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SUMMARY:“Taking Over”: Women in the Music Industry
DESCRIPTION:Doors at 7pm | Show at 7:30pm\nTickets: $10 advance | $15 day of the show \nPURCHASE TICKETS HERE \n  \nMorgan Massey\, a graduating senior from the University of Memphis Music Business program\, is presenting Taking Over: Women in the Music Industry. The event is a benefit concert for A Step Ahead Foundation and will be held on April 1st at The Green Room in Crosstown Arts. The show will serve to empower and encourage young women who are navigating a male dominated industry. Taking Over features four incredible female performers and a fully female crew. The event will include exclusive shirts for sale to raise funds for donations. Come close out Women’s History Month by supporting these ambitious and passionate young women! \nAlexis Jade \nAlexis Jade\, simply put\, is an old soul with a new sound. Her relationship with music was cultivated right on the front porch in Rosemark\, TN\, sitting next to her grandmother as they sang nostalgic songs such as “You are My Sunshine” and “How Much is That Doggy in the Window?” Raised in a house full of music from the 70s\, 80s\, and 90s\, music was an integral part of Jade’s childhood\, and she began writing songs at a very young age. This past fall\, Alexis Jade signed on to Blue Tom Records at the University of Memphis. Under Blue Tom Records\, Jade will be releasing her first solo single\, “Return to Sender.” Out to pave a new path for women in country music\, Jade has her sights set on bringing a new sound to the time-old tales of heartbreak and loss. \nTrinity Adair \nTrinity Adair Miller is a Junior Music Business major at the University of Memphis. Trinity was born in a small town in Illinois and grew up in Nashville. Her parents\, Everett and Annetta Miller\, have always supported her dreams in pursuing music and have pushed her to become the artist she is today. Trinity has an original single titled “If Only” and will be performing that today. Trinity would like to shout out Morgan for the opportunity to be able to showcase her talent and for considering her to perform tonight. She is so honored to be performing alongside other talented female artists and is excited to continue her journey as an artist and student. \nSarah Spain \nSarah Spain is a Memphis singer-songwriter and student at the University of Memphis studying creative writing. Sarah has participated in many vocal ensembles and has her own solo career. She works as a vocal instructor at the Memphis School of Rock. On top of these endeavors\, she has a small business called Strange Moon Mystics where she makes eclectic jewelry by hand. Taking Over is honored to have her as a part of our line-up. \nToni Mack \nMemphis-based singer/songwriter\, Toni Mack\, has been honing her skills in music for the past several years. Pulling inspiration from her own personal experience as well as those around her\, she has been able to produce a sound that is not often heard in her hometown\, Alternative Soul. Her music consists of soft vocals intertwined with melodic guitar chords. She is currently still attending college\, working hard to perfect her craft. She pulls influence from artists like Lianne La Havas\, Corrine Bailey Rae\, Esperanza Spalding\, and many more talented musicians. She hopes to inspire others to find themselves and to be able to relate to her music. Allowing it to be the spirit guide through it all.
URL:https://crosstownarts.org/calendar/taking-over-women-in-the-music-industry/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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DTSTART;TZID=America/Chicago:20220331T143000
DTEND;TZID=America/Chicago:20220331T160000
DTSTAMP:20260516T130350
CREATED:20220121T221849Z
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SUMMARY:Crosstown Arthouse Film Series presents THRILLING BLOODY SWORD
DESCRIPTION:The Crosstown Arthouse Film Series presents THRILLING BLOODY SWORD  at Crosstown Theater.\n\nHsin-Yi Chang / 1981 / 89 minutes / Rated R\nTickets: $5 at the door\nFilms begin at 7:30 pm (sharp!) at Crosstown Theater \nIf He-Man and the Masters of the Universe dropped acid with the Shaw Brothers while knocking out a martial arts horror-fantasy movie\, that movie would be THRILLING BLOODY SWORD. This head-spinning slice of Taiwanese psychotronic cinema builds a movie out of SNOW WHITE AND THE SEVEN DWARFS\, impossible fight scenes\, and wild monsters that include a cyclops\, a pterodactyl\, and Satan himself! A comet impregnates a queen. She gives birth to a fleshy egg. In disgust\, the king tosses the egg in the river. Seven little people stumble onto the egg. They stab it with a knife and find a cute baby inside —one who grows up to be a beautiful princess. One day\, she runs into a prince\, who is fighting a multi-headed dragon. Of course\, the two royals fall in love. Unfortunately\, a group of dastardly wizards want to keep them apart\, and they’ll use every creature at their disposal to do it! Previously only available via VHS bootlegs\, Gold Ninja Video is proud to present this hallucinogenic fantasia in a new 2K preservation from the only known 35mm print in existence. \n\n\n\n\n\n\n\nThe Crosstown Arthouse Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground and documentary features. \nCrosstown Arts is requesting proof of vaccination or a negative Covid test for this event. Please be prepared to present your vaccination card or a negative Covid test taken within 72 hours at check-in.
URL:https://crosstownarts.org/calendar/crosstown-arthouse-film-series-presents-thrilling-bloody-sword/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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DTEND;TZID=America/Chicago:20220329T160000
DTSTAMP:20260516T130350
CREATED:20220126T224533Z
LAST-MODIFIED:20220329T195546Z
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SUMMARY:Bang on a Can All-Stars
DESCRIPTION:Crosstown Arts presents the Bang on a Can All-Stars\, an ensemble that crosses the boundaries between genres\, at Crosstown Theater. \nTICKETS: $25 first-level seating | $20 second-level seating\n$10 students (with student ID at the door) \nDoors open at 7:00pm / Performance at 7:30pm \nCrosstown Arts is requesting proof of vaccination or a negative Covid test for this event. Please be prepared to present your vaccination card or a negative Covid test taken within 72 hours at check-in. Masks are required. \n“A fiercely aggressive group\, combining the power and punch of a rock band with the precision and clarity of a chamber ensemble.” – The New York Times \nFormed in 1992\, the Bang on a Can All-Stars are recognized worldwide for their ultra-dynamic live performances and recordings of today’s most innovative music. Freely crossing the boundaries between classical\, jazz\, rock\, world and experimental music\, this six-member amplified ensemble has consistently forged a distinct category-defying identity\, taking music into uncharted territories. Performing each year throughout the U.S. and internationally\, the All-Stars have shattered the definition of what concert music is today. \nTogether\, the All-Stars have worked in unprecedented close collaboration with some of the most important and inspiring musicians of our time\, including Steve Reich\, Ornette Coleman\, Burmese circle drum master Kyaw Kyaw Naing\, Tan Dun\, DJ Spooky\, and many more. The group’s celebrated projects include their landmark recordings of Brian Eno’s ambient classic Music for Airports and Terry Riley’s In C\, as well as live performances with Philip Glass\, Meredith Monk\, Don Byron\, Iva Bittova\, Thurston Moore\, Owen Pallett and others. The All-Stars were awarded Musical America’s Ensemble of the Year and have been heralded as “the country’s most important vehicle for contemporary music” by the San Francisco Chronicle. \nCurrent and recent project highlights include “In C”\, a new dance collaboration with Sasha Waltz & Guests based on Terry Riley’s minimalist classic; Dance Party\, a brand new multi-media concert pairing composers and choreographers; a new recording of legendary composer/performer Meredith Monk’s MEMORY GAME; Julia Wolfe’s Flower Power for Bang on a Can All-Stars and orchestra\, a multi media concert exploring the sonic landscape of the late 1960s; Road Trip\, an immersive and visually stunning concert collaboratively-composed by Michael Gordon\, David Lang\, and Julia Wolfe to commemorate the 30+ year journey of Bang on a Can; the touring performances and recording of Julia Wolfe’s Pulitzer Prize winning Anthracite Fields for the All-Stars and guest choir; Julia Wolfe’s acclaimed Steel Hammer\, plus a moving theatrically staged collaboration with SITI Company and director Anne Bogart; Field Recordings\, a major multi-media project and CD/DVD now featuring 30 commissioned works by Tyondai Braxton\, Mira Calix\, Anna Clyne\, Bryce Dessner\, Florent Ghys\, Michael Gordon\, Jóhann Jóhannsson\, David Lang\, Christian Marclay\, Steve Reich\, Todd Reynolds\, Julia Wolfe\, and more; the Lincoln Center Festival 2017 world premiere of Cloud River Mountain\, a collaboration featuring Chinese superstar singer Gong Linna; the world premiere performance and recording of Steve Reich’s 2×5 including a sold-out performance at Carnegie Hall\, and much more. With a massive repertoire of works written specifically for the group’s distinctive instrumentation and style of performance\, the All-Stars have become a genre in their own right. The All-Stars record on Cantaloupe Music and have released past recordings on Sony\, Universal and Nonesuch.
URL:https://crosstownarts.org/calendar/bang-on-a-can-all-stars/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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DTSTART;TZID=America/Chicago:20220329T130000
DTEND;TZID=America/Chicago:20220329T150000
DTSTAMP:20260516T130350
CREATED:20220223T203328Z
LAST-MODIFIED:20220223T225140Z
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SUMMARY:Crosstown Arts Resident Artist Talk
DESCRIPTION:Crosstown Arts Spring 2022 resident artists Lucy Wang\, Kate Roberts\, John Rash\, Gunter Guapp\, and Jasmine Marie will present artist talks. \nFree and open to the public. Masks are encouraged at this event. \n\nLucy Wang is an award-winning published and produced writer\, mentor\, and performer. Her plays have been performed throughout the U.S. and abroad. Her poetry and prose have appeared in literary and trade magazines. After Wang sold a half-hour TV comedy pilot\, feminist icon Gloria Steinem urged her to do stand-up\, which was so exhilarating that Wang developed and performed two one-woman shows to sold-out audiences. Her manuscripts are archived at the Huntington Library and CEMA collections at UC Santa Barbara. \nLucy’s work is largely dedicated to fighting for social justice\, creating more inclusive roles\, and inciting laughter. \n“I am a founding member of Honor Roll!\, an action advocacy group of women+ playwrights over 40 as well as our women+ over 40 allies\, that fights for more inclusion\, more visibility in theater. One of the ways I champion change is through comedy. Comedy is revolutionary. I can’t force you to think something is funny. Laughter is involuntary. We all know what canned laughter sounds like. Real laughter has the power to connect us\, open our hearts\, and change our minds. I never met anyone who said\, please\, stop\, no more laughter. That’s why I love to share stories that tackle complex issues with joy and laughter — it will improve our health and understanding of each other. Live\, love\, laugh.” \n\nKate Roberts is an artist and educator working in Memphis\, TN. Her practice is a mediation on time and its role in the decay of memories\, objects\, and the spaces they exist within. Inspiration is drawn from historical objects\, the architecture around her\, or events and choices that shaped a site. Primarily working with clay in its unfired state\, Roberts questions the permanence of these objects and sites. The results are installations that explore the connection between the vulnerabilities of the nature of clay in its many forms from dust\, to wet slip\, to unfired and the mortality of people\, objects\, and places. The moments of fragmentation found in-between act as metaphors for change\, impermanence\, and devices for reinterpretation. Distorted and ghostly\, the sculptures and installations result in a fleeting\, fragile reminder of the consequences of nature\, time\, and circumstance. \n“I grew up in the Southern part of the United States. The landscape is lush and bountiful and at times can be hauntingly visceral. This is due to the areas’ humidity. It causes the pace to be slow … nearly stagnant. Time does not move in a linear fashion\, but is suspended. As southerners we live in suspension between myth and truth\, between appearance and reality\, between life and death\, and between the past and present. In my work I try to find that similar moment in-between.” \n\nJohn Rash is an artist and documentarian working in lens-based media across the mediums of photography\, video\, audio\, and installation. John’s work is primarily centered on representations of outsider identities\, counterculture communities\, and alternative lifestyles with a commitment to accountability and promotion of social and racial justice. These stories and images utilize the traditions and innovations of documentary fieldwork and are retold through experimental methods of visual storytelling that highlight the human condition. \n“All documentaries are collaborative portraits framed and assembled by a subjective narrative. No story is too small and every person has at least one worth hearing.” \n\nGunter Guapp is a composer and music teacher based in Memphis\, TN\, whose work combines interests in noise composition and genre music. His recent work utilizes folk melodies\, chaotic textures\, and improvisation to explore themes of interpersonal connection and accessibility. Recent premieres include collaborations with Hypercube\, the Julius Quartet\, Four Corners Ensemble\, and Ensemble PHACE to present new pieces in Chicago\, Dallas\, New York\, and Vienna. \n“At its best\, I think concert music should be physically engaging and allow performers to immediately connect to listeners and invite audiences into performance spaces” \n\nJasmine Marie (she/her) is a queer Black multidisciplinary artist born and based in Memphis. Her work centers stories of Black southern heritage\, spirituality\, and black femme identity\, most often through afro-surrealist/futuristic imagery. She is half of NuJas\, a multidisciplinary art house centering black women and queer folks. \n“I think overall I want to make work that holds black folks close and moves us to imagine how love and community free us. Even in pieces that aren’t intentionally futuristic\, I want us to feel bigger. Like we are part of something that transcends time and challenges our understanding of our place in the world.”
URL:https://crosstownarts.org/calendar/crosstown-arts-resident-artist-talk-15/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220327T143000
DTEND;TZID=America/Chicago:20220327T163000
DTSTAMP:20260516T130350
CREATED:20210914T160947Z
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SUMMARY:Arooj Aftab with Ouri at Crosstown Arts
DESCRIPTION:Crosstown Arts presents Arooj Aftab at Crosstown Theater with an opening performance by Ouri. This concert is presented in part by Sonosphere\, Inc. \n\n\nTickets: $25 \nDoors at 6:30 pm | Show at 7:30 pm \nCrosstown Arts is requesting proof of vaccination or a negative Covid test for this event. Please be prepared to present your vaccination card or a negative Covid test taken within 72 hours at check-in. Masks are required. \n\nArooj Aftab\nBorn and raised in Lahore\, Pakistan\, Arooj Aftab came to prominence in Pakistan in the early 2000s when she developed a style that combines Sufi-mystical poetry with the spirit of independent rock. This sound catapulted her to stardom from a then-fledgling underground and online music community in Pakistan. She eventually moved to the U.S.\, earned a degree at the Berklee School of Music\, and now lives in New York City.\n\n\nHer music is inspired by the poetry and musicality of Rumi\, Abida Parveen\, and other Sufi poets\, as well as the reworking of classical Pakistani and North Indian forms like khayal and kafi. She says Sufi words have impacted her writing: “It is very much about the feeling that (Sufi poetry) leaves you with: calmness\, peace\, patience\, simplicity. And then sadness\, longing\, wandering\, searching\, openness\, oneness. I try to take all these qualities and weave them into my music.” She is adamant that her music not be defined as retro; instead\, she’d prefer that her music be understood as a new approach to an old form. She says her music is\, “something new that’s both musically and politically resonant for the contemporary moment.” \n\n\nIn 2011\, NPR listed Arooj as one of the Top 100 Young Composers of today\, alongside names such as Grammy Award-winning Esperanza Spalding and Fusion Jazz piano virtuoso Vijay Iyer. The New York Times included Arooj in their list of Best Concerts of 2012. TimeOut Magazine rated one of her collaborative projects in the Top 10 Classical Albums of 2013. Most recently\, Curious Animal Magazine has listed Bird Under Water among the 10 best albums including Bjork\, Sufjan Stevens\, and Kendrick Lamar. \n\nArooj has collaborated with world-renowned artists such as Meshell Ndegeocello\, Esperanza Spalding\, DJ /rupture\, and Abida Parveen to name a few. She has performed her music at major venues such as the Lincoln Center\, Highline Ballroom\, Le Poisson Rouge\, and the Museum of Modern Art in New York. She has also been invited to perform at festivals such as The Big Ears Festival\, The Ecstatic Music Festival\, and the SF Jazz Festival to name a few.\n\n\nOURI\n\nOuri is both a producer and a performing artist\, a DJ\, a cello & harp player\, a vocalist\, songwriter and composer. Heralded in the electronic music space for a breadth of sound that reaches into the variety of her abilities\, Ouri grows beyond its confines for the next phase of her career as a solo artist. \nOurielle Auvé\, known professionally as Ouri\, grew up in France in a family of afro-carribean descent before arriving in Montreal at the age of 16 to pursue a degree in composition. Here her artistry and vision were able to flourish\, establishing herself in the city’s music community as a producer\, collaborating with peers like Helena Deland and Mind Bath\, and circulating Montreal’s rich\, underground rave culture with wizardry late-night DJ sets. \nTapped for Red Bull Music Academy’s 2017 Montréal Bass Camp\, it was a quick ascent for the producer turned songstress. Opportunities quickly followed suit. She was invited to headline Boiler Room’s Montreal show\, signed to Ghosty (international) & Make it Rain Records (Canada) for the release of her EP ‘Superficial’ — dubbed  a “startling\, exploratory piece of digital soul” by Clash Magazine — and was asked to make official remixes for the likes of Tokimonsta\, Selah Sue\, Busty and the Bass and others. \nInvited to support Jacques Greene\, Yves Tumour & Kllo live in concert\, Ouri toured the world through 2019\, popping up in America\, Europe\, the UK and Mexico across a busy year supporting the release of her EP and growing notoriety\, as affirmed by millions of streams and praise from Fader\, Line of Best Fit\, Clash\, Jamz Supernova\, Red Bull and Majestic Casual. \nIt was in the many collaborations through Ouri’s journey as a producer that the itch to explore her own abilities as a vocalist and songwriter took shape. Arriving in Montreal Ouri dreamed of being a composer\, hiding her identity and womanhood in an enigma behind the laptop\, staying hidden and ambiguous as a means of survival. Yet\, with a burning sense of limitation\, masked in compromise between herself as a producer and the accompanying vocalist\, swirled with the catalyst of a breakup spinning ideas of new beginnings\, Ouri embraced the inevitable. What comes next is the first manifestation of said change\, an initial offering of a project fully imaged and executed by Ouri\, the producer\, the song-writer and the voice. \nRecent times have seen Ouri embrace a period of realignment\, finding solace in her artistic practice while staying close to home to work on a new project poised for release next year. On it\, she stretches beyond the boundaries of electronica for a deliberate synthesis of moods and sounds that allow for a purity that no longer lives inside her computer. \nOuri’s multi-instrumental talents and classical training steer her approach to melody and bass in entrancingly emotive\, bold and playful ways. Pairing traditional song structure with abstract spatial dynamics she creates unparalleled tension between aggressive rhythmic progression and soothing harmonic fluidity. At the centre of it all lies Ouri’s ethereal voice; her words and melodies lay ground for a soulful emotional honesty that swirl around deftly produced arrangements of harp\, cello\, steel guitar\, synthesizer and a mélange of percussion. \nOuri is both fierce and delicate in its most evocative balance as expands her sonic spectrum in her next offering. With single ‘Shape of It’ — a song composed exclusively of her performance on cello and harp — Ouri exposes her bare vocals to find space for vulnerability. She sings of fear in a manner in which to look past it\, to build a safe place after abuse\, to desire hope as a means of generating hope\, to celebrate sex\, to celebrate creation\, all while in these times of crisis.
URL:https://crosstownarts.org/calendar/arooj-aftab-at-crosstown-arts/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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DTSTART;TZID=America/Chicago:20220326T143000
DTEND;TZID=America/Chicago:20220326T160000
DTSTAMP:20260516T130350
CREATED:20220126T192729Z
LAST-MODIFIED:20220127T212057Z
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SUMMARY:Maeve Gilchrist
DESCRIPTION:Crosstown Arts presents Edinburgh-born harpist and composer Maeve Gilchrist in The Green Room. \nTICKETS: $20 plus fees\nDoors at 7 pm | Show at 7:30 pm \nCrosstown Arts is requesting proof of vaccination or a negative Covid test for this event. Please be prepared to present your vaccination card or a negative Covid test taken within 72 hours at check-in. Masks are required. \nDescribed by one critic as “a phenomenal harp player who can make her instrument ring with unparalleled purity”\, Maeve Gilchrist has taken the Celtic (lever) harp to new levels of performance and visibility. \nBorn and raised in Edinburgh\, Scotland\, and currently based in Brooklyn\, New York\, Maeve‘s innovative approach to her instrument stretches its harmonic limits and improvisational possibilities. She is as at home as a soloist with an internationally renowned orchestra as she is playing with a traditional Irish folk group or using electronic augmentation in a more contemporary\, improvisatory setting. \nShe tours internationally as a band leader as well as maintaining a number of collaborations including the progressive folk quartet\, DuoDuo (featuring percussive dancer Nic Gareiss\, cellist Natalie Haas and Yann Falquet of Quebecois super-group Genticorum)\, a more electronics based project with Viktor Krauss and as a member of the Irish Music Network-commissioned Edges of Light quartet: a multidisciplinary group featuring the piper David Power\, dancer Colin Dunne and the fiddler Tola Custy. Maeve is also a member of the prestigious Silkroad Ensemble. She has appeared at such major music events as Celtic Connections in Glasgow\, Tanglewood Jazz Festival\, the World Harp Congress in Amsterdam and the historic opening of the Scottish Parliament. She has played with such luminaries as Yo-Yo Ma\, Es- peranza Spalding\, Tony Trishka\, Ambrose Akinmusire\, Darol Anger and Kathy Mattea. \nMaeve has released five albums to date\, including her most recent recording\, Vignette\, on Adventure Records\, with bassist Viktor Krausse while\, on her own label\, her solo Ostinato Project is a beguiling ex-ploration of the possibilities of her instrument. In 2018 Maeve was a featured soloist on the Dreamworks blockbuster movie soundtrack\, How to tame your dragon: The hidden world. \nMaeve was the first lever harpist to be employed as an instructor by her alma mater\, Berklee College of Music in Boston\, where she taught for five years before switching to being a visiting artist in 2018. She has written several instructional books published by Hal Leonard Music. She is also an in-demand composer and arranger\, with past commissions including a ground-breaking concerto for lever harp and symphony orchestra co-written with North Carolina-based composer Luke Benton and most recently a new piece for harp and string quartet premiered at the Edinburgh International Harp festival last spring. Maeve is the co-artistic director of the new Celtic Roots and Branches Festival launching in Rockport MA this summer and the assistant music director of WGBH’s Christmas Celtic Sojourn.
URL:https://crosstownarts.org/calendar/maeve-gilchrist/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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DTSTART;TZID=America/Chicago:20220326T140000
DTEND;TZID=America/Chicago:20220326T163000
DTSTAMP:20260516T130350
CREATED:20220307T191931Z
LAST-MODIFIED:20220307T191931Z
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SUMMARY:Soul Kids (Memphis Premiere + Performance)
DESCRIPTION:Featuring in-person Q&A with Director Hugo Sobelman and subjects of the film + performance from 926\, the Stax Music Academy Alumni Band \nEvent presented by Indie Memphis\, Stax Music Academy\, and Crosstown Arts \nDoors open at 6:30pm | Event begins at 7:00pm\nTickets: $15 \n\nPURCHASE TICKETS HERE \n\n*In accordance with Crosstown Arts’ COVID-19 policies\, any Indie Memphis event hosted at Crosstown Arts will now require that attendees show proof of vaccination or a negative COVID-19 test in order to attend. \n\n\n\n\n\nIn Memphis\, one of the USA’s most distressed city\, the Stax Music Academy is an oasis. Founded in 2000\, the academy continues the legacy of Stax Records\, the legendary 60s soul label which was a refuge and an active space for dialog during the Civil Rights movement. By learning and understanding soul music in after school programs\, teenagers embark into Black Americans legacy and open themselves to new future prospects. Soul Kids is a musical odyssey through history and the concerns of a new generation.
URL:https://crosstownarts.org/calendar/soul-kids-memphis-premiere-performance/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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DTSTART;TZID=America/Chicago:20220325T150000
DTEND;TZID=America/Chicago:20220325T173000
DTSTAMP:20260516T130350
CREATED:20220218T165905Z
LAST-MODIFIED:20220218T165905Z
UID:10004112-1648220400-1648229400@crosstownarts.org
SUMMARY:Craig Brewer’s Secret Screening with special guests Lucky 7 Brass Band
DESCRIPTION:Crosstown Arts presents CRAIG BREWER’S SECRET SCREENING\nwith special guests LUCKY 7 BRASS BAND at Crosstown Theater. \nDoors open at 7:30 PM | Screening begins at 8:00 PM\n$5 DOLLAR TICKETS AT THE DOOR \nJoin Crosstown Arts and filmmaker and Memphian Craig Brewer in the Crosstown Theater on Friday March 25th for a special\, mystery screening of one of Craig’s most favorite films! What is the film? You will have to come and find out as Craig will be on hand to introduce the film himself! GUARANTEED TO BE A GOOD TIME!! With music by LUCKY 7 BRASS BAND. $5 DOLLAR TICKETS\, CHEAP! 
URL:https://crosstownarts.org/calendar/craig-brewers-secret-screening-with-special-guests-lucky-7-brass-band/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220325T143000
DTEND;TZID=America/Chicago:20220325T163000
DTSTAMP:20260516T130350
CREATED:20220218T204302Z
LAST-MODIFIED:20220218T204302Z
UID:10004113-1648218600-1648225800@crosstownarts.org
SUMMARY:The PRVLG
DESCRIPTION:Crosstown Arts presents musical twin duo The PRVLG in the Green Room. \n\n\n\n\n\n\n\n\nDoors open at 7pm | Show begins at 7:30pm\nTickets: $15 in advance | $20 at the door (plus fees) \n\nPURCHASE TICKETS HERE \n\nCrosstown Arts is requesting proof of vaccination or a negative Covid test for this event. Please be prepared to present your vaccination card or a negative Covid test taken within 72 hours at check-in. Masks are required. \nThe duo\, consisting of twin brothers Christian and Christopher Underwood\, grew up surrounded by music. The brothers developed a very unique musical connection\, which is on full display in their live performances. As bass and drum players\, the pair have the ability to lock in a powerful rhythm and bass foundation\, effortlessly making up for each other’s shortcomings and complementing one another’s strengths. \nGrowing up in a musical family and listening to their father – a guitarist – play classics by the likes of Jimi Hendrix\, The Isley Brothers\, and Earth Wind & Fire\, it was only natural for them to begin writing together at the age of 16 and continue to develop their writing talent from then. Since officially forming in early 2017\, the duo named themselves The PRVLG\, chosen due to the privilege they experienced by growing up playing music together and connecting with others through the universal language. \nIt ain’t trap but it’ll have you hooked \nGroove and feel so infectious got the whole world shook \nPlay it on a date and you’re bound to get to home base \nThe way it make you feel one could call it a soul mate \nIt’s From the south\, and Like a glass of sweet tea\, perfect for any occasion\, just as previous revolutions \nIt’ll sweep the nation \nHow about a quick flip.. \nFor absolutely any occasion\, it is perfect\, \nlike a wine aged for 100 years\, the wait is worth it \nA breath of fresh air\, right from a Maple tree\, with the melody of a hummingbird singing so sweet \nIt’ll having you feeling free\, free as strangers Skinny dipping \nLyrics meticulously seasoned\, like grandma’s casserole so savory it’s finger-licking \nLeaving you nourished and satisfied \nBut salivating for more \nLike the last song being played before the encore
URL:https://crosstownarts.org/calendar/the-prvlg/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220325T124500
DTEND;TZID=America/Chicago:20220325T134500
DTSTAMP:20260516T130350
CREATED:20220321T195810Z
LAST-MODIFIED:20220321T195810Z
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SUMMARY:Sinta Quartet
DESCRIPTION:East Atrium Stage \nMasterclass at 5pm (free and open to the public)\nConcert at 5:50pm (free and open to the public) \nPresented by Crosstown  Arts and the University of Memphis  Rudi  E. Scheidt School of Music. \nThe Sinta Quartet\, First Prize Winner of the Concert Artists Guild Competition\, has earned praise from audiences and critics alike for its virtuosic performances\, compelling recordings and distinctive repertoire.  Hailed as “…a tight-knit ensemble exploding with power and virtuosity and an un-concealable ambition to connect with its newly found listeners” (Boston Musical Intelligencer)\, the Sinta Quartet performs entirely from memory\, which strengthens an already palpable connection with its audiences.  Named for its mentor\, legendary University of Michigan Saxophone Professor Donald Sinta\, the quartet’s additional competition successes include a Gold Medal at the 2018 Fischoff Chamber Music Competition\, First Prize at the 2017 M-Prize Chamber Arts Competition\, the Alice Coleman Grand Prize at the 2013 Coleman Chamber Music Competition and First Prize in the 2012 North American Saxophone Alliance Quartet Competition. \nSinta Quartet’s repertoire is diverse\, ranging from commissions by today’s emerging composers to standards from the saxophone quartet literature to transcriptions by master composers such as Dvorak\, Schubert and Shostakovich. In 2019 they released their debut recording\, Collider\, on CAG Records featuring new works for saxophone quartet. In 2011\, The group gave the World Premiere of Bolcom’s own transcription of his Concerto Grosso with Concert Band\, joining the University of Michigan Symphony Band in 2011 for performances at Los Angeles’ Walt Disney Concert Hall\, Beijing’s National Center for the Performing Arts and the Shanghai Conservatory.  The quartet’s subsequent concerto recording garnered praise: Audiophile Audition declared them “superb musicians” and American Record Guide called it “the highlight of the album.” They have also made radio appearances on New York’s WQXR and Interlochen Public Radio\, and is featured frequently on American Public Media’s Performance Today. \n​Recent career highlights include Sinta Quartet’s New York recital debut at Weill Recital Hall\, Purdue University Convocations\, Kravis Center for the Performing Arts\, Chautauqua Institution\, Bravo! Vail Valley Music Festival\, Rockport Chamber Music Festival\, Music from Angel Fire\, and in Michigan at the Great Lakes Music Festival the Detroit Institute of Arts.  Among the ensemble’s extensive educational outreach activities\, they recently enjoyed extended residencies for Joplin Pro Musica (MO) and Anchorage Concert Association\, both culminating with performances as part of their season series. \nFeatured international appearances include recitals in Palma de Mallorca\, Spain; Strasbourg\, France (for the 17th World Saxophone Congress); St. Andrews\, Scotland (as part of the 16th World Saxophone Congress); Paris\, France; Geneva and Montreux\, Switzerland; and Thessaloniki\, Greece; as well as a trip to Japan as one of a select group of ensembles chosen for the Osaka International Chamber Music Competition. \n​Equally committed to education and community engagement\, the quartet has presented clinics and performances at numerous colleges and universities including the University of Michigan\, Michigan State University\, Eastman School of Music\, the University of Delaware\, the University of Massachusetts at Amherst\, SUNY-Potsdam’s Crane School of Music\, and many others\, as well as a residency at Grand Valley State University. The quartet has also presented workshops and performances at dozens of public schools across the US. \nAs advocates of new music\, the quartet runs the National Saxophone Quartet Composition Competition\, which selects two new quartet works from up-and-coming composers each year.  Additionally\, Sinta Quartet has commissioned and premiered works by David Biedenbender\, Kyle Blaha\, Matthew Browne\, Patrick Harlin\, Kristin Kuster\, Marc Mellits\, Roger Zare\, and many others. ​ \nFounded and still based in Michigan\, Sinta Quartet’s members are all Selmer-Paris Artists and perform exclusively on Selmer saxophones.
URL:https://crosstownarts.org/calendar/sinta-quartet/
LOCATION:East Atrium\, Crosstown Concourse\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:East Atrium
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220324T143000
DTEND;TZID=America/Chicago:20220324T160000
DTSTAMP:20260516T130350
CREATED:20220126T192303Z
LAST-MODIFIED:20220127T212115Z
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SUMMARY:jaimie branch: FLY or DIE
DESCRIPTION:Crosstown Arts presents trumpeter jaimie branch’s FLY or DIE in the Green Room. \nTickets: $15 in advance | $20 day of show\nDoors open at 7 pm | Show at 7:30 pm \nCrosstown Arts is requesting proof of vaccination or a negative Covid test for this event. Please be prepared to present your vaccination card or a negative Covid test taken within 72 hours at check-in. Masks are required. \nThere is a moment near the top of jaimie branch’s FLY or DIE LIVE\, the new album recorded by the trumpeter’s quartet in Zurich\, Switzerland\, on January 23rd\, 2020\, which feels like it bears the weight of both that specific pocket of time\, and a prophecy for all that was soon to come. branch and her Fly or Die crew — cellist Lester St. Louis\, double bassist Jason Ajemian\, and drummer/percussionist/mbira player Chad Taylor — had just kicked off the concert at Moods\, with the opening tracks off their then-new studio album FLY or DIE II: Bird Dogs of Paradise\, the second of which\, “Prayer for Amerikkka” is among the best political songs written during the Tr*mp Era\, and when the moment in question pops off. \nThe multi-part “Prayer” begins as a goth-blues stomp\, its moaning ghosts flying around the room. A week into a European tour and after three months of constant live performance\, Fly or Die is at home in this new song’s contours\, messing with its internal machinery while guiding its meaning. By now\, “Prayer” had gained a tough spoken-word intro\, bringing the context as it slowly gearshifts the intensity: “It’s a song about America\,” off-the-cuffs branch while the band seethes behind her\, “but it’s about a whole lotta places — ‘cause it’s not just America where shit’s fucked up…” Then arrives the climax\, at once site-specific and far-reaching: “…and it’s not always time to be neutral\, do you know what I mean?” The gathered Swiss crowd knows\, understands\, and responds vocally\, as Taylor’s backbeats cue branch to bring the trumpet to her lips\, and let out a high- pitched wail. Her horn doesn’t know what’s about to happen to our world\, and yet\, somehow\, it does — with only the catastrophic details needing to be worked out. For the next 12 minutes\, “Prayer” careens through its twists of wide-eyed racism and family separation\, Ajemian and Taylor driving branch’s punk-jazz Morricone horn line. “This is a warning\, honey…” cries the song\, and over the ensuing 70 minutes\, the band echoes its sentiment\, filled with glee and terror.
URL:https://crosstownarts.org/calendar/jaimie-branch-fly-or-die/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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DTSTART;TZID=America/Chicago:20220324T143000
DTEND;TZID=America/Chicago:20220324T160000
DTSTAMP:20260516T130350
CREATED:20220121T220537Z
LAST-MODIFIED:20220121T220617Z
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SUMMARY:Crosstown Arthouse Film Series presents BREATHLESS
DESCRIPTION:The Crosstown Arthouse Film Series presents BREATHLESS at Crosstown Theater.\n\nJean-Luc Godard / 1960 / 90 minutes / Rated M\nTickets: $5 at the door\nFilms begin at 7:30 pm (sharp!) at Crosstown Theater \nSmall-time crook Michel (Jean-Paul Belmondo) steals a car and murders a policeman. While on the run\, he reconnects with Patricia (Jean Seberg)\, a journalism student living in Paris\, and tries to convince her to go on the lam with him. \n\n\n\n\n\n\n\nThe Crosstown Arthouse Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground and documentary features. \nCrosstown Arts is requesting proof of vaccination or a negative Covid test for this event. Please be prepared to present your vaccination card or a negative Covid test taken within 72 hours at check-in.
URL:https://crosstownarts.org/calendar/crosstown-arthouse-film-series-presents-breathless/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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DTSTART;TZID=America/Chicago:20220323T143000
DTEND;TZID=America/Chicago:20220323T163000
DTSTAMP:20260516T130350
CREATED:20220215T204220Z
LAST-MODIFIED:20220215T204256Z
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SUMMARY:CRAIG TABORN Solo Piano
DESCRIPTION:Crosstown Arts presents jazz pianist Craig Taborn performing solo in the Green Room.\n\n\n\n\n\n\n\n\n  \nDoors open at 7pm | Show starts at 7:30pm\nTickets: $20 in advance | $25 at the door (plus fees) \nPURCHASE TICKETS HERE \n*Proof of vaccination or a negative Covid test required at check-in for this event. \nBorn in Minneapolis\, Minnesota\, Craig Taborn has been performing piano and electronic music in the jazz\, improvisational\, and creative music scene for over twenty five years. He has experience composing for and performing in a wide variety of situations including jazz\, new music\, electronic\, rock\, noise and avant garde contexts. Taborn has played and recorded with many luminaries in the fields of jazz\, improvised\, new music and electronic music including Roscoe Mitchell\, Wadada Leo Smith\, Lester Bowie\, Dave Holland\, Tim Berne\, John Zorn\, Evan Parker\, Steve Coleman\, David Torn\, Chris Potter\, William Parker\, Vijay Iyer\, Kris Davis\, Nicole Mitchell\, Susie Ibarra\, Ikue Mori\, Carl Craig\, Dave Douglas\, Meat Beat Manifesto\, Dan Weiss\, Chris Lightcap\, Gerald Cleaver\, and Rudresh Manhathappa. \nTaborn is currently occupied creating and performing music for solo piano performance (Shadow Plays / Avenging Angel)\, piano trio (Craig Taborn Trio)\, an electronic project (Junk Magic)\, the Daylight Ghosts Quartet\, a piano/drums/electronics duo with Dave King (Heroic Enthusiasts) and a new trio with Tomeka Reid and Ches Smith as well as piano duo collaborations with Vijay Iyer (The Transient Poems)\, Kris Davis (Octopus) and Cory Smythe. He is also a member of the instrumental electronic art-pop group Golden Valley is Now and performs frequently on solo electronics. Craig lives in Brooklyn.
URL:https://crosstownarts.org/calendar/craig-taborn-solo-piano/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220320T143000
DTEND;TZID=America/Chicago:20220320T163000
DTSTAMP:20260516T130350
CREATED:20220304T205942Z
LAST-MODIFIED:20220304T205942Z
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SUMMARY:BlueTom Live
DESCRIPTION:Crosstown Arts and BlueTom Records present BlueTom Live on Sunday\, March 20.\n\n\n\n\n\n\n\n\nDoors open at 7pm | Show starts at 7:30pm\nTickets: $10 general admission (FREE for University of Memphis students and faculty with university ID) \n\nPURCHASE TICKETS HERE \n\n*Crosstown Arts is requesting proof of vaccination or a negative Covid-19 test for this event. \nBlueTom Records\, the student-run record label at the University of Memphis Rudi E. Scheidt School of Music\, is proud to present BlueTom Live on March 20. Join BlueTom at The Green Room at Crosstown Arts as they feature five artists from the label performing R&B\, Pop\, and Hip-Hop. \nArtists Performing include the following: \nJosh Dedrick – Josh Dedrick is a pop singer/songwriter from Memphis\, TN. \nRochel – Rochel is Hip-Hop/R&B artist from Memphis\, TN. \nLaDarryl – LaDarryl is Hip-Hop artist from Memphis\, TN. \nDoors open at 7 PM and the show starts at 7:30 PM with a special performance by DJ Bryce Todd.
URL:https://crosstownarts.org/calendar/bluetom-live-3/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220320T143000
DTEND;TZID=America/Chicago:20220320T163000
DTSTAMP:20260516T130350
CREATED:20220304T205801Z
LAST-MODIFIED:20220304T205801Z
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SUMMARY:
DESCRIPTION:Crosstown Arts and BlueTom Records present BlueTom Live on Sunday\, March 20.\n\n\n\n\n\n\n\n\nDoors open at 7pm | Show starts at 7:30pm\nTickets: $10 general admission (FREE for University of Memphis students and faculty with university ID) \n\nPURCHASE TICKETS HERE \n\n*Crosstown Arts is requesting proof of vaccination or a negative Covid-19 test for this event. \nBlueTom Records\, the student-run record label at the University of Memphis Rudi E. Scheidt School of Music\, is proud to present BlueTom Live on March 20. Join BlueTom at The Green Room at Crosstown Arts as they feature five artists from the label performing R&B\, Pop\, and Hip-Hop. \nArtists Performing include the following: \nJosh Dedrick – Josh Dedrick is a pop singer/songwriter from Memphis\, TN. \nRochel – Rochel is Hip-Hop/R&B artist from Memphis\, TN. \nLaDarryl – LaDarryl is Hip-Hop artist from Memphis\, TN. \nDoors open at 7 PM and the show starts at 7:30 PM with a special performance by DJ Bryce Todd.
URL:https://crosstownarts.org/calendar/14225/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220318T143000
DTEND;TZID=America/Chicago:20220318T163000
DTSTAMP:20260516T130350
CREATED:20220216T005245Z
LAST-MODIFIED:20220216T005250Z
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SUMMARY:Pierre Bensusan
DESCRIPTION:Crosstown Arts presents French-Algerian acoustic guitar virtuoso\, vocalist and composer Pierre Bensusan in the Green Room.\n\n\n\n\n\n\n\n\nDoors open at 7pm | Show starts at 7:30pm\nTickets: $20 in advance | $25 at the door \nPURCHASE TICKETS HERE \n*Proof of vaccination or a negative Covid test required at check-in for this event. \nFrench-Algerian acoustic guitar virtuoso\, vocalist and composer Pierre Bensusan\, surnamed “Mister DADGAD”\, has taken his unique sound to all corners of the globe. \nWinner of the Independent Music Award for his triple live album “Encore”\, voted Best World Music Guitarist by Guitar Player Magazine reader’s Poll\, winner of the Rose d’Or at the Montreux Festival for his debut album\, Pierre is recognized as one of the greatest guitar players of the 21st century. \nBorn in Oran\, French-Algeria\, in 1957\, when France was decolonizing its Empire\, Pierre Bensusan’s family moved to Paris when he was 4. He began formal studies on piano at the age of 7 and at 11 taught himself guitar. Influenced in those early days by the folk revival blooming in Britain\, France and North America\, Bensusan began first to explore his own diverse musical heritage and then moved to the horizons beyond. He signed his first recording contract at 17\, and one year later his first album\, “Près de Paris”\, won the Grand Prix du Disque upon his debut at the Montreux Festival in Switzerland. \nDescribed by the L.A. Times as “one of the most unique and brilliant acoustic guitar veterans in the world music scene today”\, Pierre’s name became synonymous with contemporary acoustic guitar genius\, long before the terms New Age or World Music were invented. He has literally created a style of playing with the ability to make a single guitar sound like an entire band as he brings the audience on a mesmerizing musical journey. And yet\, Bensusan is more than what any musician or music lover expects from a guitarist. He is a composer as well as a bilingual and original and improvisational vocalist\, with his own scat technique. \nImmortalised by the tune “Bensusan” written in tribute by the late Michael Hedges\, and referenced as an important inspiration to many other great musicians\, Pierre Bensusan is a one-of-a-kind artist whose music transcends genre and time\, with an uninhibited sense of musical freedom and expression\, a sense of something both playful and serious\, otherworldly yet right here right now. His “manner” of playing defies classification – crossing world\, classical\, jazz\, traditional\, folk\, pop and more. None can be isolated as simply “World Music”\, “Celtic”\, “Arabic” or “French”; rather\, they represent Pierre’s genuine vocabulary and the best part of our world in its current state\, a world sharing itself. Not to be missed!
URL:https://crosstownarts.org/calendar/pierre-bensusan/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220317T143000
DTEND;TZID=America/Chicago:20220317T163000
DTSTAMP:20260516T130350
CREATED:20220202T204557Z
LAST-MODIFIED:20220208T181123Z
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SUMMARY:Back to the Light: Songs & Stories hosted by J.D. Reager
DESCRIPTION:Join J.D. Reager for “Back to the Light: Songs & Stories”\, featuring performances and conversations with special guests HEELS\, Cory Branan\, Alicja Trout\, Graham Burks\, Michaela & Will Forrest\, and Jeff Hulett. \nThe Green Room\nTickets: $15 in advance | $20 at the door (plus fees)\nDoors open at 7pm | Show starts at 7:30pm \nPurchase Tickets Here \n\n*Crosstown Arts is requesting proof of vaccination or a negative Covid test for this event. Please be prepared to present your vaccination card or a negative Covid test taken within 72 hours at check-in. \nJ.D. REAGER \nMemphis musician/songwriter/multi-instrumentalist J.D. Reager is a veteran of several TN-based touring and recording acts\, including Glossary\, Pezz\, Two Way Radio\, Snowglobe and The Passport Again. He has opened for heroes and appeared on MTV and released two critically acclaimed solo records\, but is in no way famous. In 2020 he launched a podcast\, network and label called Back to the Light\, and he has since finished a new solo album of his own (due later in 2022)\, and produced a new album for Memphis underground icons The Subteens.  \nHEELS \nHEELS is the combined effort of Joshua McLane and Brennan Whalen. A two-piece band from Memphis\, TN. They started as a stripped down acoustic outfit in 2015. Over the course of the last few years they have evolved into a fast paced electric punk outfit with a more heavy and melodic sound. Equal parts ragers and conversationalists\, HEELS writes pop songs for a dying planet. \nCORY BRANAN \nOver the last two decades Cory Branan has released five albums to much critical acclaim from NPR\, Pitchfork and Rolling Stone among others\, who called him\, “A country boy with a punk-rock heart.” He has toured extensively\, appearing on stages from Letterman and the Ryman to your town’s shittiest punk bar.  \nBranan’s songs have been covered by such artists as Frank Turner and Dashboard Confessional. He has also collaborated with the likes of Jason Isbell\, Laura Jane Grace (Against Me!)\, and Craig Finn (The Hold Steady)\, who have been included as featured guests on previous records. Branan has even been mentioned in the Lucero song\, “Tears Don’t Matter Much” with the lyrics\, “Cory Branan’s got an evil streak\, and a way with words that’ll bring you to your knees.” \nALICJA TROUT \nAlicja Trout is a Memphis-based rock guitarist\, singer and songwriter. She is best known for her work with the synth-heavy Lost Sounds\, which she started with Jay Reatard. Her current band\, the River City Tanlines\, were named an essential Memphis band by Spin Magazine in December 2007. Trout also owns and operates Contaminated Records\, her own independent record label.  \nGRAHAM BURKS \nGraham Burks is a multi-instrumentalist and producer who has toured and played with Pezz\, Sweet Knives\, Magic Kids\, Jeremy Scott\, Small Room\, Perfect Vessels\, Infinity Stairs\, Recoil\, and more. Graham released a new album with his solo project Loose Opinions in 2021.  \nMICHAELA & WILL FORREST \nMichaela and Will are a husband and wife duo from Memphis. As a duo\, they specialize in covering Southern soul and Blues. Their full band\, Rosey\, can be found on Spotify and Bandcamp at yesorrosey.bandcamp.com. \nJEFF HULETT \nMemphis musician Jeff Hulett started playing drums at 16 years old. Around 21 he knew he wanted to be a songwriter and band leader. Today\, Jeff plays in several Memphis bands\, including Snowglobe and Me & Leah\, as well as leading his own band. His music is eclectic\, simple\, and always a tad surprising.
URL:https://crosstownarts.org/calendar/back-to-the-light-songs-stories-hosted-by-j-d-reager/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220317T143000
DTEND;TZID=America/Chicago:20220317T160000
DTSTAMP:20260516T130350
CREATED:20220121T215501Z
LAST-MODIFIED:20220121T215546Z
UID:10004085-1647527400-1647532800@crosstownarts.org
SUMMARY:Crosstown Arthouse presents MIRACLE IN MILAN
DESCRIPTION:The Crosstown Arthouse Film Series presents MIRACLE IN MILAN at Crosstown Theater.\n\nVittoria De Sica / 1951 / 96 minutes / Rated M\nTickets: $5 at the door\nFilms begin at 7:30 pm (sharp!) at Crosstown Theater \nVittorio De Sica’s follow-up to his international triumph Bicycle Thieves is an enchanting neorealist fairy tale in which he combined his celebrated slice-of-life poetry with flights of graceful comedy and storybook fantasy. On the outskirts of Milan\, a band of vagabonds work together to form a shantytown. When it is discovered that the land they occupy contains oil\, however\, it’s up to the cherubic orphan Totò (Francesco Golisano)—with some divine help—to save their community from greedy developers. Tipping their hats to the imaginative whimsy of Charles Chaplin and René Clair\, De Sica and screenwriter Cesare Zavattini (adapting his own novel) craft a big-hearted ode to the nobility of everyday people. Restored from the original camera negative by Cineteca di Bologna and Compass Film\, in collaboration with Mediaset\, Infinity\, Arthur Cohn and Variety Communications at L’Immagine Ritrovata laboratory. \n\n\n\n\n\n\n\nThe Crosstown Arthouse Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground and documentary features. \nCrosstown Arts is requesting proof of vaccination or a negative Covid test for this event. Please be prepared to present your vaccination card or a negative Covid test taken within 72 hours at check-in.
URL:https://crosstownarts.org/calendar/crosstown-arthouse-presents-miracle-in-milan/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220316T143000
DTEND;TZID=America/Chicago:20220316T160000
DTSTAMP:20260516T130350
CREATED:20211214T161120Z
LAST-MODIFIED:20220127T212135Z
UID:10003340-1647441000-1647446400@crosstownarts.org
SUMMARY:Kittel & Co.
DESCRIPTION:Crosstown Arts presents acoustic stringed-instrument collective Kittel & Co. in The Green Room. \nTICKETS: $20 advance | $22 at the door\nDoors at 7 pm | Show at 7:30 pm \nCrosstown Arts is requesting proof of vaccination or a negative Covid test for this event. Please be prepared to present your vaccination card or a negative Covid test taken within 72 hours at check-in. Masks are required. \nKittel & Co. is one of the premier American acoustic bands performing today. Led by GRAMMY-nominated composer Jeremy Kittel\, described by WGBH as “one of the most exceptional violinists and fiddlers of his generation…” The stringed-instrument collective features a cast of musically kindred spirits — mandolinist Josh Pinkham\, guitarist Quinn Bachand\, bassist Ethan Jodziewicz\, and hammer-dulcimerist Simon Chrisman — each recognized as an innovator on their instrument. \nAfter appearances at the Telluride Bluegrass Festival\, their debut album Whorls charted in the top 10 on the Classical Billboard charts before making its way to the #1 spot on the Bluegrass chart. Earmilk called Whorls a “devastatingly beautiful album … a stunning melting pot of classical and folk music\, featuring some of the greatest musicians in the genre. According to Bluegrass Situation\, Kittel & Co. has “accomplished a feat of new acoustic\, string band-rooted chamber music … whimsical\, alluring\, and magnificent.” \nA Kittel & Co. show is a warmly ambitious romp through genre-bending originals and interpretations. Times UK wrote that Kittel & Co. “takes the string band tradition to marvelously rarefied levels of collective virtuosity. Playing a repertoire from bluegrass to Bach to a strathspey and reel set\, they sounded thrillingly spontaneous.” \nIn addition to Kittel & Co.’s accolades\, Jeremy Kittel received a Grammy nomination in 2019 for “Best Instrumental Composition” alongside icons John Williams and Terence Blanchard. Kittel is also known for arranging and recording work with Yo-Yo Ma\, My Morning Jacket\, Fleet Foxes\, Aoife O’Donovan\, and more. Kittel states that the diversity of artists he works with informs the music he writes for Kittel & Co.\, and that Kittel & Co.’s mission is simply to be “one of the most thrilling\, immersive experiences of what acoustic music can be.”
URL:https://crosstownarts.org/calendar/kittel-co/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220315T143000
DTEND;TZID=America/Chicago:20220315T160000
DTSTAMP:20260516T130350
CREATED:20220125T231319Z
LAST-MODIFIED:20220127T212151Z
UID:10003366-1647354600-1647360000@crosstownarts.org
SUMMARY:Aaron Parks
DESCRIPTION:Crosstown Arts presents jazz pianist Aaron Parks in a special solo performance in the Green Room. \nTickets: $20 in advance | $25 day of the show (limited number of $10 student tickets available) plus fees\nDoors open at 7 pm | Show at 7:30 pm \nCrosstown Arts is requesting proof of vaccination or a negative Covid test for this event. Please be prepared to present your vaccination card or a negative Covid test taken within 72 hours at check-in. Masks are required. \nPianist Aaron Parks released his Blue Note debut “Invisible Cinema” at the age of 25 following three Blue Note releases with trumpeter Terence Blanchard. The BBC declared it “one of the great albums of 2008.” JazzTimes hailed him as “a new visionary.” The San Jose Mercury News named his “Alive in Japan” release as their 2013 Top Jazz Album of the year. \nHe has released two albums on ECM including a solo piano recording and a trio record featuring Billy Hart and Ben Street. Parks has performed and recorded with Kurt Rosenwinkel\, Dhafer Youssef\, Terri Lyne Carrington\, Ambrose Akinmusire\, Gretchen Parlato\, Kendrick Scott\, and Marcus Miller among others. He is also a founding member of James Farm with Joshua Redman\, Matt Penman and Eric Harland. His latest project “Aaron Parks Little Big\,” hailed by PopMatters as “what jazz can be in the new century\,” released their debut in late 2018; the follow-up “Little Big II: Dreams of a Mechanical Man” was released in May 2020 to critical acclaim. Most recently\, Aaron was one of six composers selected to participate in Sundance Institute’s prestigious Film Music and Sound Design Lab for 2020. He lives in Beacon\, NY.
URL:https://crosstownarts.org/calendar/aaron-parks/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220313T130000
DTEND;TZID=America/Chicago:20220313T143000
DTSTAMP:20260516T130350
CREATED:20220125T230249Z
LAST-MODIFIED:20220217T180020Z
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SUMMARY:Cézanne Quartet with Jonathan Tsay
DESCRIPTION:Dallas-based Cézanne Quartet and pianist Jonathan Tsay perform works by Brahms\, Clara and Robert Schumann\, and Prokofiev in the Green Room. \nTICKETS: $15 ($5 student tickets available) plus fees \nDoors at 5:30 pm | Performance at 6:00pm \nCrosstown Arts is requesting proof of vaccination or a negative Covid test for this event. Please be prepared to present your vaccination card or a negative Covid test taken within 72 hours at check-in. Masks are required. \n\nCézanne Quartet \nFormed in 2014\, the Cézanne Quartet is based in Dallas\, Texas\, where they maintain an active performing career. From 2015-2017\, they were named the Peak Fellowship Ensemble-in-Residence at SMU Meadows School of the Arts\, becoming the first quartet chosen for the fellowship. At the 2015 Coltman Chamber Music Competition (Austin\, TX\,) they received Second Place Ensemble in the Senior Division\, and in 2017\, they were named Semi-Finalists at the Plowman Chamber Music Competition (Columbia\, MO.) \nThe group has performed with the Fine Arts Chamber Players\, Amelia Island Chamber Music Festival\, Mimir Chamber Music Festival\, Music in the Mountains Festival\, Bridge the Gap Chamber Series\, Meadows Virtuosi Players\, Texas Christian University CelloFest\, Open Classical Artist Series\, Fort Worth Chamber Music Society\, and Ensemble 75. They have collaborated with artists such as Andres Diaz\, Matt Albert\, Aviram Reichert\, Lucille Chung\, Jonathan Tsay\, the Escher Quartet\, and the Altius Quartet. They have become frequent performers with the Avant Chamber Ballet\, which presents shows at the Moody Performing Arts Center\, NorthPark Center and throughout the DFW area. \nCézanne has a passion for collaborating with young artists\, and has coached chamber music students at Highland Park High School\, Greenhill School and the Music in the Mountains Festival\, in Durango\, Colorado. They also accompanied talented young soloists in the finals of the Ensemble 75 Concerto Competition. \nIn 2018\, Cézanne celebrated the release of their first album titled Retrospection\, which includes works by contemporary American composer Kevin Puts\, and the sixth and final quartets written by Felix Mendelssohn and Béla Bartók. The album was professionally recorded in the beautiful Caruth Auditorium on the Southern Methodist University campus\, and is available for streaming on Spotify. \nJonathan Tsay\, piano \nPrior to his appointment as Assistant Professor of Piano at the Rudi E. Scheidt School of Music at The University of Memphis\, Jonathan Tsay served numerous roles in the music community including Head of Collaborative Piano at Conservatory Music in the Mountains\, Head of Piano at the Chloé Trevor Music Academy\, Presenter and Artist for Cliburn in the Classroom (which serves over 50k under-served 2nd-4th graders in the DFW area per year) and Artistic Director of Ensemble75\, a chamber music series based in the North Texas area. \nA sought after collaborator\, Jonathan has also performed alongside some of the world’s premier musicians\, including Chee-Yun\, David Cooper (Principal Horn\, Chicago Symphony)\, Jing Wang (Concertmaster\, Hong Kong Philharmonic)\, dramatic soprano Alessandra Marc\, the Cézanne Quartet\, and Nathan Olson (Concertmaster\, Dallas Symphony Orchestra). As a solo recitalist\, Jonathan has performed throughout the United States\, Canada\, and Taiwan. \nJonathan earned a Bachelor’s of Music under the tutelage of Dr. Carol Leone at Southern Methodist University and his doctorate at l’Université de Montréal with Marc Durand. \nJonathan’s performances have been broadcast on WRR Classical\, KMFA Classical\, and are featured in the companion CD to “Brahms – A Listener’s Guide: Unlocking the Masters Series.” Jonathan’s album\, “Harmonic Allusions\,” was named in the “Top 5 Albums of 2017” by TheaterJones\, and his YouTube collaboration with Chloé Trevor performing “Danse Macabre” has garnered over 1.3 million views.
URL:https://crosstownarts.org/calendar/cezanne-quartet-with-jonathan-tsay/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220312T133000
DTEND;TZID=America/Chicago:20220312T153000
DTSTAMP:20260516T130350
CREATED:20220214T223443Z
LAST-MODIFIED:20220214T223443Z
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SUMMARY:Folk All Y'all presents: Sarah Potenza
DESCRIPTION:Folk All Y’all presents: Sarah Potenza in the Green Room at Crosstown Arts. \nDoors 7pm | Show at 7:30pm\nTickets: $20 suggested donation \nPURCHASE TICKETS HERE \n  \nAre y’all ready? You better get ready. Because Sarah Potenza is not messing around. Her latest release\, Road to Rome\, shines new light on a songwriter whose career already includes multiple albums as front-woman of Sarah and the Tall Boys\, a game-changing appearance on The Voice\, and an acclaimed solo debut titled Monster. Rolling Stone gushed\, “Potenza is to the blues what Adele is to pop: a colossal-voiced singer who merges her old-school influences with a modernistic sound.” She is a songwriter taking the wheel and driving toward her own destination\, and you want to be there for the journey. \nMinimum ticket price is $20 but you can name-your-own price above that if you’re feeling it. 100% of ticket revenue goes to our artists (you can see where any fees go in the check-out breakdown). Yep\, all of it. Folk All Y’all is volunteer-run and subscriber-supported. Shows are presented in partnership with Crosstown Arts at The Green Room in Crosstown Concourse. \nWe currently require proof of COVID-19 vaccination or a negative PCR test from the previous 48 hours to attend shows. Masks are worn by all guests. Your purchase indicates acceptance of this policy. \nThis show is sponsored by Folk All Y’all patrons.
URL:https://crosstownarts.org/calendar/folk-all-yall-presents-sarah-potenza/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220311T133000
DTEND;TZID=America/Chicago:20220311T150000
DTSTAMP:20260516T130350
CREATED:20220125T220052Z
LAST-MODIFIED:20220312T005146Z
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SUMMARY:Black Cream
DESCRIPTION:Crosstown Arts presents Black Cream in The Green Room. \nTICKETS: $10 advance | $15 day of show\nDoors at 7 pm | Show at 7:30 pm \n*Crosstown Arts is requesting proof of vaccination or a negative Covid test for this event. Please be prepared to present your vaccination card or a negative Covid test taken within 72 hours at check-in. \nBlack Cream is a conglomerate of Memphis’ musical prodigies. Lead guitarist and good soul TO Crivens flies high with his attention to detail during his solos. The band is anchored by bassist Dr. Derek Brassel\, the coolest cat in every room and the unofficially certified groove doctor. His bass lines are spellbinding. Chris Barnes rounds out the Black Cream team on vocals and percussion. Chris Barnes has the charismatic presence of a Baptist preacher and the vocal abilities of your favorite soul crooner.
URL:https://crosstownarts.org/calendar/black-cream-2/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220310T133000
DTEND;TZID=America/Chicago:20220310T150000
DTSTAMP:20260516T130350
CREATED:20220125T225827Z
LAST-MODIFIED:20220302T213638Z
UID:10004094-1646919000-1646924400@crosstownarts.org
SUMMARY:PXLS
DESCRIPTION:Join Memphis-based video game music cover band PXLS for a special performance on MAR10 Day in the Green Room. \nTickets: $12 plus fees\nDoors open at 7 pm | Show at 7:30pm \nCrosstown Arts is requesting proof of vaccination or a negative Covid test for this event. Please be prepared to present your vaccination card or a negative Covid test taken within 72 hours at check-in. Masks are required. \nPXLS is a Memphis-based video game music cover band with their own unique take on video game music. Come see a live band playing your favorite 8-bit and 16-bit era songs and relive the soundtrack to your childhood. If video games don’t interest you\, fear not! With a repertoire that spans several genres like rock\, jazz\, reggae\, and latin there is sure to be something for everyone. Costumes welcome (and encouraged)! \nBen Church – guitar\nDavid Collins – guitar\nJon Harrsion – drum\nZach Nixon – sax\nDaniel McKee – bass\nCedric Taylor – keyboard
URL:https://crosstownarts.org/calendar/pxls/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220310T133000
DTEND;TZID=America/Chicago:20220310T150000
DTSTAMP:20260516T130350
CREATED:20220120T225553Z
LAST-MODIFIED:20220121T215938Z
UID:10004084-1646919000-1646924400@crosstownarts.org
SUMMARY:Crosstown Arthouse Film Series presents THE BIG BIRD CAGE
DESCRIPTION:The Crosstown Arthouse Film Series presents THE BIG BIRD CAGE at Crosstown Theater.\n\nJack Hill / 1972 / 88 minutes / Rated R\nTickets: $5 at the door\nFilms begin at 7:30 pm (sharp!) \nIn the ’70s\, mad genius producer Roger Corman took his crew to the Philippines to create the most enduring women-in-prison films in cinematic history. Inside the hellish women’s prison called THE BIG BIRD CAGE\, inmates like Terry (Anitra Ford\, THE PRICE IS RIGHT) struggle to survive. They get their chance to escape when scheming revolutionary Blossom (Pam Grier\, COFFY; FOXY BROWN) engineers a prison break… from the outside in! “Half of you won’t get ten steps before you get a boobful of lead!” Also starring Carol Speed (ABBY THE BLACK EXORCIST) and directed by the legendary Jack Hill (SPIDER BABY; THE SWINGING CHEERLEADERS). \n\n\n\n\n\n\n\nThe Crosstown Arthouse Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground and documentary features. \nCrosstown Arts is requesting proof of vaccination or a negative Covid test for this event. Please be prepared to present your vaccination card or a negative Covid test taken within 72 hours at check-in.
URL:https://crosstownarts.org/calendar/crosstown-arthouse-presents-the-big-bird-cage/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220309T130000
DTEND;TZID=America/Chicago:20220309T153000
DTSTAMP:20260516T130350
CREATED:20220225T040402Z
LAST-MODIFIED:20220225T040652Z
UID:10003391-1646830800-1646839800@crosstownarts.org
SUMMARY:MicroCinema/Shoot & Splice: An Evening with Hope Tucker
DESCRIPTION:Crosstown Arts and Indie Memphis present a special combined MicroCinema / Shoot & Splice screening of short films + discussion at Crosstown Theater.\n\n\nDoors open at 6:30pm | Screening & Discussion begin at 7:00pm\nFREE EVENT / Pay-What-You-Can at the door \n\n\n\nCrosstown Arts is requesting proof of vaccination or a negative Covid test for this event. Please be prepared to present your vaccination card (or a photo of card) or a negative Covid test taken within 72 hours at check-in.  \n\n\n\n\n\nCrosstown Arts and Indie Memphis are thrilled to be hosting the first combined MicroCinema and Shoot & Splice experience: An Evening with Hope Tucker! Join us as we dive into the experimental documentary shorts and filmmaking practice of filmmaker and Memphian Hope Tucker – whose most recent short\, What Travelers Are Saying About Jornada Del Muerto\, screened at the 2022 Sundance Film Festival and here in Memphis as part of our Sundance Satellite Screenings!\n\nTucker’s shorts\, or obituaries\, as part of her longitudinal project The Obituary Project\, contain a rigor that invites viewers to consider constructions of public memory\, the long lasting impacts of nuclear research on place and people\, and largely through text and materials\, illustrates the ways in which people interact and reframe the various sites she’s visited throughout the twenty-two year span of the Project.\n\nThe evening will begin with a screening of three of the filmmaker’s works\, and will be followed by a conversation centered on Hope’s approach and experiences with creating experimental documentary work.\n\n**This event will also be livestreamed here: https://bit.ly/3JM94CS
URL:https://crosstownarts.org/calendar/microcinema-shoot-splice-an-evening-with-hope-tucker/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220309T120000
DTEND;TZID=America/Chicago:20220309T130000
DTSTAMP:20260516T130350
CREATED:20220223T202734Z
LAST-MODIFIED:20220223T225245Z
UID:10003386-1646827200-1646830800@crosstownarts.org
SUMMARY:Crosstown Arts Resident Artist Talk
DESCRIPTION:Crosstown Arts Spring 2022 resident artists Richard Jamal Echols and Brandon Blvd will present artist talks in the Green Room at Crosstown Arts. \nFree and open to the public. Masks are encouraged at this event. \n\nAs an African-American man from Memphis\, TN\, Richard Jamal Echols has a genuine interest in everyday people in his community and highlights their ways of life through his work. He uses his art to promote a positive narrative of his community to combat the negative stereotypes oftentimes portrayed through various forms of media. The visual qualities of his artwork can be described as narrative paintings that depict African-American figures interacting within a diverse range of environments. \n“I believe it is my duty as an artist to create work that challenges the assumptions of the viewer.” \n\nBrandon Blvd’s objective is to empower the voiceless\, encourage the downtrodden\, and motivate the underdog through music\, art\, and soul. Brandon has a focus and mission of expanding the confines and depths of societal norms by embracing and experimenting with hip-hop. \n“Some yearn to share the same lanes as others. I dared to travel down my own Blvd.” \n\n 
URL:https://crosstownarts.org/calendar/crosstown-arts-resident-artist-talk-14/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220308T133000
DTEND;TZID=America/Chicago:20220308T153000
DTSTAMP:20260516T130350
CREATED:20220222T004441Z
LAST-MODIFIED:20220223T195627Z
UID:10004115-1646746200-1646753400@crosstownarts.org
SUMMARY:Tom Guarna with Ted Ludwig\, Liam O'Dell\, and James Sexton
DESCRIPTION:Crosstown Arts presents Grammy-nominated guitarist\, composer and arranger Tom Guarna in the Green Room. He will be joined by Ted Ludwig (guitar)\, Liam O’Dell (bass)\, and James Sexton (drums). \n\n\n\n\n\n\n\n\nDoors open at 7pm | Show begins at 7:30pm\nTickets: $15 in advance | $18 at the door \n\nPURCHASE TICKETS HERE \n\n*Crosstown Arts is requesting proof of vaccination OR a negative Covid-19 test taken within 72 hours of the event. At-home tests and rapid tests are accepted.  \nGrammy-nominated guitarist\, composer and arranger Tom Guarna began his musical studies at age fifteen\, rapidly demonstrating a natural ability to play and compose. After studying classical guitar and composition at the Brooklyn Conservatory of Music in 1986\, he played local gigs in New York and fine-tuned his education with John Abercrombie. He earned a Bachelor Degree from The New School for Jazz and Contemporary Music and a Master’s Degree at The Juilliard School. \nAfter working with several jazz bands\, he joined Blood Sweat and Tears in 1995 and toured extensively with them for the next three years. Since then\, he has forged his own voice as a modern jazz guitarist\, performing with a wide range of artists including Wallace Roney\, Stanley Clarke\, Mark Turner\, Branford Marsalis\, Randy Brecker\, Dr. Lonnie Smith\, Mulgrew Miller\, Fred Wesley\, Mike Clark\, Uri Caine\, The Allman Brothers\, The Yellowjackets\, and Gary Bartz. \nGuarna has toured five continents with his own quartets and as a top sideman in several exciting groups led by Lenny White\, E.J. Strickland\, and Les McCann. He was a featured artist on over thirty albums\, and composed “If You Dare\,” a funk-rock song on Lenny White’s 2010 Anomaly CD. Guarna also toured the United States with pianist Manuel Valera\, after playing on the Grammy Award-nominated 2012 album\, New Cuban Express. \nAs composer and leader\, Guarna has recorded: Get Together (2005)\, Out from the Underground (2007)\, Wingspan (2008)\, Major Minor (2009)\, Bittersweet (2011)\, and the hard-grooving Rush (2014)\, which garnered wide acclaim. His seventh album\, The Wishing Stones (2017)\, featuring an all-star quartet of drummer Brian Blade\, bassist John Patitucci and pianist Jon Cowherd\, was lauded a 4-star rating in DownBeat Magazine. \nTom Guarna\, a guitarist whom DownBeat magazine has praised for the “emotion\, tension\, surprise and passion” in his playing on Rush\, assembled what he calls “a dream team” for The Wishing Stones. The album\, his first for the Destiny Records label\, was released in November of 2017. The 11 hook-laced Guarna originals\, produced by the guitarist and performed with warmth and élan by his all-star quartet\, were masterfully engineered by George Shalda. It was recorded at Sear Sound\, the New York site of historic studio sessions for artists such as David Bowie and Wynton Marsalis. \nThe Wishing Stones was inspired by his accidental discovery of Aruba’s Rock Wish Garden\, a peaceful beach featuring stone structures that visitors have built over the years as totems. Guarna explains: “Each of these stacks of stones has a story\, representing the desires\, aspirations and memories of many people. I’d like my songs – my stacks of stones\, as it were – to have a similar resonance with listeners. That’s been a goal as I evolve\, to convey life’s emotions in music\, whether it’s in my writing or the textures I create on the guitar. I want to get to the heart of the matter.” \nGuarna incorporates many styles (jazz\, funk\, latin\, soul\, pop\, R&B\, world music) into his own blend of unique and engaging music\, as he forges ahead within his forte: modern jazz with a touch of classical influence.
URL:https://crosstownarts.org/calendar/tom-guarna-with-ted-ludwig-liam-odell-and-james-sexton/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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DTSTART;TZID=America/Chicago:20220308T133000
DTEND;TZID=America/Chicago:20220308T150000
DTSTAMP:20260516T130350
CREATED:20220125T213834Z
LAST-MODIFIED:20220211T181059Z
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SUMMARY:Eighth Blackbird
DESCRIPTION:Crosstown Arts presents the dynamic GRAMMY Award-winning ensemble Eighth Blackbird at Crosstown Theater. \nTICKETS: $20 ($10 student tickets with ID) plus fees\nDoors open at 7:00pm / Performance at 7:30pm \nCrosstown Arts is requesting proof of vaccination or a negative Covid test for this event. Please be prepared to present your vaccination card or a negative Covid test taken within 72 hours at check-in. Masks are required. \nEighth Blackbird\, hailed as “one of the smartest\, most dynamic ensembles on the planet” (Chicago Tribune)\, began in 1996 as a group of six entrepreneurial Oberlin Conservatory students and continues today under the leadership of founding members Lisa Kaplan (executive director) and Matthew Duvall (artistic director). \nEighth Blackbird has won four Grammy Awards for Best Small Ensemble/Chamber Music Performance over its 23-year history and has become “a brand-name defined by adventure\, vibrancy and quality” (Detroit Free Press). It has commissioned and premiered hundreds of works by established and emerging composers\, including Steve Reich’s Pulitzer Prize-winning Double Sextet and works by Andy Akiho\, Bryce Dessner\, Michael Gordon\, Jennifer Higdon\, Amy Beth Kirsten\, David Lang\, David T. Little\, Nico Muhly\, Carlos Sanchez-Gutierrez\, Julia Wolfe\, and Pamela Z. Through performances in its Chicago home base and at venues across the U.S. and around the world\, Eighth Blackbird has brought innovative presentations of works by living composers to tens of thousands of music lovers. \nThe ensemble’s extensive recording history\, primarily with Chicago’s Cedille Records\, encompasses more than a dozen acclaimed albums. Its most recent release on 37d03d/Secretly Canadian\, 2019’s When We Are Inhuman\, is a collaboration with The National’s Bryce Dessner and Will Oldham (aka Bonnie ‘Prince’ Billy) that features new arrangements by Lisa Kaplan\, who also co-produced the album with Dessner. Singing in the Dead of Night\, written for Eighth Blackbird by Michael Gordon and Pulitzer Prize winners David Lang and Julia Wolfe\, will be released on Cedille Records on June 12\, 2020. Other collaborations with some of today’s most well-regarded artists include heralded performers such as Dawn Upshaw and Jeremy Denk\, seminal composers such as Philip Glass and Nico Muhly\, and genre-fluid composers and performers Dessner\, Oldham\, Arcade Fire’s Richard Reed Parry\, Justin Vernon of Bon Iver\, My Brightest Diamond frontwoman Shara Nova\, and Iarla Ó Lionáird of The Gloaming. \nIn addition to its Grammy Awards\, Eighth Blackbird’s many honors include winning the 1998 Concert Artists Guild Competition; pioneering a year-long residency at the Museum of Contemporary Art—Chicago in 2016\, during which the ensemble served as a living installation with open rehearsals\, performances\, guest artists\, and public talks; receiving the prestigious MacArthur Award for Creative and Effective Institutions and Chamber Music America’s inaugural Visionary Award; and being named Musical America’s 2017 Ensemble of the Year. \nThe members of Eighth Blackbird value their roles as curators\, educators\, and mentors. The ensemble was named music director of the 2009 Ojai Music Festival\, has held residencies at the Curtis Institute of Music and at the University of Chicago\, and serves as ensemble-in-residence at the University of Richmond. In 2017 and 2018\, Eighth Blackbird led its boldest initiative yet\, the Blackbird Creative Laboratory\, an inclusive\, two-week summer workshop and performance festival for performers and composers in Ojai\, California. During the 2018–19 season\, some of the Lab’s network of 60 alumni presented regional events and side-by-side concerts across the U.S. and in Melbourne\, Australia with members of Eighth Blackbird. In the 2019–2020 season\, Eighth Blackbird performs works by Lab alumni Fjóla Evans\, Nina Shekhar\, and Viet Cuong. In 2020\, it will give the world premiere of a new work for sextet and the U.S. Navy Band by Cuong in conjunction with Chicago’s Year of Music. \nThe name “Eighth Blackbird” derives from the eighth stanza of Wallace Stevens’s evocative\, imagistic poem\, Thirteen Ways of Looking at a Blackbird: “I know noble accents / And lucid\, inescapable rhythms; / But I know\, too\, / That the blackbird is involved / In what I know.” \nMatthew Duvall\, Artistic Director \nLisa Kaplan\, Executive Director \nLina Andonvoska\, flutes \nZach Good\, clarinets \nMaiani da Silva\, violin \nAshley Bathgate\, cello \nMatthew Duvall\, percussion \nLisa Kaplan\, piano \nEighth Blackbird is managed by David Lieberman Artists. Carol Fox & Associates is Eighth Blackbird’s Public Relations Agency.
URL:https://crosstownarts.org/calendar/eighth-blackbird/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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DTSTART;TZID=America/Chicago:20220306T123000
DTEND;TZID=America/Chicago:20220306T150000
DTSTAMP:20260516T130350
CREATED:20220125T214806Z
LAST-MODIFIED:20220208T181339Z
UID:10004092-1646569800-1646578800@crosstownarts.org
SUMMARY:Doll's Playlist
DESCRIPTION:Crosstown Arts presents Doll’s Playlist in The Green Room. \nTickets: $15 (plus fees) in advance | $20 (plus fees) day of the show\nDoors open at 6 pm | Show at 6:30 pm \n*Crosstown Arts is requesting proof of vaccination or a negative Covid test for this event. Please be prepared to present your vaccination card or a negative Covid test taken within 72 hours at check-in. \nCrosstown Arts presents Doll’s Playlist\, a show where the audience picks the music! Doll McCoy has curated a playlist of songs you can find on Apple Music & Spotify that are compiled of her favorite B-side music\, requests from you\, and original music! Follow the playlist\, send your request\, and she’ll perform it at the show! This show features a special opening performance by Nashville saxophonist/singer/producer Michael Holt. \nAbout Doll McCoy:\nDoll McCoy is a singer/songwriter born and raised in Memphis\,TN. She formed her roots singing\, and directing in the church choir at Greater Mt. Moriah Baptist Church. Going on to become a student at Ridgeway Jr. High/High School\, she met her 3 sisters and together they formed the group “ADAJYO” and have been together for 17 years. With a desire to expand her artistry\, she relocated to Los Angeles\, CA from 2011-2015\, working with artists such as Raphael Saadiq and Leonna Lewis. In 2015\, she went on to work for the B.B. King Blues Club\, traveling the world aboard Holland America Cruise Lines until 2018. Now back in Memphis\, she uses all that she has learned and continues to perform in the city and create new music with ADAJYO and plans to release her own new music soon!
URL:https://crosstownarts.org/calendar/dolls-playlist-2/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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