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SUMMARY:Opening Reception for Autumn Art Exhibitions
DESCRIPTION:Crosstown Arts presents an Opening Reception for the Autumn Art Exhibitions in the Galleries at Crosstown Arts.\n \nThe Galleries at Crosstown Arts\nFriday\, September 1\, 2023\nTime: 6-8 pm\nTickets: Free and open to the public \nCelebrate the opening of the autumn/winter 2023 art exhibitions by Ahmad George\, Noah Thomas Miller\, and Coe Lapossy with an evening of art\, conversation\, and food at Crosstown Arts. The menu for the evening is prepared by Chef Cole Jeanes\, founder of Kinfolk Restaurant\, and the food is generously provided by Ben E. Keith Co. \nThe Molasses Man & Other Delta Tales serves as an anthology of stories based off of Ahmad George’s life and experiences with people they’ve encountered here and not. These works feature scenes with existing and non-existing figures from folklore and mythology sourced from the American South\, elsewhere\, and created. \nAhmad George is a painter and multimedia artist from Memphis\, Tennessee. They’ve shown at NADA Miami as well as national and international group and solo exhibitions.Through their work\, they explore the liminal space between reality\, mythology\, folklore\, and self. Their world-building thins the veil of this world by mixing  imagery of the American South (mostly scenes from Tennessee and Mississippi) with local and sourced myths from different parts of the world. Oftentimes\, they use people from their own life to be the protagonists of these narratives. Major themes they explore in their paintings currently include generational history\, transformation\, consequence\, and spiritual alchemy. \n___________________________________________________________________________ \nDays follows the everyday observations of the structures we interact with. The houses become more than just a residence\, but become individuals themselves. The shadows start to blur the line of where the walls stop and where a presence might begin. \nNoah Thomas ​​Miller is Illinois-born but finds his home in Memphis. He works in multivalent mediums\, whether that be woodworking\, film\, sound installation\, or a combination of materials\, to preserve memory and tell stories. \n___________________________________________________________________________ \nBut Then\, Suddenly I Was Looking From the Inside Out is about “no compartments.” Everything is mashing together in life all the time — and while Lapossy longs for stability and order — it’s all happening at once and they love how that feels — what that allows for. Not to be confused with multitasking\, this is a kind of nurtured chaos. \nThrough a resistance to the tenants of modernism\, Coe Lapossy centers erased histories and marginalized labor. They create work that revels in the subversive\, how it sneaks in and makes change\, how it works undetected because it must. They revisit artifacts of queerness wedged within a seemingly straight world\, choosing these references\, linking narratives from various times throughout history\, things forgotten\, erased\, messages that “flew under the radar.” With the reuse of these artifacts they create a meditation on what bodies we value\, how we memorialize\, and what/who survives under the conditions we create. \n 
URL:https://crosstownarts.org/calendar/opening-reception-for-autumn-art-exhibitions/
LOCATION:Crosstown Arts\, East Atrium\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, United States
CATEGORIES:East Atrium,East Gallery,Gallery,West Gallery
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DTSTART;VALUE=DATE:20230901
DTEND;VALUE=DATE:20240122
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SUMMARY:“Days”
DESCRIPTION:Crosstown Arts presents “Days” by Noah Thomas ​​Miller in the East Gallery\, South Pop-Out Wall\, and Art Bar Bar Top.\n \nThe East Gallery\, South Pop-Out Wall\, and Art Bar Bar Top at Crosstown Arts\nOn view through Sunday\, January 21\, 2024\nTickets: Free and open to the public \nDays follows the everyday observations of the structures we interact with. The houses become more than just a residence\, but become individuals themselves. The shadows start to blur the line of where the walls stop and where a presence might begin. \nHave you ever touched a door knob and thought it felt like shaking someone’s hand? Instead of treating it like a utilitarian tool? \nOne can start to feel their identity fuse with the walls around them day after day. This new presence\, which we often call “home”\, silently witnesses all of our joys and sorrows\, and the passage of time. They are the only ones who have a deep understanding of our solitude and shared narratives. \nThese pieces are carved wood\, masked in layers of house paint\, and nailed together in a similar fashion as the places that house them. This is done to connect the viewer to the physicality and craftsmanship inherent in the creation of homes.\n\nNoah Thomas ​​Miller is Illinois-born but finds his home in Memphis. He works in multivalent mediums\, whether that be woodworking\, film\, sound installation\, or a combination of materials\, to preserve memory and tell stories. \nHis work is constantly deconstructing and reconstructing a scene to find its essence. It’s easier to recall a feeling than the details of an image. One can find that in most of his work — stripping the image of detail (or color) and isolating the tone of a scene to tell the narrative itself. \nHe attended Memphis College of Art and has continued his practice through work with museums\, film programs\, art institutions\, and most importantly at home.
URL:https://crosstownarts.org/calendar/days/
LOCATION:Crosstown Arts\, East Gallery\, Crosstown Concourse\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Art Bar,East Atrium,East Gallery
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