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DTSTART;TZID=America/Chicago:20191129T140000
DTEND;TZID=America/Chicago:20191129T160000
DTSTAMP:20260518T190751
CREATED:20190906T164151Z
LAST-MODIFIED:20191126T160620Z
UID:10003792-1575036000-1575043200@crosstownarts.org
SUMMARY:North Mississippi Allstars Record Release Party
DESCRIPTION:North Mississippi Allstars celebrate their latest release\, Up and Rolling\, on the Kemmons Wilson Family Stage at Crosstown Theater. \nWelcome Luther and Cody Dickinson back home to Memphis as they celebrate the release of their ninth studio effort\, Up and Rolling. Joining them will be Memphis-born comedian Deric Poston. \nTickets: $25\nDoors at 7 pm | Show at 8 pm \nWhile inspired by the community and music of that Sunday more than 20 years ago\, Up and Rolling is the sound of modern Mississippi. Luther hopes “the music is rooted but spreads evasively from the kudzu jungle grown over Junior’s concrete slab and Otha’s porch boards thru the Zebra Ranch’s razor wire chain link fence. Transcending time and space\, music reaches out into the dark of night like the wisteria vine\, looking for free-hearted souls to latch onto and wedge into the foundations of hate\, slowly tearing down walls a generation at a time.”
URL:https://crosstownarts.org/calendar/north-mississippi-all-stars-record-release-party/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2019/09/image0.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20191121T133000
DTEND;TZID=America/Chicago:20191121T153000
DTSTAMP:20260518T190751
CREATED:20191105T172124Z
LAST-MODIFIED:20191105T172124Z
UID:10003856-1574343000-1574350200@crosstownarts.org
SUMMARY:Crosstown Arthouse presents Synonyms
DESCRIPTION:The Crosstown Arthouse Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground and documentary features. \nFilms begin at 7:30 pm sharp at Crosstown Theater\nTickets are $5 (at the door only) \nWinner of the Golden Bear at Berlinale\, the latest from Nadav Lapid\, SYNONYMS features a dynamic lead performance from newcomer Tom Mercier\, whose feral intensity practically bursts out of the frame. Mercier plays Yoav\, a disaffected young Israeli who flees Tel Aviv for Paris to start a new life. \nDesperate to erase his origins\, Yoav sees becoming French as his only hope for salvation. Step one is to replace his language. From now on\, he will not utter a single word of Hebrew and his dictionary becomes his constant companion. His work at the Israeli embassy is a burden\, but studying for his naturalization test also has its pitfalls. And the young French couple he befriends has some rather strange ideas about how to help him. \nBased on writer-director Nadav Lapid’s own experiences\, Synonyms explores the challenges of putting down roots in a new place. Yoav’s attempts to find himself awaken past demons and open up an existential abyss in this tragicomic puzzle that wisely knows how to keep its secrets.
URL:https://crosstownarts.org/calendar/crosstown-arthouse-presents-synonyms/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/png:https://crosstownarts.org/wp-content/uploads/2019/11/SYNONYMS-05.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20191115T130000
DTEND;TZID=America/Chicago:20191115T160000
DTSTAMP:20260518T190751
CREATED:20191023T184103Z
LAST-MODIFIED:20191023T184103Z
UID:10003848-1573822800-1573833600@crosstownarts.org
SUMMARY:Spillit Grand Slam
DESCRIPTION:Winners and runner-ups from each Spillit Slam from 2019 take the stage at Crosstown Theater to share their six minute homecoming stories and compete for the title of 2019 Spillit Grand Master Storyteller of Memphis. \nTickets: $20 at the door \n 
URL:https://crosstownarts.org/calendar/spillit-grand-slam/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2019/10/Spillit-Grand-Slam.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20191114T133000
DTEND;TZID=America/Chicago:20191114T153000
DTSTAMP:20260518T190751
CREATED:20191031T205742Z
LAST-MODIFIED:20191106T164042Z
UID:10003141-1573738200-1573745400@crosstownarts.org
SUMMARY:Crosstown Arthouse presents MY 20TH CENTURY and ANACRONTE
DESCRIPTION:The Crosstown Arthouse Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground\, and documentary features. \nFilms begin at 7:30 pm sharp.\nTickets are $5 (at the door only) \nThe Crosstown Arthouse Film Series is proud to present ANACRONTE\, the work of animator\, writer and director Yashira Jordan. Yashira was an inaugural participant in the Crosstown Arts Residency program. ANACRONTE: What on first instance appears to be a conflict between good and evil is actually a struggle within every one of us. We can choose to cope with evil and fight for our dreams or surrender to the will of others. Anacronte and the Sorcerers of Evil put humanity’s happiness to the test\, leaving us as both winners and losers. Anacronte was produced by Yashira Jordan and directed by Raul Koler and Emiliano Sette. \nIldikó Enyedi’s fairytale-like\, unconventional ironic film luminaire MY 20TH CENTURY was awarded the Camera d’Or at Cannes in 1989. On the eve of the 20th century\, two twin girls\, Lili the anarchist and Dóra\, a luxurious woman of loose morals\, along with Mr. Z.\, who loves them as an entity\, all reach the Hungarian border at the same time on board the Orient Express. Their story\, rushing under the spell of Edison’s inventions\, is a special ‘research of happiness’\, reclaiming the ‘mass murdering century’ from the restlessly changing world and the miracle of existence. Tarkovsky’s fabulous actor\, Oleg Yankovsky\, performs an unforgettable double with the young Polish actress Dorotha Segda. \n\nAbout Yashia Jordan:\nYashira Jordán was born in La Paz (Bolivia) in 1985. Shem made her first short film when she was 12. She studied Fine Arts in UNLP Argentina\, specialized in Film 2010. She is a BERLINALE TALENT 2007 Universidad del Cine (Film University of Buenos Aires) – BAFICI and a BERLINALE TALENT 2008 from Berlin International Film Festival. Winner of “IBERMEDIA Project Scholarship” for Ecuador and Venezuela. \nSelected for Producers Network- Marche du Film- Cannes in Ventana Sur\, Buenos Aires two times. Director\, writer\, and producer of the film DURAZNO\, with which she has participated in various Major and indie festivals and other film events around the world\, such as the European Film Market of the Berlinale Film Festival\, Rencontres du Toulouse-France\, Guadalajara\, Morelia\, Mexico; Visions du Reel\, Switzerland\, Latin side of the Doc\, Hot Docs\, Canada\, Girona cinema\, Barcelona\, Alianza Francesa\, Buenos Aires\, Argentina.BR LAB\, Brazil. among others. \nCo-founder of the Animation Studio CELESTE since 2011\, where she became Executive Producer of animation in BELISARIO -a Full-dome series won 2019 Quirino Awards in Tenerife for Best Innovate Animation together with the Planetarium of the City of La Plata\, Argentina\, and the production company Cut to the Chase in Argentina. Creator of the Latin American Stop Motion Workshop (Taller Latinoamericano de Stop Motion\, TLSM) with the support of Festival international du film d’animation d’Annecy and Jamie Caliri’s Dragon Frame. TLSM which in its four versions hosted more than 500 participants from all over Latin America\, and experts such as Alex Juhasz (The Little Prince\, The Bababook)\, Mark Shapiro of LAIKA\, Francesca Maxwell (Art Director of Fantastic Mr. Fox\, Wes Anderson)\, Juan Pablo Zaramella from Argentina\, Veronique Ecrenaz and Folimage from France. Director and Producer of the stop-motion short film DUBICEL. \nDirector of DIAMANTE in development her second film\, was selected to ISLAB\, in la ISLA del SOL\, LA PAZ Bolivia and in Volumetric Filmmaking Depthkit Though Works Arts – Art Residency in New York City 2019. During her career\, she attended talks\, meetings\, and workshops with filmmakers like Werner Herzog\, Win Wenders\, Mike Leigh\, Lucrecia Martel\, Wim Wenders\, Alejandro Jodorowsky\, Lisandro Alonso\, and Alex McDowell among others.
URL:https://crosstownarts.org/calendar/crosstown-arthouse-presents-my-20th-century-and-anacronte/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2019/10/MY-20TH-CENTURY-03.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20191112T120000
DTEND;TZID=America/Chicago:20191112T140000
DTSTAMP:20260518T190751
CREATED:20191111T161122Z
LAST-MODIFIED:20191111T214525Z
UID:10003866-1573560000-1573567200@crosstownarts.org
SUMMARY:Book Launch for Revolution in Black and White: Photographs for the Civil Rights Era
DESCRIPTION:The Withers Collection is hosting the official book launch and signing for Revolution in Black and White: Photographs for the Civil Rights Era by Ernest Withers on Tuesday\, Nov. 12 from 6-8 pm at Crosstown Theater. \nDoors open at 6 pm in the theater for a booksigning. There will be slideshow at 7 pm\, followed by a panel discussion at 7:30 pm with Richard Cahan\, Michael Williams\, and Rosalind Withers. Moderated by Emmy-nominated journalist and author\, Katina Rankin\, evening anchor for WATN-TV Local 24. \nThe event is free and open to the public. RSVP required. Printed or digital RSVP tickets MUST be presented at the venue. \nPlease be advised that there will be a documentary film crew recording this event. \n\nABOUT THE BOOK\n\n\nErnest C. Withers was one of the most prominent African-American photographers of the civil rights era. During the course of his work\, he took thousands of photographs that document the civil rights movement―from the Emmett Till trial in 1955 to the assassination of Dr. Martin Luther King\, Jr. in 1968.\n\n\n \n\n\nWhat set his work apart was that he went beyond the political struggles to explain the civil rights movement that changed the country. Withers was primarily a local photographer\, working as a freelancer for the Memphis World and Tri-State Defender starting in 1948. His photographs of the everyday world―bridge clubs\, funerals\, people at work and play\, and street life―create a stunning record of what it was like to live in Memphis and the Mid-South. He was also a noted baseball photographer\, documenting Negro League baseball in Memphis\, and a noted music photographer\, taking thousands of photographs of jazz\, blues\, rock ’n’ roll\, and R&B performers.\n\n\n \n\n\nThis book combines this work for the first time and uses first-hand accounts of people who lived in the South to explain these transformative years. The photographs\, taken as bare-bones journalism\, rises to the level of fine art decades later.\n\n\n \n\n\nThey are also important examples of photojournalism\, documenting decades of struggle in Memphis and the Mid-South. They serve as an important missing link in the civil rights narrative.\n\n\n \n\n\nABOUT THE AUTHORS\n\n\nRichard Cahan and Michael Williams are noted photo historians. They have teamed up to produce more than twelve books. Most are based on long-lost archives or photographic collections. Called “the eloquent archival sleuthing duo” by Booklist magazine’s Donna Seaman\, they have written award-winning books about photography\, art\, and history\, including two on Vivian Maier\, the reclusive nanny whose discovered photographic work has become a worldwide sensation.
URL:https://crosstownarts.org/calendar/book-launch-for-revolution-in-black-and-white-photographs-for-the-civil-rights-era/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/png:https://crosstownarts.org/wp-content/uploads/2019/11/Screen-Shot-2019-11-11-at-3.12.45-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20191108T133000
DTEND;TZID=America/Chicago:20191108T153000
DTSTAMP:20260518T190751
CREATED:20191024T203339Z
LAST-MODIFIED:20191105T211955Z
UID:10003849-1573219800-1573227000@crosstownarts.org
SUMMARY:Mellotron Variations Concert Film Premiere
DESCRIPTION:Join us for the premiere of the Mellotron Variations concert film\, recorded live at Crosstown Arts on April 21\, 2018. Mellotron Variations is a performance of new works and collaborations for the Mellotron by Robby Grant\, Jonathan Kirkscey\, John Medeski\, and Pat Sansone. Projections by Winston Eggleston and John Markham. Videography by Justin Thompson.\n\n\n \n\n\nFilm begins at 7:30 pm\n\n\nFree\n \n\nContains some adult content\n\n\n\n\n \n\n\nMellotron Variations was the brainchild of Robby Grant & Jonathan Kirkscey. Given unlimited access to Memphian Winston Eggleston’s collection of expertly restored vintage Mellotrons and original tape banks\, Grant and Kirkscey composed and performed a complete body of work using the exceptionally rare and finicky instrument. The 2016 concert was recorded and subsequently released on vinyl as Duets for Mellotron.\n\n\n \n\n\nSeeking to continue their Mellotron experiments\, Grant and Kirkscey put together a new set of work with the addition of keyboard giants John Medeski (Medeski Martin & Wood) and Pat Sansone (The Autumn Defense\, Wilco). This 2018 concert was recorded and released as a record; Mellotron Variations and was also filmed. The Mellotron Variations concert film captures the excitement of this rare event as well as featuring behind-the-scenes footage of how the music was created. The Mellotron Variation Concert Film is presented with a newly created 5.1 surround mix. There will be a short Q&A with some of the participating musicians immediately after the screening.\n\n\n \n\n\nMellotron Variations concert film featuring the music and compositions of Robby Grant\, Jonathan Kirkscey\, John Medeski and Pat Sansone. Shot\, directed and edited by Justin Elliott Thompson. Additional concert cinematography by Kevin Brooks and Edward Valibus Phillips. Produced by Robby Grant and Crosstown Arts. Surround mix by Daniel Lynn. Concert visuals and projections by Winston Eggleston and John Markham.
URL:https://crosstownarts.org/calendar/mellotron-variations-concert-film-premiere/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2019/10/Facebook_EventBanner_MellotronVariations_1920x1080_2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20191107T133000
DTEND;TZID=America/Chicago:20191107T153000
DTSTAMP:20260518T190751
CREATED:20191030T175616Z
LAST-MODIFIED:20191030T175721Z
UID:10003133-1573133400-1573140600@crosstownarts.org
SUMMARY:Crosstown Arthouse presents STALKER (1979) with DUBICEL (2019)
DESCRIPTION:The Crosstown Arthouse Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground\, and documentary features. \nFilms begin at 7:30 pm sharp.\nTickets are $5 (at the door only) \nThe Crosstown Arthouse Film Series is proud to present DUBICEL\, the work of animator\, writer and director Yashira Jordan. Yashira was an inaugural participant in the Crosstown Arts Residency program. DUBICEL (12 minutes) is a cosmic child who lives in a galactic dome alone and wants to open the walls that imprison him to discover what is beyond and to discover the stars. Despite having the gift of materializing mysterious objects of his dreams\, he cannot find the one what allows him to open the window of his dome\, until one of them gives him the key to be able to reach what he needs. But this one is not an object. It is a living being. This short film was made by Ecological art recycling. \nOne of the most immersive and rarefied experiences in the history of cinema\, Andrei Tarkovsky’s STALKER  (161 minutes) embarks on a metaphysical journey through an enigmatic post-apocalyptic landscape. A hired guide — the “Stalker” of the title — leads a writer and a scientist into the heart of the Zone\, the restricted site of a long-ago disaster\, where the three men eventually zero in on the Room\, a place rumored to fulfill one’s most deeply held desires. Adapting a science-fiction novel by Arkady and Boris Strugatsky\, and making what would be his final Soviet feature\, Tarkovsky created a challenging and visually stunning work\, his painstaking attention to material detail and sense of organic atmosphere further enriched by this vivid new digital restoration. At once a religious allegory\, a reflection of contemporary political anxieties\, and a meditation on film itself—among many other interpretations—Stalker envelops the viewer by opening up a multitude of possible meanings. \n\nAbout Yashia Jordan:\nYashira Jordán was born in La Paz (Bolivia) in 1985.  Shem made her first short film when she was 12. She studied Fine Arts in UNLP Argentina\, specialized in Film 2010.  She is a BERLINALE TALENT 2007 Universidad del Cine (Film University of Buenos Aires) – BAFICI and a BERLINALE TALENT 2008 from Berlin International Film Festival.  Winner of “IBERMEDIA Project Scholarship” for Ecuador and Venezuela. \nSelected for Producers Network- Marche du Film- Cannes in Ventana Sur\, Buenos Aires two times.  Director\, writer\, and producer of the film DURAZNO\, with which she has participated in various Major and indie festivals and other film events around the world\, such as the European Film Market of the Berlinale Film Festival\,  Rencontres du Toulouse-France\, Guadalajara\, Morelia\, Mexico; Visions du Reel\, Switzerland\, Latin side of the Doc\, Hot Docs\, Canada\, Girona cinema\, Barcelona\,  Alianza Francesa\, Buenos Aires\, Argentina.BR LAB\, Brazil. among others. \nCo-founder of the Animation Studio CELESTE since 2011\, where she became Executive Producer of animation in BELISARIO -a Full-dome series won 2019 Quirino Awards in Tenerife for Best Innovate Animation together with the Planetarium of the City of La Plata\, Argentina\, and the production company Cut to the Chase in Argentina. Creator of the Latin American Stop Motion Workshop (Taller Latinoamericano de Stop Motion\, TLSM) with the support of Festival international du film d’animation d’Annecy and Jamie Caliri’s Dragon Frame. TLSM which in its four versions hosted more than 500 participants from all over Latin America\, and experts such as Alex Juhasz (The Little Prince\, The Bababook)\, Mark Shapiro of LAIKA\, Francesca Maxwell (Art Director of Fantastic Mr. Fox\, Wes Anderson)\, Juan Pablo Zaramella from Argentina\, Veronique Ecrenaz and Folimage from France.  Director and Producer of the stop-motion short film DUBICEL. \nDirector of DIAMANTE in development her second film\, was selected to ISLAB\, in la ISLA del SOL\, LA PAZ Bolivia and in Volumetric Filmmaking Depthkit Though Works Arts – Art Residency in New York City 2019. During her career\, she attended talks\, meetings\, and workshops with filmmakers like Werner Herzog\, Win Wenders\, Mike Leigh\, Lucrecia Martel\, Wim Wenders\, Alejandro Jodorowsky\, Lisandro Alonso\, and Alex McDowell among others.
URL:https://crosstownarts.org/calendar/crosstown-arthouse-presents-stalker-andrei-tarkovsky-1979-with-dubicel-yashira-jordan-2019/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2019/10/28150id_018.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20191103T120000
DTEND;TZID=America/Chicago:20191103T140000
DTSTAMP:20260518T190751
CREATED:20191003T195544Z
LAST-MODIFIED:20191004T173039Z
UID:10003837-1572782400-1572789600@crosstownarts.org
SUMMARY:Kafé Kirk with special guest Bob James
DESCRIPTION:Join Grammy-winning saxophonist Kirk Whalum for Kafé Kirk\, a monthly jazz series in Crosstown Theater featuring musical and spiritual collaborations with special guest artists. This month’s guest: Grammy-winning jazz keyboardist\, arranger\, and record producer Bob James. \nDoors at 5 pm | performance at 6 pm \nGeneral admission tickets — $45\nVIP tickets (includes a meet-and-greet and free CD) — $60 \nAbout Kirk Whalum:\nSoulful\, passionate\, stirring … these are the words most often used to describe Kirk’s music. Forged from his Memphis gospel roots and his 1980s initiation into the thriving Houston nightclub scene\, Kirk’s big\, rich tenor sound is unmistakably his.The 80s were highlighted by Kirk’s stepping out of his blossoming sideman role and forming his own band. It was there that Kirk ultimately developed both his “voice” and songwriting in the crucible of the local club scene — especially at a rooftop club called Cody’s. It was also in Houston where jazz pianist Bob James “discovered” him and brought him on tour\, which led to five successful albums with Columbia Records\, including Cache\, Kirk’s first No. 1 album. Kirk and Bob also received a Grammy nomination for their collaboration album\, Joined at the Hip. \nAfter moving to Los Angeles\, Kirk became an in-demand session player for top artists like Barbara Streisand\, Al Jarreau\, Luther Vandross\, Larry Carlton\, Quincy Jones\, and\, most notably\, Whitney Houston\, amongst many others. It’s his sax heard on the mega-hit\, “I Will Always Love You.” Kirk soon followed that career high point with his phenomenal hit album released on Warner Bros. Records\, For You\, perhaps the most successful of over 25 solo recordings to date. Others include his eclectic\, and much-lauded\, Gospel According to Jazz series\, (Chapters 1\, 2\, 3 and 4). In addition to his many solo projects\, Kirk was also a member of the popular soul/jazz group\, BWB\, which features Kirk as the “W” of the group with Rick Braun (trumpet) and Norman Brown (guitar). \nAbout Bob James:\nFrom his early days in Marshall\, MO\, Bob James’ music has captivated audiences throughout the world. \nKnown primarily as a jazz artist\, he has influenced musical genres from Classical to Hip-Hop. His work at the groundbreaking record label CTI allowed James to hone his skills on projects for Hank Crawford\, Grover Washington Jr.\, and Paul Simon among others. \nThe release of his solo album\, One\, launched a stellar career of recordings and performances. His gold selling album\, Touchdown included his composition “Angela” which became the theme song for the sitcom\, Taxi. \nMore recently Mr. James has become known as a pioneering member of the best-selling\ncontemporary jazz group Fourplay\, whose members over the years have included guitarists Lee Ritenour\, Larry Carlton\, and the late Chuck Loeb along with Nathan East on bass and Harvey Mason on drums. \nWhile James is recognized as one of the progenitors of smooth jazz\, his music has also had a profound effect on hip hop\, having been sampled often. Two of James’ songs —“Nautilus” from 1974’s One and “Take Me to the Mardi Gras” from 1975’s Two — are among the most sampled in history. \nJames continues to draw sold-out audiences worldwide\, not only as a solo artist\, but with\ncollaborations with artist such as David Sanborn\, Marcus Miller and The Bob James Trio.\nThe career of Bob James is long\, varied and continues to evolve at every turn.
URL:https://crosstownarts.org/calendar/kafe-kirk-with-special-guest-bob-james/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2019/04/CafeKirk_FacebookBanner_820x360-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20191031T130000
DTEND;TZID=America/Chicago:20191031T150000
DTSTAMP:20260518T190751
CREATED:20190917T203634Z
LAST-MODIFIED:20191022T201720Z
UID:10003107-1572526800-1572534000@crosstownarts.org
SUMMARY:Crosstown Arthouse presents HOUSE ON HAUNTED HILL (1959)
DESCRIPTION:The Crosstown Arthouse Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground\, and documentary features. \nFilm begins at 6 pm sharp.\nFREE ADMISSION (as part of Crosstown Concourse’s Trunk or Treat event) \nIn HOUSE ON HAUNTED HILL\, Frederick Loren (Vincent Price) is an eccentric millionaire who rents a reportedly haunted mansion for one night under the pretense of hosting a party for his wife\, Annabelle\, whom he believes to be after his fortune. He explains to his guests that any among them who survives in the house for one night — during which all communication with the outside world will be cut — will receive a prize of $10\,000.
URL:https://crosstownarts.org/calendar/crosstown-arthouse-presents-house-on-haunted-hilll-1959/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2019/09/maxresdefault-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20191030T120000
DTEND;TZID=America/Chicago:20191030T180000
DTSTAMP:20260518T190751
CREATED:20191028T164737Z
LAST-MODIFIED:20191028T191306Z
UID:10003850-1572436800-1572458400@crosstownarts.org
SUMMARY:Indie Memphis Film Festival
DESCRIPTION:Indie Memphis kicks off its annual film festival at Crosstown Theater with an opening party at 5 pm. \nThat’s followed by a sold-out screening of Harriet\, the extraordinary tale of Harriet Tubman’s escape from slavery and transformation into one of America’s greatest heroes\, at 6:30 pm. \nStick around for the Hometowner Narrative Shorts #1 Competition at 9:30 pm. Featuring Always Open\, The Eureka Hotel\, Life After Death\, Now the Sun Asks to Rise\, TAGGED\, The Bee\, and The Indignation of Michael Busby. \nFor the full Indie Memphis Film Festival schedule\, go here.
URL:https://crosstownarts.org/calendar/indie-memphis-film-festival/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/png:https://crosstownarts.org/wp-content/uploads/2019/10/FestivalSocialCard.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20191026T150000
DTEND;TZID=America/Chicago:20191026T170000
DTSTAMP:20260518T190751
CREATED:20190913T205141Z
LAST-MODIFIED:20191021T155423Z
UID:10003814-1572102000-1572109200@crosstownarts.org
SUMMARY:Spaceface Annual Halloween Show w/ The Upside Down Ensemble
DESCRIPTION:Join us on the Kemmons Wilson Family Stage at Crosstown Theater for a performance by psychedelic garage-rock band Spaceface. \nTickets: $10 advance | $15 door\nDoors at 7 pm | Show at 8 pm \n\n\n\n\nHalloween season is here\, and Spaceface is ready to haunt your dreams. The local psychedelic anomaly will be performing a double set at Crosstown Theater. \nAlongside the city’s favorite astral apparitions\, members of The Memphis Symphony Orchestra will be performing under the guise of THE UPSIDE DOWN ENSEMBLE. Don’t miss this hair-raising combination of psych and strings. \nAs per usual\, the night will also feature several other Memphis acts. The indie pop outfit fronted by Harlan Hutton is sure to shock souls and raise spirits\, and DJ Chandler Blingg (Jess Jackson of JCKSN AVE) will be keeping the groove going all night long. \nMemphis has too much talent to be contained\, so in keeping with tradition\, a vendor area in the North Plaza courtyard (outside the theater) will feature some of the best local painters\, crafters\, and visual artists. \nFeaturing: Amber George /Jess Tinsley/Margaret Wilder/ Jess Kirk \nSo\, mortals\, come and bear witness to the spookiest party of the year!
URL:https://crosstownarts.org/calendar/spaceface-at-crosstown-theater/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2019/09/IMG_2088.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20191024T143000
DTEND;TZID=America/Chicago:20191024T163000
DTSTAMP:20260518T190751
CREATED:20190917T202924Z
LAST-MODIFIED:20191017T213942Z
UID:10003105-1571927400-1571934600@crosstownarts.org
SUMMARY:Crosstown Arthouse presents HAXAN (1922) + DEEP RED (1975)
DESCRIPTION:The Crosstown Arthouse Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground\, and documentary features. \nFilms begin at 7:30 pm sharp.\nTickets are $10 (at the door only) \nDouble feature with HAXAN (1922) and a live score by 1000 LIGHTS\, followed by a screening of DEEP RED (1975). \nHAXAN (1922): Grave robbing\, torture\, possessed nuns\, and a satanic Sabbath: Benjamin Christensen’s legendary silent film HAXAN uses a series of dramatic vignettes to explore the scientific hypothesis that the witches of the Middle Ages and early modern era suffered from the same ills as psychiatric patients diagnosed with hysteria in the film’s own time. Far from a dry dissertation on the topic\, the film itself is a witches’ brew of the scary\, the gross\, and the darkly humorous. Christensen’s mix-and-match approach to genre anticipates gothic horror\, documentary re-creation\, and the essay film\, making for an experience unlike anything else in the history of cinema. \nIs 1000 LIGHTS a post punk band? A proto-punk band? A goth band? A band of Memphis’ heaviest hitters? All of the above? Meet A Thousand Lights. Guitarist Joey Killingsworth (Jocephus and the George Jonestown Massacre\, Super Witch\, Grendel Crane\, Static Bombs)\, drummer Russ Thompson (The Margins\, Static Bombs\, New Intruders\, Pisshorse)\, bassist Chris McCoy (Super Witch\, Static Bombs\, New Intruders\, Pisshorse)\, and vocalist Jesse James Davis (Yesse Yavis\, Model Zero) owe their partnership to the Memphis Does Bowie benefit show. Thompson\, who has been a musical partner with McCoy since their days in the legendary 90s art punk band Pisshorse\, sat in with McCoy and Killingsworth’s metal juggernaut Super Witch to cover the Bowie classics “Scary Monsters and Super Creeps\,” “Cat People\,” and “It Ain’t Easy.” Davis\, dressed as Low-era Bowie\, brought the house down fronting Winchester and the Ammunition. Memphis Does Bowie raised more than $20\,000 for Memphis area charities. In 2017\, Killingsworth\, Thompson\, and McCoy were playing together in the death rock project Static Bombs when the trio tapped Davis for a pair of shows: Gimmie Shelter\, a benefit for homeless charities that saw Memphis musicians paying tribute to the Rolling Stones; and a slot at Memphis’ hottest Halloween party\, hosted by Black Lodge Video\, where the band\, joined by saxophonist Seth Moody\, performed The Stooges Funhouse album in its entirety. These shows were such a raging success that the group decided to make it permanent\, renaming themselves A Thousand Lights\, after a line from The Stooges’ “Down On The Street.”  As you can tell from the choices of artists they paid tribute to\, A Thousand Lights sound is slippery and diverse\, incorporating elements from the earliest days of punk and post punk that bands like Bauhaus\, Siouxsie and the Banshees\, and Love and Rockets synthesized into goth rock.  Their debut EP “3nc EP” is available now on iTunes & Spotify.  \nSECOND FEATURE: DEEP RED (1975): 4K restoration! From Dario Argento\, the man behind some the greatest excursions in Italian horror (SUSPIRIA\, THE BIRD WITH THE CRYSTAL PLUMAGE\, THE CAT O’ NINE TAILS)\, comes DEEP RED: arguably the ultimate giallo. Aided by a throbbing score from legendary proggers Goblin\, this hallucinatory fever dream is punctuated by some of the most expert setpieces the genre has to offer. One lonely night\, musician Marcus Daly (David Hemmings\, BLOW UP)\, looks up from the plaza below and witnesses the brutal axe murder of a woman in her apartment. Racing to the scene\, Marcus just misses the perpetrator — or does he? As he takes on the role of amateur sleuth\, Marcus ensnares himself in a bizarre web of murder and mystery where nothing is what it seems. \n 
URL:https://crosstownarts.org/calendar/crosstown-arthouse-presents-haxan-1922-deep-red-1975/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2019/09/2857a0c51680f4f12ec49d42adb4cc0d.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20191022T143000
DTEND;TZID=America/Chicago:20191022T163000
DTSTAMP:20260518T190751
CREATED:20190919T204708Z
LAST-MODIFIED:20190919T204719Z
UID:10003117-1571754600-1571761800@crosstownarts.org
SUMMARY:Pablo Sáinz Villegas at Crosstown Theater
DESCRIPTION:Join us for a performance by Spanish guitarist Pablo Sáinz Villegas at Crosstown Theater. \nTime: doors at 6:30pm / performance at 7:30pm\nTickets: $20 (students $10 with ID at the door) \n“virtuosic playing characterized by its vividly shaded colors and irresistible exuberance …”\n— The New York Times\n“Master of the guitar”\n— Plácido Domingo \n\nAbout the artist:\nPraised as “the soul of the Spanish guitar\,” Pablo Sáinz Villegas has become a worldwide sensation known as this generation’s great guitarist. With his “virtuosic playing characterized by irresistible exuberance\,” as described by The New York Times\, his interpretations conjure the passion\, playfulness\, and drama of Rioja\, his homeland’s rich musical heritage. He is known for his passionate\, emotive\, and open-hearted playing\, whether he is performing at intimate recital halls\, or playing with Plácido Domingo to an audience of over 85\,000 at Santiago Bernabéu Stadium in Madrid\, where maestro Domingo hailed him as “the master of the guitar.” \nSáinz Villegas has continued to thrive over the past year connecting in new ways with his audience. He was one of the few selected artists to participate at the 2018 Grammy’s Classical event at Carnegie Hall in New York\, and he recorded an anticipated duo album together with tenor Plácido Domingo. Highlights of his recent collaborations with Domingo include a performance on a floating stage on the Amazon River streamed worldwide to millions\, as well as a special anniversary concert at Chile’s National Stadium. Last season\, Sáinz Villegas also made his debut at Chicago’s Grant Park Music Festival under the baton of Carlos Kalmar at the Millennium Park to an audience of 11\,000 people and accomplished summer tours with the Amsterdam Sinfonietta and the New Zealand Symphony Orchestra. He also gave the world premiere of ‘Rounds\,’ the first composition for guitar by five-time Academy Award-winner John Williams. \nRoutinely drawing comparisons with legendary exponents of his instrument such as Andrés Segovia\, Sáinz Villegas has already appeared on some of the world’s most prestigious stages including Carnegie Hall in New York\, the Philharmonie in Berlin\, and at the National Center for the Performing Arts in Beijing. Known for a sound so rich and full that it does not need amplification\, his concerto performances regularly inspire new invitations and re-engagements in more than 30 countries. He has played with the world’s top-level orchestras including the Pittsburgh\, Bergen\, and Israel Philharmonics\, as well as Cincinnati\, Spanish National\, and Boston Symphonies. He made a series of important debuts under the baton of Frühbeck de Burgos\, and has enjoyed fruitful collaborations with conductors including Juanjo Mena\, Miguel Harth-Bedoya\, Carlos Kalmar\, Gustavo Gimeno\, and Cristian Macelaru. \nSáinz Villegas continuously searches for ways to communicate with young audiences and to inspire them with music. A born communicator\, the guitarist explains: “Music is among things we cannot touch and that is what makes it most powerful.” Over the last decade\, he has created projects that bring music beyond the performance halls\, reaching more than 20\,000 children and youth through volunteering his time\, establishing music programs\, visiting schools\, and creating unique community activities around the globe. His efforts have granted him invitations to play for the Spanish Royal Family and the Dalai Lama.
URL:https://crosstownarts.org/calendar/pablo-sainz-villegas-at-crosstown-theater/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2019/09/pablo.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20191019T150000
DTEND;TZID=America/Chicago:20191019T170000
DTSTAMP:20260518T190751
CREATED:20190808T213732Z
LAST-MODIFIED:20190808T214726Z
UID:10003768-1571497200-1571504400@crosstownarts.org
SUMMARY:The Midnight Hour at Crosstown Theater
DESCRIPTION:Join us for a performance by The Midnight Hour\, featuring Ali Shaheed Muhammad (A Tribe Called Quest) and Adrian Younge. \nTickets: $20 advance | $25 day of show\nDoors at 7 pm | Show at 8 pm \nAli Shaheed Muhammad (A Tribe Called Quest) and Adrian Younge — the pair behind the unforgettable score for the Netflix series Marvel’s Luke Cage —have announced an extensive North American fall tour for their acclaimed 10-piece ensemble\, The Midnight Hour\, featuring very special collaborative opening sets from the group’s incredibly talented vocalists Loren Oden and Angela Muñoz\, and guitarist Jack Waterson. \nThe Midnight Hour is Black Excellence: an ode to the cultural sophistication that the Harlem Renaissance established for its people. Performing with their jazz rhythm section and an orchestral section\, reminiscent of maestros such as David Axelrod and Quincy Jones\, The Midnight Hour is sophisticated hip hop. \n\n                 \n\n\n    \n 
URL:https://crosstownarts.org/calendar/the-midnight-hour-at-crosstown-theater/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2019/08/image1.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20191017T143000
DTEND;TZID=America/Chicago:20191017T163000
DTSTAMP:20260518T190751
CREATED:20190917T201447Z
LAST-MODIFIED:20191011T180059Z
UID:10003103-1571322600-1571329800@crosstownarts.org
SUMMARY:Crosstown Arthouse presents THE PHANTOM CARRIAGE (1921) + GANJA & HESS (1973)
DESCRIPTION:The Crosstown Arthouse Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground\, and documentary features. \nFilms begin at 7:30 pm sharp.\nTickets are $10 (at the door only) \nDouble feature with THE PHANTOM CARRIAGE (1921) and a live piano accompaniment by Maeve Brophy\, followed by a screening of SECOND FEATURE: GANJA & HESS (1973). \nTHE PHANTOM CARRIAGE (1921): The last person to die on New Year’s Eve before the clock strikes twelve is doomed to take the reins of Death’s chariot and work tirelessly\, collecting fresh souls for the next year. So says the legend that drives THE PHANTOM CARRIAGE (Körkarlen)\, directed by the father of Swedish cinema\, Victor Sjöström. The story\, based on a novel by Nobel Prize winner Selma Lagerlöf\, concerns an alcoholic\, abusive ne’er-do-well (Sjöström himself) who is shown the error of his ways\, and the pure-of-heart Salvation Army sister who believes in his redemption. This extraordinarily rich and innovative silent classic (which inspired Ingmar Bergman to make movies) is a Dickensian ghost story and a deeply moving morality tale\, as well as a showcase for groundbreaking special effects. \nMAEVE BROPHY gave her first solo piano recital at age 9 and made her orchestral debut at 15. She has given solo and collaborative performances in Wells\, England; the Amalfi Coast; Kiev\, Ukraine; New York; San Francisco; Seattle; Aspen; Nashville; and Memphis. She has performed for the Memphis Chamber Music Society and the Artist Ascending Series in Memphis and is a regular performer with the Luna Nova Ensemble. Maeve has performed as soloist with the Chernygev Symphony in Kiev as well as the Paducah Symphony and the Central Florida Philharmonic. She has a BA from the University of Alabama at Birmingham and a Master of Music in Piano Performance from Texas Christian University. She also studied at the Manhattan School of Music and at the New England Conservatory of Music with Russell Sherman. She has worked as a freelance accompanist in Memphis and played for numerous student recitals at the University of Memphis. She has taught students privately as well as at the Boston College of Adult Education. \nSECOND FEATURE: GANJA & HESS (1973): Flirting with the conventions of blaxploitation and horror\, Bill Gunn’s revolutionary independent film GANJA & HESS is a highly stylized and utterly original treatise on sex\, religion\, and African American identity. Duane Jones (Night of the Living Dead) stars as anthropologist Hess Green\, who is stabbed with an ancient ceremonial dagger by his unstable assistant (director Bill Gunn)\, bestowing upon him the blessing of immortality … and the curse of an unquenchable thirst for blood. When the assistant’s beautiful and outspoken wife Ganja (Marlene Clark) comes searching for her missing husband\, she and Hess form an unexpected partnership. Together\, they explore just how much power blood holds. Later recut and released in an inferior version\, this edition represents the original release\, restored by The Museum of Modern Art with support from The Film Foundation\, and mastered in HD from a 35mm negative.
URL:https://crosstownarts.org/calendar/crosstown-arthouse-presents-the-phantom-carriage-1921-ganja-hess-1973/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2019/09/the-phantom-carriage-1921.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20191010T143000
DTEND;TZID=America/Chicago:20191010T163000
DTSTAMP:20260518T190751
CREATED:20190917T200612Z
LAST-MODIFIED:20191007T150851Z
UID:10003101-1570717800-1570725000@crosstownarts.org
SUMMARY:Crosstown Arthouse presents THE UNHOLY THREE (1925) + NIGHT OF THE HUNTER (1955)
DESCRIPTION:The Crosstown Arthouse Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground\, and documentary features. \nFilms begin at 7:30 pm sharp.\nTickets are $10 (at the door only) \nDouble feature with THE UNHOLY THREE and a live score by BLUESHIFT ENSEMBLE\, followed by a screening of NIGHT OF THE HUNTER \nTHE UNHOLY THREE was Tod Browning’s first shot at telling the story of three sideshow performers who grow sick of living the impoverished life they lead and hatch a plan to get rich. Tweedledee (Harry Earles) is a dwarf who disguises himself as a baby. Professor Echo\, a ventriloquist\, becomes Mrs. O’Grady — Tweedledee’s “grandmother.” Professor Echo’s girlfriend\, who is a pickpocket\, becomes his “granddaughter.”  Theft\, fake talking parrots\, murder\, ALMOST child murder\, circus strongmen\, and an unhinged pet ape!!!!  \nBLUESHIFT ENSEMBLE is a Memphis­-based contemporary chamber music ensemble dedicated to bringing artists and audiences together through artistic collaboration. By programming both new and existing classical repertoire alongside multi­-genre collaborations\, Blueshift aims to connect a wider audience to today’s classical music. The ensemble draws upon Memphis’s uniquely diverse musical heritage by combining classical music with popular music genres such as rock\, blues\, soul\, and hip hop and featuring local musicians\, visual artists\, and composers. The astronomical term “blueshift” indicates an object’s moving closer toward the observer. Blueshift aims to bring concert music and art out of the concert hall and into the Memphis community. \nSECOND FEATURE: NIGHT OF THE HUNTER (1955)\nA tall\, handsome ‘preacher’ — his knuckles eerily tattooed with ‘love’ and ‘hate’ — roams the countryside\, spreading the gospel … and leaving a trail of murdered women in his wake. To Reverend Harry Powell (Robert Mitchum)\, the work of the Lord has more to do with condemning souls than saving them\, especially when his own interests are involved. Now his sights are set on $10\,000 — and two little children are the only ones who know where it is. ‘Chill…dren!’ the preacher croons to the terrified boy and girl hiding in the cold\, dark cellar … innocent young lambs who refuse to be led astray.
URL:https://crosstownarts.org/calendar/crosstown-arthouse-presents-the-unholy-three-1925-night-of-the-hunter-1955/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2019/09/a461dd7f6d7c88a338f28c6f65c00517.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20191008T140000
DTEND;TZID=America/Chicago:20191008T170000
DTSTAMP:20260518T190751
CREATED:20191001T191329Z
LAST-MODIFIED:20191001T211503Z
UID:10003825-1570543200-1570554000@crosstownarts.org
SUMMARY:Spillit/Shoot And Splice: Tales From the Set
DESCRIPTION:Spillit\, Indie Memphis\, and Crosstown Arts are teaming up for a special Spillit/Shoot and Splice collaboration. \nWe’re pulling back the curtain and looking at the stories behind films as local filmmakers share their tales from set. \nDoors at 6:30 pm | presentation at 7 pm \nShoot and Splice events are free and open to the public. Presented by Spillit\, Indie Memphis\, and Crosstown Arts. \nStorytellers: – Kathy O. Lofton\, Donita Sharkey\, Morgan Rose Stewart\, Nathan Reisman\, Noah Glenn\, Chris McCoy\, Lawrence Matthews \nJudges: Curtis C. Jackson\, Elle Perry\, Troy L. Wiggins\nSpillit MC: Josh Campbell
URL:https://crosstownarts.org/calendar/spillit-shoot-and-splice-tales-from-the-set/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/png:https://crosstownarts.org/wp-content/uploads/2019/10/Spillit-Insta.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20191006T130000
DTEND;TZID=America/Chicago:20191006T150000
DTSTAMP:20260518T190751
CREATED:20190916T192216Z
LAST-MODIFIED:20190920T162158Z
UID:10003817-1570366800-1570374000@crosstownarts.org
SUMMARY:Kafé Kirk with special guest Wycliffe Gordon
DESCRIPTION:Join Grammy-winning saxophonist Kirk Whalum for Kafé Kirk\, a monthly jazz series in Crosstown Theater featuring musical and spiritual collaborations with special guest artists. This month’s guest: jazz trombonist Wycliffe Gordon  \nDoors at 5 pm | performance at 6 pm\nGeneral admission tickets — $45\nVIP tickets (includes a meet-and-greet and free CD) — $60 \n\nAbout Kirk Whalum:\nSoulful\, passionate\, stirring … these are the words most often used to describe Kirk’s music. Forged from his Memphis gospel roots and his 1980s initiation into the thriving Houston nightclub scene\, Kirk’s big\, rich tenor sound is unmistakably his.The 80s were highlighted by Kirk’s stepping out of his blossoming sideman role and forming his own band. It was there that Kirk ultimately developed both his “voice” and songwriting in the crucible of the local club scene — especially at a rooftop club called Cody’s. It was also in Houston where jazz pianist Bob James “discovered” him and brought him on tour\, which led to five successful albums with Columbia Records\, including Cache\, Kirk’s first No. 1 album. Kirk and Bob also received a Grammy nomination for their collaboration album\, Joined at the Hip. \nAfter moving to Los Angeles\, Kirk became an in-demand session player for top artists like Barbara Streisand\, Al Jarreau\, Luther Vandross\, Larry Carlton\, Quincy Jones\, and\, most notably\, Whitney Houston\, amongst many others. It’s his sax heard on the mega-hit\, “I Will Always Love You.” Kirk soon followed that career high point with his phenomenal hit album released on Warner Bros. Records\, For You\, perhaps the most successful of over 25 solo recordings to date. Others include his eclectic\, and much-lauded\, Gospel According to Jazz series\, (Chapters 1\, 2\, 3 and 4). In addition to his many solo projects\, Kirk was also a member of the popular soul/jazz group\, BWB\, which features Kirk as the “W” of the group with Rick Braun (trumpet) and Norman Brown (guitar). \nAbout Wycliffe Gordon:\nWycliffe Gordon experiences an impressive career touring the world performing to\ngreat acclaim from audiences and critics alike. \nJazz Journalists Association named him “Trombonist of the Year” for the 12th time in\n2019\, and Downbeat Critics Poll named Wycliffe “Best Trombone” for the fifth time\nlast year (2018\, 2016\, 2014\, 2013 & 2012). Most recently Wycliffe received the\n“Louie Award” honoring his dedication and commitment to the music of Louis\nArmstrong\, and received the International Trombone Association Award in 2017\,\nwhich recognizes the highest level of creative and artistic achievement. In 2015\,\nWycliffe was presented the Satchmo award from the Sarasota Jazz Club\, received the\nLouis Armstrong Memorial Prize presented by the Swing Jazz Culture Foundation\,\nand was named Artist of the Year (2015) by the Augusta Arts Council. He is also a\npast recipient of the ASCAP Foundation Vanguard Award\, among others. \nIn addition to an extremely successful solo career\, Gordon tours regularly leading\nhis quintet\, headlining at legendary jazz venues and performing arts centers\nthroughout the world. He is commissioned frequently\, and has an extensive catalog\nof original compositions that span the various timbres of jazz and chamber music.\nMusicians and ensembles of every caliber perform his music throughout the world\nand his arrangement of the theme song to NPR’s “All Things Considered” is heard\ndaily across the globe. \nGordon is a former veteran member of the Wynton Marsalis Septet\, the Lincoln\nCenter Jazz Orchestra and has been a featured guest artist on Billy Taylor’s “Jazz at\nthe Kennedy Center” Series. Gordon is also one of Americaʼs most persuasive and\ncommitted music educators\, and currently serves as full time Artist-in-Residence at\nAugusta University in Augusta\, GA. \nWycliffe Gordon is a Yamaha Performing Artist and has his own line of Wycliffe\nGordon Pro Signature Mouthpieces by Pickett Brass. Visit www.wycliffegordon.com.
URL:https://crosstownarts.org/calendar/kafe-kirk-with-special-guest-wendy-moten/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2019/09/CafeKirk__10_06_19_FacebookBanner_820x360.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20191004T150000
DTEND;TZID=America/Chicago:20191004T180000
DTSTAMP:20260518T190751
CREATED:20190701T193509Z
LAST-MODIFIED:20190918T190942Z
UID:10003723-1570201200-1570212000@crosstownarts.org
SUMMARY:The MD's perform The Beatles' Revolver
DESCRIPTION:Join us as The MD’s — a Memphis-based Booker T & the MG’s tribute band — perform The Beatles Revolver album on the Kemmons Wilson Family Stage at Crosstown Theater. \nTickets: $20\nDoors at 7:30 pm | show at 8 pm \n\nIn March of 1966\, negotiations were being made for The Beatles to possibly record their next studio album in Memphis\, TN at Stax Records. Concerns over security\, money\, and other factors ultimately killed the deal and The Beatles remained at Abbey Road. Can you imagine what that next record\, to be titled Revolver\, would have sounded like had it been recorded in Memphis? Would Otis Redding have added some background vocals? Would Booker T have played organ? What about the Memphis horns? \n\nSince The MD’s main goal is to keep the incredible catalog of Booker T & The MG’s music alive\, they have decided to try something a little different. With the utmost respect to Booker\, Steve\, Duck\, and Al\, they are going to perform Revolver as they think the MG’s would have in the ’60s. \nAbout The MD’s:\nThe only Booker T & the MG’s tribute band in the group’s hometown of Memphis\, TN. The MD’s will play anything Booker T & the MG’s ever recorded in the studio or at a live show.
URL:https://crosstownarts.org/calendar/the-mds-perform-the-beatles-revolver/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2019/07/60806728_2361750724097454_2642373543899168768_o.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190926T143000
DTEND;TZID=America/Chicago:20190926T163000
DTSTAMP:20260518T190751
CREATED:20190917T195506Z
LAST-MODIFIED:20190917T195506Z
UID:10003099-1569508200-1569515400@crosstownarts.org
SUMMARY:Crosstown Arthouse presents THE QUEEN (1968)
DESCRIPTION:The Crosstown Arthouse Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground\, and documentary features. \nFilms begin at 7:30 pm sharp.\nTickets are $5 (at the door only) \nMore than 40 years before RuPaul’s Drag Race\, the ground-breaking documentary THE QUEEN is about the 1967 Miss All-American Camp Beauty Pageant introduced audiences to the world of competitive drag. The film takes us backstage to kiki with the contestants as they rehearse\, throw shade\, and transform into their drag personas in the lead-up to the big event. Organized by LGBTQ icon and activist Flawless Sabrina\, the competition boasted a star-studded panel of judges including Andy Warhol\, Larry Rivers\, and Terry Southern.. But perhaps most memorable is an epic diatribe calling out the pageant’s bias delivered by Crystal LaBeija\, who would go on to form the influential House of LaBeija\, heavily featured in Paris Is Burning (1990). A vibrant piece of queer history\, The Queen can now be seen in full resplendence thanks to a new restoration from the original camera negative.
URL:https://crosstownarts.org/calendar/crosstown-arthouse-presents-the-queen-1968/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/png:https://crosstownarts.org/wp-content/uploads/2019/09/The-Queen.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190924T080000
DTEND;TZID=America/Chicago:20190924T093000
DTSTAMP:20260518T190751
CREATED:20190913T164732Z
LAST-MODIFIED:20190913T164732Z
UID:10003810-1569312000-1569317400@crosstownarts.org
SUMMARY:Theater Sound Test with The PRVLG and Paul Taylor
DESCRIPTION:Join us for a free sound test performance by The PRVLG and Paul Taylor at Crosstown Theater. \nPlease note that this is not a concert. The performers will be starting and stopping as our staff works to perfect the sound in Crosstown Theater\, but the public is invited for free music. \nFree and open to the public \n 
URL:https://crosstownarts.org/calendar/theater-sound-test-with-the-prvlg-and-paul-taylor/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2019/08/ThePRVLG_BotanicalGardens-25.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190921T150000
DTEND;TZID=America/Chicago:20190921T180000
DTSTAMP:20260518T190751
CREATED:20190612T155830Z
LAST-MODIFIED:20190917T171321Z
UID:10003672-1569078000-1569088800@crosstownarts.org
SUMMARY:Todd Snider at Crosstown Theater
DESCRIPTION:Update to those who purchased tickets to see Todd Snider and his new band on September 21. Due to the tragic loss of friend and guitar player Neal Casal\, who was part of the new band\, Todd will be performing these shows solo. Todd wants you to know that he appreciates your support and understanding. \nFormer Memphian Todd Snider is back\, and he’s performing a solo show at Crosstown Theater. Opening act: Dean Alexander \nTickets: $30\nDoors at 7 pm | show at 8 pm \nAbout Todd Snider:\nOne morning near the end of August\, Todd Snider was relaxing with a visitor on the back porch of his house just outside Nashville\, drinking coffee and shooting the breeze while his dog\, Cowboy Jim\, took a nap nearby. After awhile\, Snider said to his guest\, “I’ve got an album’s worth of songs\, and I think the songs are telling me to make a folk record.” \nThis was a surprising bit of news considering he had spent the last six years making rock albums of one kind or another. But Snider was feeling as if he had “maybe drifted too far from the shore.” He was feeling the pull to start over\, to go back to what he was doing when he first began\, to return to his roots as a folksinger. \nIf Snider needed any further evidence that was the direction he should pursue\, he got it a half hour later. Back inside his home office\, he checked his email and had one from his manager informing him he had just received an offer to play the 2019 Newport Folk Festival\, an event he had never done. \nSnider mentioned he had been listening to Woody Guthrie’s Library of Congress Recordings\, then crossed the room to the turntable and put the needle down on side one of the record. “Woody Guthrie sometimes gets me reset on why you do a song\, instead of how\,” Snider explains of the man who has long been a touchstone for him. “When I was young\, there was something about him that made me want to do it. So once or twice a year\, I’ll go back to him\, I’ll go back to the source.” \nGuthrie famously had the words “This machine kills fascists” printed on his guitar\, and on several of the songs on Snider’s new album\, Cash Cabin Sessions\, Vol. 3\, he squarely aims his guitar at the creeping fascism he sees in America. He had been wanting to make a political record since 2016\, and although only half the songs lean in that direction\, there is one constant throughout the album: a man\, his guitar\, and the truth.
URL:https://crosstownarts.org/calendar/todd-snider-and-his-new-band-featuring-neal-casal-ken-coomer-chad-staehly-and-jesse-aycock/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2019/06/1545178963Snider_1218368.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190920T140000
DTEND;TZID=America/Chicago:20190920T160000
DTSTAMP:20260518T190751
CREATED:20190813T183435Z
LAST-MODIFIED:20190813T183435Z
UID:10003772-1568988000-1568995200@crosstownarts.org
SUMMARY:A Night of Memphis Deep Soul Gospel at Crosstown Theater
DESCRIPTION:Join Bible & Tire Recording Co. and D-Vine Spirituals for a night of Memphis Soul Gospel featuring The Sensational Barnes Brothers\, Elizabeth King\, D-Vine Spiritualettes\, The Vaughn Sisters\, the Rev. John Wilkins\, Elder Ward\, Liz Brasher\, and Gary “Lucky” Smith on the Kemmons Wilson Family Stage at Crosstown Theater. \nThe concert will celebrate the launch of The Sensational Barnes Brothers’ newly recorded\, rugged ‘Nobody’s Fault But My Own’ and Elizabeth King & The Gospel Souls’ 1970s gems ‘The D-Vine Spirituals Recordings.’ Both recordings will be released on September 20th from the new Bible & Tire Recording Co.\, headed up by Bruce Watson of Fat Possum Records with the aim of showcasing new and archival Memphis gospel releases. \nTickets: $15\nDoors at 6:30 pm | Show at 7 pm
URL:https://crosstownarts.org/calendar/a-night-of-memphis-deep-soul-gospel-at-crosstown-theater/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2019/08/IMG_3905-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190919T143000
DTEND;TZID=America/Chicago:20190919T163000
DTSTAMP:20260518T190751
CREATED:20190916T190804Z
LAST-MODIFIED:20190916T190804Z
UID:10003816-1568903400-1568910600@crosstownarts.org
SUMMARY:Crosstown Arthouse presents A Face in the Crowd
DESCRIPTION:The Crosstown Arthouse Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground\, and documentary features. \nFilms begin at 7:30 pm sharp.\nTickets are $5 (at the door only) \nA FACE IN THE CROWD chronicles the rise and fall of Larry “Lonesome” Rhodes (Andy Griffith)\, a boisterous entertainer discovered in an Arkansas drunk tank by Marcia Jeffries (Patricia Neal)\, a local radio producer with ambitions of her own. His charisma and cunning soon shoot him to the heights of television stardom and political demagoguery\, forcing Marcia to grapple with the manipulative\, reactionary monster she has created. Directed by Elia Kazan from a screenplay by Budd Schulberg\, this incisive satire features an extraordinary debut screen performance by Griffith\, who brandishes his charm in an uncharacteristically sinister role. Though the film was a flop on its initial release\, subsequent generations have marveled at its eerily prescient diagnosis of the toxic intimacy between media and politics in American life.
URL:https://crosstownarts.org/calendar/crosstown-arthouse-presents-a-face-in-the-crowd/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2019/09/a-face-in-the-crowd-700x500.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190915T130000
DTEND;TZID=America/Chicago:20190915T160000
DTSTAMP:20260518T190751
CREATED:20190820T185812Z
LAST-MODIFIED:20190821T160548Z
UID:10003080-1568552400-1568563200@crosstownarts.org
SUMMARY:Kafé Kirk with special guest Bernie Williams
DESCRIPTION:Join Grammy-winning saxophonist Kirk Whalum for Kafé Kirk\, a monthly jazz series in Crosstown Theater featuring musical and spiritual collaborations with special guest artists. This month’s guest: former New York Yankees center fielder and World Series Champion/jazz guitarist Bernie Williams. \nDoors at 5 pm | performance at 6 pm \nGeneral admission tickets — $45\nVIP tickets (includes a meet-and-greet and free CD) — $60 \n\nAbout Kirk Whalum:\nSoulful\, passionate\, stirring … these are the words most often used to describe Kirk’s music. Forged from his Memphis gospel roots and his 1980s initiation into the thriving Houston nightclub scene\, Kirk’s big\, rich tenor sound is unmistakably his.The 80s were highlighted by Kirk’s stepping out of his blossoming sideman role and forming his own band. It was there that Kirk ultimately developed both his “voice” and songwriting in the crucible of the local club scene — especially at a rooftop club called Cody’s. It was also in Houston where jazz pianist Bob James “discovered” him and brought him on tour\, which led to five successful albums with Columbia Records\, including Cache\, Kirk’s first No. 1 album. Kirk and Bob also received a Grammy nomination for their collaboration album\, Joined at the Hip. \nAfter moving to Los Angeles\, Kirk became an in-demand session player for top artists like Barbara Streisand\, Al Jarreau\, Luther Vandross\, Larry Carlton\, Quincy Jones\, and\, most notably\, Whitney Houston\, amongst many others. It’s his sax heard on the mega-hit\, “I Will Always Love You.” Kirk soon followed that career high point with his phenomenal hit album released on Warner Bros. Records\, For You\, perhaps the most successful of over 25 solo recordings to date. Others include his eclectic\, and much-lauded\, Gospel According to Jazz series\, (Chapters 1\, 2\, 3 and 4). In addition to his many solo projects\, Kirk was also a member of the popular soul/jazz group\, BWB\, which features Kirk as the “W” of the group with Rick Braun (trumpet) and Norman Brown (guitar). \nAbout Bernie Williams:\nGrowing up in Puerto Rico\, Bernie Williams discovered his love for baseball and music at roughly the same time\, when at the age of eight he fell in love with the sounds of a flamenco guitar his merchant-marine father brought home from Spain\, and also felt the same exhilaration when he first picked up a baseball bat. The young student-athlete quickly excelled in both pursuits\, going on to attend the special performance arts school Escuela Libre de Musica at the age of thirteen and becoming one of the most noted young athletes on the island\, both as a track and field standout posting record times in the 400 meters\, as well as one of Puerto Rico’s most sought after young baseball prospects. Bernie was signed by the New York Yankees after high school in 1987. After working his way through the farm system\, the switch-hitting Williams made his Major League debut with the Yankees in May\, 1991. \nIn his 16-year career patrolling centerfield for the New York Yankees\, Bernie Williams was a four-time World Series Champion and a five-time All Star. Williams has more post-season RBIs to his credit than any other player in Major League history and his resume also boasts four Gold Glove awards\, six American League pennants\, the 1996 ALCS MVP award\, and the 1998 American League batting title. Bernie is also among the Yankees all-time leaders in every major batting category\, with his performance statistics often standing alongside such legetnds as Babe Ruth\, Mickey Mantle\, Lou Gehrig and Joe DiMaggio. On May\, 24\, 2015\, the Yankees retired Bernie’s uniform number 51 and a plaque was dedicated and placed in Monument Park in Yankee Stadium\, cementing his legacy as an all-time Yankee great.  \nThroughout Williams’ years with the Yankees\, his passion for music never waned\, and the sound of his guitar would often be heard emanating from the clubhouse or during team flights. Whether acoustic or electric\, a guitar was a constant presence in the star’s locker or equipment bag\, and it was no surprise when he demonstrated how serious his musical pursuit was with the release of his first album\, The Journey Within in 2003. The record featured fusions of jazz\, rock and the tropical rhythms of Williams’ Latin heritage and was met with both strong critical praise and instant chart success- reaching #3 on Billboard’s “Contemporary Jazz Chart.” \nBernie Williams raised his musical game even further with the release of his second album Moving Forward. Featuring guest appearances by Bruce Springsteen\, Jon Secada\, Dave Koz\, and an All-Star cast of renowned studio musicians\, Moving Forward debuted as Billboard’s #2 Contemporary Jazz album in the country\, and continued to hold that chart position for five straight weeks\, and spawned two consecutive Billboard #1 singles\, Go For It\, and Ritmo de Otono. The album was nominated for a Latin Grammy Award for Best Instrumental Album in 2009.  \nIn addition to performing at concert venues\, music festivals\, and special events\, since the release of Moving Forward\, Bernie spent considerable time authoring his first book\, Rhythms of the Game: The Link Between Music and Athletic Performance\, published by Hal Leonard Books and released in July 2011. The book examines the symbiotic relationship between musical artistry and athletic performance through the eyes of a man who has mastered both.  \nBernie is an active crusader for arts and music education in the lives of all students\, and is a national spokesman for the NAMM (National Association of Music Merchants) Foundation’s SupportMusic Coalition\, which unites non-profit organizations\, schools\, and businesses working to assure that music education is supported in communities everywhere\, and that all children have the opportunity to learn and grow with music. He has met with leaders of Congress on Capitol Hill for years lobbying to ensure that arts and music become part of a core education in our schools across the United States.  \nIn 2015\, he was appointed a Turnaround Arts artist by the President’s Committee on the Arts and the Humanities in partnership with the White House\, and U.S. Department of Education. Turnaround Arts brings arts education programs and supplies to a group of the lowest-performing elementary and middle schools in the country. These resources help schools improve attendance\, parent engagement\, student motivation\, and academic achievement. \nOn May 13\, 2016\, Williams graduated from the Manhattan School of Music\, in New York\, NY\, a prestigious music conservatory in New York\, NY\, receiving a Bachelor of Music degree in Jazz Performance.  \nIn 2017\, Bernie became the national spokesperson for Breathless\, an educational awareness campaign for Ideopathic Pulmonary Fibrosis (IPF)\, a mysterious lung disease that took the life of Bernie’s father Bernabe Sr.\, and still has no cure. He has been touring the country visiting many cities\, Major League Baseball and Minor League Baseball ballparks\, and speaking at major medical conferences to spread the word about the disease that affects up to 132\,000 people and their families per year.  \nOn June 13\, 2019\, Bernie became “Dr. Williams”\, as he was awarded an Honorary Doctor of Humane Letters degree from the State University of New York through SUNY Potsdam and the world- renowned Drake School of Music\, considered the “birthplace of music education”. Williams was recognized for his record-setting achievements as a New York Yankee\, as well as his artistic accomplishments as a musician and dedication to philanthropy.  \nYou can find Bernie online at www.bernie51.com\, on Twitter @bw51official and on Facebook at BernieWilliamsOfficial and Instagram at BernieWilliamsOfficial.
URL:https://crosstownarts.org/calendar/kafe-kirk-with-special-guest-bernie-williams/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2019/08/CafeKirk_FacebookBanner_820x360-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190913T143000
DTEND;TZID=America/Chicago:20190913T163000
DTSTAMP:20260518T190751
CREATED:20190828T214221Z
LAST-MODIFIED:20190903T163030Z
UID:10003785-1568385000-1568392200@crosstownarts.org
SUMMARY:A Celebration of Black Composers
DESCRIPTION:Come join us at Crosstown Theater as we celebrate the works of composers of African descent from around the world. \nFeaturing rhythms from gospel to jazz\, the serene to classical influences\, there is something for everyone. Featuring award-winning artists James Rodriguez (baritone)\, Gwendolyn Alfred (soprano)\, Alisa Horn (cello) and Artina McCain (Piano). \nDoors 7 pm | Performance 7:30 pm\nGeneral Admission $12 | $5 at door with Student ID \nAbout the performers:\nDescribed as a pianist with “power and finesse” (Dallas Arts Society)\, Artina McCain enjoys an international career throughout Europe\, China and the US as a solo and chamber performer\, pedagogue\, and speaker. McCain’s solo and chamber performances have been heard on radio shows in Chicago\, Austin\, Toronto\, and Hong Kong. An American Prize winner for her solo piano recordings\, she will release an album of works entitled “Heritage: The American Composer” on the MSR label. She has won performance awards from the Austin Critics Table for the “Black Composers” Concert Series and is a three-time Global Music Awards winner for the album I\, Too (Naxos)\, Shades\, and Trombone Czar with husband and bass trombonist\, Martin McCain. Dr. McCain is currently an Assistant Professor of Piano at the Rudi E. Scheidt School of Music at the University of Memphis and co-artistic director of the Memphis International Piano Festival and Competition. \nGwendolyn Alfred\, DMA\, Assistant Professor of Voice\, Area Coordinator\, Texas Southern University is an educator and professional vocalist. She recently premiered a newly commissioned opera for Houston Grand Opera which landed her in the prestigious Texas Monthly magazine. Her most recent solo debuts were with the Houston Symphony\, Houston Civic Symphony\, and the Fort Bend Symphony. Alfred was honored as a Living Legend of Southeast Texas specifically for her outstanding leadership in the music field. \nPraised for his “authoritative and rich baritone\,” James D. Rodriguez most recently performed and co-hosted the Carnegie Hall Linkup Concerts with the Fort Worth Symphony Orchestra and sang the baritone solos in Handel’s Messiah with the San Antonio Symphony. He made his Opera in the Heights debut in the role of Tonio (Pagliacci) and was part of the holiday Spanish concert series\, ConciertOh! de Invierno. Other notable roles include Escamillo (Carmen)\, Figaro (Il Barbiere di Siviglia)\, Dandini (La Cenerentola)\, Harlekin (Ariadne auf Naxos)\, Belcore (L’Elisir d’Amore)\, Captain Magallanes (Salsipuedes)\, Rappaccini (La Hija de Rappaccini)\, and the title roles in Don Giovanni and Rigoletto with such companies as Des Moines Metro Opera\, Opera IOWA\, Utah Festival Opera & Musical Theatre\, Opera Theater of Pittsburgh\, the Natchez Festival of Music\, and the Moores Opera Center. Concert appearances include Beethoven’s 9th Symphony\, Fauré’s Requiem\, Orff’s Carmina Burana\, Carlisle Floyd’s Pilgrimage\, Mahler’s Lieder eines fahrenden Gesellen\, and Stainer’s Crucifixion. He regularly performs solo recitals\, most recently with Austin Chamber Music Center\, Phil Kramer Recital Series (Houston)\, Memorial Classic Music Series (Houston)\, and Coe College Music Department (Iowa). He was a finalist in the Concorso Lirica International Competition and the first place winner in the Texas Young Artist Vocal Competition. \nAlisa Horn is a freelance cellist and loves performing and teaching a wide variety of musical genres from classical to jazz to rock and beyond. A native of Memphis\, Tennessee\, Alisa has performed as soloist with orchestra playing pieces by Miaskovsky\, Bloch\, Dvorak\, Bruch\, and Elgar. She was a winner of the WAMSO-Young Artist Solo Competition and a member of the Civic Orchestra of Chicago\, the training orchestra of the Chicago Symphony. Alisa has attended many music festivals including Aspen Music Festival\, Boston University Tanglewood Institute\, Meadowmount\, Sewanee Summer Music Center\, Henry Mancini Institute\, Newport Jazz Festival (Rhode Island) \, and Newport Jazz Festival (Oregon). With pianist\, Jue He\, Alisa recorded the Rachmaninoff and Miaskovsky Sonatas and the duo was featured on McGraw-Hill Young Artist Showcase. Along with jazz legends Marvin Stamm and Bill Mays\, Alisa is a member of The Inventions Trio which performs a fusion of jazz and classical repertoire. The Trio has toured extensively and has released three albums including the diverse works of Bill Evans\, Bill Mays\, Heitor Villa-Lobos\, Claude Debussy\, and Miles Davis.
URL:https://crosstownarts.org/calendar/a-celebration-of-black-composers/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2019/08/1.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190912T143000
DTEND;TZID=America/Chicago:20190912T163000
DTSTAMP:20260518T190751
CREATED:20190806T161010Z
LAST-MODIFIED:20190806T161010Z
UID:10003761-1568298600-1568305800@crosstownarts.org
SUMMARY:Crosstown Arthouse presents Toni Morrison: The Pieces I Am
DESCRIPTION:The Crosstown Arthouse Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground\, and documentary features. \nFilms begin at 7:30 pm sharp.\nTickets are $5 (at the door only) \nToni Morrison: The Pieces I Am is an artful and intimate meditation on legendary storyteller Toni Morrison. It examines her life\, her works\, and the powerful themes she has confronted throughout her literary career. Morrison leads an assembly of her peers\, critics and colleagues on an exploration of race\, history\, America and the human condition.
URL:https://crosstownarts.org/calendar/crosstown-arthouse-presents-toni-morrison-the-pieces-i-am/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2019/08/3.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190908T140000
DTEND;TZID=America/Chicago:20190908T160000
DTSTAMP:20260518T190751
CREATED:20190625T154211Z
LAST-MODIFIED:20190628T181738Z
UID:10003711-1567951200-1567958400@crosstownarts.org
SUMMARY:The Grammy Award-Winning Rebirth Brass Band at Crosstown Theater
DESCRIPTION:Join us for a performance by the Grammy Award-winning\, New Orleans-based Rebirth Brass Band on the Kemmons Wilson Family Stage at Crosstown Theater. \nTickets: $20\nDoors at 6 pm | performance at 7 pm \n“UNBELIEVABLE. HARD AS HELL\,\nFREE AS A RAY OF LIGHT\, THERE IS\nNOT A BAND ON EARTH THAT IS BETTER. STUNNING.”\n— FLEA (OF THE RED HOT CHILI PEPPERS) \n\nAbout Rebirth Brass Band:\nWhether seen on HBO’s Treme or at their legendary Tuesday night gig at The Maple Leaf\, Grammy-winning Rebirth Brass Band is a true New Orleans institution. Formed in 1983 by the Frazier brothers\, the band has evolved from playing the streets of the French Quarter to playing festivals and stages all over the world. While committed to upholding the tradition of brass bands\, they’ve also extended themselves into the realms of funk and hip-hop to create their signature sound. \n“Rebirth can be precise whenever it wants to\,” says The New York Times\, “but it’s more like a party than a machine. It’s a working model of the New Orleans musical ethos: as long as everybody knows what they’re doing\, anyone can cut loose.” \nIn the wake of the sometimes- stringent competition amongst New Orleans brass bands\, Rebirth is the undisputed leader of the pack\, and they show no signs of slowing down.
URL:https://crosstownarts.org/calendar/rebirth-brass-band-at-crosstown-theater/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2019/06/rebirth-brass-band.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190905T143000
DTEND;TZID=America/Chicago:20190905T163000
DTSTAMP:20260518T190751
CREATED:20190627T203255Z
LAST-MODIFIED:20190830T180839Z
UID:10003049-1567693800-1567701000@crosstownarts.org
SUMMARY:Crosstown Arthouse Presents Grindhouse Features: SWEET SWEETBACK'S BAADASSSSS SONG
DESCRIPTION:The Crosstown Arthouse Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground and documentary features. This week: SWEET SWEETBACK’S BAADASSSSS SONG \nFilms begin at 7:30 pm sharp.\nTickets are $5 (at the door only) \nBRAND-NEW 4K RESTORATION! Included in MoMA’s permanent collection and considered to be among the most significant features ever by an African-American filmmaker\, SWEET SWEETBACK is a brutal and shocking story of survival and is credited as one of the first blaxploitation films. \nDirector/writer/producer/editor/composer Melvin Van Peebles stars as a black orphan raised in a brothel and groomed to be a sex show performer. Set up by his boss and two corrupt cops for a murder he didn’t commit\, Sweetback escapes custody and is thrust into an increasingly hallucinogenic world of violence and bigotry where no one can be trusted\, and the possibility of death lurks at every corner…Cos Featuring a rousing score from a nascent Earth\, Wind\, & Fire\, as well as surrealist visuals from stalwart genre cinematographer Robert Maxwell (THE CANDY SNATCHERS)\, Van Peebles creates an unforgettable study of perseverance in the face of racism.
URL:https://crosstownarts.org/calendar/crosstown-arthouse-presents-grindhouse-features-sweet-sweetbacks-baadassss-song/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/png:https://crosstownarts.org/wp-content/uploads/2019/06/SWEET-SWEETBACKS-BAADASSSSS-SONG-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20190903T133000
DTEND;TZID=America/Chicago:20190903T160000
DTSTAMP:20260518T190751
CREATED:20190814T215101Z
LAST-MODIFIED:20190814T215108Z
UID:10003076-1567517400-1567526400@crosstownarts.org
SUMMARY:Shoot & Splice: Memphis On Set
DESCRIPTION:National film and television shows (like the Hallmark “Graceland” films & Bluff City Law) have caught on to what an incredible place Memphis is to make their work.  For the September Shoot & Splice\, Sharon O’Guin (Deputy Film Commissioner for the Memphis & Shelby County Film and Television Commission) will talk about the hard work the Commission is doing behind the scenes to both bring national level productions to Memphis and assist local  film and television professionals.  Then hear some on-set experiences from some very talented Memphians\, including Kevin Brooks\, Kerri Mahoney and Jil Szewski – all three currently working on Bluff City Law. \nShoot & Splice is a monthly filmmaker forum presented collaboratively by Indie Memphis and Crosstown Arts. \nFree and open to the public\nDoors at 6:30 pm | Presentation at 7 pm \nKEVIN BROOKS is a multi-talented film director\, writer\, cinematographer and editor.  As a senior in the University of Memphis Film Program\, Kevin was selected to participate in the Sundance Ignite program.  Kevin has since made several  short films and has won the Memphis Film Prize two years in a row.  Kevin serves as a board member at large for the Memphis & Shelby County Film and Television Commission.  Kevin is currently in pre-production for a feature and works on the set of Bluff City Law. \nKERRI MAHONEY is a multidisciplinary designer who has developed print\, interactive and product design projects since 1997.  Having a deep love for roots music\, Kerri has been working with the Ponderosa Stomp Foundation based in New Orleans\, LA since its inception to create marketing materials and merchandise for its annual concert\, held in New Orleans. Most recently\, she has been designing album art for clients such as Electraphonic Recording\, Fat Possum Records\, Big Legal Mess Records\, Modern Harmonic\, Amazon\, and Madjack Records.  In between making insanely great record covers\, Kerri works in the Art Department for Bluff City Law. \nSHARON O’GUIN is the Deputy Film Commissioner for the Memphis & Shelby County Film and Television Commission.  Founded in 1985 by joint City/County resolution\, The Memphis & Shelby County Film and Television Commission is the official City/County economic development agency for film and television. The Commission Office works primarily to assist and/or recruit funded projects which will economically impact multiple sectors of the local community—local hires\, local vendors\, etc. \nJIL SZEWSKI is currently the Art Department Coordinator for Bluff City Law.  Jil has worked as an art department production coordinator for many television and film productions\, including Bluff City Law\, Truth Be Told\, Wedding At Graceland\, The Kids Are Alright\, How To Get Away with Murder\, Ballers\, Pitch\, Jean-Claude Van Johnson\, Ken Jeong Made Me Do It\, Whitney\, Rock My RV\, Only Lovers Left Alive and A Very Harold & Kumar 3D Christmas.
URL:https://crosstownarts.org/calendar/shoot-splice-memphis-on-set/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/png:https://crosstownarts.org/wp-content/uploads/2019/08/SEPTEMBER-SHOOT-AND-SPLICE-INSTAGRAM-v01.png
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