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SUMMARY:IN THE ROUND with Mark Edgar Stuart\, Keith Sykes\, and Jimmy Davis (SOLD OUT)
DESCRIPTION:The Green Room at Crosstown Arts\nFriday\, July 7\, 2023\nDoors open at 7pm | Show begins at 7:30pm\nTickets: SOLD OUT \nJoin Mark Edgar Stuart\, Keith Sykes\, and Jimmy Davis for an old-fashioned song swap in the Green Room at Crosstown Arts! \nMark Edgar Stuart \nMark Edgar Stuart has toured and played on dozens of critically-acclaimed records including an appearance on “The Late Show with David Letterman.” With little fuss or fanfare he became the go-to bass player for an elite group of record producers and artists. His no-nonsense style always played a supporting role that was close to the spotlight\, but not too close… Cancer changes things\, and so does losing your father. When all of these things happened in rapid succession Mark took some time to heal\, and reevaluate. In 2010 He put down his bass\, picked up a guitar\, and started writing songs he never thought anybody outside his family would ever hear. It’s possible nobody ever would have heard them either\, if not for the encouragement of his colleagues. His debut album earned him “Record Of The Year” by the Memphis Flyer. Soon he was opening for all his heroes including Leon Russell\, Tony Joe White\, Levon Helm\, and Billy Joe Shaver. Grammy-winning music writer/director Robert Gordon is a big fan\, often spinning Mark’s tracks on his weekly radio show\, and other critics agree: “His acerbic wit is reminiscent of John Prine and Randy Newman” (No Depression); “His wry\, cutting view of the world makes something old new again” (Paste); “Always maintaining a tender demeanor\, his songwriting is smart as it is sincere” (Pop Matters). Quick-witted\, empathetic\, and self-deprecating\, aloof but probably alert of the room tone\, most folks will find themselves compatible with Mark Edgar Stuart\, whose complementary musicality and contagiously honest voice showcase a resilient and relaxed artist\, both sage and seasoned. \nYou’ll have a tough time finding a more widely-embraced modern singer-songwriter in Memphis \nKeith Sykes \nOnce upon a time in the summer of 1967\, Keith Sykes hitchhiked to the Newport Folk Festival and saw Arlo Guthrie perform “Alice’s Restaurant.” In the fall of that year he got a copy of the album\, learned the whole song and sang it at a Holiday Inn in Charleston\, South Carolina. They hired him on the spot for a regular gig playing music in the hotel. It’s pretty perfect that such a rambling tale should be at the start of Keith’s own rambling tale – in the more than 40 years that followed\, he would become a troubadour and storyteller\, a massively successful songwriter with more than 100 songs recorded by artists as diverse as Rosanne Cash and George Thorogood. He would tour every corner of America and play in just about every conceivable kind of venue\, appear on Saturday Night Live and Austin City Limits\, and host songwriter nights on Memphis’ legendary Beale Street with many of music’s most talented songwriters. He would join Jimmy Buffett’s Coral Reefer Band\, tour the country and record the Volcano album – the title track for which he co-wrote with Jimmy. To date\, recordings of Keith’s songs have sold more than 25 million copies worldwide. With 13 full-length albums released – and great success with his own publishing company\, credited with signing John Kilzer to Geffen Records and the discovery of Todd Snider – Keith Sykes has proven to be nothing short of prolific. \nJimmy Davis \nJimmy Davis’ songs have been recorded by Martina McBride\, Restless Heart\, Tommy Alverson\, Reba Russell\, Walt Wilkins\, as well as a myriad of other recording artists. As a backing vocalist\, Jimmy has lent his extensive vocal talents to projects by numerous recording artists including\, The North Mississippi Allstars\, Jim Dickinson\, Johnny Lang\, Bernie Leadon\, Keith Sykes\, Michael Hearne\, Toy Caldwell\, Susan Marshall\, Mark Collie and William Lee Golden. It’s Jimmy’s warmth\, charisma and talent as a writer – performer that endear him to his well known peers. In the early 1980’s Jimmy began touring with the country recording artist\, Charly McClain\, as a rhythm guitar player and backing vocalist. In 1987\, Jimmy Davis & Junction signed with MTV’s QMI/MCA record label. The band’s first release “Kick the Wall” yielded a top 40 AOR hit and a hit MTV Video. Junction was renowned for their live performances\, and their songs took the band on a wild\, rock and roll ride around the world. Aching to get back to his roots\, Jimmy\, headed back to Memphis in 1995 and had the pleasure of hooking up with some of his old buddies\, The Riverbluff Clan\, a rocking bluegrass outfit from the 70’s. With Jimmy on lead vocals and guitar\, the band released two critically-acclaimed independent albums\, in 1996\, “One Night In A Month of Sunday’s” and 1998\, “Two Quarts Low” an Americana Top 20 record. Jimmy was named “Premier Male Vocalist” five times by the Memphis chapter of the National Academy of Recording Arts & Sciences and was well loved by local audiences. \nRefund policy: \nTickets may be refunded up to 72 hours in advance. \nTickets for shows that are cancelled will be refunded. \nIn the case of a postponed show\, tickets will be refunded upon request\, otherwise tickets will automatically be transferred to the new date.
URL:https://crosstownarts.org/calendar/in-the-round-with-mark-edgar-stuart-keith-sykes-and-jimmy-davis/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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SUMMARY:Anthony Q
DESCRIPTION:Crosstown Arts presents Anthony Q in The Green Room. \nThe Green Room at Crosstown Arts\nSaturday\, July 8\, 2023\nDoors open at 7 pm | Show begins at 7:30 pm\nTickets: $15 in advance | $20 day of the show \nPURCHASE TICKETS HERE \nBorn and raised in the vibrant city of Memphis during the ’80s\, Anthony Q’s musical journey was shaped by the rich and diverse sounds of the era. Growing up\, he was surrounded by the influence of his father\, a talented background singer who toured with the legendary Prince during his World Tour. These early experiences ignited Anthony Q’s passion for music and set him on a path toward creating his unique sound. \nInspired by the soulful harmonies of the boy band era in the ’90s\, with artists like H-Town\, Silk\, and Jagged Edge resonating deeply with him\, Anthony Q discovered his love for R&B and hip-hop. He honed his vocal skills and developed a distinctive style that blended the smoothness of R&B with the raw energy of hip-hop\, creating a sound that captured the essence of both genres. \nAt the start of his career\, Anthony Q joined a singing group that toured extensively across Tennessee\, showcasing their talents and captivating audiences with their performances. With the support of his brother Vincent Jr.\, a prominent promoter in Tennessee\, Anthony Q gained exposure and established a name for himself in the local music scene. \nAfter a brief hiatus\, Anthony Q returned to the music scene with renewed purpose. Determined to share authentic and meaningful music with him and the culture he represents\, he set out to create a body of work that speaks to real-life experiences. His lyrics delve into the complexities of hardship\, love\, friendship\, and the joys and challenges of fatherhood\, resonating with listeners on a deeply personal level. \nIn 2022\, Anthony Q released his highly anticipated singles\, “Cut Ties” and “No Handouts.” The singles showcased his growth as an artist and received widespread praise for his honesty\, vulnerability\, and artistic merit. With its soulful melodies\, thought-provoking lyrics\, and impeccable production\, “Cut Ties” and “No Handouts” solidified Anthony Q’s position as a rising star in the R&B/hip-hop landscape as he became a viral sensation overnight. \nWith a bright future ahead\, Anthony Q represents the present and future of R&B and hip-hop. His music transcends boundaries\, touching the hearts of listeners from all walks of life. As he continues to create and share his art\, Anthony Q’s dedication to authenticity and ability to connect with audiences profoundly will undoubtedly propel him to even greater heights in the music industry.
URL:https://crosstownarts.org/calendar/anthony-q/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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SUMMARY:Modern Masters Jazz Series: Pat Bianchi
DESCRIPTION:Crosstown Arts presents the Modern Masters Jazz Series: Pat Bianchi with the Ted Ludwig Trio in The Green Room. \nThe Green Room at Crosstown Arts\nTuesday\, July 11\, 2023\nDoors open at 7 pm | Show begins at 7:30 pm\nTickets: $20 in advance | $25 at the door | $10 student tickets at the door \nPURCHASE TICKETS HERE \nGrammy-nominated organist\, winner of DownBeat magazine’s 2016 rising star poll and Hot Housemagazine’s 2019 poll\, Pat Bianchi has established himself as one of the premier organists on the international scene today. His command of the instrument\, harmonic prowess\, rhythmic intensity and versatility are rivaled by few. Bianchi has had the honor of being a longtime member of jazz guitar icon Pat Martino’s trio and also performed with NEA Jazz Master and saxophone legend Lou Donaldson’s quartet for a number of years as well. \nHe has released eight CDs as a leader and is also a featured artist on over 30 recordings. Building on the success of his 2015 recording A Higher Standard\, his 2019 release In The Moment rose to #1 on the Jazzweek Radio Charts and features an array of guests including Pat Martino\, Kevin Mahogany\, Joe Locke\, Peter Bernstein\, Paul Bollenback\, Byron Landham\, Carmen Intorre Jr. Bianchi briefly steps away from his straight-ahead roots on his newest release (2021) Something To Say. \nBianchi\, who comes from a musically gifted family\, began playing organ at the age of 7\, after receiving a Farfisa Compact Duo organ as a Christmas gift. His grandfathers (Pat Bianchi – Saxophone\, and Richard Zona – Trumpet) along with his father (Nick Bianchi – Drums) all working musicians\, provided a great deal of support and guidance early in his musical development. Recognizing Pat’s continuing affinity for music\, his parents enrolled him in classical piano study. While still maintaining a strong interest in organ\, he was playing his first professional gigs by the age of 11\, eventually performing with dance bands around his hometown of Rochester\, NY. Bianchi’s interest shifted in his high school years as he began to also focus more on jazz piano. Enrolling in The Eastman School of Music’s preparatory program for piano and music theory\, Pat was also mentored by numerous musicians in the Rochester jazz scene\, eventually choosing to continue his studies at Berklee College of Music in Boston. Bianchi never lost sight of his love of Jazz Organ and since a B3 was still out of his reach\, he began spending more time on a smaller version of the famed instrument called a Hammond M100. With his passion and dedication\, (also not being able to play left hand bass on a Spinet organ) Bianchi taught himself to play bass lines solely with his foot pedals. It was shortly after this time that Bianchi had a chance encounter with his hero (and soon to be mentor) Joey DeFrancesco. This was the moment Pat knew that in time he would leave the piano behind for the Hammond B3. After graduating Berklee cum laude\, Bianchi secured the position as the house pianist at the famous El Chapultepec club in Denver\, CO. The Pec (as it is known to locals) often brought in guest artists giving Pat the opportunity to play with such greats as Red Holloway\, Dakota Staton\, Carl Fontana\, Javon Jackson\, Mark Elf\, Bud Shank\, Brad Leali\, Pete Christlieb\, and Conte Candoli. After being at the Pec for six nights a week for almost three years\, Pat became an important fixture on the Denver jazz scene. \nAt this time\, Bianchi decided to focus exclusively on the organ making his national debut as an organist\, appearing on two recordings as a member the Denver based organ trio\, 3osity. The national release of Art of The Jazz Organ Trio and the subsequent recording Tri-O-City brought Bianchi wider recognition and onto a larger stage as a rising star of the organ. \nMoving to NYC\, Bianchi quickly established himself in the competitive New York scene. At this time\, legendary saxophonist Lou Donaldson immediately took notice of the young organist. Bianchi then joined the faculty of the University of Colorado at Boulder Jazz Studies Program teaching piano\, theory\, and ensembles to undergraduate\, masters\, and doctoral students. During this time he recorded his first album as a leader\, East Coast Roots\, which features Mark Whitfield on guitar and Byron Landham on drums. At the same time\, Bianchi began working closely with drummer Ralph Peterson Jr. on collaborative projects\, including and co-leading The Unity Project (a tribute to organist Larry Young and his album Unity). \nUpon returning to New York City in June of 2008\, Pat officially joined The Lou Donaldson’s quartet in 2009. Continuing to play with Lou\, Bianchi also joined Pat Martino’s working trio in 2011 while taking on the responsibilities as musical director. Bianchi is featured on numerous recordings such as Tim Warfield’s Sentimental Journey\, a follow up to Warfield’s recording One For Shirley (on which he also appears) as well as guitarist Chuck Loeb’s release\, Plain and Simple. At this time Bianchi also continued to perform with drummer Ralph Peterson Jr.\, forging ahead with The Unity Project. Bianchi was featured\, recording much of this material on Peterson’s CD Outer Reaches. Soon after Bianchi released his second recording as a leader\, Back Home. This recording features Terell Stafford\, Ralph Peterson Jr.\, Wayne Escoffery\, Carmen Intorre Jr. and Gilad Hekselman. \nBianchi not only continues to collaborate\, tour and record with many well known musicians\, he is also very active in the educational front. Pat has been on faculty at Temple University (Philadelphia\, PA) and Queens College (NYC)\, and is currently on faculty at Berklee College of Music (Boston\, MA).
URL:https://crosstownarts.org/calendar/pat-bianchi-with-the-ted-ludwig-trio/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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SUMMARY:Folk All Y’all: Mary Gauthier with Jamiee Harris
DESCRIPTION:Crosstown Arts + Folk All Y’all present Mary Gauthier with special guest Jamiee Harris in The Green Room. \nThe Green Room at Crosstown Arts\nWednesday\, July 12\, 2023\nDoors open at 7 pm | Show begins at 7:30 pm\nTickets: $25 \nPURCHASE TICKETS HERE \n“With songwriting as powerful as hers\, there’s no need to go looking for qualifiers. She’s a unique\, intrinsically valuable musical voice. And there’s never a surplus of those.” – Randy Lewis\, Los Angeles Times \n“Mary’s songwriting speaks to the tender aspects of our humanness. We need her voice in times like these more than we ever have.” – Brandi Carlisle \n“one of the best songwriters of her generation” – Associated Press \nAs she has so eloquently accomplished over the past 25 years\, acclaimed singer-songwriter Mary Gauthier has used her art once again to traverse the uncharted waters of the past few years. Her eleventh album\, the first record in over 8 years consisting of all her own songs\, Dark Enough to See the Stars\, follows the profound antidote to trauma\, Rifles & Rosary Beads\, her 2018 collaborative work with wounded Iraq war veterans. It garnered a Grammy nomination for Best Folk Album\, as well as a nomination for Album of the Year by the Americana Music Association. Publication of her first book\, the illuminating Saved by a Song: The Art and Healing Power of Songwriting\, in 2021\, amplified the specific yet relatable world view that makes her work beloved. \nMary’s songs have been recorded by dozens of artists\, including Jimmy Buffett\, Dolly Parton\, Boy George\, Blake Shelton\, Tim McGraw\, Bettye Lavette\, Mike Farris\, Kathy Mattea\, Bobby Bare\, Amy Helm and Candi Staton and have appeared extensively in Film and Television\, most recently on HBO TV’s Yellowstone. \nMary Gauthier will be joined by special guest Jaimee Harris. No Depression wrote of her latest release: “Harris’ emotionally expansive vocals ring with a crystal clarity and pull from her cinematic songwriting a poignant core of feeling that reverberates with every note.” \nShow is at 7:30 pm with doors opening at 7pm. Minimum ticket price is $25 but you can name-your-own price above that if you’re feeling it or donate a ticket to someone who isn’t in a position to buy one. 100% of ticket revenue goes to our artists (you can see where any fees go in the check-out breakdown). Yep\, all of it. Folk All Y’all is volunteer-run and subscriber-supported.
URL:https://crosstownarts.org/calendar/folk-all-yall-mary-gauthier-with-jamie-harris/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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SUMMARY:Flamenco Memphis: Noche Flamenca (SOLD OUT)
DESCRIPTION:The Green Room at Crosstown Arts\nFriday\, July 14\, 2023\nDoors at 7pm | Performance at 7:30pm\nTickets: SOLD OUT \nCrosstown Arts presents Flamenco Memphis: Noche Flamenca\, an evening of flamenco music and dance. Barcelona native dancer and choreographer\, Noelia Garcia Carmona\, along with guitarist Roy Brewer combine their years of experience and love of Flamenco in a night of Spanish magic and “duende!” The ensemble also includes visual artist and singer Melanie Pyron and flutist Mari Kamikura\, who will blend their melodies with the rhythms of the guitar and dance. \nThis captivating “tablao” style concert presents a variety of “palos” – from the nobel Seguiriyas to playful fiesta songs. The newly created ensemble\, Flamenco Memphis\, will share the beauty\, energy and passion of flamenco in this exciting Spanish night of culture and art. \nCome and join us in this Summer Noche Flamenca! \nThe Ensemble: \nRoy Brewer is a freelance musician and arranger in Memphis. He plays violin\, mandolin and various styles of guitar. Roy has been studying Flamenco guitar since 1980. \nNoelia Garcia Carmona is a performer\, choreographer and dance educator. She teaches ballet and Spanish dance and flamenco to students from early childhood to senior citizens. She is the co-founder of Flamenco Memphis with Roy Brewer. \nMelanie Pyron\, originally from El Dorado\, Arkansas\, studied fine arts in Louisiana\, London\, Germany\, and Barcelona. Annual travels to Mexico as a child stimulated her lifelong passion for the Spanish language and the music from all Hispanic cultures. While in Barcelona\, she witnessed live flamenco performances and is deeply moved by its unique and passionate expression. \nMari Kamikura is a Japanese flutist residing in Memphis. Mari completed a master’s degree in flute performance at the University of Memphis in 2021 and is currently working on an artist diploma certificate. She has appeared as a substitute 2nd and 3rd flute in Memphis Symphony Orchestra in 22-23 season. She is also an artist fellow at Memphis Music Initiative where she helps the middle school band program in MSCS. She performed with Flamenco Memphis in their most recent performance at the Jay Etkin Gallery. \nFlamenco Memphis is working on bringing awareness and expansion of Flamenco Art and Spanish culture in the Memphis area and the Midsouth through dance classes\, lectures\, culture and performances.
URL:https://crosstownarts.org/calendar/16024/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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SUMMARY:Crosstown Arts Resident Artist Talks
DESCRIPTION:Crosstown Arts presents the Resident Artist Talks in The Green Room. \nThe Green Room at Crosstown Arts\nThursday\, July 20\, 2023\nDoors open at 5:30 pm | Show begins at 6 pm\nTickets: Free and open to the public \nCrosstown Arts Summer 2023 resident artists will present artist talks. \nThe presenters will include:\nMelissa Leandro\nTaylor Crawford\nMelanie Manos\nartbully\nMengCheng Collective: Neena Wang\, Lili Nacht\, Yidan Zeng and Thandi Cai \nThis event is free and open to the public.
URL:https://crosstownarts.org/calendar/crosstown-arts-resident-artist-talks-5/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:The Green Room
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