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DTSTART;TZID=America/Chicago:20191201T120000
DTEND;TZID=America/Chicago:20191201T140000
DTSTAMP:20260813T062130
CREATED:20191003T200058Z
LAST-MODIFIED:20191003T200058Z
UID:10003839-1575201600-1575208800@crosstownarts.org
SUMMARY:Kafé Kirk with special guest Wendy Moten
DESCRIPTION:Join Grammy-winning saxophonist Kirk Whalum for Kafé Kirk\, a monthly jazz series in Crosstown Theater featuring musical and spiritual collaborations with special guest artists. This month’s guest: Memphis-based jazz vocalist Wendy Moten. \nDoors at 5 pm | performance at 6 pm \nGeneral admission tickets — $45\nVIP tickets (includes a meet-and-greet and free CD) — $60 \nAbout Kirk Whalum:\nSoulful\, passionate\, stirring … these are the words most often used to describe Kirk’s music. Forged from his Memphis gospel roots and his 1980s initiation into the thriving Houston nightclub scene\, Kirk’s big\, rich tenor sound is unmistakably his.The 80s were highlighted by Kirk’s stepping out of his blossoming sideman role and forming his own band. It was there that Kirk ultimately developed both his “voice” and songwriting in the crucible of the local club scene — especially at a rooftop club called Cody’s. It was also in Houston where jazz pianist Bob James “discovered” him and brought him on tour\, which led to five successful albums with Columbia Records\, including Cache\, Kirk’s first No. 1 album. Kirk and Bob also received a Grammy nomination for their collaboration album\, Joined at the Hip. \nAfter moving to Los Angeles\, Kirk became an in-demand session player for top artists like Barbara Streisand\, Al Jarreau\, Luther Vandross\, Larry Carlton\, Quincy Jones\, and\, most notably\, Whitney Houston\, amongst many others. It’s his sax heard on the mega-hit\, “I Will Always Love You.” Kirk soon followed that career high point with his phenomenal hit album released on Warner Bros. Records\, For You\, perhaps the most successful of over 25 solo recordings to date. Others include his eclectic\, and much-lauded\, Gospel According to Jazz series\, (Chapters 1\, 2\, 3 and 4). In addition to his many solo projects\, Kirk was also a member of the popular soul/jazz group\, BWB\, which features Kirk as the “W” of the group with Rick Braun (trumpet) and Norman Brown (guitar). \nAbout Wendy Moten:\nWhen Wendy Moten talks about her more than 20 years in the music industry\, a few words come up over and over: growing\, collaborating\, learning. Lucky\, fortunate. \nA surprising juxtaposition emerges: one of pop music’s most powerful voices\, who hopes that her legacy will be as a collaborator\, open to creating great art. \nIt’s a refreshing perspective from a vocalist with Wendy’s resume. The Memphis-born singer has earned a vast collection of professional credits in Contemporary\, R&B\, Jazz\, Rock\, and Country since launching her career with her self-titled debut record (EMI) in 1992. That album produced two Billboard charting singles\, including the enduring ballad “Come In Out of the Rain” and the up-tempo dance hit “Step by Step.” \nOn the heels of that release\, Wendy was chosen to open for Michael Bolton during his North American stadium tour and connected with fans worldwide through sold-out headlining performances at venues like the famed Budokan in Japan. In 1994\, she recorded the GRAMMY ® nominated single “Whatever You Imagine\,” from the animated film The Pagemaster starring Macaulay Culkin. Additional film soundtrack credits include 1993’s Mr. Wonderful starring Annabella Sciorra and Matt Dillon. \nJulio Iglesias and Wendy Moten Wendy recorded two more albums for EMI: Time For Change\, an international smash and European best-seller\, with “Change Of Heart” and “Your Love Is All I Know;” and Life’s What You Make It\, which showcased her versatility as an artist\, vocalist\, producer and songwriter. \nThat’s when Wendy got an invitation that she says was pivotal to the course of her career. She travelled the world with Julio Iglesias as a featured vocalist for 15 years\, connecting with worldwide audiences\, growing tremendously as a performer and discovering herself as an artist. \nThrough that experience and in the years since\, Wendy has earned a reputation\, not just for her powerhouse voice but for her professionalism and versatility – a chameleon behind the mic\, she’s worked in every genre imaginable – and as a talented vocal and musical arranger and songwriter\, her recording credits reach across genre lines with artists like Michael Bolton\, Eric Clapton\, Buddy Guy\, Al Jarreau\, Joss Stone\, John Mayall\, Kenny Rogers\, Jeffrey Osborne\, Montgomery Gentry\, Brooks & Dunn\, Alice Cooper\, Mindy McCready\, Marcia Ball\, Joe Louis Walker\, Bonnie Tyler\, Todd Snider and many others. \nWendy Moten and Kirk Whalum by Patty W. PadgettIndeed\, the list goes on endlessly: her stunning lead vocal on the Stevie Wonder mega-hit\, “All I Do\,” from saxophonist Kirk Whalum’s GRAMMY® winning album\, “For You;” her duets on records like Michael McDonald’s No Love to Be Found; featured vocals on Buddy Guy’s 2009 GRAMMY® nominated album Skin Deep and the recently released Good Road to Follow by John Oates. In 2009\, she released Tis the Season\, a collaboration with American jazz\, pop\, and Latin pianist Clay Perry and in 2013 shared backing vocal duties with Bekka Bramlett at Bonnaroo’s Rock ‘N’ Soul Dance Party Superjam\, rocking out with an all-star lineup including John Oates\, Jim James\, Larry Graham\, Billy Idol\, R. Kelly\, and Preservation Hall Jazz Band.
URL:https://crosstownarts.org/calendar/kafe-kirk-with-special-guest-wendy-moten-2/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2019/04/CafeKirk_FacebookBanner_820x360-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20191203T130000
DTEND;TZID=America/Chicago:20191203T150000
DTSTAMP:20260813T062131
CREATED:20191120T184531Z
LAST-MODIFIED:20191120T184531Z
UID:10003872-1575378000-1575385200@crosstownarts.org
SUMMARY:Shoot & Splice: Holiday Film Trivia
DESCRIPTION:Throughout the year\, Indie Memphis & Crosstown Arts brings cinematographers\, directors\, editors\, writers\, and technicians to Shoot & Splice\, the monthly filmmaking forum. Come help us celebrate the end of another year with the Sixth Annual Shoot & Splice Cinema Trivia blowout with Trivia Masters Chris McCoy and John Beifuss! Test your filmmaker mettle! Prizes! Holiday cocktails! Food and deliciousness! Did we say\, FREE & OPEN TO THE PUBLIC? \nDOORS OPEN AT 6:30 PM\nTRIVIA CONTEST STARTS at 7:00 PM
URL:https://crosstownarts.org/calendar/shoot-splice-holiday-film-trivia/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20191205T133000
DTEND;TZID=America/Chicago:20191205T153000
DTSTAMP:20260813T062131
CREATED:20191105T172703Z
LAST-MODIFIED:20191105T172703Z
UID:10003857-1575552600-1575559800@crosstownarts.org
SUMMARY:Crosstown Arthouse presents Band of Outsiders
DESCRIPTION:The Crosstown Arthouse Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground and documentary features. \nFilms begin at 7:30 pm sharp at Crosstown Theater\nTickets are $5 (at the door only) \nFour years after Breathless\, Jean-Luc Godard reimagined the gangster film even more radically with BAND OF OUTSIDERS (Bande à part\, 1964\, 95 minutes). Two restless young men (Sami Frey and Claude Brasseur) enlist the object of both of their fancies (Anna Karina) to help them commit a robbery — in her own home. This audacious and wildly entertaining French New Wave gem is at once sentimental and insouciant\, effervescently romantic and melancholy\, and it features some of Godard’s most memorable set pieces\, including the headlong race through the Louvre and the unshakably cool Madison dance sequence. \n 
URL:https://crosstownarts.org/calendar/crosstown-arthouse-presents-band-of-outsiders/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/png:https://crosstownarts.org/wp-content/uploads/2019/11/BAND-OF-OUTSIDERS-05.png
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20191208T140000
DTEND;TZID=America/Chicago:20191208T170000
DTSTAMP:20260813T062131
CREATED:20190926T171129Z
LAST-MODIFIED:20190926T171129Z
UID:10003819-1575813600-1575824400@crosstownarts.org
SUMMARY:The Bad Plus at Crosstown Theater
DESCRIPTION:Join us for a performance by jazz trio The Bad Plus on the Kemmons Wilson Family Stage at Crosstown Theater. \nTickets: $25\nDoors at 7:30 pm | Show at 8 pm \nThe Bad Plus came together at the end of the 20th century and has avoided easy categorization ever since\, winning critical hosannas and a legion of fans worldwide with their creativity\, unique sound\, and flair for live performance. The intensely collaborative trio has constantly searched for rules to break and boundaries to cross\, bridging genres and techniques while exploring the infinite possibilities of three exceptional musicians working in perfect sync. \nThe band consists of founding members Reid Anderson (bass) and Dave King (drums) and new member Orrin Evans (piano) — a group of passionate collaborators with no single “leader.” \n——- \n“Bad Plus have grown from upstart into institution. Best Jazz Album of 2018.”\n— Rolling Stone \n“A combustible trio with a book of finely orchestrated\, catchy original tunes\, and a knack for radically reconstituted pop covers.”\n— The New York Times \n“By any standard\, jazz or otherwise\, it is moving\, mighty music…bad to the bone\, hot players with hard-rock hearts.”\n— Rolling Stone \n“The Bad Plus are the Coen brothers of jazz: Midwesterners\, both ironic and dead earnest\, technically brilliant\, beyond versatile\, a little chilly sometimes\, but funny\, surprising\, and pretty hard to pin down.”\n— The New Yorker \n“One of the great\, true groups in jazz of the past 25 years.”\n— Joshua Redman
URL:https://crosstownarts.org/calendar/the-bad-plus-at-crosstown-theater/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2019/09/TBP1_ShervinLainez-1515768833.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20191212T133000
DTEND;TZID=America/Chicago:20191212T153000
DTSTAMP:20260813T062131
CREATED:20191105T173320Z
LAST-MODIFIED:20191105T173423Z
UID:10003858-1576157400-1576164600@crosstownarts.org
SUMMARY:Crosstown Arthouse presents Handsworth Songs
DESCRIPTION:The Crosstown Arthouse Film Series showcases a diverse collection of independent\, international\, historically significant\, artistic\, experimental\, cult\, underground and documentary features. \nFilms begin at 7:30 pm sharp at Crosstown Theater\nTickets are $5 (at the door only) \nIn October 1985\, Britain witnessed a spate of civil disturbances in the Birmingham district of Handsworth and in urban centers of London. These were violent\, tragic events\, marked by the death of an elderly black woman\, Joy Gardner\, and a white policeman\, Keith Blakelock . \nHANDSWORTH SONGS (BLACK AUDIO FILM COLLECTIVE/JOHN AKOMFRAH)/1986/58 minutes) takes as its point of departure these events and the inability of the British media to go beyond its concern with demonizing or rationalizing the rioters and their motives\, to break the anxiety-driven loop of morbid responses to the presence of blacks in Britain. \nHandsworth Songs explores the idea that the riots represented less a self-contained drama of rage with a single origin and trajectory than a multiplicity of issues\, ambivalences \, to do with race\, longing\, and belonging – not all of which could be shored up by recourse to a rhetoric of civil disorder. The film’s sense of multiplicity extends to a rethinking of black British presence and a refuting of the idea of a homogenous black community with a single sense of presence characterized by uniformity of ambition and expression. \nInstead the film evokes a broad range of voices\, tones\, registers. And it is through this panoply of positions and presences that Handsworth Songs approaches the riots and expresses its central idea — that it is not the riots in their dramatic unfolding\, nor even in the wake of their violent eruption\, which provide us with a route into the drama. \nHandsworth Songs contends that the meaning in the malaise is to be found in events outside the frame of contemporary reportage\, in moments which seemed to have little affective relation to the expressions of discontent which characterized the riots – in the annals of post war news reportage around race in Britain\, transformed in the film into an archive of black (un)belonging\, in the expression of hopes of belonging brutally deferred.
URL:https://crosstownarts.org/calendar/crosstown-arthouse-presents-handsworth-songs/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2019/11/HANDSWORTH-SONGS-02.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20191215T140000
DTEND;TZID=America/Chicago:20191215T170000
DTSTAMP:20260813T062131
CREATED:20191010T200326Z
LAST-MODIFIED:20191203T215636Z
UID:10003841-1576418400-1576429200@crosstownarts.org
SUMMARY:A Performance of Big Star's Third & More
DESCRIPTION:Join us for a performance of Big Star’s Third and more on the Kemmons Wilson Family Stage at Crosstown Theater. \nTickets: $30\nDoors at 7 pm | Show at 8 pm \nFeaturing Big Star’s Jody Stephens and conducted by Carl Marsh\, the album’s original arranger. Plus\, Mike Mills (R.E.M.)\, Chris Stamey (the dbs)\, Mitch Easter\, Skylar Gudasz\, Django Haskins (the Old Ceremony)\, Brett Harris\, Charles Cleaver\, Dale Baker\, Jimmy Stephens\, and members of the Memphis Symphony Orchestra.
URL:https://crosstownarts.org/calendar/a-performance-of-big-stars-third-more/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2019/10/big-star-675x450.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20191220T140000
DTEND;TZID=America/Chicago:20191220T170000
DTSTAMP:20260813T062131
CREATED:20191125T200253Z
LAST-MODIFIED:20191125T200253Z
UID:10003881-1576850400-1576861200@crosstownarts.org
SUMMARY:Kirk Whalum's "A Gospel According to Jazz" Christmas
DESCRIPTION:Grammy Award-winning saxophonist Kirk Whalum presents his 8th annual “A Gospel According To Jazz” Christmas Tour with John Stoddart and Kevin Whalum\, along with this year’s featured guests\, vocalist Maysa and guitarist Adam Hawley. \nTickets: $45-$75\nDoors at 7 pm  | Show at 8 pm \nThis show will be in support of Room In The Inn.
URL:https://crosstownarts.org/calendar/kirk-whalums-a-gospel-according-to-jazz-christmas/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2019/11/https___cdn.evbuc_.com_images_82227489_2878337303_1_original.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20191221T140000
DTEND;TZID=America/Chicago:20191221T173000
DTSTAMP:20260813T062131
CREATED:20190918T185855Z
LAST-MODIFIED:20191216T173136Z
UID:10003109-1576936800-1576949400@crosstownarts.org
SUMMARY:Gamble Brothers Band & CYC at Crosstown Theater
DESCRIPTION:The Gamble Brothers Band and CYC join forces for a double bill reunion at Crosstown Theater. \nTickets: $25\nDoors at 7 pm | Show at 8 pm \nAbout Gamble Brothers Band:\nThe Memphis-based Gamble Brothers Band formed in 2001\, released three albums\, and toured the U.S. with their guitar-less sound of R&B\, soul and rock. The four-piece band played their last show at Mud Island Amphitheater when they opened for the Black Crowes in fall of 2006. Since then\, Art Edmaiston\, Al Gamble\, Blake Rhea and Chad Gamble have all gone on to record and tour internationally with other well-known groups. Those artists include Grammy-winning Jason Isbell and the 400 Unit\, the Gregg Allman Band\, JJ Grey and Mofro\, Marc Broussard\, St. Paul and the Broken Bones\, and more. \nAbout CYC:\nSeamlessly mixing funk\, rap\, metal\, and jazz\, CYC first made their name in Midtown coffee shops and beer joints\, and ended their run as late-night stalwarts on Beale. The band became a springboard for launching Memphis music internationally as CYC members have since toured and collaborated with Justin Timberlake\, Jay-Z\, Buddy Guy\, Gregg Allman\, Yo Gotti\, 8Ball & MJG\, Dr. John and many more. It has been twenty years since CYC last performed but the grooves are fresh as ever and the band has been waiting for the opportunity to unleash the gems from the archives.
URL:https://crosstownarts.org/calendar/gamble-brothers-band-cyc-at-crosstown-theater/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2019/09/https___cdn.evbuc_.com_images_72692723_30548630939_1_original.jpg
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