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DTSTART;TZID=America/Chicago:20260402T190000
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DTSTAMP:20260527T013944
CREATED:20260109T164059Z
LAST-MODIFIED:20260109T164059Z
UID:10004786-1775156400-1775163600@crosstownarts.org
SUMMARY:Crosstown Arts Film Series: Titane
DESCRIPTION:Julia Ducournau’s Titane is a ferocious fusion of body horror\, melodrama\, and black comedy\, an audacious work that violently fractures genre in order to rebuild it into something startlingly intimate. Winner of the Palme d’Or\, the film follows Alexia\, a go-go dancer with a titanium plate fused into her skull after a childhood car accident\, as she drifts from mechanical desire toward a strange and desperate search for connection. \nBeneath the chrome and gasoline sheen\, Titane operates as a film about transformation\, physical\, psychological\, and emotional. Its most shocking moments are not merely provocative but pointed. Ducournau confronts the viewer with bodies as mutable machines\, identity as performance\, and gender as both cage and refuge. The film’s violence is handled with a deadpan absurdity that gradually softens\, revealing tenderness in places most films would not dare look. \nThe heart of Titane lies in its undertones\, loneliness and projection\, the craving for recognition\, the reshaping of self in order to be loved\, the quiet ache of longing that pushes its characters into wild contortions. What begins as industrial eroticism melts into an unconventional family drama\, where vulnerability becomes more shocking than carnage. \nTitane is a film of contradictions. It is grotesque yet delicate\, cynical yet yearning\, metallic yet warm. It tests boundaries not for shock’s sake but to expose the human impulse to find belonging\, even if it means becoming something unrecognizable. The result is a fearless and deeply strange meditation on bodies\, identity\, and the slender thread between monstrosity and love.
URL:https://crosstownarts.org/calendar/crosstown-arts-film-series-titane/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2026/01/Titane.jpg
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DTSTART;TZID=America/Chicago:20260409T190000
DTEND;TZID=America/Chicago:20260409T210000
DTSTAMP:20260527T013944
CREATED:20260109T164438Z
LAST-MODIFIED:20260109T164438Z
UID:10004787-1775761200-1775768400@crosstownarts.org
SUMMARY:Crosstown Arts Film Series: Under the Silver Lake
DESCRIPTION:David Robert Mitchell’s Under the Silver Lake is a woozy neo-noir that sinks into the dream logic of Los Angeles\, peeling back its sunlit surface to expose the network of symbols\, conspiracies\, and secret messages that seem to pulse beneath the city. At the center is Sam\, a drifting young man whose obsession with hidden meaning escalates after a mysterious woman vanishes from the apartment complex where he lives. \nOn its face\, the film plays like a contemporary detective story\, complete with codes\, clues\, and shadowy figures moving through Hollywood’s forgotten edges. Beneath that structure\, however\, is a meditation on loneliness\, fixation\, and the way pop culture imprints on the psyche. Sam’s journey is less about solving a mystery and more about clinging to a narrative that gives his life form\, direction\, and a sense of cosmic importance. \nThe undertones of Under the Silver Lake swirl with cultural decay and generational drift. The film is haunted by the ghosts of classic cinema and old Hollywood glamour\, but the glitter has curdled into an atmosphere of disillusionment. The soundtrack\, the billboards\, the movie posters\, the disposable media\, all function as hieroglyphs in a culture obsessed with being noticed yet terrified of fading away. \nMitchell’s film balances humor with dread\, and beauty with absurdity. It invites the viewer into a conspiracy that may be real or may be merely a projection of Sam’s desperation to feel connected to something larger than himself. In the end\, Under the Silver Lake becomes a strange\, melancholic portrait of a city where everyone is waiting to be discovered\, and where being lost can feel like a secret code all its own.
URL:https://crosstownarts.org/calendar/crosstown-arts-film-series-under-the-silver-lake/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2026/01/Under-the-Silver-Lake.jpg
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DTSTART;TZID=America/Chicago:20260423T190000
DTEND;TZID=America/Chicago:20260423T210000
DTSTAMP:20260527T013944
CREATED:20260327T183240Z
LAST-MODIFIED:20260327T183240Z
UID:10004897-1776970800-1776978000@crosstownarts.org
SUMMARY:Crosstown Arts Film Series Presents: Dr. Strangelove
DESCRIPTION:Stanley Kubrick’s Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb is one of cinema’s sharpest and most enduring satires\, a Cold War nightmare spun into pitch-black comedy. Released at the height of nuclear anxiety\, the film follows a chain reaction of military blunders and political absurdities that threaten to end the world\, not with heroism\, but with bureaucratic confusion and human folly. \nAnchored by Peter Sellers in multiple unforgettable roles\, Dr. Strangelove walks a razor’s edge between the ridiculous and the terrifying\, exposing how fragile the systems of power can be when placed in the hands of flawed individuals. Kubrick’s stark visual style and relentless sense of irony turn global annihilation into something both hilarious and deeply unsettling. \nJoin us at Crosstown Arts Theater on Thursday\, April 23 at 7pm for this landmark film that remains as biting\, relevant\, and uncomfortably funny as ever.
URL:https://crosstownarts.org/calendar/crosstown-arts-film-series-presents-dr-strangelove/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2026/03/strangelove-poster.jpg
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