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DTSTART;VALUE=DATE:20240208
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SUMMARY:“Iliumpta”
DESCRIPTION:Crosstown Arts presents an “Iliumpta” by Michael “Birdcap” Roy in the Galleries at Crosstown Arts. \nThe Galleries at Crosstown Arts\nOn view through April 28 \, 2024\nTickets: Free and open to the public \nIliumpta is a retelling of Homer’s Iliad set in the Southernmost bayous of Mississippi. Named after the county the story takes place in\, Iliumpta draws comparisons between masculinity in the American South and the sandaled heroes of yore\, often pointing out the weakness in a regional outlook that insists on staying put during hurricanes. \nDirectly\, this work is about Southern fatalism and its effects on masculinity. Fatalism makes an outlook so despairing that stoicism may masquerade as heroism. The men in these works shout from a nihilistic void\, and in their attempts to be heroic\, they\, like the ancients before them\, choose death over happiness\, a closed ear before sound advice\, and doom before an apology. \nMichael Roy\, a.k.a. Birdcap\, grew up near the bayous of Southern Mississippi\, a region battered by hurricanes and scarred by a violent history. In the past decade\, Birdcap’s career as a muralist has spanned continents\, but the artist’s work is a product of the South\, both a love letter to the region he calls home and a challenge to its problems.
URL:https://crosstownarts.org/calendar/iliumpta/
LOCATION:Crosstown Arts\, East Gallery\, Crosstown Concourse\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:East Gallery
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DTSTART;TZID=America/Chicago:20240209T120000
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DTSTAMP:20260429T084826
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SUMMARY:Opening Reception for “Iliumpta”
DESCRIPTION:Crosstown Arts presents an Opening Reception for “Iliumpta” by Michael “Birdcap” Roy in the Galleries at Crosstown Arts. \nThe Galleries at Crosstown Arts\, East Atrium\nFriday\, February 9\, 2024\nTime: 6-8 pm\nTickets: Free and open to the public \nIliumpta is a retelling of Homer’s Iliad set in the Southernmost bayous of Mississippi. Named after the county the story takes place in\, Iliumpta draws comparisons between masculinity in the American South and the sandaled heroes of yore\, often pointing out the weakness in a regional outlook that insists on staying put during hurricanes. \nDirectly\, this work is about Southern fatalism and its effects on masculinity. Fatalism makes an outlook so despairing that stoicism may masquerade as heroism. The men in these works shout from a nihilistic void\, and in their attempts to be heroic\, they\, like the ancients before them\, choose death over happiness\, a closed ear before sound advice\, and doom before an apology. \nMichael Roy\, a.k.a. Birdcap\, grew up near the bayous of Southern Mississippi\, a region battered by hurricanes and scarred by a violent history. In the past decade\, Birdcap’s career as a muralist has spanned continents\, but the artist’s work is a product of the South\, both a love letter to the region he calls home and a challenge to its problems.
URL:https://crosstownarts.org/calendar/opening-reception-for-iliumpta/
LOCATION:Crosstown Arts\, East Atrium\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, United States
CATEGORIES:East Atrium,East Gallery
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DTSTART;TZID=America/Chicago:20240209T120000
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SUMMARY:Opening Reception for “The Earthworm and the Hawk”
DESCRIPTION:Crosstown Arts presents an Opening Reception for “The Earthworm and the Hawk” by Melissa Dunn in the Galleries at Crosstown Arts. \nThe Galleries at Crosstown Arts\, East Atrium\nFriday\, February 9\, 2024\nTime: 6-8 pm\nTickets: Free and open to the public \nThe Earthworm and the Hawk is the overlap between two states of being. \nIn the private and non-verbal world of Melissa Dunn’s sketchbook\, she burrows deep\, generating drawings intuitively from her imagination. As the pages fill up\, she steps back and shifts perspective\, becoming more objective. The lay of the land comes into sharp focus. Here she maps out\, poses questions\, and acts decisively. \nBecause these modalities are distinct from one another\, it takes time and patience to figure out ways of unifying them. Their push/pull tendencies can disrupt as much as facilitate. It’s a continual process. Like two rocks rubbed together just the right way\, the friction between the searcher and the strategist can generate sparks or a full blown explosion. \n\nMelissa Dunn is from Memphis\, Tennessee. She spent her early years immersed in the city’s music scene\, splitting her time between playing with bands and making visual art. Although she still plays guitar and sings\, today music is mostly an inward-facing part of her studio life\, with an audience of sketchbooks\, drawings\, and paintings\, which she refers to as her “highly energized objects.”
URL:https://crosstownarts.org/calendar/opening-reception-for-the-earthworm-and-the-hawk/
LOCATION:Crosstown Arts\, East Atrium\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, United States
CATEGORIES:East Gallery,West Gallery
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