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SUMMARY:Opening Reception
DESCRIPTION:Friday\, March 13\, 2026 | 6–8 PMFree and open to the public \nCelebrate the opening of our Spring exhibitions with an evening of art\, conversation\, and community. This reception brings together three distinct bodies of work spanning painting\, installation\, and multimedia exploration across our galleries and screening spaces. \nFeaturing: \nWiley Henry\nEast GalleryShades of Heritage \nLawrence Matthews\nWest GalleryA Rabbit With A Gun \nKarl Erickson\nScreening Room + Pop Out WallsClub Walrus\, Fluvial Effluvia\, and Know No Now \nFree and open to the public.
URL:https://crosstownarts.org/calendar/opening-reception-2/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
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DTSTART;TZID=America/Chicago:20260117T130000
DTEND;TZID=America/Chicago:20260117T150000
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SUMMARY:Brantley Ellzey Artist Talk
DESCRIPTION:January 17\, 2026 \nCrosstown Arts Galleries \n1PM \nFree and Open to the Public \n  \nJoin us for an artist talk with Brantley Ellzey\, an opportunity to meet the artist and engage directly with a practice that moves through the galleries and screening room as a single\, unfolding gesture. Across film\, installation\, and material studies\, Ellzey traces the spiral as a quiet force gathering motion\, memory\, and meaning. Rolling\, layering\, reflecting\, repeating: these acts become rituals of attention\, linking body to structure\, structure to landscape\, and the intimate to the planetary. This conversation invites you into a world shaped by rhythm\, patience\, and the unseen patterns that continue to turn beneath the surface of things.
URL:https://crosstownarts.org/calendar/brantley-ellzey-artist-talk-2/
LOCATION:Crosstown Arts\, The Green Room\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20251010T130000
DTEND;TZID=America/Chicago:20251010T160000
DTSTAMP:20260519T222641
CREATED:20250916T230231Z
LAST-MODIFIED:20251009T163620Z
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SUMMARY:Opening Reception: Brantley Ellzey - Reflection + Ritual + Refuge
DESCRIPTION:Friday\, October 10\, 2025 | 6-9 pm | Crosstown Arts Galleries\nFree and open to the public \nJoin us for the opening of Reflection + Ritual + Refuge\, a major solo exhibition by Memphis-based artist Brantley Ellzey. \nBrantley Ellzey\n\n\n\nREFLECTION + RITUAL + REFUGE STATEMENT\n\nIn Reflection + Ritual + Refuge\, artist Brantley Ellzey weaves a world where repetition becomes\nremembrance\, where reflection fractures into beauty\, and where the quiet\, persistent act of making\nbecomes a form of resistance.\nAcross media and gesture\, Ellzey explores how we survive—by circling back\, by touching what’s been\nlost\, by naming what others ignore. Rolling\, collecting\, documenting\, layering—these are his rituals. Some\nare personal. Some are political. All are acts of reckoning.\nThe spiral is his recurring form. It turns through the exhibition like a silent logic—natural\, ancestral\,\nunstoppable. It’s found in architecture\, in emotion\, in protest\, in paper. Each gesture becomes a structure.\nEach structure becomes a kind of refuge.\nThis is work that blurs the line between the sacred and the ordinary. Between the deeply interior and the\npublicly defiant. There are no beginnings or endings here—only movement\, only return.\nReflection + Ritual + Refuge is not a single story\, but a field of them. It invites the viewer to look closer\, to\nenter slowly\, to see how something small—repeated—can become something vast.\n\n\n\n\nARTIST BIO (Revised)\n\nBrantley Ellzey is a Memphis-based artist known for transforming everyday printed materials into\nsculptural works that explore memory\, place\, and cultural identity. Raised in Osceola\, Arkansas\, and\ntrained at Tulane University in Theater and Architecture\, Ellzey brings a unique\, multidisciplinary\napproach to his work—blending architecture\, design\, and storytelling.\nEllzey has played a vital role in Memphis’s creative landscape\, first establishing his studio in the heart of\nCrosstown. His current space at Summer Avenue and Baltic Street continues to serve as both a working\nstudio and gallery.\nEllzey’s work appears in collections across the country\, including St. Jude Children’s Research Hospital\,\nSteelcase\, Conde Nast and Nicole Kidman’s production headquarters. His art invites viewers to see the\nbeauty and meaning in what’s often overlooked.\n\n\n\nARTIST BIO (East Atrium)\nBRANTLEY ELLZEY\nREFLECTION + RITUAL + REFUGE\nREFLECTIONS\nIn a world of relentless motion and media noise\, the Reflections installation ("Reflections" being a nod to a\nstoried gay bar in Memphis.) invites the viewer into a space of quiet disorientation—where distortion\nreveals deeper truths.\nUsing rolled mirrored mylar as both material and metaphor\, this body of work challenges our relationship\nwith perception. The surfaces ripple\, fracture\, and fold light into fragmented realities\, evoking the tension\nbetween clarity and chaos. Echoing the Hypostyle Hall in Luxor\, Egypt—where towering columns once\nhoused ritual\, reverence\, and collective awe—this installation transforms the gallery into a contemporary\nsanctuary. The space becomes both architectural and emotional: a forest of mirrored pillars that hold not\njust structure\, but memory.\nThe act of rolling—a primal\, physical gesture—becomes a meditative ritual\, a way to process the\nturbulence of current events and personal anxieties. Meticulous yet destabilizing\, the work invites viewers\n\nto confront their own shifting perspectives. The mirrored mylar refuses to offer a perfect reflection;\ninstead\, it bends the familiar into the uncanny\, revealing how fragile and flexible our realities truly are.\nThis installation honors reflection as a radical act\, ritual as a survival mechanism\, and refuge as a\nnecessary\, sacred space.\n\n\n\n\nARTIST STATEMENT (East Gallery)\nBRANTLEY ELLZEY\nREFLECTION + RITUAL + REFUGE\nSPIRAL ARCHITECTURES\nIn Spiral Architectures\, the act of rolling paper becomes both a personal ritual and a sculptural meditation\non time\, memory\, and survival. Composed of rolled vintage magazines\, construction paper\, a complete\n1962 encyclopedia\, targets\, Mylar\, cellophane and hand-stamped black paper marking every day the\nartist has been alive\, this installation turns an ordinary gesture into an extraordinary archive.\nDrawing inspiration from a childhood memory—a local craftsperson in the artist’s hometown who worked\nwith rolled paper— Spiral Architectures reclaims that modest tradition and reimagines it as a practice of\nresilience. Each roll becomes a vessel: of cultural ideals\, domestic fantasies\, gendered expectations\,\nhistorical knowledge\, and the private rituals of a life lived through seismic personal and collective events.\nThis is a space where time is both compressed and expansive. The repetitive gesture of rolling\,\nperformed over and over\, mirrors the mental and emotional work required to process life's challenges.\nThe materials—both personal and public\, nostalgic and overlooked—are transformed into quiet\nmonuments.\nLike the mirrored columns in the adjacent space\, these works reflect a desire for order in the face of\nchaos. But while the columns reach outward and upward\, Spiral Architectures turns inward\, into\nmemory—into the places of refuge we build within ourselves.\n\n\n\nARTIST STATEMENT (East Gallery – Small Room)\nBRANTLEY ELLZEY\nRFLECTION + RITUAL + REFUGE\n2025 PROJECT\n2025 Project confronts the sharp edge of the present moment—where reflection gives way to resistance\,\nand refuge is found not in memory but in the uncompromising act of creation.\nThis section uses the same ritual of rolling paper found throughout Reflection + Ritual + Refuge\, but here\nthe material is weaponized. Pages from Mandate for Leadership: The Conservative Promise are rolled\nand overlaid with the image of an oversized hand gripping a gun. Nearby\, printed shooting targets—also\nrolled—are clustered in groupings\, their form echoing both vulnerability and defense. These works refuse\nsubtlety; they inhabit a space of threat\, visibility\, and protest.\nAs a queer artist\, the creator of this work grapples with a growing fear for the future—particularly the\nfragility of hard-won rights like same-sex marriage. 2025 Project names the unspoken: that the LGBTQI+\ncommunity is being deliberately targeted by political and religious forces who cloak intolerance in the\nlanguage of “values.”\nUnlike the other sections\, which look inward or backward to memory and ritual for solace\, this work offers\nno comfort. Instead\, it insists on visibility. It is both a warning and a refusal to be erased. The only refuge\nhere is found in resistance—through protest\, through truth-telling\, and through the act of making art when\nthe world demands silence.\n\n\n\nARTIST STATEMENT (Screening Room)\nBRANTLEY ELLZEY\nREFLECTION + RITUAL + REFUGE\nEVERYTHING TURNS\nThere is a rhythm beneath the visible world\, a pattern older than language\, deeper than memory.\nEverything Turns is a meditation on that turning—on the spiral as both structure and spell.\nIn this first experimental film by the artist\, the act of rolling becomes ritual – a quiet conjuring\, a way of\nshaping chaos into meaning. The spiral appears not only in nature—in storms\, galaxies\, seashells—but in\nthe body\, in breath\, in grief\, in healing. To roll is to draw energy inward. To coil. To contain. To remember.\nConnected to the broader exhibition through gesture and material\, Everything Turns expands the central\nact of rolling into a cosmology—a kinetic ritual that links body to world\, past to present\, and the personal\nto the planetary.\n\n\n\nARTIST STATEMENT (West Gallery)\nBRANTLEY ELLZEY\nREFLECTION + RITUAL + REFUGE\nSPECIAL PROJECTS\nSpecial Projects offers a window into the artist’s expanded practice—a space where ritual meets curiosity\,\nand art becomes an act of noticing\, collecting\, and reshaping the world.\nWhether documenting found objects unearthed while gathering trash at his inner-city studio\, protesting\nthe silent vandalism of historic buildings through the Memphis Masonry Preservation Society\, listing small\nacts of love during a year of crisis (Love List 2020)\, restaging the language of advertising to subvert\npower\,  ready-mades\, and intimate portraits of meals shared with his husband\, the artist weaves humor\,\nactivism\, sensitivity\, and critique into a practice rooted in paying attention.  These special projects reveal\nthe artist’s impulse to organize chaos\, to ritualize the everyday\, and to blur the line between personal\narchive and public performance.\nHere\, photography\, social media\, and found materials become not just tools—but rituals. This is art as\ndocumentation\, as resistance\, as a kind of spiritual filing system. There is no hierarchy of material\, no\nfixed path through the works on display —only the result of a mind mapping meaning through every\ndetail.\n 
URL:https://crosstownarts.org/calendar/opening-reception-brantley-ellzey-reflection-ritual-refuge/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251009
DTEND;VALUE=DATE:20260126
DTSTAMP:20260519T222641
CREATED:20251014T174613Z
LAST-MODIFIED:20251015T174110Z
UID:10004718-1760036400-1769363999@crosstownarts.org
SUMMARY:Brantley Ellzey: Reflection + Ritual + Refuge
DESCRIPTION:On view through January 25\, 2026Crosstown Arts GalleriesFree and open to the public\nTues-Friday from 11-8pm and Saturday and Sunday from noon-6pm \nIn Reflection + Ritual + Refuge\, artist Brantley Ellzey weaves a world where repetition becomes remembrance\, where reflection fractures into beauty\, and where the quiet\, persistent act of making becomes a form of resistance. \nAcross media and gesture\, Ellzey explores how we survive: by circling back\, by touching what has been lost\, by naming what others ignore. Rolling\, collecting\, documenting\, layering—these are his rituals. Some are personal. Some are political. All are acts of reckoning. \nThe spiral is his recurring form. It turns through the exhibition like a silent logic\, natural\, ancestral\, unstoppable. It is found in architecture\, in emotion\, in protest\, in paper. Each gesture becomes a structure. Each structure becomes a kind of refuge. \nThis is work that blurs the line between the sacred and the ordinary\, between the deeply interior and the publicly defiant. There are no beginnings or endings here\, only movement\, only return. \nReflection + Ritual + Refuge is not a single story\, but a field of them. It invites the viewer to look closer\, to enter slowly\, to see how something small\, repeated\, can become something vast. \nBrantley Ellzey is a Memphis-based artist known for transforming everyday printed materials into sculptural works that explore memory\, place\, and cultural identity. Raised in Osceola\, Arkansas\, and trained at Tulane University in Theater and Architecture\, Ellzey brings a multidisciplinary approach that blends architecture\, design\, and storytelling. His work appears in collections across the country\, including St. Jude Children’s Research Hospital\, Steelcase\, Conde Nast\, and Nicole Kidman’s production headquarters.
URL:https://crosstownarts.org/calendar/brantley-ellzey-reflection-ritual-refuge/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250911T130000
DTEND;TZID=America/Chicago:20250911T150000
DTSTAMP:20260519T222641
CREATED:20250822T212118Z
LAST-MODIFIED:20250822T215355Z
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SUMMARY:Artist Talks: September 11
DESCRIPTION:Thursday\, September 11\n6–8 PM\nThe Galleries at Crosstown Arts\nFree and open to the public\n\n  \nJoin us for a special evening with exhibiting artists Alexandra Rose\, Anthony George\, Tad Lauritzen Wright\, Andres Arauz\, and Abby Meyers as they discuss their current work on view at Crosstown Arts. \nThis is a unique opportunity to hear directly from the artists about their processes\, inspirations\, and the ideas behind their exhibitions. Whether you’re deeply involved in the local art scene or just starting to explore\, you’ll gain meaningful insight into the creative minds shaping contemporary art in Memphis. \nFree and open to all-come connect with the artists and the art.
URL:https://crosstownarts.org/calendar/artist-talks-september-11/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250530T130000
DTEND;TZID=America/Chicago:20250914T150000
DTSTAMP:20260519T222641
CREATED:20250521T194221Z
LAST-MODIFIED:20250602T232135Z
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SUMMARY:Bleeding Together\, [Fe]atured Ar[Ti]sts\, and Zen on the Installment Plan
DESCRIPTION:About the Exhibitions: \n\n\nBleeding Together – A Correspondence\nAndres Arauz and Abby Meyers bring their wheat-pasted street art into the gallery\, transforming collages and poems into wheat-pasted wood panels. Their work invites viewers into a collaborative and vulnerable space\, exploring healing and shared community. \n[Fe]atured Ar[Ti]sts – The Metal Museum\nThis exhibit showcases the artistic practices of staff from the Metal Museum. Blending forging\, casting\, and fine smithing with media like photography\, music\, and woodworking\, the exhibit reflects the creativity and collaborative spirit at the heart of the institution. \nZen on the Installment Plan – Tad Lauritzen Wright\nThis exhibition explores the tension between chaos and contemplation through mixed media installations that invite personal reflection. Utilizing salvaged wood\, photo abstractions\, continuous lines\, and symbolic figures\, Lauritzen Wright emphasizes our collective humanity and the instability of modern perception. \nAbout the Artists: \nTad Lauritzen Wright – Texas-born artist known for merging mythology\, abstraction\, and playfulness into deeply personal installations. \nA Correspondence – The Memphis-based duo of Arauz and Meyers whose art blends poetry\, design\, trauma\, and resilience. \nThe Metal Museum Staff – A team of creative professionals advancing metalworking through art and education on a global scale.
URL:https://crosstownarts.org/calendar/summer-exhibition-opening-reception-at-crosstown-arts/
LOCATION:TN
CATEGORIES:Gallery
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250510T060000
DTEND;TZID=America/Chicago:20250510T100000
DTSTAMP:20260519T222641
CREATED:20250505T201121Z
LAST-MODIFIED:20250505T201121Z
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SUMMARY:Art for All Festival
DESCRIPTION:Art for All Festival\n\nSaturday\, May 10 11AM-3PM \nColor Your Day with Joy at the 2025 Art for All Festival! \nGet ready to celebrate creativity in every shade and style!\nThe Art for All Festival returns to Crosstown Arts\, and this year\, we’re making it bigger\, bolder\, and brighter than ever — and best of all\, it’s FREE! \nStep into a world where imagination knows no limits:\nConnect with beloved local organizations like Brooks Museum\, Ballet Memphis\, Hattiloo Theatre\, Dixon Gallery & Gardens\, and many more — all coming together to spark inspiration across generations. \nCreate your masterpiece with hands-on art stations\, collaborative murals\, and craft tables for all ages. \nMove to the music with live performances lighting up the day — from toe-tapping tunes to show-stopping dance. \nCapture the moment with fun photo booths\, face painting\, and playful interactive games scattered throughout the festival grounds. \nExperience art in every form — whether it’s painting\, performance\, poetry\, or just the pure joy of being part of a vibrant\, creative community. \nBring your friends\, your family\, and your sense of adventure — because at Art for All\, everyone’s an artist and every moment is a masterpiece waiting to happen. \nSaturday\, May 10\, at Crosstown Arts — Let’s make something beautiful together!
URL:https://crosstownarts.org/calendar/art-for-all-festival/
LOCATION:TN
CATEGORIES:East Atrium,Gallery
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250415T130000
DTEND;TZID=America/Chicago:20250415T150000
DTSTAMP:20260519T222641
CREATED:20250310T204049Z
LAST-MODIFIED:20250310T204049Z
UID:10004580-1744722000-1744729200@crosstownarts.org
SUMMARY:Resident Artist Talks
DESCRIPTION:Crosstown Arts is proud to present the spring residency cohort’s Resident Artist Talks! Join artists Ethan James McVay\, Susan Maakestad\, Vania Barraza\, Kelundra Smith\, Camilla Sims\, and A$H. for an evening of insight into the work of these six dynamic resident artists. This free event at The Green Room will feature presentations from various disciplines—including film\, music\, painting\, sculpture\, and playwriting—who will share their creative journeys\, inspirations\, and artistic processes. \nThis is a fantastic opportunity to connect with artists and hear firsthand about their work and the intersection of different art forms. Whether you’re a long-time art enthusiast or new to the creative community\, we invite you to experience the passion and creativity that drives these talented individuals. \nDon’t miss this inspiring evening—come meet the artists and dive into the world of contemporary art!
URL:https://crosstownarts.org/calendar/resident-artist-talks-5/
LOCATION:Crosstown Arts The Green Room
CATEGORIES:Gallery,The Green Room
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250306T130000
DTEND;TZID=America/Chicago:20250306T160000
DTSTAMP:20260519T222641
CREATED:20250114T232828Z
LAST-MODIFIED:20250218T001146Z
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SUMMARY:"The Films of Stan Brakhage" with an original live score by Cloudland Canyon
DESCRIPTION:The Crosstown Arts Film Series presents “The Films of Stan Brakhage” with an original live score by Cloudland Canyon at the Crosstown Theater on Thursday\, March 6\, at 7:00 pm.\n\n\n\n \nStan Brakhaage\, a wildly prolific experimental filmmaker in American avant-garde cinema and one of cinema’s principle architects of cinematic modernism\, made nearly 400 films and eight books of film criticism and theory between 1952-2003. Dozens of his films\, including “Anticipation of the Night\,” “Mothlight\,” “Dog Star Man\,” and “Scenes from Under Childhood” are acknowledged masterworks. The techniques he pioneered \, most notably rapid editing\, handheld camera\, lens flares and physical manipulation of the filmstrip\, came to define experimental cinema\, but they were also absorbed by advertising\, music videos\, and Hollywood.\nChallenging all taboos in his exploration of birth\, sex\, death\, and the search for God\,” he turned his camera on explicit lovemaking\, childbirth\, even autopsy. Many of his most famous works pursue the nature of vision itself and transcend the act of filming. His films seek to change the way we see. They encourage viewers to abandon traditional structure in favor of pure visual perception that is not reliant on naming what is seen. His goal was to create a more visceral  visual experience. He believed that “a stream of visual consciousness could be nothing less than the pathway of the soul.” His films are shot in highly sensual colors and utilize minimal soundtracks. \n \nCloudland Canyon  is an experimental rock/psychedelic rock band formed in 2002 by Kip Uhlhorn and Simon Wojan. Cloudland Canyon has released several critically acclaimed albums include Fin Eaves\, Lie in Light\, and An Arabesque. Their recent releases have been produced by Sonic Boom from Spacemen3/Spectrum. With each release\, Uhlhorn has pushed the envelope of experimental pop music\, collaborating with various musicians and producers to create intricate and other wordly compositions .Cloudland Canyon is a must-listen for anyone interested in the possibilities of experimental music in the 21 century. New members joining Uhlhorn in the band include Corbin Linebarier of General Labor\, Graham Burks of Loose Opinions\, and Alex Greene of Alex Greene and the Rolling Head Orchestra. 
URL:https://crosstownarts.org/calendar/the-films-of-stan-brakhage-with-an-original-live-score-by-cloudland-canyon/
LOCATION:TN
CATEGORIES:Crosstown Theater,Gallery
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250213T130000
DTEND;TZID=America/Chicago:20250213T160000
DTSTAMP:20260519T222641
CREATED:20250114T232828Z
LAST-MODIFIED:20250123T024929Z
UID:10003838-1739451600-1739462400@crosstownarts.org
SUMMARY:Film Series :  In The Mood For Love (2000) directed by Wong Kar-wai
DESCRIPTION:Film Series :  In The Mood For Love (2000) directed by Wong Kar-wai\n\nHong Kong\, 1962: Chow Mo-wan (Tony Leung Chiu-wai) and Su Li-zhen (Maggie Cheung Man-yuk) move into neighboring apartments on the same day. Their encounters are formal and polite—until a discovery about their spouses creates an intimate bond between them. At once delicately mannered and visually extravagant\, Wong Kar Wai’s In the Mood for Love is a masterful evocation of romantic longing and fleeting moments. With its aching musical soundtrack and exquisitely abstract cinematography by Christopher Doyle and Mark Lee Ping-bin\, this film has been a major stylistic influence on the past decade of cinema\, and is a milestone in Wong’s redoubtable career. (Janus Films).\n\nDoors:6:30\nScreening: 7:00\n$5:00 per entry
URL:https://crosstownarts.org/calendar/film-series-in-the-mood-for-love-2000-directed-by-wong-kar-wai/
LOCATION:TN
CATEGORIES:Crosstown Theater,Gallery
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2025/01/Screen-Shot-2025-01-22-at-4.45.14-PM.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250207T180000
DTEND;TZID=America/Chicago:20250511T200000
DTSTAMP:20260519T222641
CREATED:20250210T223739Z
LAST-MODIFIED:20250210T223739Z
UID:10004568-1738951200-1746993600@crosstownarts.org
SUMMARY:From the Ashes\, Supernatural Telescope\, The Colors of the Caribbean\, A Journey into the Shadows
DESCRIPTION:FOUR POWERFUL EXHIBITIONS ON VIEW THROUGH MAY 11 AT CROSSTOWN ARTS \nCrosstown Arts is proud to present four compelling exhibitions that will remain on view through May 11\, 2025. These exhibitions showcase the work of four dynamic artists whose practices explore themes of resilience\, memory\, identity\, and migration. Each exhibition offers a distinct yet interconnected perspective on the human experience\, inviting visitors to engage with visually striking and emotionally resonant works. \nFrom the Ashes – Maritza Dávila-Irizarry\nIn From the Ashes\, celebrated printmaker Maritza Dávila-Irizarry transforms personal tragedy into artistic expression. In April 2024\, a devastating fire destroyed her printmaking studio\, consuming decades of artwork\, tools\, and treasured books. But from this loss\, Dávila has created an exhibition that tells a story of endurance\, recovery\, and community support. \nFeaturing both new and salvaged works\, From the Ashes integrates printmaking\, mixed media\, photography\, video\, and remnants from the fire\, preserving a moment in time while looking forward to renewal. A longtime educator and mentor\, Dávila’s work is deeply rooted in ancestry\, cultural memory\, and personal history. Through layered compositions of symbols\, geometric structures\, and organic forms\, she explores themes of womanhood\, family\, and identity. \nHer career has spanned decades\, including 36 years of teaching at Memphis College of Art\, where she influenced generations of artists. This exhibition stands as a testament to her unwavering commitment to creativity—an act of rebuilding not just her studio\, but the artistic connections that have defined her life’s work. \nSupernatural Telescope – Danielle Sierra\nWith Supernatural Telescope\, Danielle Sierra presents a deeply personal and poetic reflection on memory\, love\, and spirituality. Inspired by the passing of her father\, the exhibition explores the unseen ways in which love\, grief\, and imagination intertwine. Sierra’s work is an invitation to peer through a lens that transcends time\, where the past and present merge in moments of beauty and loss. \nThrough evocative paintings\, Sierra uses layered imagery and symbolic elements to capture the emotional weight of remembrance. Organic forms blend with architectural and cultural motifs\, reflecting the ways in which personal history and artistic vision shape our understanding of the world. \nSierra\, a native of Avenal\, California\, earned her MFA from the University of Memphis and has established herself as an artist whose work celebrates identity and heritage. She has contributed to significant mural projects in Memphis and Philadelphia\, honoring diverse communities through large-scale public art. Supernatural Telescope continues her exploration of storytelling through visual expression\, offering viewers a glimpse into the delicate interplay between love\, legacy\, and faith. \nThe Colors of the Caribbean – Juan Roberto Murat Salas\nA celebration of culture and heritage\, The Colors of the Caribbean by Juan Roberto Murat Salas transports viewers into the vibrant landscapes of the Caribbean. Murat Salas\, a Cuban-born painter trained at the prestigious San Alejandro Academy of Arts in Havana\, brings the rich visual traditions of his homeland to life through bold colors and dynamic compositions. \nHis work incorporates themes of deities\, architecture\, dance\, flora\, and fauna\, drawing on centuries of artistic influence while infusing each piece with his personal vision. The exhibition pays tribute to the great masters of Cuban art\, including Wilfredo Lam\, Amelia Peláez\, and René Portocarrero\, while asserting a contemporary voice that speaks to both tradition and modernity. \nBeyond its celebration of artistic heritage\, The Colors of the Caribbean also reflects the challenges faced by artists from the Global South. For Murat Salas\, like many Cuban artists before him\, exile has played a role in shaping his creative journey. This exhibition marks his first major show in the United States\, providing an opportunity to share his vision with a broader audience and bring the energy and resilience of Caribbean art to Memphis. \nA Journey into the Shadows – Nelson Gutierrez\nIn A Journey into the Shadows\, Colombian-born artist Nelson Gutierrez confronts the realities of migration and displacement through a striking visual language of shadow and movement. Using three-dimensional cutout drawings illuminated by shifting projections\, his work creates an immersive experience that reflects the instability and uncertainty faced by those seeking a brighter future. \nThe figures in Gutierrez’s work appear to walk endlessly\, their forms dissolving into shifting masses of shadow. This interplay between light and darkness serves as a metaphor for the invisible struggles of displaced people—those whose identities blur as they move between places\, often unseen and unheard. His process involves hand-drawn figures that are laser-cut into sculptural forms\, which are then manipulated through projected light to create a constantly evolving visual landscape. \nGutierrez\, who holds an MFA from Chelsea College of Art in London\, has exhibited internationally\, with works that address sociopolitical themes through conceptual and multidisciplinary approaches. His work in Memphis continues his commitment to exploring human resilience and the search for belonging in an ever-changing world. \n\nPlan Your Visit\nThese four exhibitions will remain on view at Crosstown Arts Gallery through May 11\, 2025. Each artist brings a unique perspective\, yet together\, their work forms a powerful narrative of transformation\, cultural identity\, and perseverance. \nWe invite you to explore these thought-provoking exhibitions and experience the profound stories they tell. \n📍 Crosstown Arts Gallery\n🗓 On View Through May 11\, 2025\n🎟 Free and Open to the Public
URL:https://crosstownarts.org/calendar/from-the-ashes-supernatural-telescope-the-colors-of-the-caribbean-a-journey-into-the-shadows/
LOCATION:TN
CATEGORIES:Gallery
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2025/02/OnViewThrough_02_07_25_Galleries_SocialMedia-Art9.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250207T120000
DTEND;TZID=America/Chicago:20250207T140000
DTSTAMP:20260519T222641
CREATED:20250131T004721Z
LAST-MODIFIED:20250131T181432Z
UID:10004554-1738929600-1738936800@crosstownarts.org
SUMMARY:GALLERY OPENING RECEPTION
DESCRIPTION:GALLERY OPENING RECEPTION \nJoin us Friday\, February 7\, from 6–8 PM at Crosstown Arts for an unforgettable evening celebrating four powerful exhibitions: \nFrom the Ashes by Maritza Dávila-Irizarry\nSupernatural Telescope by Danielle Sierra\nThe Colors of the Caribbean by Juan Roberto Murat Salas\nA Journey into the Shadows by Nelson Gutierrez \nEnjoy a special reception menu by Chef Kevin Sullivan of Kitchen Laurel. \nGuests will also receive a complimentary signature cocktail from Art Bar—the “Frosted Citrine\,” featuring vodka\, orange\, maple syrup\, bitters\, and soda. \nLive music by Ted Ludwig and Michael Shults will set the atmosphere for an evening of art\, conversation\, and creativity. Free and open to the public. \nCrosstown Arts
URL:https://crosstownarts.org/calendar/gallery-opening-reception/
LOCATION:TN
CATEGORIES:East Atrium,East Gallery,Gallery,West Gallery
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2025/01/OpeningReception_02_07_25_Galleries_SocialMedia-Headshots-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20250116T120000
DTEND;TZID=America/Chicago:20250116T140000
DTSTAMP:20260519T222641
CREATED:20241003T015140Z
LAST-MODIFIED:20250109T192429Z
UID:10003801-1737028800-1737036000@crosstownarts.org
SUMMARY:Rescheduled: Artist Talks Featuring Lester Merriweather & Alex Paulus
DESCRIPTION:Artist Talks Rescheduled: New Date & Time \nDear Crosstown Arts Community\, \nWith the possibility of inclement weather this weekend\, we’ve decided to reschedule the Artist Talks originally planned for Saturday\, January 11. Keeping the safety and well-being of our community in mind\, the event will now take place on:\nThursday\, January 16\, 2025\n6–8 PM \nWe can’t wait to welcome you for an evening of creativity\, connection\, and inspiration on the 16th! \n\nJoin us for an inspiring conversation with artists Lester Merriweather and Alex Paulus as they discuss their current exhibitions and creative processes. \nLester Merriweather’s ANA•LOG examines agency over Black visualization within American popular culture through layered\, hand-crafted collages. Inspired by Basquiat-Warhol collaborations\, Dr. Dre’s conceptual album The Planets\, and the experimental processes of Jack Whitten\, Merriweather’s work serves as a “Record of Remembered Angers\,” addressing racial disparities in visual culture. \nAlex Paulus’s Size Matters explores scale and proportion\, contrasting small figures in expansive landscapes with large-scale portraits of significant personal figures from his childhood. His work reflects on human existence\, our place in the universe\, and the peculiarities of life on Earth. \nThis is a unique opportunity to engage with two distinct artistic perspectives. \nFree and open to the public. We hope to see you there. \nWhen:\nSaturday\, January 11\, 2025 Rescheduled for Thursday\, January 16\nTime:\n6:00 PM – 8:00 PM\nWhere:\nThe Galleries at Crosstown Arts\n1350 Concourse Ave\, Suite 280\, Memphis\, TN 38104
URL:https://crosstownarts.org/calendar/artist-talks-featuring-crosstown-arts-residents/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery,Residency
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20241221T083000
DTEND;TZID=America/Chicago:20241221T110000
DTSTAMP:20260519T222641
CREATED:20241217T033329Z
LAST-MODIFIED:20241217T034542Z
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SUMMARY:SEASON SERENADE
DESCRIPTION:Collage Youth Ensemble &  Memphis Jazz Workshop\npresent\nSEASON SERENADE\nA Jazzy Holiday Performance\nSaturday\, December 21\, 2024 • 2:30 pm\nCrosstown Theater\, 1350 Concourse Avenue\, Memphis\, TN\n\n\n\n\nExperience the magic as the Collage Youth Ensemble teams up with the Memphis Jazz Workshop to showcase some of the city’s brightest young talent in a dazzling celebration of music and dance. From the timeless melodies of Duke Ellington and Beethoven to the spirited grooves of the Pointer Sisters and Glen Miller\, each piece weaves a tapestry of hope and resilience\, embodying the true essence of the holiday season. Don’t miss this magical evening of jazzy joy that promises to warm your heart and ignite your spirit!\n\n\n\nTicket link: collagedance.org
URL:https://crosstownarts.org/calendar/season-serenade/
LOCATION:TN
CATEGORIES:Crosstown Theater,Gallery
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2024/12/AS137_JAZZYHOLIDAY_WEB_2160x1080px_V1-e1734406347225.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20241212T123000
DTEND;TZID=America/Chicago:20241212T140000
DTSTAMP:20260519T222641
CREATED:20241017T170011Z
LAST-MODIFIED:20241122T172916Z
UID:10003811-1734006600-1734012000@crosstownarts.org
SUMMARY:Kafé Kirk: Kirk Whalum\, Kevin Whalum & Alonzo Bodden
DESCRIPTION:Crosstown Arts presents Kafé Kirk with Kirk Whalum and special guests Kevin Whalum and Alonzo Bodden in Crosstown Theater. \nThursday\, December 12\, 2024\nCrosstown Theater\nDoors open at 6:00 pm | Show begins at 6:30 pm\nTickets: General Admission $69 (plus fees) \nPURCHASE TICKETS HERE \nJoin Grammy-winning saxophonist Kirk Whalum for Kafé Kirk\, an ongoing jazz series in Crosstown Theater featuring musical and spiritual collaborations with special guest artists. This very special performance will Kevin Whalum and Alonzo Bodden.⁠\n⁠\nKEVIN WHALUM⁠\nKevin Whale\, a 35-year entertainment veteran from Memphis\, is a preacher\, published writer\, and motivational speaker. His music has been featured on Sirius/XM Radio\, and he has appeared on several of his brother Kirk’s albums. As a solo artist\, Kevin has released two albums\, Timetable and One Life to Love. He has also been a dedicated educator and performer at the Nashville Jazz Workshop\, where he participated in the acclaimed “Jazz On The Move” series\, presenting the life and music of jazz legends Nat King Cole and Billy Strayhorn.⁠\n⁠\nALONZO BODDEN⁠\nA regular panel member on NPR’s Wait Wait…Don’t Tell Me\, Alonzo Bodden has been making audiences around the country laugh for more than 20 years. Alonzo’s latest (2022) comedy special Alonzo Bodden: Stupid Don’t Get Tired\, was released on YouTube by Helium Comedy Studios. In 2019\, he starred in his fourth stand-up special\, Alonzo Bodden: Heavy Lightweight\, which premiered exclusively on Amazon Prime Video.⁠\n⁠\nKIRK WHALUM⁠\nSoulful\, passionate\, stirring…these are the words most often used to describe Kirk’s music. Forged from his Memphis\, Tennessee\, gospel roots and his 1980s initiation into the thriving Houston\, TX nightclub scene\, Kirk’s big\, rich tenor sound is unmistakably his. The ’80s were highlighted by Kirk’s stepping out of his blossoming sideman role and forming his own band. It was there that Kirk ultimately developed both his “voice” and songwriting in the crucible of the local club scene—especially at a rooftop club called Cody’s. It was also in Houston where jazz pianist Bob James “discovered” him and brought him on tour\, which led to five successful albums with Columbia Records\, including Cache\, Kirk’s first #1 album.⁠\n⁠
URL:https://crosstownarts.org/calendar/kafe-kirk-kirk-whalum-kevin-whalum-alonzo-bodden/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater,Gallery
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2024/10/web-kirk.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20241210T130000
DTEND;TZID=America/Chicago:20241210T150000
DTSTAMP:20260519T222641
CREATED:20241202T212336Z
LAST-MODIFIED:20241210T103244Z
UID:10004545-1733835600-1733842800@crosstownarts.org
SUMMARY:Shoot & Splice Movie Trivia
DESCRIPTION:The Green Room at Crosstown Arts\nTuesday\, December 10\, 2024\nDoors open at 6:30 pm | Show begins at 7 pm \nShoot and Splice: Movie Trivia\nThroughout the year\, Indie Memphis & Crosstown Arts bring cinematographers\, directors\, editors\, writers\, actors\, and technicians to Shoot & Splice\, our monthly filmmaking forum. Come help us celebrate the end of another fun year with the return of our annual Shoot & Splice Movie Trivia! Test your film knowledge against returning Trivia Masters – John Beifuss of The Commercial Appeal & Chris McCoy of the Memphis Flyer. \nRULES \nNo more than 4 people per team\n5 rounds w/ 10 questions per round\nThe top 3 teams will win prizes\n*Shoot & Splice is a FREE filmmaker forum presented by Crosstown Arts and Indie Memphis\, featuring a wide variety of technical\, educational\, and unique topics of interest to the Memphis filmmaking community.
URL:https://crosstownarts.org/calendar/17997/
LOCATION:TN
CATEGORIES:Gallery,The Green Room
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2024/12/ss.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20241206T110000
DTEND;TZID=America/Chicago:20241206T140000
DTSTAMP:20260519T222641
CREATED:20241121T212728Z
LAST-MODIFIED:20241121T212728Z
UID:10004543-1733482800-1733493600@crosstownarts.org
SUMMARY:Resident Artists Open Studios + Performances
DESCRIPTION:East Atrium + The Green Room at Crosstown Arts\nDate: Friday\, December 6\, 2024\nTime: 5 pm to 8 pm\nPerformances: 6:30 pm to 7:30 pm\nReception: 7:30 pm\nLocation: Crosstown Arts. East Atrium \nJoin us for the Residency Open Studios + Performances event at Crosstown Arts! Enjoy studio visits and insight into the creative processes of jin choi\, Victoria Newton Ford\, Areej Jubran\, and Lisette Alvarez\, followed by the musical performances of Ariel Reign and Doter Sweetly! Performances will be followed by in-studio receptions hosted by each artist. \n  \n 
URL:https://crosstownarts.org/calendar/resident-artists-open-studios-performances-2/
LOCATION:Crosstown Arts\, East Atrium\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, United States
CATEGORIES:East Atrium,Gallery,The Green Room
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20241205T110000
DTEND;TZID=America/Chicago:20241205T140000
DTSTAMP:20260519T222641
CREATED:20241203T184651Z
LAST-MODIFIED:20241203T185113Z
UID:10004547-1733396400-1733407200@crosstownarts.org
SUMMARY:End of All Book Pop-Up
DESCRIPTION:5-8pm \nThursday and Friday December 5 and 6 2024 \n  \nThe End of All Art is a new and used art book shop in Memphis\, TN. The bookstore will host pop-up events throughout 2024. \nThe third pop-up bookstore event will be on Thursday\, December 5th\, and Friday\, December 6th at Crosstown Arts in the Crosstown Concourse. \nThe bookstore features art\, photography\, counterculture\, avant-garde\, weirdo\, and other curious titles in both new and used selections. \nFor more information please reach out to endofallartbooks@gmail.com
URL:https://crosstownarts.org/calendar/end-of-all-book-pop-up/
LOCATION:TN
CATEGORIES:East Atrium,Gallery
ATTACH;FMTTYPE=image/png:https://crosstownarts.org/wp-content/uploads/2024/12/popup-small.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20241203T170000
DTEND;TZID=America/Chicago:20241203T190000
DTSTAMP:20260519T222641
CREATED:20241203T005456Z
LAST-MODIFIED:20241203T005456Z
UID:10004546-1733245200-1733252400@crosstownarts.org
SUMMARY:Memphis Cultural Coalition Presents: Winter Artist Mixer
DESCRIPTION:Tuesday\, December 3 · 5 – 7pm CST \nJoin Us at the Art Bar at Crosstown Arts for an evening of connection and creativity at the Winter Artist Mixer! Connect with Memphis arts leaders and fellow creatives who are working together to uplift and strengthen our city’s vibrant arts and culture community. This is your chance to build meaningful relationships\, exchange ideas\, and explore opportunities for collaboration. Let’s come together for a night of fellowship\, inspiration\, and positive vibes. \nWe can’t wait to see you there!
URL:https://crosstownarts.org/calendar/memphis-cultural-coalition-presents-winter-artist-mixer/
LOCATION:TN
CATEGORIES:Art Bar,Gallery
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2024/12/MCC-Artist-Mixer-web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20240927T130000
DTEND;TZID=America/Chicago:20240927T150000
DTSTAMP:20260519T222641
CREATED:20240916T162849Z
LAST-MODIFIED:20240926T155851Z
UID:10004523-1727442000-1727449200@crosstownarts.org
SUMMARY:Crosstown Arts presents an Opening Reception for “Ana Log”\, “Size Matters\,” and "Still" in the Galleries at Crosstown Arts.
DESCRIPTION:The Galleries at Crosstown Arts\nFriday\, September 27\, 2024\nTime: 6-8 pm\nTickets: Free and open to the public \nANA • LOG: \nFOURTEEN PICS \n  \n  \nANA•LOG: Fourteen Pics is a cumulative project referencing elements from several continuing bodies of work by Lester Julian Merriweather including #JETBlack\, WHITE(S) ONLY\, Vanilla Extract\, #WGW\, COLOR(ED) THEORY and Merriweather’s most recent collage series\, #BetterGardensAndJungles. \n  \n  \nThe works presented draw upon several sources: They take direct visual inspiration from the compositions of the 1982-88 Basquiat-Warhol Collaborations. ANA•LOG’s methodology invokes the long-rumored Dr. Dre concept album The Planets in which the famed producer executed each individual track of the album in a completely different genre\, thus creating an intensely lush atmospheric soundscape that still would exist as parts of a whole. The gestural treatment of the layered and excavated surfaces pay homage to the experimental processes of the mid-60s Developer tool works by the late Jack Whitten as well as the innovative organic Tesserae paintings that Whitten continued creating until his death in 2018. \n  \n  \nLanguage is key to the works included in ANA•LOG. In breaking down its linguistic aspects\, Merriweather examined varied forms of the word Analog. The word is defined as “not computerized”; Analog is a counter-cultural delineation that separates itself from the “Digital”. The individually collaged-by-hand “units” in ANA•LOG function in a fashion similar to the amalgamation of pixels in the Digital space. One could recognize Analogous\, “a comparison of two otherwise unlike things based on resemblance of a particular aspect” within the approach of Merriweather’s collage practice. In terms of Memphis slang\, “Ana” is a shortened form of “Animosity”. “Log” in this instance serves as a “Recorded History”. ANA•LOG essentially serves as a “Record of Angers Remembered ” obtained through repeated racial disparities which are then immortalized within generalized/homogeneous American visual media. Merriweather examines the concept of agency over Black Visualization within American Popular Culture. \n  \nSize Matters \nI’ve been thinking about scale and proportion a lot lately. The size of an object can make it seem important or unimportant. And we all measure things according to the size of ourselves. Things that are smaller than us can seem trivial\, while larger objects can feel overwhelming. Yet\, when considering the vastness of the universe\, our planet seems tiny and inconsequential. \n  \nMy current series focuses on the juxtaposition of small figures within expansive landscapes\, alongside large scale portraits depicting figures of profound personal meaning from my childhood. The pieces involving small figures in massive spaces\, create a sense of insignificance. The large portraits give off a sense of immense importance. But this is all relative to the size of the viewer and how it makes them feel. \n  \nI often think about how humans fit into this world and how small we actually are compared to the rest of the universe. I am very interested in the purpose of human existence\, but it seems like we do a lot of weird things for no reason. And I’d like to learn as much as I can with my time here on Earth. \n  \nStill \n  \nMy current work is more about the process of the painting than anything else. Of\ncourse\, there are themes and subjects I gravitate towards—figures and landscapes\,\nideas of solitude and loneliness\, etc.—but there is something so explorative and\nmeditative about painting that I’ve noticed becoming more and more the driving factor\nfor me. I find when I try to come up with ideas that are motivated by the final product I\nget stuck. Lately I have decided to forego the control of the final product and just go\nwhere a piece takes me. In doing so\, I am looking at colors\, shapes\, and textures\ndifferently than I was before\, and I make decisions I probably wouldn’t have made if I\nhad planned everything out. I think focusing on the process has allowed me to lose a\nlittle rigidity and to explore more\, and that is what these pieces have been
URL:https://crosstownarts.org/calendar/opening-reception/
LOCATION:Crosstown Arts East Atrium\, 1350 Concourse Avenue\, Memphis\, TN\, United States
CATEGORIES:East Atrium,Gallery
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240927
DTEND;VALUE=DATE:20250120
DTSTAMP:20260519T222641
CREATED:20241122T173718Z
LAST-MODIFIED:20241122T173718Z
UID:10004544-1727395200-1737331199@crosstownarts.org
SUMMARY:ANA•LOG\, Size Matters\, and Still
DESCRIPTION:The Galleries at Crosstown Arts\nFree and open to the public \nANA•LOG – Lester Merriweather \nFourteen Pics is a cumulative project referencing several continuing bodies of work by Lester Julian Merriweather examining the concept of agency over Black Visualization within American Popular Culture. The works in ANA•LOG draw upon several sources: They take direct visual inspiration from the compositions of the 1982-88 Basquiat-Warhol Collaborations. ANA•LOG’s methodology invokes the long-rumored Dr. Dre concept album The Planets. The gestural treatment of the layered and excavated\nsurfaces in ANA•LOG pays homage to the experimental processes of the mid-60s Developer tool works by the late Jack Whitten. Language is key to the works included in ANA•LOG. In breaking down its linguistic aspects\, Merriweather examined varied forms of the word Analog\, defined as “not computerized”; Analog is a counter-cultural delineation that separates itself from the “Digital”. The individually collaged-by-hand elemental “units” in ANA•LOG act in a fashion similar to pixels in the Digital space. Referencing Memphis slang\, “Ana” is a shortened form of “Animosity”. “Log” in this instance serves as a “Recorded History”. ANA•LOG essentially serves as a “Record of Remembered Angers” obtained through oft repeated racial disparities within American Visual culture. \nSize Matters – Alex Paulus\nI’ve been thinking about scale and proportion a lot lately. The size of an object can make it seem important or unimportant. And we all measure things according to the size of ourselves. Things that are smaller than us can seem trivial\, while larger objects can feel overwhelming. Yet\, when considering the vastness of the universe\, our planet seems tiny and inconsequential.\nMy current series focuses on the juxtaposition of small figures within expansive landscapes\, alongside large-scale portraits depicting figures of profound personal meaning from my childhood. The pieces involving small figures in massive spaces\, create a sense of insignificance. The large portraits give off a sense of immense importance. But this is all relative to the size of the viewer and how it makes them feel.\nI often think about how humans fit into this world and how small we actually are compared to the rest of the universe. I am very interested in the purpose of human existence\, but it seems like we do a lot of weird things for no reason. And I’d like to learn as much as I can with my time here on Earth. \nStill – Michelle Fair\nMy current work is more about the process of the painting than anything else. Of course\, there are themes and subjects I gravitate towards—figures and landscapes\, ideas of solitude and loneliness\, etc.—but there is something so explorative and meditative about painting that I’ve noticed becoming more and more the driving factor for me. I find when I try to come up with ideas that are motivated by the final product I get stuck. Lately I have decided to forego the control of the final product and just go where a piece takes me. In doing so\, I am looking at colors\, shapes\, and textures differently than I was before\, and I make decisions I probably wouldn’t have made if I had planned everything out. I think focusing on the process has allowed me to lose a little rigidity and explore more\, and that is what these pieces have been born from.
URL:https://crosstownarts.org/calendar/analog-size-matters-and-still/
LOCATION:TN
CATEGORIES:Gallery
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20240524T130000
DTEND;TZID=America/Chicago:20240524T150000
DTSTAMP:20260519T222641
CREATED:20240503T212659Z
LAST-MODIFIED:20240507T164636Z
UID:10004470-1716555600-1716562800@crosstownarts.org
SUMMARY:Opening Reception for “MANE” and “Hidden Gems”
DESCRIPTION:Crosstown Arts presents an Opening Reception for “MANE” and “Hidden Gems” curated by Najee Strickland and Kiara Sally in the Galleries at Crosstown Arts. \nThe Galleries at Crosstown Arts\nFriday\, May 24 \, 2024\nTime: 6-8 pm\nTickets: Free and open to the public \nMANE\nIn the South we have a language like no other. Some people think it’s drawn out\, others think it’s charming. Some folks may appropriate\, but none can replicate. In this culmination of speech\, artists expose their own experiences with southern vernacular. All content will reflect the various interpretations from local Memphis-based artist in their hometown. The show will explore how southern speech has shaped their view of community and themselves. \nHidden Gems\nTo level up we must get out of our own way. That can begin with taking a chance or creating one. In this exhibition we search for the hidden gems in our community. This show includes artists with modest visibility and offers them an opportunity to show up and be uncovered. \nPresenting works by: \nMANE:\nMarco Alexander\nDevin Kirkland\nVel Haynes\nLurlynn Franklin\nMosal Morszart\nCheeto Ryan\nKenneth Alexander\nKiersten N. Williams\nKai Ross\nDerrick Weaver\nPrinceton James\nKiara Sally\nNajee Strickland \nHidden Gems:\nNatalia Yarger\nNicolette Taylor\nQuantavious Worship\nGabrielle Duffie\nDimitri Stevens\nClyde Johnson Jr.\nJeanelle Toothbrush Jesus\nNajee Strickland\nTaylor D. Bee Boyd\nTimberly Hope \nCurated by Najee Strickland and Kiara Sally
URL:https://crosstownarts.org/calendar/opening-reception-for-mane-and-hidden-gems/
LOCATION:Crosstown Arts\, East Atrium\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, United States
CATEGORIES:East Atrium,East Gallery,Gallery,Screening Room,West Gallery
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20240413T080000
DTEND;TZID=America/Chicago:20240413T100000
DTSTAMP:20260519T222641
CREATED:20240408T142406Z
LAST-MODIFIED:20240408T142412Z
UID:10004456-1712995200-1713002400@crosstownarts.org
SUMMARY:Artist Talks: Melissa Dunn\, Kevin Brooks\, and Birdcap
DESCRIPTION:Crosstown Arts presents the Artist Talks: Melissa Dunn\, Kevin Brooks\, and Michael “Birdcap” Roy in The Galleries. \nThe East Atrium at Crosstown Arts\nSaturday\, April 13\, 2024\nTalks: 1-3 pm\nTickets: Free and open to the public \nCurrent exhibiting artists Melissa Dunn\, Kevin Brooks\, and Michael “Birdcap” Roy will discuss their work\, processes\, and influences. It’s a chance to get a special glimpse behind the curtain and better understand the art and the artists. \nThe Earthworm and the Hawk is the overlap between two states of being. In the private and non-verbal world of Melissa Dunn’s sketchbook\, she burrows deep\, generating drawings intuitively from her imagination. As the pages fill up\, she steps back and shifts perspective\, becoming more objective. The lay of the land comes into sharp focus. Here she maps out\, poses questions\, and acts decisively. \nWhat were you meant for? is an art exhibition that delves deep into the world of film to uncover the seldom-seen layers of Black male identity. It navigates a tapestry of scenes that bring to the forefront the poignant battles between vulnerability and societal expectations\, challenging the confining boxes of toxic masculinity. Through curated cinematic moments\, the exhibition forces viewers to confront their own biases and question ingrained beliefs about strength\, resilience\, and emotional depth. \nIliumpta is a retelling of Homer’s Iliad set in the Southernmost bayous of Mississippi. Named after the county the story takes place in\, Iliumpta draws comparisons between masculinity in the American South and the sandaled heroes of yore\, often pointing out the weakness in a regional outlook that insists on staying put during hurricanes.
URL:https://crosstownarts.org/calendar/artist-talks-melissa-dunn-kevin-brooks-and-birdcap/
LOCATION:Crosstown Arts\, East Atrium\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, United States
CATEGORIES:East Atrium,Gallery
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230901T130000
DTEND;TZID=America/Chicago:20230901T150000
DTSTAMP:20260519T222641
CREATED:20230822T181757Z
LAST-MODIFIED:20230822T182033Z
UID:10003656-1693573200-1693580400@crosstownarts.org
SUMMARY:Opening Reception for Autumn Art Exhibitions
DESCRIPTION:Crosstown Arts presents an Opening Reception for the Autumn Art Exhibitions in the Galleries at Crosstown Arts.\n \nThe Galleries at Crosstown Arts\nFriday\, September 1\, 2023\nTime: 6-8 pm\nTickets: Free and open to the public \nCelebrate the opening of the autumn/winter 2023 art exhibitions by Ahmad George\, Noah Thomas Miller\, and Coe Lapossy with an evening of art\, conversation\, and food at Crosstown Arts. The menu for the evening is prepared by Chef Cole Jeanes\, founder of Kinfolk Restaurant\, and the food is generously provided by Ben E. Keith Co. \nThe Molasses Man & Other Delta Tales serves as an anthology of stories based off of Ahmad George’s life and experiences with people they’ve encountered here and not. These works feature scenes with existing and non-existing figures from folklore and mythology sourced from the American South\, elsewhere\, and created. \nAhmad George is a painter and multimedia artist from Memphis\, Tennessee. They’ve shown at NADA Miami as well as national and international group and solo exhibitions.Through their work\, they explore the liminal space between reality\, mythology\, folklore\, and self. Their world-building thins the veil of this world by mixing  imagery of the American South (mostly scenes from Tennessee and Mississippi) with local and sourced myths from different parts of the world. Oftentimes\, they use people from their own life to be the protagonists of these narratives. Major themes they explore in their paintings currently include generational history\, transformation\, consequence\, and spiritual alchemy. \n___________________________________________________________________________ \nDays follows the everyday observations of the structures we interact with. The houses become more than just a residence\, but become individuals themselves. The shadows start to blur the line of where the walls stop and where a presence might begin. \nNoah Thomas ​​Miller is Illinois-born but finds his home in Memphis. He works in multivalent mediums\, whether that be woodworking\, film\, sound installation\, or a combination of materials\, to preserve memory and tell stories. \n___________________________________________________________________________ \nBut Then\, Suddenly I Was Looking From the Inside Out is about “no compartments.” Everything is mashing together in life all the time — and while Lapossy longs for stability and order — it’s all happening at once and they love how that feels — what that allows for. Not to be confused with multitasking\, this is a kind of nurtured chaos. \nThrough a resistance to the tenants of modernism\, Coe Lapossy centers erased histories and marginalized labor. They create work that revels in the subversive\, how it sneaks in and makes change\, how it works undetected because it must. They revisit artifacts of queerness wedged within a seemingly straight world\, choosing these references\, linking narratives from various times throughout history\, things forgotten\, erased\, messages that “flew under the radar.” With the reuse of these artifacts they create a meditation on what bodies we value\, how we memorialize\, and what/who survives under the conditions we create. \n 
URL:https://crosstownarts.org/calendar/opening-reception-for-autumn-art-exhibitions/
LOCATION:Crosstown Arts\, East Atrium\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, United States
CATEGORIES:East Atrium,East Gallery,Gallery,West Gallery
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20230421T130000
DTEND;TZID=America/Chicago:20230421T150000
DTSTAMP:20260519T222641
CREATED:20230407T173118Z
LAST-MODIFIED:20230407T173118Z
UID:10004315-1682082000-1682089200@crosstownarts.org
SUMMARY:Opening Reception for Spring 2023 Exhibitions
DESCRIPTION:The Galleries at Crosstown Arts\nFriday\, April 21\, 2023\nTimes: 6-8 pm\nTickets: Free and open to the public \nCrosstown Arts announces its spring 2023 arts programming — “Deceive the Heavens to Cross the Seas” by McLean Fahnestock\, “Edgewise: Exploring Pattern and Rhythm with Line” by Khara Woods\, “Entrances\, Exits and the Spaces Betwixt” by Tangela Mathis\, and “Color Thread” by Carl Fox. \nThe opening reception is scheduled for Friday\, April 21\, 6-8 p.m. The exhibitions run from Saturday\, April 22\, through Sunday\, August 6.   \nScreening Room:\nMcLean Fahnestock — “Deceive the Heavens to Cross the Seas”\n \nThis exhibition is composed of videos from McLean Fahnestock’s Stratagem series\, where the sea and sky flip and merge to generate a new\, seductive yet false horizon. Stratagems are plans or schemes that are designed to deceive. Usually referring to warfare\, they are a well-executed artifice upon an enemy. Working with her interest in desire as it manifests in the landscape\, these works present the ways that our desires can open a door to our ultimate deception.  \nIn a presentation unique to Crosstown Arts\, the videos have been loaded into a custom program that randomly chooses the video and the length of time the video will loop before the next one is randomly chosen to play. Viewers will have a shifting experience that will never repeat. \nThe title for the exhibition comes from the first of the 36 Stratagems – a 6th century Chinese text covering political\, military\, and social strategy written by an unknown scholar. \nMcLean Fahnestock works with the dynamically changing landscape. Her practice is centered on our desire for specific visual and physical landscapes as manifested through the concept of paradise. This has led to investigations into how this desire has been the catalyst for climate change\, colonialism\, and ecocide. She utilizes digital forms of collage\, video\, and new media. McLean received a BFA from Middle Tennessee State University and MFA from California State University Long Beach. Her work has been exhibited and screened across the United States and internationally. Her work was selected for Off the Screen at the 57th Ann Arbor Film Festival. She has been an artist in residence at Stove Works in Chattanooga\, Tennessee\, and The Lock-Up in Newcastle\, New South Wales\, Australia. McLean keeps her studio in Old Hickory\, Tennessee. \n \nEast Gallery: \nKhara Woods — “Edgewise: Exploring Pattern and Rhythm with Line” \n“Edgewise: Exploring Pattern and Rhythm with Line” presents a collection of paintings\, sculpture and creative devices developed since 2016. The works examine the creation of movement and texture focusing on a restricted set of grids\, bold colors and shapes inspired by basic geometry. Within these confines\, there are arrangements that intertwine\, shift and vibrate across canvas and wood.\n\nKhara Woods was born and raised in Memphis\, Tennessee. She comes from a family of artists and craftspeople. She continues the tradition with her geometric abstract paintings and sculpture. Woods began working as a public artist in 2015\, creating and installing murals. In 2016\, she began her studio practice. Woods works primarily with wood\, using it as a canvas or to make 3D art. Mural Arts Philadelphia commissioned Woods as a lead artist for its Art & Environment Initiative in 2019. She completed her first large-scale data visualization mural\, “Basin Portraits\,” in October of that year. She created paintings and mini sculptural studies for her first solo exhibition in October 2020 at the Beverly and Sam Ross Gallery at Christian Brothers University. Some of Woods’ latest op-art-inspired paintings and a layered wood sculpture were displayed in the Axis exhibition at Hilliard Art Museum in Lafayette\, Louisiana in 2021. Since then\, Woods is continuing to develop her studio practice and making more 3D works. and State Fellowship Program\, and was the finalist for the Southern Prize. \n \nWest Gallery: \nTangela Mathis — “Entrances\, Exits and the Spaces Betwixt” \n“Entrances\, Exits and the Spaces Betwixt” presents contrasting aspects of personality\, showcasing the yin and yang of pneuma. The exhibit represents a mental\, emotional\, and spiritual transformation within a palpable dreamscape. Works presented depict and embrace ideas of transitory spaces visually\, mentally and physically.  \n“Entrances\, Exits and the Spaces Betwixt” offers the public a glimpse into the unfiltered psyche of TANGELA. The exhibit presents contrasting aspects of her personality\, showcasing the yin and yang of her pneuma. TANGELA is undergoing a mental\, emotional\, and spiritual transformation\, and invites visitors to witness her journey as she ebbs and flows.\n\n \nArt Bar Bar Top: \nCarl Fox — “Color Thread”  \n“Color Thread” by Carl Fox is a mixed-media installation featuring works in acrylic\, oil\, and watercolor paired with text. The installation invites the viewer to move along a tapestry of color and hold space for Carl’s thoughts on the nature of color and how an examination of that nature can be brought to other aspects of life. Do colors have identity? Can one re-create an experience of color? How do the richest colors — browns\, coppers\, maroons — seem to slide under us\, unnoticed\, as we move through everyday life?
URL:https://crosstownarts.org/calendar/opening-reception-for-spring-2023-exhibitions/
LOCATION:Crosstown Arts\, East Atrium\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, United States
CATEGORIES:East Atrium,East Gallery,Gallery,Screening Room,West Gallery
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221118
DTEND;VALUE=DATE:20230327
DTSTAMP:20260519T222641
CREATED:20221028T172700Z
LAST-MODIFIED:20230222T211430Z
UID:10004244-1668794400-1679857199@crosstownarts.org
SUMMARY:“Mending in a State of Abundance”
DESCRIPTION:On view November 18\, 2022 to March 26\, 2023\nCrosstown Arts Galleries\nFree and open to the public \nGallery Hours\nTuesday–Friday: 10 a.m. – 8 p.m.\nSaturday: 10 a.m. – 6 p.m.\nSunday: noon– 6 p.m. \n“Mending in a State of Abundance” explores the emotional and physical labor of repair\, offering an alternative response to the modern realities of material excess. Through slowly mending both found and personal objects by hand\, textile artist Katrina Perdue investigates connections and relationships between sentimental and material worth\, surplus and enough\, holding on and letting go.  \nThroughout the exhibition\, damaged objects repaired with colorful threads emphasize and celebrate worn areas — not only to preserve and restore\, but also to offer a renewed sense of value\, appreciation\, and usefulness. Using darning techniques in traditional and nontraditional ways\, stitching serves as a visual representation of mending as an act of care. To fix something — to make it whole again — is an act of healing.  \nExtending the life of any object is also a significant gesture towards a more sustainable existence. Displayed alongside the carefully mended pieces are all too familiar scenes of excess — piles of handmade quilts in need of repair\, mass quantities of unwanted clothing bundled in bales like harvest crops. This visual interplay of abundance and scarcity calls into focus the paradox of fixing things in a culture of mass consumerism and disposability.  \nFrom emotional repairs like the artist’s own jeans heavily patched with layers of her late father’s clothing\, to a cracked plastic garden tote pulled from the garbage and stitched back together\, “Mending in a State of Abundance” is about seeing the potential in worn-out everyday objects. Through repair\, we can rethink consumption and imbue our own value on possessions and resources. As we navigate the vicissitudes of life\, piecing together broken materials can also make a way forward feel tangible — one thread\, one stitch\, one step at a time. \nKatrina Perdue is a textile artist and educator living and working in Memphis\, Tennessee. Her love for hand stitching has grown over the past twenty years from first learning machine sewing\, quickly followed by hand knitting\, and most recently to a full time studio practice focusing on the art and impact of mending and repair. She was selected to be a textile studio assistant at Penland School of Craft for a summer 2019 mending workshop\, a 2020 Arts Memphis ArtsAccelerator Grantee\, and an adjunct instructor of Textiles at the University of Memphis.  \nKatrina was born and raised in the Midwest\, spent several years living in the Mid-Atlantic\, and now calls Memphis — the heart of the Mid-South — home. \nInstagram: @katrinaperdue \nWebsite: www.katrinaperdue.com
URL:https://crosstownarts.org/calendar/mending-in-a-state-of-abundance/
LOCATION:TN
CATEGORIES:Gallery
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221118
DTEND;VALUE=DATE:20230327
DTSTAMP:20260519T222641
CREATED:20221028T171615Z
LAST-MODIFIED:20230222T211607Z
UID:10004242-1668794400-1679857199@crosstownarts.org
SUMMARY:“Those Who Hold Dominion Here”
DESCRIPTION:On view November 18\, 2022\, to March 26\, 2023\nCrosstown Arts Galleries\nFree and open to the public \nGallery Hours\nTuesday–Friday: 10 a.m. – 8 p.m.\nSaturday: 10 a.m. – 6 p.m.\nSunday: noon– 6 p.m. \n“Those Who Hold Dominion Here” by Sarah Elizabeth Cornejo takes inspiration from serpents in Incan Mythology\, and Southern snakes to create a liminal space at the center of the earth presided over by deities capable of transgressing the boundary between this subterranean spiritual realm and our current lived reality. After the violence of our present\, portals on the walls reminiscent of black holes observe and allow entry and exit to the space. Observing through these windows our human actions on earth\, these yonic\, serpentine deities rise encrusted from the deepest earth\, unknowable\, and as guides responsible for the passage of knowledge. Bringing humanity to a negotiation of human time on earth\, they facilitate the decision to exit the space through another portal\, on to an unknown world to come\, or the possibility of complete non-existence. \nSarah Elizabeth Cornejo is an interdisciplinary artist based in Memphis\, Tennessee. She is a co-founder of BASEMENT\, a provisional artist-run space in Chapel Hill\, North Carolina\, where she was also a co-curator from 2019-2022. Her work has been shown throughout the eastern United States and internationally including the Mint Museum\, Ackland Art Museum\, Duke University\, and Field Projects among others. She received her MFA in Interdisciplinary Studio from The University of North Carolina at Chapel Hill\, and her BA in Studio Art and English Literature from Davidson College. She was a 10-month artist-in-residence at Crosstown Arts (2021) and is an upcoming artist-in-residence at the McColl Center (2023). She was a 2021 New Public Sculpture Fellow with the UrbanArts Commission in Memphis\, and a 2021 recipient of TriStar Arts’ inaugural Current Art Fund project grant. She was awarded the 2022 Tennessee State Fellowship through the Southern Prize and State Fellowship Program\, and was the finalist for the Southern Prize. \n 
URL:https://crosstownarts.org/calendar/those-who-hold-dominion-here/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2022/10/CORNEJO_01-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20221118T120000
DTEND;TZID=America/Chicago:20221118T140000
DTSTAMP:20260519T222641
CREATED:20221028T171128Z
LAST-MODIFIED:20221028T172810Z
UID:10004241-1668772800-1668780000@crosstownarts.org
SUMMARY:Opening Reception for “Those Who Hold Dominion Here”
DESCRIPTION:Crosstown Arts presents the opening reception for “Those Who Hold Dominion Here” by Sarah Elizabeth Cornejo. \nNovember 18\, 2022\n6-8 p.m.\nCrosstown Arts Galleries\nFree and open to the public \n“Those Who Hold Dominion Here” by Sarah Elizabeth Cornejo takes inspiration from serpents in Incan Mythology\, and Southern snakes to create a liminal space at the center of the earth presided over by deities capable of transgressing the boundary between this subterranean spiritual realm and our current lived reality. After the violence of our present\, portals on the walls reminiscent of black holes observe and allow entry and exit to the space. Observing through these windows our human actions on earth\, these yonic\, serpentine deities rise encrusted from the deepest earth\, unknowable\, and as guides responsible for the passage of knowledge. Bringing humanity to a negotiation of human time on earth\, they facilitate the decision to exit the space through another portal\, on to an unknown world to come\, or the possibility of complete non-existence. \nSarah Elizabeth Cornejo is an interdisciplinary artist based in Memphis\, Tennessee. She is a co-founder of BASEMENT\, a provisional artist-run space in Chapel Hill\, North Carolina\, where she was also a co-curator from 2019-2022. Her work has been shown throughout the eastern United States and internationally including the Mint Museum\, Ackland Art Museum\, Duke University\, and Field Projects among others. She received her MFA in Interdisciplinary Studio from The University of North Carolina at Chapel Hill\, and her BA in Studio Art and English Literature from Davidson College. She was a 10-month artist-in-residence at Crosstown Arts (2021) and is an upcoming artist-in-residence at the McColl Center (2023). She was a 2021 New Public Sculpture Fellow with the UrbanArts Commission in Memphis\, and a 2021 recipient of TriStar Arts’ inaugural Current Art Fund project grant. She was awarded the 2022 Tennessee State Fellowship through the Southern Prize and State Fellowship Program\, and was the finalist for the Southern Prize.
URL:https://crosstownarts.org/calendar/opening-reception-for-those-who-hold-dominion-here/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2022/10/CORNEJO_02-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220603
DTEND;VALUE=DATE:20221024
DTSTAMP:20260519T222641
CREATED:20220616T174819Z
LAST-MODIFIED:20220907T173611Z
UID:10003461-1654282800-1666551599@crosstownarts.org
SUMMARY:The Art of Science
DESCRIPTION:On view June 4\, 2022 to October 23\, 2022\nCrosstown Arts Galleries\nFree and open to the public \nGallery Hours\nTuesday–Friday: 10 am – 8 pm\nSaturday: 10 am – 6 pm\nSunday: noon– 6 pm \nPresented by Crosstown Arts and Le Bonheur Children’s Hospital in collaboration with the University of Tennessee Health Science Center \nSponsored by Le Bonheur Children’s Hospital and the Children’s Research Foundation Institute \nExploring the beauty of science and the power of art: Local artists paired up with medical research scientists and clinicians from across Memphis.  \nTogether these scientists and artists introduce new audiences to science that is saving lives every day. Local researchers not only strive to prevent and cure childhood illnesses\, but are also making discoveries that can improve the health and well-being of all Memphians and people everywhere. Over thirty local artists will present a piece of art inspired by the work of area researchers and clinicians\, which will also be on display alongside the works of art. The Art of Science artists create unique portals that enable viewers to peer inside the clinics and laboratories of the renowned facilities at Le Bonheur Children’s Hospital\, the University of Tennessee Health Science Center\, and St Jude Children’s Hospital.
URL:https://crosstownarts.org/calendar/the-art-of-science/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2022/06/ArtOfScience_2022_FB-AdBanner-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220410T100000
DTEND;TZID=America/Chicago:20220410T120000
DTSTAMP:20260519T222641
CREATED:20220331T222528Z
LAST-MODIFIED:20220404T160911Z
UID:10004130-1649584800-1649592000@crosstownarts.org
SUMMARY:Memphis Quarantine Closing Ceremony
DESCRIPTION:The Memphis Quarantine exhibit is coming to an end. Join photographer Jamie Harmon for a closing reception Sunday\, April 10\, from 3 – 5pm in the Crosstown Arts Galleries. Anyone that has a photo in the exhibit is welcome to take it home with them at no charge. The prints are large so if anyone wants to order a reprint at a custom size Jamie will be taking orders for those as well (there is a reasonable fee for re-prints).
URL:https://crosstownarts.org/calendar/memphis-quarantine-closing-ceremony/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2022/03/MemphisQuarantine_ClosingCeremony_04_10_22_WebGraphic-SQUARE-1.jpg
END:VEVENT
END:VCALENDAR