Current Residents

Crosstown Arts 2018 Summer Session Residents

Aisha Raison
creative writing, filmmaking, photography, playwrighting, public art

“As a writer, filmmaker, and activist, I take the tools that I have used for the past 26 years in my career as an on-air personality and director and use them to convey emotion, send a message of hope, and recognize what is happening in society as a whole.”

Alex Joins
mixed media, sculpture, installation

“I am an artist producing artwork at the direct convergence of sculpture and painting, raising the visual plane to the image which lies on its side.”

Caroline Keys
artist, writer, poet, musician, and teacher

I am a collaboration junkie. I play music in order to disappear. Evaporating into sound was a big part of my musical upbringing, which took place in church choirs and Appalachian string bands. Choir, for me, was about blending into the sounds around me. In Appalachian string band music, disappearing is sort of the point: the musicians play so the dancers can dance.  There is no spotlight, just collective motion and sound.”

Carrick Bell
installation, video art

I make videos using already existing material to play with the identity crisis of video and the cultures that produce it. I turn to technologies and images whose relevance is faded, as these can be more instructive than contemporary artifacts. Recent projects have focused on the anxiety that necessarily accompanies subjective responses to infinite possibilities, endless customization, and the imperative that a subject define themselves through the act of decision-making.”

Carrol McTyre
visual artist

While the subject matter varies, at its core my work is an examination of the human experience. The process results in work that takes an anthropological perspective. It’s approachable, observational, and usually holds a surprise.”

music,  videos,  and more

“My visual/vocal art embodies perspectives. I love to illustrate my visions from the subject’s point of view and from the audience’s angle as well. I believe the overall outcome each time makes my work relatable because of the ‘put yourself in my shoes’ state of mind I tend to fall into while creating. Crisp statement colors help me convey how much art parallels the present state of the real world as opposed to just the use of solid separated blacks and whites.”

Kevin Brooks

My name is Kevin Brooks and I am a 24-year-old filmmaker from Memphis, Tennessee. I’ve began creating films at a very young age, ranging from stop-motion to narratives to just random home videos around the house. The journey began the day my dad brought home an RCA video camera and handed it to me and told me to go play with it. From that day on, I went around filming anything that I could, no matter how small or big it was. I just wanted to record everything and wrap my head around how this technology worked.”


Lauren Ross
curating and

I am a curator and writer based in Richmond, Virginia. I have dedicated over twenty years to championing emerging to mid-career artists, with a special emphasis on under-recognized artists, through organizing exhibitions, commissioning public art, and writing reviews, essays, and articles.”

Lester Merriweather
mixed media

The main interest within my practice is restructuring the socio-economic standing and acknowledgement of people of color.  Recent works re-contextualize printed ad material from fashion and lifestyle magazines and examine the ideas and systems that perpetuate social privilege, questioning advertisements that promote notions of racial hierarchy.”

Melanie Bernier

Working from a background in activism and DIY music culture, my practice attends to issues of politics, the mind, and the body with a spirit of resistance. I use the work to challenge common cultural assumptions about subjects including: trash/disposability, beauty, gender, health, and community. Second-hand clothes, trash, performance, aerobics, music, and social practice are among my preferred mediums. Working across them provides a fluidity of expression; one will influence my approach to the others.”

Mike Calway-Fagen

“The fourth wall splits audience and actor creating codified spaces and performances. Reality really is a membrane, and these two seemingly disparate entities spit back and forth, exchanging information, materials, and impacts. I re-approach all things with this in mind. How might a sculpture, video, photo, collage, or whatever stumble right along with the viewer, breath held, eyes open.”

Rosemary Warren
photography, video art

I want to make work that is vulnerable and generous – that lays myself and my thinking, my heart, fears, joys, failings, out to the audience, work that doesn’t stop asking questions. I do not stop asking questions of and with the work – while I primarily use images – still and moving, I also play with writing, printmaking and sound.”

Toya and Reuben Levi
creative writing, social projects, digital arts, multimedia

Presented by Grits Co. (Reuben & Toya Levi), The Green Book Project is a web documentary that includes photos, interviews, and history across the United States about African American experiences traveling via their mode of transportation during the Jim Crow Era.  Blacks had to work together to travel and vacation across the United States with the help of the historic ‘Negro Motorist Green Book,’ a collection of motels, gas stations, restaurants, and more.”

Paul Taylor

What do seemingly disparate artists Chuck Prophet, Aashish Khan, Eric Gales, Shelby Bryant, David Shouse, Ann Peebles, Dead Soldiers, Big Ass Truck, Shawn Lane, Sid Selvidge, Robert Ellis, John Nemeth, Devil Train, Amy LaVere, Mason Ruffner, Luther Dickinson, Kelley Mickwee and many more have in common?

Answer = They have all utilized the talents of Memphis musician Paul Taylor.

Richard Alley

Richard is an award-winning freelance reporter and columnist, as well as the editor of Inside Memphis Business. He has written the parenting column ‘Because I Said So for The Commercial Appeal since 2008. Richard is a native of Memphis, Tennessee, where he currently lives with his wife and four children.

Sarah Ledbetter
performance art

Coming of age as a dance-maker, my goal is to deepen my commitment to the interpersonal nature of dance-making by including my audience in the creative community out of which the dance emerges. My aim in doing so is to bring the performance act back to its roots as an exchange between people who, together, seek a greater collective good.”

Crosstown Arts