000
DTEND;TZID=America/Chicago:20230614T160000
DTSTAMP:20260428T010957
CREATED:20230526T223524Z
LAST-MODIFIED:20230711T203033Z
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SUMMARY:Crosstown Counterpoint: Blueshift Ensemble + Evan Williams
DESCRIPTION:Crosstown Arts presents Crosstown Counterpoint: Blueshift Ensemble + Evan Williams in the Central Atrium at Crosstown Concourse. \nCentral Atrium\nWednesday\, June 14\, 2023\nShow begins at 7:30 pm\nTickets: Free \nREGISTER HERE \nSupported by an Arts Access grant from the Tennessee Arts Commission and ArtsMemphis\, Crosstown Arts presents the premiere of the commissioned work by Evan Williams\, “Crosstown Counterpoint” alongside Williams’ earlier works “Bodies Upon the Gears”\, “Amber Waves”\, and Terry Riley’s classic minimalist bop\, “In C.” \nAs the groundbreaking neared for Crosstown Concourse in 2017\, several Memphians young and old were interviewed to provide oral histories of the Sears Crosstown building and what the revitalization would do for the area. Taking inspiration from works such as Steve Reich’s Different Trains\, Crosstown Counterpoint uses these oral histories to tell the multi-generational story of this space\, and what it meant to the people of Memphis. Two antiphonal string quartets accompany the voices\, using the open space of the Central Atrium of Crosstown Concourse to bring this history to life. \nDrawing from inspirations as diverse as Medieval chant to contemporary pop\, the music of composer and conductor Evan Williams (b. 1988) explores the thin lines between beauty and disquieting\, joy and sorrow\, and simple and complex\, while often tackling important social and political issues. Williams’ catalogue contains a broad range of work\, from vocal and operatic offerings to instrumental works\, along with electronic music. \nBlueshift Ensemble is a Memphis-based contemporary chamber music ensemble dedicated to bringing artists and audiences together through artistic collaboration. By programming both new and existing classical repertoire alongside multi-genre collaborations\, Blueshift aims to connect a wider audience to today’s classical music. The ensemble draws upon Memphis’s uniquely diverse musical heritage by combining classical music with popular music genres such as rock\, blues\, and soul and featuring local musicians\, visual artists\, and composers. \n     
URL:https://crosstownarts.org/calendar/crosstown-counterpoint-blueshift-ensemble-evan-williams/
LOCATION:Crosstown Concourse\, Central Atrium\, 1350 Concourse Ave.\, Memphis\, TN
CATEGORIES:Central Atrium
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DTSTART;TZID=America/Chicago:20230614T140000
DTEND;TZID=America/Chicago:20230614T153000
DTSTAMP:20260428T010957
CREATED:20230526T173202Z
LAST-MODIFIED:20230526T173202Z
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SUMMARY:MicroCinema: Tribute to Barbara Hammer
DESCRIPTION:Crosstown Arts and Indie Memphis present MicroCinema: Tribute to Barbara Hammer.  \nCrosstown Theater\nWednesday\, June 14\, 2023\nDoors at 6:30 pm | Screenings begin at 7:00 pm\nTickets: Pay-What-You-Can \nPURCHASE TICKETS HERE \nIn honor of the incredible experimental lesbian filmmaker\, Barbara Hammer\, Indie Memphis and Crosstown Arts are excited to bring this Tribute to Barbara Hammer for this month’s MicroCinema. A prolific filmmaker\, installation artist\, and pioneer of feminist and queer cinema for over 50 years\, Hammer’s work consistently and relentlessly explored the intimate experiences of lesbian relationships\, the erasure and censorship of queer history\, and the relationship between sex\, age\, and the body.  \nNitrate Kisses (1992)\, her first feature-length work\, is a foundational queer classic that takes the shape of an experimental documentary exploring queer history and its erasure in the archives and the movies — something she would continue to explore in later work. Her short\, Audience (1982)\, provides us with an insight into her vibrant personality and poses questions about the relationship between the artist\, the art\, and the audience experience that we wonder about to this day.  \nWe’re ecstatic to screen her work and celebrate her impact on experimental and queer cinema. \nMany thanks to Electronic Arts Intermix for this program! \nContent Advisory: This program does include depictions of explicit nudity.
URL:https://crosstownarts.org/calendar/microcinema-tribute-to-barbara-hammer/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230613T143000
DTEND;TZID=America/Chicago:20230613T170000
DTSTAMP:20260428T010957
CREATED:20221216T231851Z
LAST-MODIFIED:20230524T162118Z
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SUMMARY:Modern Masters Jazz Series: Paul Carr
DESCRIPTION:Crosstown Arts presents Modern Masters: Paul Carr with the Ted Ludwig Trio in The Green Room. \nThe Green Room at Crosstown Arts\nTuesday\, June 13\, 2023\nDoors at 7 pm | Show at 7:30 pm\n$25 | $20 in advance ($10 student tickets at the door) \nPURCHASE TICKETS HERE \nPaul Carr\, a Houston native and 1985 Howard University graduate\, has dedicated his professional career to performing and promoting jazz through education and community outreach. He carries on the Texas tenor tradition espoused by great heroes such as the late Houstonians Arnett Cobb and Don Wilkerson who served as his early idols and mentors. He grew up in inner-city Houston\, Texas and was a member of the Kashmere High School Stage Band\, whose director\, the late Conrad Johnson\, is the subject of a documentary\, Thunder Soul\, produced by actor Jamie Foxx. Though never having had private music lessons\, Paul has received several outstanding musician awards at high school and college jazz festivals. \nPaul has recorded 8 CD’s\, which have been well received by critics and jazz fans alike. His new CD “The Real Jazz Whisperer” features Allyn Johnson\, Michael Bowie\, Lewis Nash and will be released September\, 2020. His CD “DC-NYC Organ Sessions” reached #9 on the Jazz Week radio play charts. His CD released in 2013\, “Standard Domain\,” reached #3 on the Jazz Week radio play chart and stayed on the chart for 16 weeks. Paul has toured Russia\, Europe\, the Middle East\, the Caribbean and Central and South America and has shared the stage with many of the greatest names in jazz. Paul was a favorite of President Clinton during his term in office and Paul performed at many of the Clinton’s private events. He also did a special performance for the late King Hussein and Queen Noir of Jordan at their residence in Aqaba\, Jordan. \nPaul is passionately committed to the education of children and young adults\, particularly as it relates to the preservation of jazz. In 2002\, he founded the Jazz Academy of Music\, which hosts summer camps and jazz ensembles for kids throughout the year. Paul also serves the Director of the Gettysburg College Jazz Ensemble. Paul has changed the lives of hundreds of his students by selflessly sharing his knowledge of music and life. Several of his students have been admitted and even received full scholarships to some of the top music schools and conservatories in the country. In fact\, five of Paul students have been admitted to the prestigious Julliard School of Music in New York. Many of his former students are touring and performing all over the world\, sharing the stage with some of the top names in jazz music today. Paul’s work was acknowledged in 2012 by ABC Channel 7 News when he was selected as a “Harris Hero” for his amazing work with music students across the area. In March 2014\, Paul received the prestigious\, Howard University\, “Benny Golson Jazz Master Award”\, for his outstanding work as a performer\, presenter and educator. He also served as a panelist at the 2014 Congressional Black Caucus where he spoke on the importance of jazz education and advocated for a Bill that was circulating in Congress that to offer federal support toward the advancement and preservation of traditional Jazz. In March\, 2015 Paul received the County Executive’s “Education Award” for Montgomery County Maryland. Finally\, in 2019\, Paul was selected as a “Jazz Hero” by the Jazz Journalist Association. \nIn 2010\, Paul re-established the East Coast Jazz Festival as the Mid-Atlantic Jazz Festival\, and serves as its Executive and Artistic Director. The festival enjoys over 3\,000 attendees that travel from states across the U.S. and beyond. Held every Presidents Day weekend in Rockville\, MD\, the festival incorporates a strong educational component\, with a high school band competition and free master classes for students as well as an entertainment component with performances by NEA Jazz Masters\, such as Benny Golson\, Jimmy Heath\, Ellis Marsalis\, Roy Haynes and Branford Marsalis\, just to name of few. \nIn 2015\, Paul presented his teaching technique for improvisation\, “The Theoryless Approach to Jazz Improvisation”\, at the JEN Conference in San Diego\, to a standing room only audience. The presentation was well received by the audience with many questions and request for a copy of the presentation. Paul also present the techniques at the 2015 Mid-Atlantic Jazz Festival to the high school band directors in attendance. \nWhen you think of an ambassador for jazz music today\, you have got to include Paul Carr in that grouping\, as his work touches all fronts including jazz education\, performance and presentation.
URL:https://crosstownarts.org/calendar/paul-carr-with-the-ted-ludwig-trio/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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