BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Crosstown Arts - ECPv6.15.17.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Crosstown Arts
X-ORIGINAL-URL:https://crosstownarts.org
X-WR-CALDESC:Events for Crosstown Arts
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Chicago
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20250309T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20251102T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20260308T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20261101T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20270314T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20271107T070000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260313T110000
DTEND;TZID=America/Chicago:20260607T200000
DTSTAMP:20260423T054629
CREATED:20260316T141123Z
LAST-MODIFIED:20260316T141540Z
UID:10004891-1773399600-1780862400@crosstownarts.org
SUMMARY:Spring Exhibitions
DESCRIPTION:Crosstown Arts presents three exhibitions: Shades of Heritage by Wiley Henry\, A Rabbit With a Gun by Lawrence Matthews\, and Club Walrus\, Fluvial Effluvia\, and Know No Now by Karl Erickson. The exhibitions bring together three distinct artistic practices that explore themes of heritage\, perception\, identity\, and humanity’s relationship with the wider world. \nOn view through June 7\, 2026\, the exhibitions highlight artists working across painting\, drawing\, animation\, installation\, and multimedia forms\, each approaching the act of representation from a unique perspective. \n\nShades of Heritage — Wiley Henry\nIn Shades of Heritage\, Wiley Henry presents a selection of paintings and drawings centered on the human figure and the formative influence of personal history. Through traditional realist techniques\, Henry explores how heritage shapes identity and artistic expression. \nThe exhibition reflects Henry’s belief that his work emerges directly from the experiences that shaped him. As the artist explains\, the works collectively “reflect my identity\, artistic perspective\, and creative approach\,” emphasizing the role heritage plays in both subject and meaning. \nHenry’s fascination with the human form allows him to depict figures with ease and emotional immediacy. He describes this connection as inseparable from his upbringing and the environment that formed him: “I am who I am because of my heritage.” \nAlthough the exhibition is not explicitly religious\, Henry notes that spiritual themes often surface within his work. In several pieces he depicts gatherings of Black angels and children in celestial settings\, continuing a long tradition of artists who have portrayed angelic figures throughout history. \nHenry is a Memphis-born artist whose work has been widely reproduced and commissioned for portraits of prominent individuals\, including judges\, actors\, politicians\, and community leaders. A graduate of the Memphis College of Art\, he has built a career rooted in traditional realism and a distinctive ability to capture what he describes as the “essence of the human spirit.” \n\nA Rabbit With a Gun — Lawrence Matthews\nLawrence Matthews’ A Rabbit With a Gun explores the unsettling feeling that reality itself may be unstable. The exhibition grew out of the artist’s immersion in media and ideas about altered perception and the uncanny nature of everyday life. \nMatthews describes his recent years as a period spent grappling with the feeling that something about existence feels “off”—that space\, time\, and social interactions sometimes behave in strange or unpredictable ways. “People are confusing\,” he writes. “Time moves in ways which it shouldn’t. Months zoom past in hours.” \nIn this body of work\, Matthews imagines what might happen if one actively pushes against those familiar routines and expectations. He describes venturing “further and further into spaces off the path—in the world\, in my past and in my own head.” The works become attempts to share those moments when perception shifts and the boundaries of reality feel fluid. \nBorn and raised in a neighborhood between the Mississippi border\, Memphis city limits\, and the surrounding suburbs\, Matthews’ life experience informs a sensibility closely aligned with Southern Gothic traditions. His work draws from the emotional tension of those environments—places both overlooked and deeply personal. \nMatthews holds a BFA from the University of Memphis and has spent more than a decade exhibiting\, performing\, and collaborating with arts organizations. His multidisciplinary practice blends visual art\, performance\, and narrative into works that reflect the intertwined experiences of memory\, place\, and identity. \n\nClub Walrus\, Fluvial Effluvia\, and Know No Now — Karl Erickson\nKarl Erickson’s exhibition combines digital animation\, installation\, and audio-visual experimentation to explore a world in which humans are only one of many active participants. His work asks viewers to consider the agency of the “other-than-human” entities that share the planet with us. \nFor Erickson\, this includes plants\, animals\, machines\, trash\, electricity\, and the microscopic systems that underpin life itself. The complex tools he uses—such as photogrammetry\, modular synthesizers\, and 3D animation—mirror the complexity of ecological systems. \nWithin these animated environments\, meaning becomes unstable and identities shift. Erickson intentionally disrupts conventional structures of logic and interpretation\, allowing nonsense\, humor\, and absurdity to proliferate. This approach challenges what he describes as the “authoritative\, single-minded way of understanding the world” that privileges strict rational order above all else. \nMany of Erickson’s digital puppets are built from discarded materials\, emphasizing the interconnected assemblage of things that make up the world. By animating these objects and giving them uncanny life\, he invites viewers to reconsider their relationship with the physical environment. \nErickson’s work has been presented widely in galleries\, museums\, film festivals\, and performance spaces. His animation Know No Now has screened internationally and received the Best Animation award at the Chroma Art Film Festival in Miami. \n\nOn View at Crosstown Arts\nTogether\, these three exhibitions offer distinct but complementary perspectives on the human experience—from the shaping power of heritage\, to the instability of perception\, to the broader networks of life and matter that surround us. \nThe exhibitions remain on view at Crosstown Arts in Memphis through June 7\, 2026.
URL:https://crosstownarts.org/calendar/spring-exhibitions/
LOCATION:Crosstown Arts Galleries\, 1350 Concourse Ave.\, Suite 280\, Memphis\, TN\, 38104\, United States
CATEGORIES:Gallery
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2026/03/OpeningReception_03_13_26_Galleries_SocialMedia-Art7.jpg
GEO:35.1522897;-90.0132964
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Crosstown Arts Galleries 1350 Concourse Ave. Suite 280 Memphis TN 38104 United States;X-APPLE-RADIUS=500;X-TITLE=1350 Concourse Ave.\, Suite 280:geo:-90.0132964,35.1522897
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260423T190000
DTEND;TZID=America/Chicago:20260423T210000
DTSTAMP:20260423T054629
CREATED:20260327T183240Z
LAST-MODIFIED:20260327T183240Z
UID:10004897-1776970800-1776978000@crosstownarts.org
SUMMARY:Crosstown Arts Film Series Presents: Dr. Strangelove
DESCRIPTION:Stanley Kubrick’s Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb is one of cinema’s sharpest and most enduring satires\, a Cold War nightmare spun into pitch-black comedy. Released at the height of nuclear anxiety\, the film follows a chain reaction of military blunders and political absurdities that threaten to end the world\, not with heroism\, but with bureaucratic confusion and human folly. \nAnchored by Peter Sellers in multiple unforgettable roles\, Dr. Strangelove walks a razor’s edge between the ridiculous and the terrifying\, exposing how fragile the systems of power can be when placed in the hands of flawed individuals. Kubrick’s stark visual style and relentless sense of irony turn global annihilation into something both hilarious and deeply unsettling. \nJoin us at Crosstown Arts Theater on Thursday\, April 23 at 7pm for this landmark film that remains as biting\, relevant\, and uncomfortably funny as ever.
URL:https://crosstownarts.org/calendar/crosstown-arts-film-series-presents-dr-strangelove/
LOCATION:Crosstown Theater\, 1350 Concourse Ave.\, Memphis\, TN\, 38104\, United States
CATEGORIES:Crosstown Theater
ATTACH;FMTTYPE=image/jpeg:https://crosstownarts.org/wp-content/uploads/2026/03/strangelove-poster.jpg
END:VEVENT
END:VCALENDAR